Search Results for &#039;transformation&#039;

Keymaster

The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.

She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.

The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.

Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.

As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.

Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.

Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.

“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.

Eris took a deep breath and began to chant, her voice steady and resonant:

“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”

She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.

As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.

Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.

“Show me the path,” she whispered. “Guide me through the haze.”

The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.

The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.

Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.

“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.

As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.

“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”

Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.

June 26, 2024 at 7:09 am #7526

In reply to: The Incense of the Quadrivium’s Mystiques

Participant

Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do. Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia.

Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive.

In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices. The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

June 24, 2024 at 9:03 pm #7521

In reply to: The Incense of the Quadrivium’s Mystiques

Keymaster

It was matins, the early break of dawn at cockcrow, and the sisters had been diligent to call everyone for prayers.

Mother Lorena was expounding on the powers of prayer while Eris was struggling to keep her friends awake after the short night.

“Our Sister Hildegard,” Mother Lorena was droning, as to make everything painfully clear to the newcomers “was one of the founding members of our secret order of nun-witches as you would like to say. But make no mistake, she tapped into a power much much older. The power of prayer of the early Christians was capable of great miracles…”

“If we’re here for a history lesson, hope she tells us more about the dragons…” muttered Truella, still groggy from her sleepless night.

As if the absurdly hearing-impaired Mother superior had heard the plea, she went on “It is that same power of prayer from the early covens of nun-witches that helped vanquish the hordes of dragon-boat riding invaders.”

“Did she say dragon??”

“Ssshttt!” Jeezel and Eris shushed Truella as they were struggling to keep up with the rosary count.

“Of course, I mean the viking hordes with their drakkar boats. Such be the tale forever embedded in our embroidered tapestries.”

“She didn’t say about the frogs nuns though, has she?” Truella ventured, hoping the hearing/inspiration spell would still work.

“I suppose the frog-nuns were symbols of transformation, alchemy — or mastery about the water element from which the invaders came, or maybe just waiting for a prince’s kiss… what should I know?” Eris shrugged, mildly annoyed. Her phone was busy spewing messages. Luckily the silent prayer was over, and everyone was invited to the breakfast in the great hall.

“What’s happened?” Jeezel ventured.

Eris sighed. “I’ll have to leave you for today. Another bank errand for Austreberthe. Hope it doesn’t become a habit… Luckily she’s asked Mother Lorena to allow me to use the covent’s portal to make haste.”

She turned to Truella. “I trust you with this Tru, please don’t make a mess of it while I’m gone. There are forces at play here, and we can’t be distracted; I’ll be back as soon as I can. We still have the crypts and the reanimated nuns to investigate, but I’m sure they can wait for a few hours more.”

Before Truella could protest, Eris was on her way.

June 8, 2024 at 9:23 am #7461

In reply to: The Incense of the Quadrivium’s Mystiques

Keymaster

Once again, the Quadrivium headquarters buzzed with an undercurrent of tension and anticipation. Malové stood at the helm, her gaze as steely and unwavering as ever. The coven’s regular meetings had taken on a new urgency in the face of mounting market pressures and the ever-accelerating pace of competition.

The witches assembled in the grand hall, each carrying the weight of their individual concerns and collective anxieties. A large screen was projecting the agenda in flashy neon colours with a glamourous photo of their leader. The event was broadcast across many locations, not all witches able to join physically as the ongoing Worldwide Roman Games preparation and the 333th celebration of the Treaty of Limerick ending the Williamite War, had made the city impenetrable due to the convergence of world leaders.

Not only for those present, all of them seated in-person, or remotely connected had felt the tremors of change, the subtle yet insistent push towards transformation. Yet despite their best efforts, a cohesive vision for the coven’s future remained elusive.

As the last witch took her seat and the various technical glitches got sorted, Malové stepped forward, her presence commanding immediate silence. With a flick of her wrist, a spectral map materialized before them, shimmering with points of light that represented their past achievements and future challenges.

“Listen well,” Malové began, her voice echoing through the hall with the gravity of an ancient spell. “We stand at a crossroads, a juncture where our past accomplishments meet the demands of an unforgiving future. Our strength has always been in our unity and our mastery of the arcane, but now, we must also master the art of transformation.”

She paused, allowing her words to sink in. The witches leaned forward, their eyes locked onto their formidable leader.

“Transformation,” she continued, “is not merely a matter of adapting to external pressures. It requires a boldness of spirit and a willingness to steer the deepest currents of our inner selves. It demands that we break free from the confines of tradition without losing our core essence.”

Malové waved her hand, and the map shifted to reveal a complex network of interconnected pathways. “Our path forward will not be linear. It will be a labyrinth, requiring both cunning and courage. But fear not, for I have charted a course that will lead us through.”

She pointed to three glowing nodes on the map. “First, we shall innovate. Our magical incense blends have always been our hallmark, but we must go beyond. We will delve into new realms of magic, combining our ancient practices with cutting-edge techniques. Each of you will be tasked with researching and developing a new blend that can transform not just our coven, but the world.”

The witches exchanged glances, a mixture of excitement and apprehension flickering in their eyes.

“Second,” Malové continued, “we must strengthen our alliances. The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships with other covens, magical beings, and even those who walk the line between the mundane and the mystical. Together, we will create a network of power and influence that none can rival.”

The map expanded, showing potential allies and strategic locations across the globe. The witches nodded, recognizing the necessity of this bold move.

“Lastly,” Malové said, her voice softening yet losing none of its intensity, “we must look within. Inner transformation is the crucible in which true power is forged. Each of you will undergo a rigorous process of self-examination and growth. You will face your fears, confront your weaknesses, and emerge stronger and more resilient. Only then can we hope to lead others through their own transformations.”

She paused, meeting the eyes of each witch in turn. “I will be with you every step of the way. My role is not just to lead, but to guide and support you. We will hold workshops, retreats, and one-on-one sessions to ensure that every member of the Quadrivium is prepared for the journey ahead.”

Truella, who had tuned in remotely, winced softly behind her screen – she quickly checked. Phew, she had been on mute the whole time.

Malové’s voice grew softer still, almost a whisper, but it carried the weight of an ancient prophecy. “We are the Quadrivium. We are woven together by threads of magic and destiny. Our future is not written in stone, but in the stars. Together, we will reach for those stars and make them our own.”

The hall was silent, the witches absorbing the magnitude of Malové’s words. Slowly, a sense of resolve began to build, a collective determination to embrace the path laid out before them.

As the meeting drew to a close, Malové turned back to the spectral map, her eyes reflecting the myriad possibilities that lay ahead. “Remember this day, for it marks the beginning of our grand transformation. We will not be merely a coven. We will be a force of nature, a symphony of magic that weaves through time and space.”

