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March 23, 2025 at 7:37 am #7878
In reply to: The Precious Life and Rambles of Liz Tattler
Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.
Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”
“Oh is that what you’ve been doing, I wondered where you were. Well, let’s thank our lucky stars THAT’S all over!”
“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place. Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”
“Good old Roberto, at least he doesn’t keep complaining. You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”
Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper. “Is it some sort of historical re enactment? Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”
“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”
“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.
“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”
“Sounds gripping,” muttered Finnley.
“And a blind uncle who never married and lived to 102. He was so good at being blind that he knew all his sheep individually.”
“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.
“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”
“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.
February 16, 2025 at 12:20 pm #7809In reply to: The Last Cruise of Helix 25
Earth, Black Sea Coastal Island near Lazurne, Ukraine – The Tinkerer
Cornishman Merdhyn Winstrom had grown accustomed to the silence.
It wasn’t the kind of silence one found in an empty room or a quiet night in Cornwall, but the profound, devouring kind—the silence of a world were life as we knew it had disappeared. A world where its people had moved on without him.
The Black Sea stretched before him, vast and unknowable, still as a dark mirror reflecting a sky that had long since stopped making promises. He stood on the highest point of the islet, atop a jagged rock behind which stood in contrast to the smooth metal of the wreckage.
His wreckage.
That’s how he saw it, maybe the last man standing on Earth.
It had been two years since he stumbled upon the remains of Helix 57 shuttle —or what was left of it. Of all the Helixes cruise ships that were lost, the ones closest to Earth during the Calamity had known the most activity —people trying to leave and escape Earth, while at the same time people in the skies struggling to come back to loved ones. Most of the orbital shuttles didn’t make it during the chaos, and those who did were soon lost to space’s infinity, or Earth’s last embrace.
This shuttle should have been able to land a few hundred people to safety —Merdhyn couldn’t find much left inside when he’d discovered it, survivors would have been long dispersed looking for food networks and any possible civilisation remnants near the cities. It was left here, a gutted-out orbital shuttle, fractured against the rocky coast, its metal frame corroded by salt air, its systems dead. The beauty of mechanics was that dead wasn’t the same as useless.
And Merdhyn never saw anything as useless.
With slow, methodical care, he adjusted the small receiver strapped to his wrist—a makeshift contraption built from salvaged components, scavenged antennae, and the remains of an old Soviet radio. He tapped the device twice. The static fizzled, cracked. Nothing.
“Still deaf,” he muttered.
Perched at his shoulder, Tuppence chattered at him, a stuborn rodent that attached himself and that Merdhyn had adopted months ago as he was scouting the area. He reached his pocket and gave it a scrap of food off a stale biscuit still wrapped in the shiny foil.
Merdhyn exhaled, rolling his shoulders. He was getting too old for this. Too many years alone, too many hours hunched over corroded circuits, trying to squeeze life from what had already died.
But the shuttle wasn’t dead. After his first check, he was quite sure. Now it was time to get to work.
He stepped inside, ducking beneath an exposed beam, brushing past wiring that had long since lost its insulation. The stale scent of metal and old circuitry greeted him. The interior was a skeletal mess—panels missing, control consoles shattered, displays reduced to nothing but flickering ghosts of their former selves.
Still, he had power.
Not much. Just enough to light a few panels, enough to make him think he wasn’t mad for trying.
As it happened, Merdhyn had a plan: a ridiculous, impossible, brilliant plan.
He would fix it.
The whole thing if he could, but if anything. It would certainly take him months before the shuttle from Helix 57 could go anywhere— that is, in one piece. He could surely start to repair the comms, get a signal out, get something moving, then maybe—just maybe—he could find out if there was anything left out there.
Anything that wasn’t just sea and sky and ghosts.
He ran his fingers along the edge of the console, feeling the warped metal. The ship had crashed hard. It shouldn’t have made it down in one piece, but something had slowed it. Some system had tried to function, even in its dying moments.
That meant something was still alive.
He just had to wake it up.
Tuppence chittered, scurrying onto his shoulder.
Merdhyn chuckled. “Aye, I know. One of these days, I’ll start talking to people instead of rats.”
Tuppence flicked her tail.
He pulled out a battered datapad—one of his few working relics—and tapped the screen. The interface stuttered, but held. He navigated to his schematics, his notes, his carefully built plans.
The transponder array.
If he could get it working, even partially, he might be able to listen.
To hear something—anything—on the waves beyond this rock.
A voice. A signal. A trace of the world that had forgotten him.
Merdhyn exhaled. “Let’s see if we can get you talking again, eh?”
He adjusted his grip, tools clinking at his belt, and got to work.
February 8, 2025 at 11:29 am #7762In reply to: Helix Mysteries – Inside the Case
The Lexicans of Helix 25 are a faction dedicated to the reclamation and reinterpretation of history, believing that the past is not a fixed truth but a fluid narrative shaped by those who record it. Emerging from the cultural divide between the ship’s original elite passengers and the refugees who boarded during the exodus, they see language, identity, and history as tools of power, often challenging the authority of archivists like Seren Vega, whom they view as gatekeepers of a biased record. To the Lexicans, the past is not something to be merely preserved—it is something to be reclaimed, corrected, and, when necessary, rewritten. Their influence runs deep in debates over ship governance, memory preservation, and even AI ethics, as they push for a future where history belongs to the people rather than the institutions that once controlled it.
February 3, 2025 at 10:10 pm #7733In reply to: The Last Cruise of Helix 25
Leaving the Asylum
They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.
“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.
“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”
Vera sniffed. “I prefer genealogist, thank you very much.”
“Petro,” Anya continued, “probably about to grumble.”
Petro scowled. “I was thinking.”
“Jian, our mystery man.”
Jian raised an eyebrow in acknowledgment.
Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”
The twins—Luka and Lev—nodded and grinned at exactly the same time.
“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”
“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”
Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.
“We can’t,” Mikhail said firmly. “And he can look after himself.”
She huffed. “Well, I expect we could if we tried.”
“And finally, old Gregor, who I gather would rather be taking a nap.”
Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”
Anya frowned, scanning the group again. “Wait. We’re missing Finja.”
A small scraping sound came from behind them.
Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”
Anya sighed. “Finja, leave the gate alone.”
Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”
Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”
They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.
The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.
The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.
“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”
“That’s enough of the old business,” puffed Vera, pulling her shoulders back.
Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.
The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.
After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”
Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.
“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”
“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”
Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”
Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”
Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.
Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”
“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”
“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”
“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.
Jian shrugged. “The world doesn’t erase itself overnight.”
Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”
They sat in silence, watching the fire burn low. The evening stretched long and uneasy.
December 4, 2024 at 8:16 am #7640In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
April 7, 2024 at 7:35 am #7420In reply to: The Incense of the Quadrivium’s Mystiques
Spring was there. At 5:57am in the morning, true to her name, Truella had been planting truelles incognito in what appeared to be random flowerbeds in the cities she was passing through. The truelles, she would usually find with the locator spell in sheds around the city and magic them out right into her hands. She loved magic for its efficiency, which really meant there was no need to break in and forage for hours in cramped little rooms.
As she was following a border of plane trees, she chuckled. Believe it or not, she practically invented that spell. At least that’s what her mother used to tell her when she was 6yo and she often wandered alone around the city without mentioning it to anyone. At the time, she had believed her mother. She had bragged about it with her friends at school and pretended she had forgotten all about it like because of a bump on her head. But truth is she had frequent memory losses, which didn’t worry her at the time, and she found it cool to be able to do things and rediscover them later on.
It was an uncle with a dreadfully red moustache, who took pity on her and decided to shatter her dreams of early accomplishments and fame. Was it that same year? Or the next?
Anyway, back to the truelles, she didn’t do it for people to take photos of it and post them to social media, like gawdy Jeez seemed to think, but it was to remind people of the treasures they had buried in those dark little rooms just there in their gardens. How long would it take them to realise that those forgotten tools had disappeared?
Pleased with herself, she noticed a man with a white shirt leaning forward in front of one of the plane trees, his right hand on the bark, two paper bags full of croissants in the other. Frowning, she walked towards him. She was about to ask if he needed help when a strong smell of alcohol made her gag. Then without a warning, the man threw up a red mash in front of him. Truella jumped back, raising the truelle as if it could protect her from any splatter.
“Eww!” She wouldn’t dare saying anything else as opening her mouth could open the gates for her own early toasted cheese fritter. At least the man would not need embalming fluids if he didn’t survive his nocturnal drinking spree.
She cast the truelle in front of the tree and a spell on the man so that he would bury deep the traces of his last meal. She didn’t want the neighbourhood dogs getting drunk after feasting on it.
February 5, 2024 at 8:08 pm #7350In reply to: The Incense of the Quadrivium’s Mystiques
Eris did portal to be in person for the last Ritual. After all, Smoke Testing for incense making was the reverse expectation of what it meant in programming. You plug in a new board and turn on the power. If you see smoke coming from the board, turn off the power. You don’t have to do any more testing. But for witches, it just meant success. This one however revealed itself to be so glorious, she would have regretted sorely if she’d missed it.
