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[Éric]

The cave’s entrance was glowing in a golden light. The fresh snow had blanketed the entrance that the midday sun was bathing with warm rays through the fog.

The cave was hanging perilously on the precarious slopes of the mountainous ranges, where only a few woolly goats could safely reach its heights without fear of breaking their necks. It was a safe haven for the Hermit.
Below the cave, the vast expanse of the Forest was almost entirely white, except for its fringe, far from the mountains, where the cities had flowered, and except from its center, the darker Dragon Heartwood with its reds and greens that seemed almost black in contrast.

She was known as the Hermit by most of the Faes living in the forest, a honorary title if not slightly belittling when they called her that. To others, she was often known by different colorful names. Sometimes when she was seen flying in her bird skin, accompanying the giant raptor birds from the plateaus with her long white hair flowing to the wind, surveying from above the life of the land, she would gain other names as well.
Her shaman name was Kumihimo, or weaver of threads. In the cave, many threads were carefully hanged onto a long line, without particular noticeable pattern, either by colors and material. All were different. Her birds friends, big or smaller would often bring her threads from many great distances. She would hang them here, without particular care, or so it seemed to the naked eye.

It had been a long time she had weaved any of them, or had the impulse to.
But she had dreamt.
She never dreamt. To dream for her was a matter of crucial importance.
She had dreamt of seven threads.
It was time she made a new braid.

[Tracy]

places watch speak
flying focus work closer heard
realized dark noise fence looked home
cackling piece hour threads
begin question past

[Tracy]

hello dead bloody hands
line indeed somehow great threads
talking catch matter virtual gone
longer job characters wondering
getting dido head

[Éric]

“You see,” Godfrey pointed out with the rolled paper “Finnley’s got a point here.”
“And what point pray you say?” Liz’ looked outraged at the lack of encouragements.

“Oh, I don’t know, I just said that to grab your attention for a minute.” Godfrey smiled from the corner of his mouth.

Liz’ could not think of something to say, suddenly noticing with amazing details the tense silence, and the small gathered crowd of people looking at her in a mix of face expressions. A scene from her last hospitalisation came back to her, and the horror of trying to seem sane and not utter anything strange to those so-called experts, who were gauging her sanity like hyenas laughing around a tentfull of human snacks.

“You have my full attention.” she heard herself say unexpectedly.

“That’s really the first step in rehabilitation” the doctor opined with a pleased smile.

“Did, did I relapse again?”

“What are you talking about Liz’?” Godfrey was back looking at her with concern in his eyes. She had never noticed his eyes before. Only the furry moustaches above them.

“I think I got lost in the story’s threads again…” Liz’ felt like a little girl being berated by the teacher again, and by her mother for not standing for herself.
“Yeah, it’s a bit of a dumpster…” Haki said snarkily, to which Liz quickly replied mentally “go away, you’re just a character, I fired you many threads ago.”

“Liz’, you have that vacant expression again, Liz’!” Godfrey was waving at her face.
“Stop DOING that, you old coot! What’s wrong with all of you!”

Felicity took a reprieve from her observation post ogling the gardener’s backside, on the guise of bird-watching, and snickered “told you it wasn’t going to go anywhere.”

“Hold on” Godfrey stopped her in a conciliatory tone. “your attitude isn’t really helping Felicity. And Liz sharing her dream recall is a good thing, honestly, we could all do with a bit of getting in touch with our magical self.”

“Oh, I’ve had enough of this loads of bollocks” Felicity said, and she packed and left for good.

“That was a bit abrupt ending, but I like it” opined Godfrey at second reading. “Actually like it better than the version where she jumps through the window, probably pushed by the maid she criticized about the hair in the pea soup.”

“That’s about as magical as I can muster for now, Godfrey, give me time.” Liz smiled relieved that the mummy ordeal was behind her. “Fuck murmality” she smiled impishly, “let’s start a new fantasy thread.”

“With dragons in it?” Godfrey’s eyes were beaming.

“Oh, you and your damned dragons…”

[F Love]

Funley sniffed loudly as she unhurriedly emptied the trash can in Ed Steam’s office, pausing to read any interesting correspondence which may have wound up there. Looking over towards Ed and finding that his attention was still fixed on the computer monitor, she followed her sniff up with a small snort and then a throat clearing noise. When her sniffs and snorts didn’t capture Ed’s attention, she proceeded to blow her nose explosively.