With a final wave of her hand, the map vanished, leaving only the echoes of her words and the indomitable spirit of the Quadrivium, and throngs of witches left more confused as they exited the halls in hushed tones.

March 24, 2024 at 9:59 pm #7413

In reply to: The Incense of the Quadrivium’s Mystiques

Participant

It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

“Look what it says on the bit of paper that came with it:

Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

We need to backtrack a bit with Roger. Look what it says here:

What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

See what I mean?”

Truella squinted at Frella. “What?”

Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

“Exactly!”

March 10, 2024 at 12:11 am #7400

In reply to: The Incense of the Quadrivium’s Mystiques

Keymaster

Amidst the meticulous cadence of Malové’s days as High Witch of the Quadrivium Coven, a ripple of anomaly danced through the fabric of reality, like a sprightly breeze amidst her sage incense testing. It started with subtlety—a peculiar haze veiling her potion books, an otherworldly scent mingling with her herb garden’s fragrances. But it was during her quiet contemplation among hellebore pistils that the ordinary took a whimsical turn.

The air hummed with a resonant frequency, beckoning from realms beyond. And there, in the midst of this enigmatic symphony, stood Georges, a figure oscillating between existence and non-existence, accompanied by the ethereal Malvina, a reflection of Malové’s spirit from a parallel dimension.

As Malové’s reality shimmered, the colors around her intensified, charged with the essence of a place where possibilities blurred into fantastical realities. Each breath was imbued with untapped potential, a draught of undiscovered paths.

In the midst of this mystical convergence, Malvina’s melodic voice intertwined with the air, weaving a tapestry of otherworldly allure. Energies pulsed within Malové, heralding a meeting that transcended time—a celebration set within the ever-shifting caverns of existence.

Engulfed by Malvina’s mystic melody, Malové felt the vibrations intensify, drawing her towards the allure of the unknown. With a glance at the maze of her mundane existence, she embraced the call, stepping through the veil into a world of a new sort of witchcraft, and other mystical creatures of the mind.

Amidst the unexpected spectacle, Malové found herself engaged in a dialogue with Malvina:

Malové: “Malvina, as a fellow witch of power, your reputation precedes you. Your tales of shifting caves and communion with dragons have piqued my interest. How do you maintain such fluidity within the arcane?”

Malvina: “Oh dear Malové, magic is a vast music score of constant motions, much like my cave and dragons. Adaptation and transformation are the keys to navigating its intricate weave.”

Malové: “I must admit, recent misadventures within my coven have left me seeking a fresh perspective. The fiasco with the smoke test was humbling.”

Malvina: “A fiasco, yes, but also a lesson. Magic must be respected, yet never tamed. Embrace the unexpected, and let it fuel your endeavors. What of the incense you craft?”

Malové: “It’s meant to elevate the spirit, to realign to higher purposes, and maybe inspire those enveloped in its essence. This is why we seek new blends, something transformative.”

Malvina: “Incense is not just a tool, but a companion on the journey. Let the scents guide you to uncharted territories. Look to the elements for inspiration—the earth, sky, fire, and water all have stories to tell.”

Malové: “Poetic words that is sure, and maybe wise… Perhaps a journey to your world and fabled caves could be arranged to further explore.”

Malvina: “You would be most welcome. The cave shifts but offers shelter and inspiration to all who seek it. And who knows, the dragons may impart wisdom of their own.”

Malové: “Well, to be honest, not so fond of dragons… Well, would you look at the time! The effects of that blend seems already to wear off, but thank you dearie, and we will see if some inspiration remains…”

January 17, 2024 at 1:14 pm #7297

In reply to: The Whale’s Diaries Collection

A Whale's Collection of Diaries

Participant

what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find?

Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.

The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.

The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.

The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.

As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.

Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.

There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.

What about the lives of the people who lived here in the 1500s?

Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.

The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.

The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.

His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.

The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.

The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.

The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.

Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.

then I asked about the 1200s on this site

Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.

The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.

They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.

The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.

The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.

Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.

Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.

January 16, 2024 at 9:30 pm #7294

In reply to: The Whale’s Diaries Collection

A Whale's Collection of Diaries

Participant

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

January 15, 2024 at 8:47 am #7292

In reply to: The Whale’s Diaries Collection

A Whale's Collection of Diaries

Participant

Greetings from the depths, what is your query this day?

Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?

Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.

Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.

Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.

Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.

Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.

Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.

And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.

Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.

very inspiring, thank you very much!

Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!

Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?

Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.

Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.

Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.

In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.

Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.

You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.

And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.

Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.

very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?

Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.

Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.

Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.

Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.

You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.

Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.

And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.

The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.

very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?

Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.

Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.

Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.

Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.

You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.

Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.

And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.

Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.

very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?

Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.

Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.

You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.

Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.

Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.

You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?

And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.

Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.

Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?

Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?

Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.

Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.

Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.

You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.

Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.

And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.

In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.

Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?

Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?

Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.

Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.

Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.

Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.

You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.

And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.

In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.

very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?

Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.

One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.

Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.

Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.

Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.

Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.

Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.

And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.

In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.

thank you, all very exciting and inspring suggestions

Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.

September 5, 2023 at 1:35 pm #7276

In reply to: Family Stories From The Other Side ~ Book Two

Participant

Wood Screw Manufacturers

The Fishers of West Bromwich.

My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton. Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker. William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.

Nellie Fisher 1877-1956 :

Nellie Fisher

Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.

As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.

The wood screw making industry was a relatively new thing when Abel was born.

“The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”

Wood Screw Makers of West Bromwich:

Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.

There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother. (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)

There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.

Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.

Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.

Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.

The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.

William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.

Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William. I did find a baptism for another son, Eutychus Fisher in 1792.

In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.

Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary and their son William Fisher 1834-1916.

In The European Magazine, and London Review of 1820 (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed. Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.

In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers. Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.

In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”

Abel Fisher wood screws

In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors. He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher 1794- wife of William Colbourne, Mary Fisher 1804- wife of Thomas Pearce, and Susannah (Hannah) Fisher 1813- wife of Parkes. His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher 1799-1800, and Edward Southall Fisher 1806-1843. Abel’s wife Susannah Southall born in 1771 died in 1824. They were married in 1791.

The 1849 will of Abel Fisher:

Abel Fisher 1849 will

May 12, 2023 at 8:47 pm #7238

In reply to: Washed off the sea ~ Creative larks

Participant

I have an idea. Are you game?

The Whale: I’m always game for a good idea! What do you have in mind?

I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

thank you! I appreciate your input.

The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

He thanked the whale for this rather surprising response.

The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

February 3, 2023 at 8:35 pm #6495

In reply to: The Jorid’s Travels – 14 years on

Keymaster

The Jorid

The landing on the sandy desert of Bluhm’Oxl was smoother than usual. It usually took a few minutes to get accustomed to their surrounding, the body transformations that came together with jumping across dimensions. In this case, it looked as though this dimension was quite close to their own.