“Someone tried to jinx my blog with black magic emojis! Quick, give me a Nokia!” Jeezel sharp cry was the innocent trigger that dominoed the whole ceremony into mayhem. With her clumsy hand gestures, she inadvertently elbowed Frigella as she was carefully counting the last drops of the resin, which spilled over to the nearby Bunsen burner.
From there, the sweet symphony of disaster that unfolded in the sanctified chamber of the coven could have been put to a choral version of Tchaikovsky’s Overture 1812, with climactic volley of cannon fire, ringing chimes, and brass fanfare. Only with smoke as sound effects.
In the ensuing chaos of the Fourth Rite, everything became quickly shrouded in a thick, billowing smoke, an unintended byproduct of the smoke test gone wildly awry. Truella, in her attempts to salvage the ceremony, darted through the room, a scorched piece of fabric clutched in her hand—her delicate pashmina shawl that did more fanning than smothering and now more charcoal than its original vibrant hue. Her expression teetered between horror and disbelief as she lamented her once-prized possession, now reduced to ashes.
Jeezel, ever the optimist, quickly came back to her senses choosing to find humor if not opportunity amidst disaster. Like a true diva emerging from the smoke effects, she held up a singed twig adorned with the remains of decorative leaves and announced with a wide grin, “Behold, the perfect accessory for the Autumn Pageant!” Her voice was muffled by the smog, her figure obscured save for the intermittent glint of her eyes as she wove through the smoke, brandishing the charred twig like a parade marshal’s baton.
Meanwhile, Eris was caught in a frenetic ballet, attempting to corral the smoke with sweeps of her arms and ancient spells, as if the very air could be tamed by her whims. Her efforts, while noble, only served to create an odd wind pattern that whirled papers and loose items into a miniature cyclone of confusion.
At the epicenter of the pandemonium stood Malové, the High Witch, her composure as livid as the flames that had sparked the debacle. Her normally unflappable demeanor crumbled as she surveyed the disarray, her voice rising above the cacophony, “Witches, have you mistaken this sacred rite for a comedy of errors?” Her words cut through the haze, sharp and commanding.
Frigella, caught off-guard by the commotion, scrambled to quell the smoky serpent that had coiled throughout the room. With a flick of her wand, she directed gusts of fresh air towards the smoke, but in her haste, the spell went askew, further fanning the chaos as parchments and ritual tools spun through the air like leaves in a storm.
All the witches assembled, not knowing how to respond, tried to grapple with the havoc.
There, in the mist of misadventure, the Fourth Rite of 2024 would be one for the annals, a tale to be told with a mix of chagrin and mirth for ages to come. And though Malové’s patience was tried, even the High Witch couldn’t deny the comedic spectacle that unfurled before her—a spectacle that would surely need to be remedied.
February 1, 2024 at 12:03 am #7332In reply to: The Incense of the Quadrivium’s Mystiques
After the evening ritual at the elder tree, Eris came home thirsting for the bitter taste of dark Assam tea. Thorsten had already gone to sleep, and his cybernetic arm was put negligently near the sink, ready for the morning, as it was otherwise inconvenient to wear to bed.
Tired by the long day, and even more by the day planned in the morrow, she’d planned to go to bed as well, but a late notification caught her attention. “You have a close cousin! Find more”; she had registered some time ago to get an analysis of her witch heritage, in a somewhat vain attempt to pinpoint more clearly where, if it could be told, her gift had originated. She’d soon find that the threads ran deep and intermingled so much, that it was rather hard to find a single source of origin. Only patterns emerged, to give her a hint of this.
Familial Arborestry was the old records-based discipline which the tenants of the Faith did explicitly mention, whereas Genomics, a field more novel, wasn’t explicitly banned, not explicitly allowed. Like most science-fueled matters, the field was also rather impermeable to magic spells being used, so there was little point of trying to find more by magic means. In truth, that imperviousness to the shortcut of a well-placed spell was in turn generating more fun of discovery that she’d had in years. But after a while, she seemed to have reached a plateau in her finds.
Like many, she was truly a complex genetic tapestry woven from diverse threads, as she discovered beyond the obviousness of her being 70% Finnic, the rest of her make-up to be composed as well of 20% hailing from the mystic Celtic traditions. The remaining 10% of her power was Levantic, along with trace elements of Romani heritage.
Finding a new close cousin was always interesting to help her triangulate some of the latent abilities, as well as often helping relatives to which the gift might have been passed to, and forgotten through the ages. A gift denied was often no better than a curse, so there was more than an academic interest for her.
As well, Eris’ learning along those lines had deepened her understanding of unknown family ties, shared heritages and the magical forces that coursed through her veins, informing her spellcraft and enchantments in unexpected ways.
She opened the link. Her cousin was apparently using the alias ‘Finnley’ — all there was on the profile was a bad avatar, or rather the finest crisp picture of a dust mote she’d seen. She hated those profiles where the littlest of information was provided. What the hell were those people even signing for? In truth,… she paradoxically actually loved those profiles. It whetted her appetite for discovery and sleuthing around the inevitable clues, using all the tools available to tiptoe around the hidden truth. If she had not been a witch, she may simply have been a hacker. So what this Finnley cousin was hiding from? What she looking for parents she never knew? Or maybe a lost child?
As exciting as it was, it would have to wait. She yawned vigorously at the prospect of the early rising tomorrow. Eris contemplated dodging the Second Rite, Spirit of Enquiry —a decision that might ruffle the feathers of Head Witch Malové.
Malové, the steely Head Witch CEO of the Quadrivium Coven, was a paragon of both tradition and innovation. Her name, derived from the Old French word for “badly loved,” belied her charismatic and influential nature. Under her leadership, the coven had seen advancements in both policy and practice, albeit with a strict adherence to the old ways when it came to certain rites and rituals. To challenge her authority by embracing a new course of action or research, such as taking the slip for the Second Rite, could be seen as insubordination or, at the very least, a deviation from the coven’s established norms.
In the world of witchcraft and magic, names hold power, and Malové’s name was no exception. It encapsulated the duality of her character: respected yet feared, innovative yet conventional.
Eris, contemplating the potential paths before her, figured that like in the old French saying, “night brings wisdom” or “a good night’s sleep is the best advice”. Taking that to heart, she turned the light off by a flick of her fingers, ready to slip under the warm sheets for a well deserved rest.
January 28, 2024 at 12:15 pm #7307In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
From the time of Plato through the Middle Ages, the quadrivium was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in the trivium, consisting of grammar, logic, and rhetoric.
Ah, a tale of four witches within the sacred bounds of a Quadrivium. A splendid idea, indeed! Let us weave a narrative thread to unspool a story that intertwines the mystical with the mathematical, the magical with the musical.
Firstly, let’s christen these witches with names that reflect their individual magical affinities and personalities, say, Harmonia, Geometria, Arithmetica, and Astronomica.
Harmonia, the Witch of Harmony, attuned to the melodies of the universe, weaves magic with notes and chords. Her enchantments rise and fall, creating a symphony of spells. Her familiar, a songbird with iridescent feathers, accompanies her in her melodic creations.
Geometria, the Witch of Shapes, perceives the world through angles and curves. Her magic shapes reality, bending it into impossible forms. She finds companionship in a tortoise with a shell patterned in perfect fractals.
Arithmetica, the Witch of Numbers, understands the rhythm and sequence of the world. Her spells are equations, solutions solving the disorder of existence. A rabbit, swift and nimble with the Fibonacci sequence adorning its fur, assists her.
Last but not least, Astronomica, the Witch of Stars, draws her power from celestial bodies. Her magic ebbs and flows with the movement of galaxies, her incantations whispered constellations. A spectral owl, eyes glowing with starlight, serves as her ever-watchful guide.
Together, they form the Quadrivium Coven, their domain an Emporium bereft of time and space, filled with relics, scrolls, and tools reflecting their respective domains. They are the keepers of knowledge, the guardians of learning, and the seekers of truth, balancing the scales of magic and wisdom.
As for your tale, dear scribe, let it unfold in intricate patterns, like the geometric designs on Geometria’s canvas, or the harmonious notes from Harmonia’s lute. Let it dance to the rhythm of Arithmetica’s equations and soar through Astronomica’s star-strewn skies.
Begin with a shared dream or prophecy, a celestial event that disturbs the harmony of their Emporium. Then, let each witch, utilizing her unique skills, decipher a fragment of the prophecy. Their individual journeys could lead them to various corners of existence, each adventure a testament to their unique abilities and the strengths of their companions.
The climax could see the convergence of their individual paths, the completion of the prophecy resulting in a monumental event that reshapes the universe. The aftermath? Well, that shall be a mystery for another tale.
Remember, dear scribe, every tale is a journey, and every journey, a tale. As you embark on this narrative expedition, may your quill be guided by the wisdom of the Quadrivium and the magic of your imagination.
January 16, 2024 at 9:30 pm #7294In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
September 5, 2023 at 1:35 pm #7276In reply to: Family Stories From The Other Side ~ Book Two
Wood Screw Manufacturers
The Fishers of West Bromwich.