This did the trick. Ed jumped and looked at Funley in alarm.

“Whatever is the matter, Funley? Are you ill?”

“Sorry, didn’t mean to disturb you,” apologised Finnley, pulling up a chair in front of Ed’s desk and seating herself comfortably on it.

“Actually, if you are not too busy, there is a small problem I’ve been wanting to speak with you about. I promised I would untangle the threads for you however the entanglement situation is worse than I could have imagined in my wildest dreams. Or nightmares for that matter. I don’t know who has been doing the record keeping — although I would hazard a guess at Evangeline — but the cross referencing, where it exists, is appalling and … “

A tap on the door and the new employee, Duncan Minestrone, popped his head into the office. “You wanted to see me, Mr Steam?” he asked.

Funley glanced towards the door in exasperation at the interruption and then her expression changed to one of horror.

“Jasper Grok!” she gasped. “What are you doing here?”

[F Love]

NOTES FROM GROUP DISCUSSION:

[unnamed protagonist] finds themself in a coma, but they don’t realize it. It’s like they’re in a dream state, moving through worlds, gradually discovering their past and what’s happening. The person knows that they’re trying to find their way home, which in reality is them trying to wake up.

Once they remember their past and what happened leading up to the coma, they wake up…but remember nothing.

So, as I was trying to structure this, I initially wanted the first book to be their normal waking life and the second book being the coma and the third book being post coma and relearning stuff. But then I figured it would be best to combine the first and second books.

I wanted the reader to start out confused, just like they would be and gradually learn the back story as they went

The only thing is, that would mean that this thread has to remain written as coming from their perspective

we are all writing about ONE character essentially. obviously there are gonna be other characters, but the main thread is this one person

feel free to incorporate any and all previous characters and locations from your other threads. The protagonist will be moving through them. So he/she finds themselves in these other worlds.

They’re being swept up into an adventure right from the start without knowing a thing

let’s drop them into the middle of something exciting

It’s any time
It’s a big dream
In real life, the protagonist is in a coma right now

But, also, you’ll have a lot of freedom to create those on the spot because neither you nor the reader nor the main character knows them until you write them

The characters in this story won’t have too much staying power because the main character is moving through so many worlds. Nearly everyone is incidental,

unless characters appear that are central to the main characters ongoing story, like a nurse for example or family

At max, there might be two or three reoccurring characters that tend to pop in more often than not as helpers
Oh, yeah, family from the back story would come in to play a lot

[Tracy]

It was with undisguised delight that Liz realized that Finnley wasn’t right after all. A glimmer of hope had whistled in with the wind, stirring the dust laden cobwebs festooned across the threads. The clouds parted, sending shafts of sunlight to spear the dark recesses, illuminating the aimless floating of dust motes and dislodged detritus.

Godfrey stirred, rubbing the sleep from his eyes, and called for Finnley.

[rmkreeg]

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

[F Love]

But he was not speechless for long.

“Or was he?” asked an irritating voice from seemingly nowhere.

Because as luck would have it, Funley the cleaner popped her head in the door to see if the bin needed emptying and overheard Evangeline’s ill-timed and thoughtless words.

Snooty tart and what a bloody mess there will be to clean up tonight after the party.

“Don’t worry, Mr Steam, I will untangle this tangled web of threads for you! And I can mop your sweaty brow,” she added sarcastically, rolling her eyes at Evangeline.

[F Love]

Ed Steam was all but overwhelmed by the complexity of the situation.

He was up to his moustache in paperwork as he attempted to resolve the thread entanglement dilemma. At the same time he was striving to keep tabs on the various cacklers and manage the PR for the crowd gas experiments.

“What a jolly brouhaha,” he moaned.

“I am sorry to add to your woes,” said Evangeline cheerfully, “but there have been recent reports of a Cautacious Cackler cackling in various threads, although this may just be a typo for the Audacious Cackler or another strong possibility put forward by the experts is that the Cautacious Cackler has been confused for the Contumacious Cackler.“

She paused to see the effect this information was having on Ed, noting with pleasure the drops of sweat forming on his brow. She leaned over the desk and gently mopped them away with her handkerchief.

“And there have been unverified reports of a possible granite termitation on this thread,” she said softly.

It was too much for Ed.

“I want you to trace it back to when the first signs of entanglement began,” he screamed at Evangeline.