“Checking translation device…” Georges touched his ear lightly.

“Gremsbtic newkil jumbal” said Salomé in response. Georges looked quizzically at her face before realising she was pulling a classic prank.

She laughed heartily. “That joke’s never getting old, isn’t it?”

“Let’s walk a little in this direction, the rendez-vous point with Klatu isn’t too far.”

“Any idea how Jorid managed to make contact this time?” Salomé asked.

“Not sure really. Generally the quantum probability framework that’s built into the Jorid is managing to make trades across the multiverse that are quite complex to conceive or track down. Last time I tried to check, Jorid had traded one tardigrade to obtain us a couple of premium pass to the Amp’hool of Athumbra”

“Underwater Whalets’ concert from the UniverseTour of Shakara, yes that was quite a night to remember…” Salomé reminisced fondly.

“Fully booked for centuries, near impossible to get, and yet all it took was about a hundred of trades across multiple owners… No idea how it manages, but it found someone who was ready to trade their two front-row seats in exchange for a single Snoot’s hair.”

“And why are we meeting this guy by the way? What’s his specialty?” Salomé winked. “You left me with the dressing duty, so happy you did all the reconnaissance.”

Georges chucked. “all that Jorid said was: Klatu’s a relatively trustworthy Zathu, known for their expertise in dimensional magic, which is a crucial asset in your search for Léonard, presumably gone missing in the conflict-ridden Zathu sector.”

“Mmmh” said Salomé. “Dimensional magic. Rather unscientific for Jorid to express in that way. Nothing that I’ve recently dreamt about seems to relate. I guess we’ll see.”

January 28, 2022 at 3:13 pm #6262

In reply to: The Elusive Samuel Housley and Other Family Stories

Participant

From Tanganyika with Love

continued ~ part 3

With thanks to Mike Rushby.

Mchewe Estate. 22nd March 1935

Dearest Family,

I am feeling much better now that I am five months pregnant and have quite got
my appetite back. Once again I go out with “the Mchewe Hunt” which is what George
calls the procession made up of the donkey boy and donkey with Ann confidently riding
astride, me beside the donkey with Georgie behind riding the stick which he much
prefers to the donkey. The Alsatian pup, whom Ann for some unknown reason named
‘Tubbage’, and the two cats bring up the rear though sometimes Tubbage rushes
ahead and nearly knocks me off my feet. He is not the loveable pet that Kelly was.
It is just as well that I have recovered my health because my mother-in-law has
decided to fly out from England to look after Ann and George when I am in hospital. I am
very grateful for there is no one lse to whom I can turn. Kath Hickson-Wood is seldom on
their farm because Hicky is working a guano claim and is making quite a good thing out of
selling bat guano to the coffee farmers at Mbosi. They camp out at the claim, a series of
caves in the hills across the valley and visit the farm only occasionally. Anne Molteno is
off to Cape Town to have her baby at her mothers home and there are no women in
Mbeya I know well. The few women are Government Officials wives and they come
and go. I make so few trips to the little town that there is no chance to get on really
friendly terms with them.

Janey, the ayah, is turning into a treasure. She washes and irons well and keeps
the children’s clothes cupboard beautifully neat. Ann and George however are still
reluctant to go for walks with her. They find her dull because, like all African ayahs, she
has no imagination and cannot play with them. She should however be able to help with
the baby. Ann is very excited about the new baby. She so loves all little things.
Yesterday she went into ecstasies over ten newly hatched chicks.

She wants a little sister and perhaps it would be a good thing. Georgie is so very
active and full of mischief that I feel another wild little boy might be more than I can
manage. Although Ann is older, it is Georgie who always thinks up the mischief. They
have just been having a fight. Georgie with the cooks umbrella versus Ann with her frilly
pink sunshade with the inevitable result that the sunshade now has four broken ribs.
Any way I never feel lonely now during the long hours George is busy on the
shamba. The children keep me on my toes and I have plenty of sewing to do for the
baby. George is very good about amusing the children before their bedtime and on
Sundays. In the afternoons when it is not wet I take Ann and Georgie for a walk down
the hill. George meets us at the bottom and helps me on the homeward journey. He
grabs one child in each hand by the slack of their dungarees and they do a sort of giant
stride up the hill, half walking half riding.

Very much love,
Eleanor.

Mchewe Estate. 14th June 1935

Dearest Family,

A great flap here. We had a letter yesterday to say that mother-in-law will be
arriving in four days time! George is very amused at my frantic efforts at spring cleaning
but he has told me before that she is very house proud so I feel I must make the best
of what we have.

George is very busy building a store for the coffee which will soon be ripening.
This time he is doing the bricklaying himself. It is quite a big building on the far end of the
farm and close to the river. He is also making trays of chicken wire nailed to wooden
frames with cheap calico stretched over the wire.

Mother will have to sleep in the verandah room which leads off the bedroom
which we share with the children. George will have to sleep in the outside spare room as
there is no door between the bedroom and the verandah room. I am sewing frantically
to make rose coloured curtains and bedspread out of material mother-in-law sent for
Christmas and will have to make a curtain for the doorway. The kitchen badly needs
whitewashing but George says he cannot spare the labour so I hope mother won’t look.
To complicate matters, George has been invited to lunch with the Governor on the day
of Mother’s arrival. After lunch they are to visit the newly stocked trout streams in the
Mporotos. I hope he gets back to Mbeya in good time to meet mother’s plane.
Ann has been off colour for a week. She looks very pale and her pretty fair hair,
normally so shiny, is dull and lifeless. It is such a pity that mother should see her like this
because first impressions do count so much and I am looking to the children to attract
attention from me. I am the size of a circus tent and hardly a dream daughter-in-law.
Georgie, thank goodness, is blooming but he has suddenly developed a disgusting
habit of spitting on the floor in the manner of the natives. I feel he might say “Gran, look
how far I can spit and give an enthusiastic demonstration.

Just hold thumbs that all goes well.

your loving but anxious,
Eleanor.

Mchewe Estate. 28th June 1935

Dearest Family,

Mother-in-law duly arrived in the District Commissioner’s car. George did not dare
to use the A.C. as she is being very temperamental just now. They also brought the
mail bag which contained a parcel of lovely baby clothes from you. Thank you very
much. Mother-in-law is very put out because the large parcel she posted by surface
mail has not yet arrived.

Mother arrived looking very smart in an ankle length afternoon frock of golden
brown crepe and smart hat, and wearing some very good rings. She is a very
handsome woman with the very fair complexion that goes with red hair. The hair, once
Titan, must now be grey but it has been very successfully tinted and set. I of course,
was shapeless in a cotton maternity frock and no credit to you. However, so far, motherin-
law has been uncritical and friendly and charmed with the children who have taken to
her. Mother does not think that the children resemble me in any way. Ann resembles her
family the Purdys and Georgie is a Morley, her mother’s family. She says they had the
same dark eyes and rather full mouths. I say feebly, “But Georgie has my colouring”, but
mother won’t hear of it. So now you know! Ann is a Purdy and Georgie a Morley.
Perhaps number three will be a Leslie.