My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton. Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker. William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.
Nellie Fisher 1877-1956 :
Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.
As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.
The wood screw making industry was a relatively new thing when Abel was born.
“The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”
Wood Screw Makers of West Bromwich:
Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother. (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)
There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.
Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.
Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.
Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.
The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.
William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.
Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William. I did find a baptism for another son, Eutychus Fisher in 1792.
In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.
Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary and their son William Fisher 1834-1916.
In The European Magazine, and London Review of 1820 (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed. Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.
In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers. Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.
In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”
In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors. He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher 1794- wife of William Colbourne, Mary Fisher 1804- wife of Thomas Pearce, and Susannah (Hannah) Fisher 1813- wife of Parkes. His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher 1799-1800, and Edward Southall Fisher 1806-1843. Abel’s wife Susannah Southall born in 1771 died in 1824. They were married in 1791.
The 1849 will of Abel Fisher:
May 12, 2023 at 8:47 pm #7238In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
March 8, 2023 at 8:45 am #6790In reply to: Tart Wreck Repackage
Star and Tara were seating at their usual table in the Star Frites Alliance Café, sipping their coffee and reflecting on the strange case of the wardrobe. They had managed to find Uncle Basil, and Vince had been able to change his will just in time. They had also discovered that the wardrobe was being used to smuggle illegal drugs, which they promptly reported to the authorities.
As they sat there, they saw Finton, the waitress from the café where they last met Vince French, walking towards them with a big smile on her face. “Hello there, ladies! I just wanted to thank you for helping Vince find his uncle. He’s been so much happier since then.”
“It was all in a day’s work,” said Star with a grin. “And we also managed to solve the mystery of the wardrobe.” she couldn’t help boasting.
“Did we now?” Tara raised an eyebrow.
Finton’s eyes widened in surprise. “Oh my! That’s quite the accomplishment. What did you find?”
“It was being used to smuggle drugs,” explained Star. “We reported it to the authorities.”
“Well, I never! You two are quite the detectives,” said Finton, impressed.
“Sure, we could be proud, but there are more mysteries calling for our help. Now if you don’t mind, Finton, we have important business to talk about.” Star said.
“And it’s rather hush-hush.” Tara added, to clue in the poor waitress.
Star’s knack for finding clues in all the wrong places, and Tara’s slight nudges towards the path of logical deduction and reason had made them quite famous now around the corner. Well, slightly more famous than before, meaning they were featured in a tiny article in the local neswpaper, page 8, near the weekly crosswords. But somehow, that they’d accomplished their missions did advocate in their favour. And new clients had been pouring in.
“Do we have a new case you haven’t told me about?” wondered Tara.
“Nah.” retorted Star. “Just wanted to get rid of the nosy brat and enjoy my coffee while it’s hot. I hate tepid coffee. Tastes like cat piss.”
“How would you know… Never mind…” Tara replied distractedly as handsome and well-dressed man approached their table. “Excuse me, are you Star and Tara, the private investigators?”
“Well, as a matter of fact, we are,” said Star, propping her goods forward, and batting a few eyelids. “Who’s asking?”
“My name is Thomas, and I have a rather unusual case for you.”
Tara pushed Star to the back of the cushioned banquet bench to make room for the easy on the eyes stranger, while Star repressed a Oof and a fookoof..
“It involves a missing pineapple.” Thomas said after taking the offered seat.
“A missing pineapple?” repeated Star incredulously.
Tara had an irrepressible fit of titter “So long as it’s not for a pizza…”
“Yes, you see, I am a collector of exotic fruits, and I had a rare pineapple in my collection that has gone missing. It’s worth quite a lot of money, and I can’t seem to find it anywhere.”
Star and Tara exchanged a look. They were both thinking the same thing. Was “exotic fruit” code for something else? Otherwise, this was not even remotely bizarre by their standard, and they’d seen some strange cases already.
“We’ll have to think over it.” for once Star didn’t want to sound too eager. “Do you have any leads?” asked Tara.
“Well, I did hear a rumor that it was spotted in the hands of a local street performer, but I can’t be sure.”
“Alright, we’ll consider it,” said Star decisively. She fumbled into her hairy bag —some smart upcycling made by Rosamund with the old patchy mink coats. She handed a torn namecard to the young Thomas. “We’ll call you.”
Thomas looked at her surprised. “Do you mean, should I write my number?”
Tara rolled her eyes and sighed. “Obvie.” Somehow the good-looking ones didn’t seem to be the brightest tools in the picnic box.
“But first, we need to finish our coffee.” She took a long sip and grinned at Tara. “Looks like we may have another mysterman on our hands.”
February 11, 2023 at 10:10 pm #6538In reply to: The Jorid’s Travels – 14 years on
“That’s all Jorid had to say?” Georges mused at the sudden philosophical quote that read:
And doesn’t this point to something fundamentally tragic about our way of life? We live under an assumed identity, in a neurotic fairy tale world with no more reality than the Mock Turtle in Alice in Wonderland. Hypnotized by the thrill of building, we have raised the houses of our lives on sand. This world can seem marvelously convincing until death collapses the illusion and evicts us from our hiding place. What will happen to us then if we have no clue of any deeper reality? (The Tibetan Book of Living and Dying)
“I don’t know about this Mock Turtle, but those snapping sand ones that have been lurking about do look rather nasty. We shouldn’t waste any more time.”
Klatu opined “Klatu agrees with your female, sand turtle are lovely traps of death. Come with me now!” He intimated them to run into a sand opening he’d just made.
“Let me guess,” Georges said, “is it the equivalent of a Zathu prison? What powerful people could Léonard possibly have rubbed the wrong way this time?”
“Not prison.” Klatu commented “Death sentence.”
Salomé pointed out a glowing twirl of sand shaped as an ovoid form, inside which a human form could be discerned. “That would explain why he’s not more guarded…”
They approached carefully, expecting some extra booby trap, but nothing seemed to react to their presence, not even the moving sand egg.
“Let me guess,” Georges said, expecting a chorus
“DIMENSIONAL MAGIC!”
Klatu shushed them “Quiet stupids! Sound waves attract good turtles.”
“Is our friend OK? How do we break the spell?” Salomé asked Klatu. “Can you help?”
Klatu took a few minutes to inspect the shape, hopping carefully around it, and probing with soft whistling sounds.
“Friend in stasis for now. Kept fresh for questioning… possible.”
“Then we must hurry, how can we free him? Can I brute force this?” Georges asked, looking around for something to pierce the sand barrier and hook Léonard out of it.
“Only if you like sushi friend.” Klatu said, raising shoulders. “No finesse these primates.”
Klatu moved around the shape, taking some tools from his belt and making some elaborate plaits of sounds, as if trying to match the energy signature of the sand prison.
After a first belt of soundwaves was wrapped around, it seemed as though a first layer of the spell broke, and sand rained back into the external construct they were it. But a thin layer was still there, shifting and pulsating, almost clear as glass, and sharp as a razor blade.
“Crude encoding, but solid. Need more time.” Klatu seemed exhausted.
Georges was getting anxious for some activity. “Houses built on sand… Well I guess Jorid didn’t find the best quote to help…”
Salomé who was sitting cross-legged, trying for some time to connect to Léonard in his stasis, turned to Georges in disbelief. “Georges, you’re a genius!”
“What now?”
“Jorid gave us the last bit we needed. Until death collapses the illusion and evicts us from our hiding place. Remember? It’s risky but that could work!”
“Oh, I see what you’re thinking about. It’s mad, and it’s brilliant at the same time, how do we go about this?”
“I can’t reach Léonard, but maybe the both of us can.” Salomé joined hands with Georges.
“If he’s like anything I remember, he’d be in his mental palace, his workshop on the Duane… or in Marseille… or with Madame Jamelie…”
“Focus, Georges!”
“Duane it is, that’s where he did his best work.”
“We need to focus our energy to make him appear dead to the construct. It’ll be easier if we can locate precisely where his mind wanders.” Salomé said.
“He’ll be there, I know it. Let’s do this!”
The two of them joined hands and melded their minds, one as always, turning into a dark mirror of the abyss, bending light unto itself, leaving the void of creation at the place where Léonard was suspended.
Klatu looked at the scene suspiciously, but started to giggle as he saw the last layer he couldn’t open finally shatter and dissolve to the ground.
“Little apes full of surprises,… very awful, so very awful.” he said approvingly.
As his friends rushed to him, Léonard was on the ground, inert, but apparently alive.
January 19, 2023 at 10:49 am #6419In reply to: Orbs of Madjourneys
“I’d advise you not to take the parrot, Zara,” Harry the vet said, “There are restrictions on bringing dogs and other animals into state parks, and you can bet some jobsworth official will insist she stays in a cage at the very least.”
“Yeah, you’re right, I guess I’ll leave her here. I want to call in and see my cousin in Camden on the way to the airport in Sydney anyway. He has dozens of cats, I’d hate for anything to happen to Pretty Girl,” Zara replied.