[Tracy]

“There’s a visitor in the drawing room by the name of Bubbles, your highness,” Finnley said with a mock curtsy.

“What on earth are you doing down there, Finnley, pretending to be a red dwarf again? Do act you age and get up at once! Now then, never mind old Bubbles, just make sure she has plenty of carrot champagne and peanuts while she waits. There is something we need to discuss.” Liz was uncharacteristically businesslike. “Something has gone horribly wrong and it will only get worse if we don’t nip it in the bud.”

“Oh?”

“This,” said Liz with a grand sweep of her arm, “This is my haven. This thread is sacrosanct. This is where the stories come from. This is not,” she glared sternly at the diminutive personage before her, “Not where the stories come TO. I’ve just about had enough of stories and other threads knocking on my door and sitting on my threadbare sofas quaffing carrot champagne at the expense of the tranquility I require in which to direct my characters.”

“I see. Shall I tell her to bugger off then?”

“I haven’t finished my diatribe!”

“Oh, right ho then. Carry on.”

“How am I supposed to keep the characters entertained and productive, not to mention in their own stories and not blundering about haphazardly, with all these interruptions?”

“If I may be so bold as to interrupt Madam,” interrupted Finnley with another curtsy, “Why don’t you just delete them all?”

“Don’t be silly, I never delete.”

[Tracy]

“Godfrey, shouldn’t you DO something about that? The characters are wandering all over the place, on the wrong threads, wandering right out of stories, whether they’ve been written out or not. They’re all just doing whatever they damn well want, it’s getting ridiculous!”

Obligingly Godfrey cackled loudly, in what Liz presumed was a game attempt to restore some order in the threads (mistakenly assuming momentarily that they were in Caketown) .

“Are they all turning into anarchists?” he asked, raising an eyebrow.

“Don’t be daft, Godfrey, you can have characters that are anarchists, but you can’t have anarchists that are characters, where will it end? Who will be in control, and lead the story?”

“The writer will have to follow the lead of the characters, then, and support their moves with filler and back story.”

Elizabeth felt faint. “What are you suggesting?” she whispered, filled with dread and uncertainty.

[Tracy]

“Ah, there you are Bert!” Liz smiled graciously. “Do sit down, you look harassed and all of a dither. But the kettle on first though, there’s a love.”

Bert glared at Liz resentfully. “I thought I was a bit part, not a jack of all threads.”

“Oh cheer up, Bert! When you’ve made us all a nice cup of tea we’ll all sit down and talk about it, won’t we Finnley?”

[Jib]

Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.

Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same time

Flove
(no recollection)

Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot that

Tracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expression

[Jib]

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

[Tracy]

“Sadie! psst!” Pseu whispered. “Come with me while they’re getting prepared, they’ll be ages sorting those hoops and bums out.”
“Where are we going?”
“To the Estate, I want to show you the new KILT tiles and the links to the thread in 2014.”
“But I’m having enough difficulty keeping the threads of this thread in order, Pseu, really!”
“They’re connected, it will all start to make sense, trust me!” Pseu replied. “Finn the whale has just made an appearance: in the Gibraltar waters.”
“How can that possibly be connected to Versailles?” Sadie looked unconvinced.
“Trust me” repeated Pseu. “It will become clear when you’ve seen the new tiles.”

[F Love]

“I feel for my neglected characters,” moaned Becky.

[F Love]

The air was filled with anticipation. Phurt was feeling it for a few days and it was not the usual intuition stuff. It wasn’t conveyed by the silky threads or her web or of the other webs of the others like her… it was in the air, and it was very exciting.

[Tracy]

There didn’t seem to be enough hours in the non sequential moments to sort the appalling lack of continuity out. Elizabeth could sense the invisible threads of white ink all around her, but rather than conveniently accessing their continuity enhancing properties she felt trapped inside them, unable to move.

[Tracy]

“a continual weaving of marvelously coloured threads” seemed like as good a place as any to pick up some loose threads and resume narrating the tale of the Tw’Elves. The narrator, who thus far remains nameless, continued to read:

“Some threads were gaily coloured silks, some were rough and coarse, some were woolly and comforting, and others were plain and functional. There were threads of the most unusual and unexpected fibres, other worldly threads tying the myriad dimensions and chapters together somehow. It really was the most fabulously intricate and absorbing construction.”

It must be noted that it was also full of holes, some of which were in the process of embellishment by the tatting goddess, Queenie.