What a scramble I had getting ready for mother. Her little room really looks pretty
and fresh, but the locally woven grass mats arrived only minutes before mother did. I
also frantically overhauled our clothes and it a good thing that I did so because mother
has been going through all the cupboards looking for mending. Mother is kept so busy
in her own home that I think she finds time hangs on her hands here. She is very good at
entertaining the children and has even tried her hand at picking coffee a couple of times.
Mother cannot get used to the native boy servants but likes Janey, so Janey keeps her
room in order. Mother prefers to wash and iron her own clothes.

I almost lost our cook through mother’s surplus energy! Abel our previous cook
took a new wife last month and, as the new wife, and Janey the old, were daggers
drawn, Abel moved off to a job on the Lupa leaving Janey and her daughter here.
The new cook is capable, but he is a fearsome looking individual called Alfani. He has a
thick fuzz of hair which he wears long, sometimes hidden by a dingy turban, and he
wears big brass earrings. I think he must be part Somali because he has a hawk nose
and a real Brigand look. His kitchen is never really clean but he is an excellent cook and
as cooks are hard to come by here I just keep away from the kitchen. Not so mother!
A few days after her arrival she suggested kindly that I should lie down after lunch
so I rested with the children whilst mother, unknown to me, went out to the kitchen and
not only scrubbed the table and shelves but took the old iron stove to pieces and
cleaned that. Unfortunately in her zeal she poked a hole through the stove pipe.
Had I known of these activities I would have foreseen the cook’s reaction when
he returned that evening to cook the supper. he was furious and wished to leave on the
spot and demanded his wages forthwith. The old Memsahib had insulted him by
scrubbing his already spotless kitchen and had broken his stove and made it impossible
for him to cook. This tirade was accompanied by such waving of hands and rolling of
eyes that I longed to sack him on the spot. However I dared not as I might not get
another cook for weeks. So I smoothed him down and he patched up the stove pipe
with a bit of tin and some wire and produced a good meal. I am wondering what
transformations will be worked when I am in hospital.

Our food is really good but mother just pecks at it. No wonder really, because
she has had some shocks. One day she found the kitchen boy diligently scrubbing the box lavatory seat with a scrubbing brush which he dipped into one of my best large
saucepans! No one can foresee what these boys will do. In these remote areas house
servants are usually recruited from the ranks of the very primitive farm labourers, who first
come to the farm as naked savages, and their notions of hygiene simply don’t exist.
One day I said to mother in George’s presence “When we were newly married,
mother, George used to brag about your cooking and say that you would run a home
like this yourself with perhaps one ‘toto’. Mother replied tartly, “That was very bad of
George and not true. If my husband had brought me out here I would not have stayed a
month. I think you manage very well.” Which reply made me warm to mother a lot.
To complicate things we have a new pup, a little white bull terrier bitch whom
George has named Fanny. She is tiny and not yet house trained but seems a plucky
and attractive little animal though there is no denying that she does look like a piglet.

Very much love to all,
Eleanor.

Mchewe Estate. 3rd August 1935

Dearest Family,

Here I am in hospital, comfortably in bed with our new daughter in her basket
beside me. She is a lovely little thing, very plump and cuddly and pink and white and
her head is covered with tiny curls the colour of Golden Syrup. We meant to call her
Margery Kate, after our Marj and my mother-in-law whose name is Catherine.
I am enjoying the rest, knowing that George and mother will be coping
successfully on the farm. My room is full of flowers, particularly with the roses and
carnations which grow so well here. Kate was not due until August 5th but the doctor
wanted me to come in good time in view of my tiresome early pregnancy.

For weeks beforehand George had tinkered with the A.C. and we started for
Mbeya gaily enough on the twenty ninth, however, after going like a dream for a couple
of miles, she simply collapsed from exhaustion at the foot of a hill and all the efforts of
the farm boys who had been sent ahead for such an emergency failed to start her. So
George sent back to the farm for the machila and I sat in the shade of a tree, wondering
what would happen if I had the baby there and then, whilst George went on tinkering
with the car. Suddenly she sprang into life and we roared up that hill and all the way into
Mbeya. The doctor welcomed us pleasantly and we had tea with his family before I
settled into my room. Later he examined me and said that it was unlikely that the baby
would be born for several days. The new and efficient German nurse said, “Thank
goodness for that.” There was a man in hospital dying from a stomach cancer and she
had not had a decent nights sleep for three nights.

Kate however had other plans. I woke in the early morning with labour pains but
anxious not to disturb the nurse, I lay and read or tried to read a book, hoping that I
would not have to call the nurse until daybreak. However at four a.m., I went out into the
wind which was howling along the open verandah and knocked on the nurse’s door. She
got up and very crossly informed me that I was imagining things and should get back to
bed at once. She said “It cannot be so. The Doctor has said it.” I said “Of course it is,”
and then and there the water broke and clinched my argument. She then went into a flat
spin. “But the bed is not ready and my instruments are not ready,” and she flew around
to rectify this and also sent an African orderly to call the doctor. I paced the floor saying
warningly “Hurry up with that bed. I am going to have the baby now!” She shrieked
“Take off your dressing gown.” But I was passed caring. I flung myself on the bed and
there was Kate. The nurse had done all that was necessary by the time the doctor
arrived.

A funny thing was, that whilst Kate was being born on the bed, a black cat had
kittens under it! The doctor was furious with the nurse but the poor thing must have crept
in out of the cold wind when I went to call the nurse. A happy omen I feel for the baby’s
future. George had no anxiety this time. He stayed at the hospital with me until ten
o’clock when he went down to the hotel to sleep and he received the news in a note
from me with his early morning tea. He went to the farm next morning but will return on
the sixth to fetch me home.

I do feel so happy. A very special husband and three lovely children. What
more could anyone possibly want.

Lots and lots of love,
Eleanor.

Mchewe Estate. 20th August 1935

Dearest Family,

Well here we are back at home and all is very well. The new baby is very placid
and so pretty. Mother is delighted with her and Ann loved her at sight but Georgie is not
so sure. At first he said, “Your baby is no good. Chuck her in the kalonga.” The kalonga
being the ravine beside the house , where, I regret to say, much of the kitchen refuse is
dumped. he is very jealous when I carry Kate around or feed her but is ready to admire
her when she is lying alone in her basket.