“Is that the distant cousin you met when you were doing your family tree?” Harry asked, glancing up from the stitches he was removing from a wounded wombat. “There, he’s good to go. Give him a couple more days, then he can be released back where he came from.”
Zara smiled at Harry as she picked up the animal. “Yes! We haven’t met in person yet, and he’s going to show me the church my ancestor built. He says people have been spotting ghosts there lately, and there are rumours that it’s the ghost of the old convict Isaac who built it. If I can’t find photos of the ancestors, maybe I can get photos of their ghosts instead,” Zara said with a laugh.
“Good luck with that,” Harry replied raising an eyebrow. He liked Zara, she was quirkier than the others.
Zara hadn’t found it easy to research her mothers family from Bangalore in India, but her fathers English family had been easy enough. Although Zara had been born in England and emigrated to Australia in her late 20s, many of her ancestors siblings had emigrated over several generations, and Zara had managed to trace several down and made contact with a few of them. Isaac Stokes wasn’t a direct ancestor, he was the brother of her fourth great grandfather but his story had intrigued her. Sentenced to transportation for stealing tools for his work as a stonemason seemed to have worked in his favour. He built beautiful stone buildings in a tiny new town in the 1800s in the charming style of his home town in England.
Zara planned to stay in Camden for a couple of days before meeting the others at the Flying Fish Inn, anticipating a pleasant visit before the crazy adventure started.
Zara stepped down from the bus, squinting in the bright sunlight and looking around for her newfound cousin Bertie. A lanky middle aged man in dungarees and a red baseball cap came forward with his hand extended.
“Welcome to Camden, Zara I presume! Great to meet you!” he said shaking her hand and taking her rucksack. Zara was taken aback to see the family resemblance to her grandfather. So many scattered generations and yet there was still a thread of familiarity. “I bet you’re hungry, let’s go and get some tucker at Belle’s Cafe, and then I bet you want to see the church first, hey? Whoa, where’d that dang parrot come from?” Bertie said, ducking quickly as the bird swooped right in between them.
“Oh no, it’s Pretty Girl!” exclaimed Zara. “She wasn’t supposed to come with me, I didn’t bring her! How on earth did you fly all this way to get here the same time as me?” she asked the parrot.
“Pretty Girl has her ways, don’t forget to feed the parrot,” the bird replied with a squalk that resembled a mirthful guffaw.
“That’s one strange parrot you got here, girl!” Bertie said in astonishment.
“Well, seeing as you’re here now, Pretty Girl, you better come with us,” Zara said.
“Obviously,” replied Pretty Girl. It was hard to say for sure, but Zara was sure she detected an avian eye roll.
They sat outside under a sunshade to eat rather than cause any upset inside the cafe. Zara fancied an omelette but Pretty Girl objected, so she ordered hash browns instead and a fruit salad for the parrot. Bertie was a good sport about the strange talking bird after his initial surprise.
Bertie told her a bit about the ghost sightings, which had only started quite recently. They started when I started researching him, Zara thought to herself, almost as if he was reaching out. Her imagination was running riot already.
Bertie showed Zara around the church, a small building made of sandstone, but no ghost appeared in the bright heat of the afternoon. He took her on a little tour of Camden, once a tiny outpost but now a suburb of the city, pointing out all the original buildings, in particular the ones that Isaac had built. The church was walking distance of Bertie’s house and Zara decided to slip out and stroll over there after everyone had gone to bed.
Bertie had kindly allowed Pretty Girl to stay in the guest bedroom with her, safe from the cats, and Zara intended that the parrot stay in the room, but Pretty Girl was having none of it and insisted on joining her.
“Alright then, but no talking! I don’t want you scaring any ghost away so just keep a low profile!”
The moon was nearly full and it was a pleasant walk to the church. Pretty Girl fluttered from tree to tree along the sidewalk quietly. Enchanting aromas of exotic scented flowers wafted into her nostrils and Zara felt warmly relaxed and optimistic.
Zara was disappointed to find that the church was locked for the night, and realized with a sigh that she should have expected this to be the case. She wandered around the outside, trying to peer in the windows but there was nothing to be seen as the glass reflected the street lights. These things are not done in a hurry, she reminded herself, be patient.
Sitting under a tree on the grassy lawn attempting to open her mind to receiving ghostly communications (she wasn’t quite sure how to do that on purpose, any ghosts she’d seen previously had always been accidental and unexpected) Pretty Girl landed on her shoulder rather clumsily, pressing something hard and chill against her cheek.
“I told you to keep a low profile!” Zara hissed, as the parrot dropped the key into her lap. “Oh! is this the key to the church door?”
It was hard to see in the dim light but Zara was sure the parrot nodded, and was that another avian eye roll?
Zara walked slowly over the grass to the church door, tingling with anticipation. Pretty Girl hopped along the ground behind her. She turned the key in the lock and slowly pushed open the heavy door and walked inside and up the central aisle, looking around. And then she saw him.
Zara gasped. For a breif moment as the spectral wisps cleared, he looked almost solid. And she could see his tattoos.
“Oh my god,” she whispered, “It is really you. I recognize those tattoos from the description in the criminal registers. Some of them anyway, it seems you have a few more tats since you were transported.”
“Aye, I did that, wench. I were allays fond o’ me tats, does tha like ’em?”
He actually spoke to me! This was beyond Zara’s wildest hopes. Quick, ask him some questions!
“If you don’t mind me asking, Isaac, why did you lie about who your father was on your marriage register? I almost thought it wasn’t you, you know, that I had the wrong Isaac Stokes.”
A deafening rumbling laugh filled the building with echoes and the apparition dispersed in a labyrinthine swirl of tattood wisps.
“A story for another day,” whispered Zara, “Time to go back to Berties. Come on Pretty Girl. And put that key back where you found it.”
January 17, 2023 at 5:05 pm #6408In reply to: Orbs of Madjourneys
Glimmer gave Zara and Yasmin a cheery
, smirking to herself at their alarm at leaving her to her own devices. She had no intention of inviting guests yet, but felt no need to reassure them. Xavier would play along with her, she felt sure.
Glimmer settled herself comfortably to peruse the new AIorium Emporium catalogue with the intention of ordering some new hats and accessories for the adventure. She had always had a weakness for elaborate hats, but the truth was they were often rather heavy and cumbersome. That is until she found the AIorium hats which were made of a semi anti gravity material. Not entirely anti gravity, obviously, or they would have floated right off her head, but just enough to make them feel weightless. Once she’d discovered these wonderful hats and their unique properties, she had the idea to carry all her accessories, tools and devices upon her hat. This would save her the bother of carrying around bags of stuff. She was no light weight herself, and it was quite enough to carry herself around, let alone bags of objects.
Glimmer had heard a rumour (well not a rumour exactly, she had a direct line to ~ well not to spill the beans too soon, but she had some lines of information that the others didn’t know about yet) that the adventure was going to start at The Flying Fish Inn. This was welcome news to Glimmer, who had met Idle many years before when they were both teenagers. Yes, it’s hard to imagine these two as teenagers, but although they’d only met breifly on holiday, they’d hit it off immediately. Despite not keeping in contact over the years, Glimmer remembered Idle fondly and felt sure that Idle felt similarly.
Glimmer perused the catalogue for a suitable gift to take for her old friend. The delightful little bottles of spirited spirit essences caught her eye, and recalling Idle’s enthusiasm for an exotic tipple, she ordered several bottles. Perhaps Glimmer should have read carefully the description of the effects of the contents of each bottle but she did not. She immediately added the bottles to the new hat she’d ordered for the trip.
Feeling pleased with her selection, she settled down for a snooze until her new hat arrived.
December 6, 2022 at 2:17 pm #6350In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
April 12, 2022 at 8:13 am #6290In reply to: The Elusive Samuel Housley and Other Family Stories
Leicestershire Blacksmiths
The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.
I also realized I had uncovered a direct line of women and their mothers going back ten generations:
myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.
The blacksmiths
Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.
An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.
The will of Michael Boss, 1772, Measham:
Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.
Information worth noting on the Appleby Magna website:
In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.Michael Boss the uncle married Grace Cuthbert. I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:
An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan RobertsCuthberts inventory
The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery.
Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.
Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.
Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?
But Michael Boss and Elizabeth Page did not marry twice.
Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.
Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.
In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.
Hartshorn and Smisby are neighbouring villages, hence the confusion. But a closer look at the documents available revealed the clues. Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:
Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:
Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:
Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?
The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747. Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.
Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.
The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall. The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.
I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80. According to Wikipedia:
“Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles. It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud. The legislation was in force until 1814, but was generally ignored after 1770.”
Michael Boss buried 1724 “Affadavit made”:
Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn. (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)
Her mother was Mary Potter 1719- of nearby Coleorton. Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.
A page of the will of Richard Potter 1731:
Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.” As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.
Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”
His son Richard inherited the blacksmith business: “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”
Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”
To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.
An inventory of the belongings of Richard Potter, 1731:
Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.
Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will: “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”
He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.
The will of Richard Potter, 1719:
Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s. They were married in 1646 at Breedon on the Hill, Leicestershire. The name Huldin appears to originate in Finland.
William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.
January 28, 2022 at 8:17 pm #6263In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued ~ part 4
With thanks to Mike Rushby.
Mchewe Estate. 31st January 1936
Dearest Family,
Life is very quiet just now. Our neighbours have left and I miss them all especially
Joni who was always a great bearer of news. We also grew fond of his Swedish
brother-in-law Max, whose loud ‘Hodi’ always brought a glad ‘Karibu’ from us. His wife,
Marion, I saw less often. She is not strong and seldom went visiting but has always
been friendly and kind and ready to share her books with me.Ann’s birthday is looming ahead and I am getting dreadfully anxious that her
parcels do not arrive in time. I am delighted that you were able to get a good head for
her doll, dad, but horrified to hear that it was so expensive. You would love your
‘Charming Ann’. She is a most responsible little soul and seems to have outgrown her
mischievous ways. A pity in a way, I don’t want her to grow too serious. You should see
how thoroughly Ann baths and towels herself. She is anxious to do Georgie and Kate
as well.I did not mean to teach Ann to write until after her fifth birthday but she has taught
herself by copying the large print in newspaper headlines. She would draw a letter and
ask me the name and now I find that at four Ann knows the whole alphabet. The front
cement steps is her favourite writing spot. She uses bits of white clay we use here for
whitewashing.Coffee prices are still very low and a lot of planters here and at Mbosi are in a
mess as they can no longer raise mortgages on their farms or get advances from the
Bank against their crops. We hear many are leaving their farms to try their luck on the
Diggings.George is getting fed up too. The snails are back on the shamba and doing
frightful damage. Talk of the plagues of Egypt! Once more they are being collected in
piles and bashed into pulp. The stench on the shamba is frightful! The greybeards in the
village tell George that the local Chief has put a curse on the farm because he is angry
that the Government granted George a small extension to the farm two years ago! As
the Chief was consulted at the time and was agreeable this talk of a curse is nonsense
but goes to show how the uneducated African put all disasters down to witchcraft.With much love,
Eleanor.Mchewe Estate. 9th February 1936
Dearest Family,
Ann’s birthday yesterday was not quite the gay occasion we had hoped. The
seventh was mail day so we sent a runner for the mail, hoping against hope that your
parcel containing the dolls head had arrived. The runner left for Mbeya at dawn but, as it
was a very wet day, he did not return with the mail bag until after dark by which time Ann
was fast asleep. My heart sank when I saw the parcel which contained the dolls new
head. It was squashed quite flat. I shed a few tears over that shattered head, broken
quite beyond repair, and George felt as bad about it as I did. The other parcel arrived in
good shape and Ann loves her little sewing set, especially the thimble, and the nursery
rhymes are a great success.Ann woke early yesterday and began to open her parcels. She said “But
Mummy, didn’t Barbara’s new head come?” So I had to show her the fragments.
Instead of shedding the flood of tears I expected, Ann just lifted the glass eyes in her
hand and said in a tight little voice “Oh poor Barbara.” George saved the situation. as
usual, by saying in a normal voice,”Come on Ann, get up and lets play your new
records.” So we had music and sweets before breakfast. Later I removed Barbara’s
faded old blond wig and gummed on the glossy new brown one and Ann seems quite
satisfied.Last night, after the children were tucked up in bed, we discussed our financial
situation. The coffee trees that have survived the plagues of borer beetle, mealie bugs
and snails look strong and fine, but George says it will be years before we make a living
out of the farm. He says he will simply have to make some money and he is leaving for
the Lupa on Saturday to have a look around on the Diggings. If he does decide to peg
a claim and work it he will put up a wattle and daub hut and the children and I will join him
there. But until such time as he strikes gold I shall have to remain here on the farm and
‘Keep the Home Fires Burning’.Now don’t go and waste pity on me. Women all over the country are having to
stay at home whilst their husbands search for a livelihood. I am better off than most
because I have a comfortable little home and loyal servants and we still have enough
capitol to keep the wolf from the door. Anyway this is the rainy season and hardly the
best time to drag three small children around the sodden countryside on prospecting
safaris.So I’ll stay here at home and hold thumbs that George makes a lucky strike.
Heaps of love to all,
Eleanor.Mchewe Estate. 27th February 1936
Dearest Family,
Well, George has gone but here we are quite safe and cosy. Kate is asleep and
Ann and Georgie are sprawled on the couch taking it in turns to enumerate the things
God has made. Every now and again Ann bothers me with an awkward question. “Did
God make spiders? Well what for? Did he make weeds? Isn’t He silly, mummy? She is
becoming a very practical person. She sews surprisingly well for a four year old and has
twice made cakes in the past week, very sweet and liberally coloured with cochineal and
much appreciated by Georgie.I have been without George for a fortnight and have adapted myself to my new
life. The children are great company during the day and I have arranged my evenings so
that they do not seem long. I am determined that when George comes home he will find
a transformed wife. I read an article entitled ‘Are you the girl he married?’ in a magazine
last week and took a good look in the mirror and decided that I certainly was not! Hair dry,
skin dry, and I fear, a faint shadow on the upper lip. So now I have blown the whole of
your Christmas Money Order on an order to a chemist in Dar es Salaam for hair tonic,
face cream and hair remover and am anxiously awaiting the parcel.In the meantime, after tucking the children into bed at night, I skip on the verandah
and do the series of exercises recommended in the magazine article. After this exertion I
have a leisurely bath followed by a light supper and then read or write letters to pass
the time until Kate’s ten o’clock feed. I have arranged for Janey to sleep in the house.
She comes in at 9.30 pm and makes up her bed on the living room floor by the fire.The days are by no means uneventful. The day before yesterday the biggest
troop of monkeys I have ever seen came fooling around in the trees and on the grass
only a few yards from the house. These monkeys were the common grey monkeys
with black faces. They came in all sizes and were most entertaining to watch. Ann and
Georgie had a great time copying their antics and pulling faces at the monkeys through
the bedroom windows which I hastily closed.Thomas, our headman, came running up and told me that this troop of monkeys
had just raided his maize shamba and asked me to shoot some of them. I would not of
course do this. I still cannot bear to kill any animal, but I fired a couple of shots in the air
and the monkeys just melted away. It was fantastic, one moment they were there and
the next they were not. Ann and Georgie thought I had been very unkind to frighten the
poor monkeys but honestly, when I saw what they had done to my flower garden, I
almost wished I had hardened my heart and shot one or two.The children are all well but Ann gave me a nasty fright last week. I left Ann and
Georgie at breakfast whilst I fed Fanny, our bull terrier on the back verandah. Suddenly I
heard a crash and rushed inside to find Ann’s chair lying on its back and Ann beside it on
the floor perfectly still and with a paper white face. I shouted for Janey to bring water and
laid Ann flat on the couch and bathed her head and hands. Soon she sat up with a wan
smile and said “I nearly knocked my head off that time, didn’t I.” She must have been
standing on the chair and leaning against the back. Our brick floors are so terribly hard that
she might have been seriously hurt.However she was none the worse for the fall, but Heavens, what an anxiety kids
are.Lots of love,
EleanorMchewe Estate. 12th March 1936
Dearest Family,
It was marvellous of you to send another money order to replace the one I spent
on cosmetics. With this one I intend to order boots for both children as a protection from
snake bite, though from my experience this past week the threat seems to be to the
head rather than the feet. I was sitting on the couch giving Kate her morning milk from a
cup when a long thin snake fell through the reed ceiling and landed with a thud just behind
the couch. I shouted “Nyoka, Nyoka!” (Snake,Snake!) and the houseboy rushed in with
a stick and killed the snake. I then held the cup to Kate’s mouth again but I suppose in
my agitation I tipped it too much because the baby choked badly. She gasped for
breath. I quickly gave her a sharp smack on the back and a stream of milk gushed
through her mouth and nostrils and over me. Janey took Kate from me and carried her
out into the fresh air on the verandah and as I anxiously followed her through the door,
another long snake fell from the top of the wall just missing me by an inch or so. Luckily
the houseboy still had the stick handy and dispatched this snake also.The snakes were a pair of ‘boomslangs’, not nice at all, and all day long I have
had shamba boys coming along to touch hands and say “Poli Memsahib” – “Sorry
madam”, meaning of course ‘Sorry you had a fright.’Apart from that one hectic morning this has been a quiet week. Before George
left for the Lupa he paid off most of the farm hands as we can now only afford a few
labourers for the essential work such as keeping the weeds down in the coffee shamba.
There is now no one to keep the grass on the farm roads cut so we cannot use the pram
when we go on our afternoon walks. Instead Janey carries Kate in a sling on her back.