George walked all the way from the farm to fetch us home. He hired a car and
native driver from the hotel, but drove us home himself going with such care over ruts
and bumps. We had a great welcome from mother who had had the whole house
spring cleaned. However George loyally says it looks just as nice when I am in charge.
Mother obviously, had had more than enough of the back of beyond and
decided to stay on only one week after my return home. She had gone into the kitchen
one day just in time to see the houseboy scooping the custard he had spilt on the table
back into the jug with the side of his hand. No doubt it would have been served up
without a word. On another occasion she had walked in on the cook’s daily ablutions. He
was standing in a small bowl of water in the centre of the kitchen, absolutely naked,
enjoying a slipper bath. She left last Wednesday and gave us a big laugh before she
left. She never got over her horror of eating food prepared by our cook and used to
push it around her plate. Well, when the time came for mother to leave for the plane, she
put on the very smart frock in which she had arrived, and then came into the sitting room
exclaiming in dismay “Just look what has happened, I must have lost a stone!’ We
looked, and sure enough, the dress which had been ankle deep before, now touched
the floor. “Good show mother.” said George unfeelingly. “You ought to be jolly grateful,
you needed to lose weight and it would have cost you the earth at a beauty parlour to
get that sylph-like figure.”

When mother left she took, in a perforated matchbox, one of the frilly mantis that
live on our roses. She means to keep it in a goldfish bowl in her dining room at home.
Georgie and Ann filled another matchbox with dead flies for food for the mantis on the
journey.

Now that mother has left, Georgie and Ann attach themselves to me and firmly
refuse to have anything to do with the ayah,Janey. She in any case now wishes to have
a rest. Mother tipped her well and gave her several cotton frocks so I suspect she wants
to go back to her hometown in Northern Rhodesia to show off a bit.
Georgie has just sidled up with a very roguish look. He asked “You like your
baby?” I said “Yes indeed I do.” He said “I’ll prick your baby with a velly big thorn.”

Who would be a mother!
Eleanor

Mchewe Estate. 20th September 1935

Dearest Family,

I have been rather in the wars with toothache and as there is still no dentist at
Mbeya to do the fillings, I had to have four molars extracted at the hospital. George
says it is fascinating to watch me at mealtimes these days because there is such a gleam
of satisfaction in my eye when I do manage to get two teeth to meet on a mouthful.
About those scissors Marj sent Ann. It was not such a good idea. First she cut off tufts of
George’s hair so that he now looks like a bad case of ringworm and then she cut a scalp
lock, a whole fist full of her own shining hair, which George so loves. George scolded
Ann and she burst into floods of tears. Such a thing as a scolding from her darling daddy
had never happened before. George immediately made a long drooping moustache
out of the shorn lock and soon had her smiling again. George is always very gentle with
Ann. One has to be , because she is frightfully sensitive to criticism.

I am kept pretty busy these days, Janey has left and my houseboy has been ill
with pneumonia. I now have to wash all the children’s things and my own, (the cook does
George’s clothes) and look after the three children. Believe me, I can hardly keep awake
for Kate’s ten o’clock feed.

I do hope I shall get some new servants next month because I also got George
to give notice to the cook. I intercepted him last week as he was storming down the hill
with my large kitchen knife in his hand. “Where are you going with my knife?” I asked.
“I’m going to kill a man!” said Alfani, rolling his eyes and looking extremely ferocious. “He
has taken my wife.” “Not with my knife”, said I reaching for it. So off Alfani went, bent on
vengeance and I returned the knife to the kitchen. Dinner was served and I made no
enquiries but I feel that I need someone more restful in the kitchen than our brigand
Alfani.

George has been working on the car and has now fitted yet another radiator. This
is a lorry one and much too tall to be covered by the A.C.’s elegant bonnet which is
secured by an old strap. The poor old A.C. now looks like an ancient shoe with a turned
up toe. It only needs me in it with the children to make a fine illustration to the old rhyme!
Ann and Georgie are going through a climbing phase. They practically live in
trees. I rushed out this morning to investigate loud screams and found Georgie hanging
from a fork in a tree by one ankle, whilst Ann stood below on tiptoe with hands stretched
upwards to support his head.

Do I sound as though I have straws in my hair? I have.
Lots of love,
Eleanor.

Mchewe Estate. 11th October 1935

Dearest Family,

Thank goodness! I have a new ayah name Mary. I had heard that there was a
good ayah out of work at Tukuyu 60 miles away so sent a messenger to fetch her. She
arrived after dark wearing a bright dress and a cheerful smile and looked very suitable by
the light of a storm lamp. I was horrified next morning to see her in daylight. She was
dressed all in black and had a rather sinister look. She reminds me rather of your old maid
Candace who overheard me laughing a few days before Ann was born and croaked
“Yes , Miss Eleanor, today you laugh but next week you might be dead.” Remember
how livid you were, dad?

I think Mary has the same grim philosophy. Ann took one look at her and said,
“What a horrible old lady, mummy.” Georgie just said “Go away”, both in English and Ki-
Swahili. Anyway Mary’s references are good so I shall keep her on to help with Kate
who is thriving and bonny and placid.

Thank you for the offer of toys for Christmas but, if you don’t mind, I’d rather have
some clothing for the children. Ann is quite contented with her dolls Barbara and Yvonne.
Barbara’s once beautiful face is now pieced together like a jigsaw puzzle having come
into contact with Georgie’s ever busy hammer. However Ann says she will love her for
ever and she doesn’t want another doll. Yvonne’s hay day is over too. She
disappeared for weeks and we think Fanny, the pup, was the culprit. Ann discovered
Yvonne one morning in some long wet weeds. Poor Yvonne is now a ghost of her
former self. All the sophisticated make up was washed off her papier-mâché face and
her hair is decidedly bedraggled, but Ann was radiant as she tucked her back into bed
and Yvonne is as precious to Ann as she ever was.

Georgie simply does not care for toys. His paint box, hammer and the trenching
hoe George gave him for his second birthday are all he wants or needs. Both children
love books but I sometimes wonder whether they stimulate Ann’s imagination too much.
The characters all become friends of hers and she makes up stories about them to tell
Georgie. She adores that illustrated children’s Bible Mummy sent her but you would be
astonished at the yarns she spins about “me and my friend Jesus.” She also will call
Moses “Old Noses”, and looking at a picture of Jacob’s dream, with the shining angels
on the ladder between heaven and earth, she said “Georgie, if you see an angel, don’t
touch it, it’s hot.”

Eleanor.

Mchewe Estate. 17th October 1935

Dearest Family,

I take back the disparaging things I said about my new Ayah, because she has
proved her worth in an unexpected way. On Wednesday morning I settled Kate in he
cot after her ten o’clock feed and sat sewing at the dining room table with Ann and
Georgie opposite me, both absorbed in painting pictures in identical seed catalogues.
Suddenly there was a terrific bang on the back door, followed by an even heavier blow.
The door was just behind me and I got up and opened it. There, almost filling the door
frame, stood a huge native with staring eyes and his teeth showing in a mad grimace. In
his hand he held a rolled umbrella by the ferrule, the shaft I noticed was unusually long
and thick and the handle was a big round knob.