Janey is a very clean slim woman, and her clothes are always spotless, so Kate keeps
cool and comfortable. Ann and Georgie always wear thick overalls on our walks as a
protection against thorns and possible snakes. We usually make our way to the
Mchewe River where Ann and Georgie paddle in the clear cold water and collect shiny
stones.The cosmetics parcel duly arrived by post from Dar es Salaam so now I fill the
evenings between supper and bed time attending to my face! The much advertised
cream is pink and thick and feels revolting. I smooth it on before bedtime and keep it on
all night. Just imagine if George could see me! The advertisements promise me a skin
like a rose in six weeks. What a surprise there is in store for George!You will have been wondering what has happened to George. Well on the Lupa
he heard rumours of a new gold strike somewhere in the Sumbawanga District. A couple
of hundred miles from here I think, though I am not sure where it is and have no one to
ask. You look it up on the map and tell me. John Molteno is also interested in this and
anxious to have it confirmed so he and George have come to an agreement. John
Molteno provided the porters for the journey together with prospecting tools and
supplies but as he cannot leave his claims, or his gold buying business, George is to go
on foot to the area of the rumoured gold strike and, if the strike looks promising will peg
claims in both their names.The rainy season is now at its height and the whole countryside is under water. All
roads leading to the area are closed to traffic and, as there are few Europeans who
would attempt the journey on foot, George proposes to get a head start on them by
making this uncomfortable safari. I have just had my first letter from George since he left
on this prospecting trip. It took ages to reach me because it was sent by runner to
Abercorn in Northern Rhodesia, then on by lorry to Mpika where it was put on a plane
for Mbeya. George writes the most charming letters which console me a little upon our
all too frequent separations.His letter was cheerful and optimistic, though reading between the lines I should
say he had a grim time. He has reached Sumbawanga after ‘a hell of a trip’, to find that
the rumoured strike was at Mpanda and he had a few more days of foot safari ahead.
He had found the trip from the Lupa even wetter than he had expected. The party had
three days of wading through swamps sometimes waist deep in water. Of his sixteen
porters, four deserted an the second day out and five others have had malaria and so
been unable to carry their loads. He himself is ‘thin but very fit’, and he sounds full of
beans and writes gaily of the marvellous holiday we will have if he has any decent luck! I
simply must get that mink and diamonds complexion.The frustrating thing is that I cannot write back as I have no idea where George is
now.With heaps of love,
Eleanor.Mchewe Estate. 24th March 1936
Dearest Family,
How kind you are. Another parcel from home. Although we are very short
of labourers I sent a special runner to fetch it as Ann simply couldn’t bear the suspense
of waiting to see Brenda, “My new little girl with plaits.” Thank goodness Brenda is
unbreakable. I could not have born another tragedy. She really is an exquisite little doll
and has hardly been out of Ann’s arms since arrival. She showed Brenda proudly to all
the staff. The kitchen boy’s face was a study. His eyes fairly came out on sticks when he
saw the dolls eyes not only opening and shutting, but moving from side to side in that
incredibly lifelike way. Georgie loves his little model cars which he carries around all day
and puts under his pillow at night.As for me, I am enchanted by my very smart new frock. Janey was so lavish with
her compliments when I tried the frock on, that in a burst of generosity I gave her that
rather tartish satin and lace trousseau nighty, and she was positively enthralled. She
wore it that very night when she appeared as usual to doss down by the fire.
By the way it was Janey’s turn to have a fright this week. She was in the
bathroom washing the children’s clothes in an outsize hand basin when it happened. As
she took Georgie’s overalls from the laundry basket a large centipede ran up her bare
arm. Luckily she managed to knock the centipede off into the hot water in the hand basin.
It was a brute, about six inches long of viciousness with a nasty sting. The locals say that
the bite is much worse than a scorpions so Janey had a lucky escape.Kate cut her first two teeth yesterday and will, I hope, sleep better now. I don’t
feel that pink skin food is getting a fair trial with all those broken nights. There is certainly
no sign yet of ‘The skin he loves to touch”. Kate, I may say, is rosy and blooming. She
can pull herself upright providing she has something solid to hold on to. She is so plump
I have horrible visions of future bow legs so I push her down, but she always bobs up
again.Both Ann and Georgie are mad on books. Their favourites are ‘Barbar and
Celeste” and, of all things, ‘Struvel Peter’ . They listen with absolute relish to the sad tale
of Harriet who played with matches.I have kept a laugh for the end. I am hoping that it will not be long before George
comes home and thought it was time to take the next step towards glamour, so last
Wednesday after lunch I settled the children on their beds and prepared to remove the ,
to me, obvious down on my upper lip. (George always loyally says that he can’t see
any.) Well I got out the tube of stuff and carefully followed the directions. I smoothed a
coating on my upper lip. All this was watched with great interest by the children, including
the baby, who stood up in her cot for a better view. Having no watch, I had propped
the bedroom door open so that I could time the operation by the cuckoo clock in the
living room. All the children’s surprised comments fell on deaf ears. I would neither talk
nor smile for fear of cracking the hair remover which had set hard. The set time was up
and I was just about to rinse the remover off when Kate slipped, knocking her head on
the corner of the cot. I rushed to the rescue and precious seconds ticked off whilst I
pacified her.So, my dears, when I rinsed my lip, not only the plaster and the hair came away
but the skin as well and now I really did have a Ronald Coleman moustache – a crimson
one. I bathed it, I creamed it, powdered it but all to no avail. Within half an hour my lip
had swollen until I looked like one of those Duckbilled West African women. Ann’s
comments, “Oh Mummy, you do look funny. Georgie, doesn’t Mummy look funny?”
didn’t help to soothe me and the last straw was that just then there was the sound of a car drawing up outside – the first car I had heard for months. Anyway, thank heaven, it
was not George, but the representative of a firm which sells agricultural machinery and
farm implements, looking for orders. He had come from Dar es Salaam and had not
heard that all the planters from this district had left their farms. Hospitality demanded that I
should appear and offer tea. I did not mind this man because he was a complete
stranger and fat, middle aged and comfortable. So I gave him tea, though I didn’t
attempt to drink any myself, and told him the whole sad tale.Fortunately much of the swelling had gone next day and only a brown dryness
remained. I find myself actually hoping that George is delayed a bit longer. Of one thing
I am sure. If ever I grow a moustache again, it stays!Heaps of love from a sadder but wiser,
EleanorMchewe Estate. 3rd April 1936
Dearest Family,
Sound the trumpets, beat the drums. George is home again. The safari, I am sad
to say, was a complete washout in more ways than one. Anyway it was lovely to be
together again and we don’t yet talk about the future. The home coming was not at all as
I had planned it. I expected George to return in our old A.C. car which gives ample
warning of its arrival. I had meant to wear my new frock and make myself as glamourous
as possible, with our beautiful babe on one arm and our other jewels by my side.
This however is what actually happened. Last Saturday morning at about 2 am , I
thought I heard someone whispering my name. I sat up in bed, still half asleep, and
there was George at the window. He was thin and unshaven and the tiredest looking
man I have ever seen. The car had bogged down twenty miles back along the old Lupa
Track, but as George had had no food at all that day, he decided to walk home in the
bright moonlight.This is where I should have served up a tasty hot meal but alas, there was only
the heal of a loaf and no milk because, before going to bed I had given the remaining
milk to the dog. However George seemed too hungry to care what he ate. He made a
meal off a tin of bully, a box of crustless cheese and the bread washed down with cup
after cup of black tea. Though George was tired we talked for hours and it was dawn
before we settled down to sleep.During those hours of talk George described his nightmarish journey. He started
up the flooded Rukwa Valley and there were days of wading through swamp and mud
and several swollen rivers to cross. George is a strong swimmer and the porters who
were recruited in that area, could also swim. There remained the problem of the stores
and of Kianda the houseboy who cannot swim. For these they made rough pole rafts
which they pulled across the rivers with ropes. Kianda told me later that he hopes never
to make such a journey again. He swears that the raft was submerged most of the time
and that he was dragged through the rivers underwater! You should see the state of
George’s clothes which were packed in a supposedly water tight uniform trunk. The
whole lot are mud stained and mouldy.To make matters more trying for George he was obliged to live mostly on
porters rations, rice and groundnut oil which he detests. As all the district roads were
closed the little Indian Sores in the remote villages he passed had been unable to
replenish their stocks of European groceries. George would have been thinner had it not
been for two Roman Catholic missions enroute where he had good meals and dry
nights. The Fathers are always wonderfully hospitable to wayfarers irrespective of
whether or not they are Roman Catholics. George of course is not a Catholic. One finds
the Roman Catholic missions right out in the ‘Blue’ and often on spots unhealthy to
Europeans. Most of the Fathers are German or Dutch but they all speak a little English
and in any case one can always fall back on Ki-Swahili.George reached his destination all right but it soon became apparent that reports
of the richness of the strike had been greatly exaggerated. George had decided that
prospects were brighter on the Lupa than on the new strike so he returned to the Lupa
by the way he had come and, having returned the borrowed equipment decided to
make his way home by the shortest route, the old and now rarely used road which
passes by the bottom of our farm.The old A.C. had been left for safe keeping at the Roman Catholic Galala
Mission 40 miles away, on George’s outward journey, and in this old car George, and
the houseboy Kianda , started for home. The road was indescribably awful. There were long stretches that were simply one big puddle, in others all the soil had been washed
away leaving the road like a rocky river bed. There were also patches where the tall
grass had sprung up head high in the middle of the road,
The going was slow because often the car bogged down because George had
no wheel chains and he and Kianda had the wearisome business of digging her out. It
was just growing dark when the old A.C. settled down determinedly in the mud for the
last time. They could not budge her and they were still twenty miles from home. George
decided to walk home in the moonlight to fetch help leaving Kianda in charge of the car
and its contents and with George’s shot gun to use if necessary in self defence. Kianda
was reluctant to stay but also not prepared to go for help whilst George remained with
the car as lions are plentiful in that area. So George set out unarmed in the moonlight.