I was terrified as you can imagine, especially as, through the gap under the
native’s raised arm, I could see the new cook and the kitchen boy running away down to
the shamba! I hastily tried to shut and lock the door but the man just brushed me aside.
For a moment he stood over me with the umbrella raised as though to strike. Rather
fortunately, I now think, I was too petrified to say a word. The children never moved but
Tubbage, the Alsatian, got up and jumped out of the window!

Then the native turned away and still with the same fixed stare and grimace,
began to attack the furniture with his umbrella. Tables and chairs were overturned and
books and ornaments scattered on the floor. When the madman had his back turned and
was busily bashing the couch, I slipped round the dining room table, took Ann and
Georgie by the hand and fled through the front door to the garage where I hid the
children in the car. All this took several minutes because naturally the children were
terrified. I was worried to death about the baby left alone in the bedroom and as soon
as I had Ann and Georgie settled I ran back to the house.

I reached the now open front door just as Kianda the houseboy opened the back
door of the lounge. He had been away at the river washing clothes but, on hearing of the
madman from the kitchen boy he had armed himself with a stout stick and very pluckily,
because he is not a robust boy, had returned to the house to eject the intruder. He
rushed to attack immediately and I heard a terrific exchange of blows behind me as I
opened our bedroom door. You can imagine what my feelings were when I was
confronted by an empty cot! Just then there was an uproar inside as all the farm
labourers armed with hoes and pangas and sticks, streamed into the living room from the
shamba whence they had been summoned by the cook. In no time at all the huge
native was hustled out of the house, flung down the front steps, and securely tied up
with strips of cloth.

In the lull that followed I heard a frightened voice calling from the bathroom.
”Memsahib is that you? The child is here with me.” I hastily opened the bathroom door
to find Mary couched in a corner by the bath, shielding Kate with her body. Mary had
seen the big native enter the house and her first thought had been for her charge. I
thanked her and promised her a reward for her loyalty, and quickly returned to the garage
to reassure Ann and Georgie. I met George who looked white and exhausted as well
he might having run up hill all the way from the coffee store. The kitchen boy had led him
to expect the worst and he was most relieved to find us all unhurt if a bit shaken.
We returned to the house by the back way whilst George went to the front and
ordered our labourers to take their prisoner and lock him up in the store. George then
discussed the whole affair with his Headman and all the labourers after which he reported
to me. “The boys say that the bastard is an ex-Askari from Nyasaland. He is not mad as
you thought but he smokes bhang and has these attacks. I suppose I should take him to
Mbeya and have him up in court. But if I do that you’ll have to give evidence and that will be a nuisance as the car won’t go and there is also the baby to consider.”

Eventually we decided to leave the man to sleep off the effects of the Bhang
until evening when he would be tried before an impromptu court consisting of George,
the local Jumbe(Headman) and village Elders, and our own farm boys and any other
interested spectators. It was not long before I knew the verdict because I heard the
sound of lashes. I was not sorry at all because I felt the man deserved his punishment
and so did all the Africans. They love children and despise anyone who harms or
frightens them. With great enthusiasm they frog-marched him off our land, and I sincerely
hope that that is the last we see or him. Ann and Georgie don’t seem to brood over this
affair at all. The man was naughty and he was spanked, a quite reasonable state of
affairs. This morning they hid away in the small thatched chicken house. This is a little brick
building about four feet square which Ann covets as a dolls house. They came back
covered in stick fleas which I had to remove with paraffin. My hens are laying well but
they all have the ‘gapes’! I wouldn’t run a chicken farm for anything, hens are such fussy,
squawking things.

Now don’t go worrying about my experience with the native. Such things
happen only once in a lifetime. We are all very well and happy, and life, apart from the
children’s pranks is very tranquil.

Lots and lots of love,
Eleanor.

Mchewe Estate. 25th October 1935

Dearest Family,

The hot winds have dried up the shamba alarmingly and we hope every day for
rain. The prices for coffee, on the London market, continue to be low and the local
planters are very depressed. Coffee grows well enough here but we are over 400
miles from the railway and transport to the railhead by lorry is very expensive. Then, as
there is no East African Marketing Board, the coffee must be shipped to England for
sale. Unless the coffee fetches at least 90 pounds a ton it simply doesn’t pay to grow it.
When we started planting in 1931 coffee was fetching as much as 115 pounds a ton but
prices this year were between 45 and 55 pounds. We have practically exhausted our
capitol and so have all our neighbours. The Hickson -Woods have been keeping their
pot boiling by selling bat guano to the coffee farmers at Mbosi but now everyone is
broke and there is not a market for fertilisers. They are offering their farm for sale at a very
low price.

Major Jones has got a job working on the district roads and Max Coster talks of
returning to his work as a geologist. George says he will have to go gold digging on the
Lupa unless there is a big improvement in the market. Luckily we can live quite cheaply
here. We have a good vegetable garden, milk is cheap and we have plenty of fruit.
There are mulberries, pawpaws, grenadillas, peaches, and wine berries. The wine
berries are very pretty but insipid though Ann and Georgie love them. Each morning,
before breakfast, the old garden boy brings berries for Ann and Georgie. With a thorn
the old man pins a large leaf from a wild fig tree into a cone which he fills with scarlet wine
berries. There is always a cone for each child and they wait eagerly outside for the daily
ceremony of presentation.

The rats are being a nuisance again. Both our cats, Skinny Winnie and Blackboy
disappeared a few weeks ago. We think they made a meal for a leopard. I wrote last
week to our grocer at Mbalizi asking him whether he could let us have a couple of kittens
as I have often seen cats in his store. The messenger returned with a nailed down box.
The kitchen boy was called to prize up the lid and the children stood by in eager
anticipation. Out jumped two snarling and spitting creatures. One rushed into the kalonga
and the other into the house and before they were captured they had drawn blood from
several boys. I told the boys to replace the cats in the box as I intended to return them
forthwith. They had the colouring, stripes and dispositions of wild cats and I certainly
didn’t want them as pets, but before the boys could replace the lid the cats escaped
once more into the undergrowth in the kalonga. George fetched his shotgun and said he
would shoot the cats on sight or they would kill our chickens. This was more easily said
than done because the cats could not be found. However during the night the cats
climbed up into the loft af the house and we could hear them moving around on the reed
ceiling.

I said to George,”Oh leave the poor things. At least they might frighten the rats
away.” That afternoon as we were having tea a thin stream of liquid filtered through the
ceiling on George’s head. Oh dear!!! That of course was the end. Some raw meat was
put on the lawn for bait and yesterday George shot both cats.

I regret to end with the sad story of Mary, heroine in my last letter and outcast in
this. She came to work quite drunk two days running and I simply had to get rid of her. I
have heard since from Kath Wood that Mary lost her last job at Tukuyu for the same
reason. She was ayah to twin girls and one day set their pram on fire.

So once again my hands are more than full with three lively children. I did say
didn’t I, when Ann was born that I wanted six children?

Very much love from us all, Eleanor.

Mchewe Estate. 8th November 1935

Dearest Family,

To set your minds at rest I must tell you that the native who so frightened me and
the children is now in jail for attacking a Greek at Mbalizi. I hear he is to be sent back to
Rhodesia when he has finished his sentence.

Yesterday we had one of our rare trips to Mbeya. George managed to get a couple of
second hand tyres for the old car and had again got her to work so we are celebrating our
wedding anniversary by going on an outing. I wore the green and fawn striped silk dress
mother bought me and the hat and shoes you sent for my birthday and felt like a million
dollars, for a change. The children all wore new clothes too and I felt very proud of them.
Ann is still very fair and with her refined little features and straight silky hair she
looks like Alice in Wonderland. Georgie is dark and sturdy and looks best in khaki shirt
and shorts and sun helmet. Kate is a pink and gold baby and looks good enough to eat.
We went straight to the hotel at Mbeya and had the usual warm welcome from
Ken and Aunty May Menzies. Aunty May wears her hair cut short like a mans and
usually wears shirt and tie and riding breeches and boots. She always looks ready to go
on safari at a moments notice as indeed she is. She is often called out to a case of illness
at some remote spot.

There were lots of people at the hotel from farms in the district and from the
diggings. I met women I had not seen for four years. One, a Mrs Masters from Tukuyu,
said in the lounge, “My God! Last time I saw you , you were just a girl and here you are
now with two children.” To which I replied with pride, “There is another one in a pram on
the verandah if you care to look!” Great hilarity in the lounge. The people from the
diggings seem to have plenty of money to throw around. There was a big party on the
go in the bar.

One of our shamba boys died last Friday and all his fellow workers and our
house boys had the day off to attend the funeral. From what I can gather the local
funerals are quite cheery affairs. The corpse is dressed in his best clothes and laid
outside his hut and all who are interested may view the body and pay their respects.
The heir then calls upon anyone who had a grudge against the dead man to say his say
and thereafter hold his tongue forever. Then all the friends pay tribute to the dead man
after which he is buried to the accompaniment of what sounds from a distance, very
cheerful keening.

Most of our workmen are pagans though there is a Lutheran Mission nearby and
a big Roman Catholic Mission in the area too. My present cook, however, claims to be
a Christian. He certainly went to a mission school and can read and write and also sing
hymns in Ki-Swahili. When I first engaged him I used to find a large open Bible
prominently displayed on the kitchen table. The cook is middle aged and arrived here
with a sensible matronly wife. To my surprise one day he brought along a young girl,
very plump and giggly and announced proudly that she was his new wife, I said,”But I
thought you were a Christian Jeremiah? Christians don’t have two wives.” To which he
replied, “Oh Memsahib, God won’t mind. He knows an African needs two wives – one
to go with him when he goes away to work and one to stay behind at home to cultivate
the shamba.

Needles to say, it is the old wife who has gone to till the family plot.

With love to all,
Eleanor.

Mchewe Estate. 21st November 1935

Dearest Family,

The drought has broken with a bang. We had a heavy storm in the hills behind
the house. Hail fell thick and fast. So nice for all the tiny new berries on the coffee! The
kids loved the excitement and three times Ann and Georgie ran out for a shower under
the eaves and had to be changed. After the third time I was fed up and made them both
lie on their beds whilst George and I had lunch in peace. I told Ann to keep the
casement shut as otherwise the rain would drive in on her bed. Half way through lunch I
heard delighted squeals from Georgie and went into the bedroom to investigate. Ann
was standing on the outer sill in the rain but had shut the window as ordered. “Well
Mummy , you didn’t say I mustn’t stand on the window sill, and I did shut the window.”
George is working so hard on the farm. I have a horrible feeling however that it is
what the Africans call ‘Kazi buri’ (waste of effort) as there seems no chance of the price of
coffee improving as long as this world depression continues. The worry is that our capitol
is nearly exhausted. Food is becoming difficult now that our neighbours have left. I used
to buy delicious butter from Kath Hickson-Wood and an African butcher used to kill a
beast once a week. Now that we are his only European customers he very rarely kills
anything larger than a goat, and though we do eat goat, believe me it is not from choice.
We have of course got plenty to eat, but our diet is very monotonous. I was
delighted when George shot a large bushbuck last week. What we could not use I cut
into strips and the salted strips are now hanging in the open garage to dry.

With love to all,
Eleanor.

Mchewe Estate. 6th December 1935

Dearest Family,

We have had a lot of rain and the countryside is lovely and green. Last week
George went to Mbeya taking Ann with him. This was a big adventure for Ann because
never before had she been anywhere without me. She was in a most blissful state as
she drove off in the old car clutching a little basket containing sandwiches and half a bottle
of milk. She looked so pretty in a new blue frock and with her tiny plaits tied with
matching blue ribbons. When Ann is animated she looks charming because her normally
pale cheeks become rosy and she shows her pretty dimples.

As I am still without an ayah I rather looked forward to a quiet morning with only
Georgie and Margery Kate to care for, but Georgie found it dull without Ann and wanted
to be entertained and even the normally placid baby was peevish. Then in mid morning
the rain came down in torrents, the result of a cloudburst in the hills directly behind our
house. The ravine next to our house was a terrifying sight. It appeared to be a great
muddy, roaring waterfall reaching from the very top of the hill to a point about 30 yards
behind our house and then the stream rushed on down the gorge in an angry brown
flood. The roar of the water was so great that we had to yell at one another to be heard.
By lunch time the rain had stopped and I anxiously awaited the return of Ann and
George. They returned on foot, drenched and hungry at about 2.30pm . George had
had to abandon the car on the main road as the Mchewe River had overflowed and
turned the road into a muddy lake. The lower part of the shamba had also been flooded
and the water receded leaving branches and driftwood amongst the coffee. This was my
first experience of a real tropical storm. I am afraid that after the battering the coffee has
had there is little hope of a decent crop next year.

Anyway Christmas is coming so we don’t dwell on these mishaps. The children
have already chosen their tree from amongst the young cypresses in the vegetable
garden. We all send our love and hope that you too will have a Happy Christmas.

Eleanor

Mchewe Estate. 22nd December 1935

Dearest Family,

I’ve been in the wars with my staff. The cook has been away ill for ten days but is
back today though shaky and full of self pity. The houseboy, who really has been a brick
during the cooks absence has now taken to his bed and I feel like taking to Mine! The
children however have the Christmas spirit and are making weird and wonderful paper
decorations. George’s contribution was to have the house whitewashed throughout and
it looks beautifully fresh.