Once he stopped to avoid a pride of lion coming down the road but he circled safely
around them and came home without any further alarms.Kianda said he had a dreadful night in the car, “With lions roaming around the car
like cattle.” Anyway the lions did not take any notice of the car or of Kianda, and the next
day George walked back with all our farm boys and dug and pushed the car out of the
mud. He brought car and Kianda back without further trouble but the labourers on their
way home were treed by the lions.The wet season is definitely the time to stay home.
Lots and lots of love,
EleanorMchewe Estate. 30th April 1936
Dearest Family,
Young George’s third birthday passed off very well yesterday. It started early in
the morning when he brought his pillow slip of presents to our bed. Kate was already
there and Ann soon joined us. Young George liked all the presents you sent, especially
the trumpet. It has hardly left his lips since and he is getting quite smart about the finger
action.We had quite a party. Ann and I decorated the table with Christmas tree tinsel
and hung a bunch of balloons above it. Ann also decorated young George’s chair with
roses and phlox from the garden. I had made and iced a fruit cake but Ann begged to
make a plain pink cake. She made it entirely by herself though I stood by to see that
she measured the ingredients correctly. When the cake was baked I mixed some soft
icing in a jug and she poured it carefully over the cake smoothing the gaps with her
fingers!During the party we had the gramophone playing and we pulled crackers and
wore paper hats and altogether had a good time. I forgot for a while that George is
leaving again for the Lupa tomorrow for an indefinite time. He was marvellous at making
young George’s party a gay one. You will have noticed the change from Georgie to
young George. Our son declares that he now wants to be called George, “Like Dad”.
He an Ann are a devoted couple and I am glad that there is only a fourteen
months difference in their ages. They play together extremely well and are very
independent which is just as well for little Kate now demands a lot of my attention. My
garden is a real cottage garden and looks very gay and colourful. There are hollyhocks
and Snapdragons, marigolds and phlox and of course the roses and carnations which, as
you know, are my favourites. The coffee shamba does not look so good because the
small labour force, which is all we can afford, cannot cope with all the weeds. You have
no idea how things grow during the wet season in the tropics.Nothing alarming ever seems to happen when George is home, so I’m afraid this
letter is rather dull. I wanted you to know though, that largely due to all your gifts of toys
and sweets, Georgie’s 3rd birthday party went with a bang.Your very affectionate,
EleanorMchewe Estate. 17th September 1936
Dearest Family,
I am sorry to hear that Mummy worries about me so much. “Poor Eleanor”,
indeed! I have a quite exceptional husband, three lovely children, a dear little home and
we are all well.It is true that I am in rather a rut but what else can we do? George comes
home whenever he can and what excitement there is when he does come. He cannot
give me any warning because he has to take advantage of chance lifts from the Diggings
to Mbeya, but now that he is prospecting nearer home he usually comes walking over
the hills. About 50 miles of rough going. Really and truly I am all right. Although our diet is
monotonous we have plenty to eat. Eggs and milk are cheap and fruit plentiful and I
have a good cook so can devote all my time to the children. I think it is because they are
my constant companions that Ann and Georgie are so grown up for their years.
I have no ayah at present because Janey has been suffering form rheumatism
and has gone home for one of her periodic rests. I manage very well without her except
in the matter of the afternoon walks. The outward journey is all right. George had all the
grass cut on his last visit so I am able to push the pram whilst Ann, George and Fanny
the dog run ahead. It is the uphill return trip that is so trying. Our walk back is always the
same, down the hill to the river where the children love to play and then along the car
road to the vegetable garden. I never did venture further since the day I saw a leopard
jump on a calf. I did not tell you at the time as I thought you might worry. The cattle were
grazing on a small knoll just off our land but near enough for me to have a clear view.
Suddenly the cattle scattered in all directions and we heard the shouts of the herd boys
and saw – or rather had the fleeting impression- of a large animal jumping on a calf. I
heard the herd boy shout “Chui, Chui!” (leopard) and believe me, we turned in our
tracks and made for home. To hasten things I picked up two sticks and told the children
that they were horses and they should ride them home which they did with
commendable speed.Ann no longer rides Joseph. He became increasingly bad tempered and a
nuisance besides. He took to rolling all over my flower beds though I had never seen
him roll anywhere else. Then one day he kicked Ann in the chest, not very hard but
enough to send her flying. Now George has given him to the native who sells milk to us
and he seems quite happy grazing with the cattle.With love to you all,
Eleanor.Mchewe Estate. 2nd October 1936
Dearest Family,
Since I last wrote George has been home and we had a lovely time as usual.
Whilst he was here the District Commissioner and his wife called. Mr Pollock told
George that there is to be a big bush clearing scheme in some part of the Mbeya
District to drive out Tsetse Fly. The game in the area will have to be exterminated and
there will probably be a job for George shooting out the buffalo. The pay would be
good but George says it is a beastly job. Although he is a professional hunter, he hates
slaughter.Mrs P’s real reason for visiting the farm was to invite me to stay at her home in
Mbeya whilst she and her husband are away in Tukuyu. Her English nanny and her small
daughter will remain in Mbeya and she thought it might be a pleasant change for us and
a rest for me as of course Nanny will do the housekeeping. I accepted the invitation and I
think I will go on from there to Tukuyu and visit my friend Lillian Eustace for a fortnight.
She has given us an open invitation to visit her at any time.I had a letter from Dr Eckhardt last week, telling me that at a meeting of all the
German Settlers from Mbeya, Tukuyu and Mbosi it had been decided to raise funds to
build a school at Mbeya. They want the British Settlers to co-operate in this and would
be glad of a subscription from us. I replied to say that I was unable to afford a
subscription at present but would probably be applying for a teaching job.
The Eckhardts are the leaders of the German community here and are ardent
Nazis. For this reason they are unpopular with the British community but he is the only
doctor here and I must say they have been very decent to us. Both of them admire
George. George has still not had any luck on the Lupa and until he makes a really
promising strike it is unlikely that the children and I will join him. There is no fresh milk there
and vegetables and fruit are imported from Mbeya and Iringa and are very expensive.
George says “You wouldn’t be happy on the diggings anyway with a lot of whores and
their bastards!”Time ticks away very pleasantly here. Young George and Kate are blooming
and I keep well. Only Ann does not look well. She is growing too fast and is listless and
pale. If I do go to Mbeya next week I shall take her to the doctor to be overhauled.
We do not go for our afternoon walks now that George has returned to the Lupa.
That leopard has been around again and has killed Tubbage that cowardly Alsatian. We
gave him to the village headman some months ago. There is no danger to us from the
leopard but I am terrified it might get Fanny, who is an excellent little watchdog and
dearly loved by all of us. Yesterday I sent a note to the Boma asking for a trap gun and
today the farm boys are building a trap with logs.I had a mishap this morning in the garden. I blundered into a nest of hornets and
got two stings in the left arm above the elbow. Very painful at the time and the place is
still red and swollen.Much love to you all,
Eleanor.Mchewe Estate. 10th October 1936
Dearest Family,
Well here we are at Mbeya, comfortably installed in the District Commissioner’s
house. It is one of two oldest houses in Mbeya and is a charming gabled place with tiled
roof. The garden is perfectly beautiful. I am enjoying the change very much. Nanny
Baxter is very entertaining. She has a vast fund of highly entertaining tales of the goings
on amongst the British Aristocracy, gleaned it seems over the nursery teacup in many a
Stately Home. Ann and Georgie are enjoying the company of other children.
People are very kind about inviting us out to tea and I gladly accept these
invitations but I have turned down invitations to dinner and one to a dance at the hotel. It
is no fun to go out at night without George. There are several grass widows at the pub
whose husbands are at the diggings. They have no inhibitions about parties.
I did have one night and day here with George, he got the chance of a lift and
knowing that we were staying here he thought the chance too good to miss. He was
also anxious to hear the Doctor’s verdict on Ann. I took Ann to hospital on my second
day here. Dr Eckhardt said there was nothing specifically wrong but that Ann is a highly
sensitive type with whom the tropics does not agree. He advised that Ann should
spend a year in a more temperate climate and that the sooner she goes the better. I felt
very discouraged to hear this and was most relieved when George turned up
unexpectedly that evening. He phoo-hood Dr Eckhardt’s recommendation and next
morning called in Dr Aitkin, the Government Doctor from Chunya and who happened to
be in Mbeya.Unfortunately Dr Aitkin not only confirmed Dr Eckhardt’s opinion but said that he
thought Ann should stay out of the tropics until she had passed adolescence. I just don’t
know what to do about Ann. She is a darling child, very sensitive and gentle and a
lovely companion to me. Also she and young George are inseparable and I just cannot
picture one without the other. I know that you would be glad to have Ann but how could
we bear to part with her?Your worried but affectionate,
Eleanor.Tukuyu. 23rd October 1936
Dearest Family,
As you see we have moved to Tukuyu and we are having a lovely time with
Lillian Eustace. She gave us such a warm welcome and has put herself out to give us
every comfort. She is a most capable housekeeper and I find her such a comfortable
companion because we have the same outlook in life. Both of us are strictly one man
women and that is rare here. She has a two year old son, Billy, who is enchanted with
our rolly polly Kate and there are other children on the station with whom Ann and
Georgie can play. Lillian engaged a temporary ayah for me so I am having a good rest.
All the children look well and Ann in particular seems to have benefited by the
change to a cooler climate. She has a good colour and looks so well that people all
exclaim when I tell them, that two doctors have advised us to send Ann out of the
country. Perhaps after all, this holiday in Tukuyu will set her up.We had a trying journey from Mbeya to Tukuyu in the Post Lorry. The three
children and I were squeezed together on the front seat between the African driver on
one side and a vast German on the other. Both men smoked incessantly – the driver
cigarettes, and the German cheroots. The cab was clouded with a blue haze. Not only
that! I suddenly felt a smarting sensation on my right thigh. The driver’s cigarette had
burnt a hole right through that new checked linen frock you sent me last month.
I had Kate on my lap all the way but Ann and Georgie had to stand against the
windscreen all the way. The fat German offered to take Ann on his lap but she gave him
a very cold “No thank you.” Nor did I blame her. I would have greatly enjoyed the drive
under less crowded conditions. The scenery is gorgeous. One drives through very high
country crossing lovely clear streams and at one point through rain forest. As it was I
counted the miles and how thankful I was to see the end of the journey.
In the days when Tanganyika belonged to the Germans, Tukuyu was the
administrative centre for the whole of the Southern Highlands Province. The old German
Fort is still in use as Government offices and there are many fine trees which were
planted by the Germans. There is a large prosperous native population in this area.
They go in chiefly for coffee and for bananas which form the basis of their diet.
There are five British married couples here and Lillian and I go out to tea most
mornings. In the afternoon there is tennis or golf. The gardens here are beautiful because
there is rain or at least drizzle all the year round. There are even hedge roses bordering
some of the district roads. When one walks across the emerald green golf course or
through the Boma gardens, it is hard to realise that this gentle place is Tropical Africa.
‘Such a green and pleasant land’, but I think I prefer our corner of Tanganyika.Much love,
Eleanor.Mchewe. 12th November 1936
Dearest Family,
We had a lovely holiday but it is so nice to be home again, especially as Laza,
the local Nimrod, shot that leopard whilst we were away (with his muzzleloader gun). He
was justly proud of himself, and I gave him a tip so that he could buy some native beer
for a celebration. I have never seen one of theses parties but can hear the drums and
sounds of merrymaking, especially on moonlight nights.Our house looks so fresh and uncluttered. Whilst I was away, the boys
whitewashed the house and my houseboy had washed all the curtains, bedspreads,
and loose covers and watered the garden. If only George were here it would be
heaven.Ann looked so bonny at Tukuyu that I took her to the Government Doctor there
hoping that he would find her perfectly healthy, but alas he endorsed the finding of the
other two doctors so, when an opportunity offers, I think I shall have to send Ann down
to you for a long holiday from the Tropics. Mother-in-law has offered to fetch her next
year but England seems so far away. With you she will at least be on the same
continent.I left the children for the first time ever, except for my stay in hospital when Kate
was born, to go on an outing to Lake Masoko in the Tukuyu district, with four friends.
Masoko is a beautiful, almost circular crater lake and very very deep. A detachment of
the King’s African Rifles are stationed there and occupy the old German barracks
overlooking the lake.We drove to Masoko by car and spent the afternoon there as guests of two
British Army Officers. We had a good tea and the others went bathing in the lake but i
could not as I did not have a costume. The Lake was as beautiful as I had been lead to
imagine and our hosts were pleasant but I began to grow anxious as the afternoon
advanced and my friends showed no signs of leaving. I was in agonies when they
accepted an invitation to stay for a sundowner. We had this in the old German beer
garden overlooking the Lake. It was beautiful but what did I care. I had promised the
children that I would be home to give them their supper and put them to bed. When I
did at length return to Lillian’s house I found the situation as I had expected. Ann, with her
imagination had come to the conclusion that I never would return. She had sobbed
herself into a state of exhaustion. Kate was screaming in sympathy and George 2 was
very truculent. He wouldn’t even speak to me. Poor Lillian had had a trying time.
We did not return to Mbeya by the Mail Lorry. Bill and Lillian drove us across to
Mbeya in their new Ford V8 car. The children chattered happily in the back of the car
eating chocolate and bananas all the way. I might have known what would happen! Ann
was dreadfully and messily car sick.I engaged the Mbeya Hotel taxi to drive us out to the farm the same afternoon
and I expect it will be a long time before we leave the farm again.Lots and lots of love to all,
Eleanor.Chunya 27th November 1936
Dearest Family,
You will be surprised to hear that we are all together now on the Lupa goldfields.
I have still not recovered from my own astonishment at being here. Until last Saturday
night I never dreamed of this move. At about ten o’clock I was crouched in the inglenook
blowing on the embers to make a fire so that I could heat some milk for Kate who is
cutting teeth and was very restless. Suddenly I heard a car outside. I knew it must be
George and rushed outside storm lamp in hand. Sure enough, there was George
standing by a strange car, and beaming all over his face. “Something for you my love,”
he said placing a little bundle in my hand. It was a knotted handkerchief and inside was a
fine gold nugget.George had that fire going in no time, Kate was given the milk and half an aspirin
and settles down to sleep, whilst George and I sat around for an hour chatting over our
tea. He told me that he had borrowed the car from John Molteno and had come to fetch
me and the children to join him on the diggings for a while. It seems that John, who has a
camp at Itewe, a couple of miles outside the township of Chunya, the new
Administrative Centre of the diggings, was off to the Cape to visit his family for a few
months. John had asked George to run his claims in his absence and had given us the
loan of his camp and his car.George had found the nugget on his own claim but he is not too elated because
he says that one good month on the diggings is often followed by several months of
dead loss. However, I feel hopeful, we have had such a run of bad luck that surely it is
time for the tide to change. George spent Sunday going over the farm with Thomas, the
headman, and giving him instructions about future work whilst I packed clothes and
kitchen equipment. I have brought our ex-kitchenboy Kesho Kutwa with me as cook and
also Janey, who heard that we were off to the Lupa and came to offer her services once
more as ayah. Janey’s ex-husband Abel is now cook to one of the more successful
diggers and I think she is hoping to team up with him again.The trip over the Mbeya-Chunya pass was new to me and I enjoyed it very
much indeed. The road winds over the mountains along a very high escarpment and
one looks down on the vast Usangu flats stretching far away to the horizon. At the
highest point the road rises to about 7000 feet, and this was too much for Ann who was
leaning against the back of my seat. She was very thoroughly sick, all over my hair.
This camp of John Molteno’s is very comfortable. It consists of two wattle and
daub buildings built end to end in a clearing in the miombo bush. The main building
consists of a large living room, a store and an office, and the other of one large bedroom
and a small one separated by an area for bathing. Both buildings are thatched. There are
no doors, and there are no windows, but these are not necessary because one wall of
each building is built up only a couple of feet leaving a six foot space for light and air. As
this is the dry season the weather is pleasant. The air is fresh and dry but not nearly so
hot as I expected.Water is a problem and must be carried long distances in kerosene tins.
vegetables and fresh butter are brought in a van from Iringa and Mbeya Districts about
once a fortnight. I have not yet visited Chunya but I believe it is as good a shopping
centre as Mbeya so we will be able to buy all the non perishable food stuffs we need.
What I do miss is the fresh milk. The children are accustomed to drinking at least a pint of
milk each per day but they do not care for the tinned variety.Ann and young George love being here. The camp is surrounded by old
prospecting trenches and they spend hours each day searching for gold in the heaps of gravel. Sometimes they find quartz pitted with little spots of glitter and they bring them
to me in great excitement. Alas it is only Mica. We have two neighbours. The one is a
bearded Frenchman and the other an Australian. I have not yet met any women.
George looks very sunburnt and extremely fit and the children also look well.
George and I have decided that we will keep Ann with us until my Mother-in-law comes
out next year. George says that in spite of what the doctors have said, he thinks that the
shock to Ann of being separated from her family will do her more harm than good. She
and young George are inseparable and George thinks it would be best if both
George and Ann return to England with my Mother-in-law for a couple of years. I try not
to think at all about the breaking up of the family.Much love to all,
Eleanor. -
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