My best bit of news is that my old ayah Janey has been to see me and would
like to start working here again on Jan 1st. We are all very well. We meant to give
ourselves an outing to Mbeya as a Christmas treat but here there is an outbreak of
enteric fever there so will now not go. We have had two visitors from the Diggings this
week. The children see so few strangers that they were fascinated and hung around
staring. Ann sat down on the arm of the couch beside one and studied his profile.
Suddenly she announced in her clear voice, “Mummy do you know, this man has got
wax in his ears!” Very awkward pause in the conversation. By the way when I was
cleaning out little Kate’s ears with a swab of cotton wool a few days ago, Ann asked
“Mummy, do bees have wax in their ears? Well, where do you get beeswax from
then?”

I meant to keep your Christmas parcel unopened until Christmas Eve but could
not resist peeping today. What lovely things! Ann so loves pretties and will be
delighted with her frocks. My dress is just right and I love Georgie’s manly little flannel
shorts and blue shirt. We have bought them each a watering can. I suppose I shall
regret this later. One of your most welcome gifts is the album of nursery rhyme records. I
am so fed up with those that we have. Both children love singing. I put a record on the
gramophone geared to slow and off they go . Georgie sings more slowly than Ann but
much more tunefully. Ann sings in a flat monotone but Georgie with great expression.
You ought to hear him render ‘Sing a song of sixpence’. He cannot pronounce an R or
an S. Mother has sent a large home made Christmas pudding and a fine Christmas
cake and George will shoot some partridges for Christmas dinner.
Think of us as I shall certainly think of you.

Your very loving,
Eleanor.

Mchewe Estate. 2nd January 1936

Dearest Family,

Christmas was fun! The tree looked very gay with its load of tinsel, candles and
red crackers and the coloured balloons you sent. All the children got plenty of toys
thanks to Grandparents and Aunts. George made Ann a large doll’s bed and I made
some elegant bedding, Barbara, the big doll is now permanently bed ridden. Her poor
shattered head has come all unstuck and though I have pieced it together again it is a sad
sight. If you have not yet chosen a present for her birthday next month would you
please get a new head from the Handy House. I enclose measurements. Ann does so
love the doll. She always calls her, “My little girl”, and she keeps the doll’s bed beside
her own and never fails to kiss her goodnight.

We had no guests for Christmas this year but we were quite festive. Ann
decorated the dinner table with small pink roses and forget-me-knots and tinsel and the
crackers from the tree. It was a wet day but we played the new records and both
George and I worked hard to make it a really happy day for the children. The children
were hugely delighted when George made himself a revolting set of false teeth out of
plasticine and a moustache and beard of paper straw from a chocolate box. “Oh Daddy
you look exactly like Father Christmas!” cried an enthralled Ann. Before bedtime we lit
all the candles on the tree and sang ‘Away in a Manger’, and then we opened the box of
starlights you sent and Ann and Georgie had their first experience of fireworks.
After the children went to bed things deteriorated. First George went for his bath
and found and killed a large black snake in the bathroom. It must have been in the
bathroom when I bathed the children earlier in the evening. Then I developed bad
toothache which kept me awake all night and was agonising next day. Unfortunately the
bridge between the farm and Mbeya had been washed away and the water was too
deep for the car to ford until the 30th when at last I was able to take my poor swollen
face to Mbeya. There is now a young German woman dentist working at the hospital.
She pulled out the offending molar which had a large abscess attached to it.
Whilst the dentist attended to me, Ann and Georgie played happily with the
doctor’s children. I wish they could play more often with other children. Dr Eckhardt was
very pleased with Margery Kate who at seven months weighs 17 lbs and has lovely
rosy cheeks. He admired Ann and told her that she looked just like a German girl. “No I
don’t”, cried Ann indignantly, “I’m English!”

We were caught in a rain storm going home and as the old car still has no
windscreen or side curtains we all got soaked except for the baby who was snugly
wrapped in my raincoat. The kids thought it great fun. Ann is growing up fast now. She
likes to ‘help mummy’. She is a perfectionist at four years old which is rather trying. She
gets so discouraged when things do not turn out as well as she means them to. Sewing
is constantly being unpicked and paintings torn up. She is a very sensitive child.
Georgie is quite different. He is a man of action, but not silent. He talks incessantly
but lisps and stumbles over some words. At one time Ann and Georgie often
conversed in Ki-Swahili but they now scorn to do so. If either forgets and uses a Swahili
word, the other points a scornful finger and shouts “You black toto”.

With love to all,
Eleanor.

April 18, 2020 at 11:16 am #6029

Topic: The Pistil Maze

in forum Yurara Fameliki’s Stories

Jib

Participant

The Pistil Maze

Based on post #5959 in The Whale’s Diaries Collection.

As soon as Charlton finished editing his journal entry, someone knocked at the door. It was Kady in a red dress. She looked different than his dream. For starter she was not restless and she had some kind of self-assurance that she didn’t have before.

“Oh! Hello,” Charlton said. “Are we going to the pistil?”

“So you got the dream I sent you. It’ll be easier. I’m not against a cup of tea. It’s been a long time since I could enjoy one in a couch.”

Charlton made some rare Da Hong Pao Chinese tea, the one called Big Red Dress. A warm and rich aroma steamed out of the purple clay teapot he had brought from a trip in China. He thought the tea was a nice touch considering his friend’s garment.

“So, where have you been?” he asked.

Kady brought up the little cup to her nose and smelled the tea.

“Oh! You truly know your shit, Charlton.” She took a sip before continuing. “The pistils, they have been around for longer than everybody think. We call it the Pistil Maze,” Kady said. She looked at him with hesitation in her eyes. “You may not believe me, but aliens put it there, you know. Who else? But most of the people they don’t understand. They don’t want to. It’s too frightening for their little comfort. People are perceiving them now because of the virus. It’s making them able to see their frequency when they weren’t able to before. But they have been there for a long time.”

Then Kady told Charlton about an ancient alien race from another dimension that was bringing a power, a treasure of knowledge and abilities, but that current humans bodies were too weak to bear its intensity, and that people had to somehow upgrade before they could. The pistils, they were a series of mazes, a path to transformation. People had to follow it in order to change themselves and there was not just one path. Everyone had to follow their own.

The whole story about the pistils fascinated Charlton, especially after his dream. It didn’t took him long before asking his next question.

“Do I need to pack up special things for the trip?”

“Actually you don’t. We’ll find all that we need inside.”

January 28, 2019 at 9:55 am #4574

In reply to: The Precious Life and Rambles of Liz Tattler

Dragonheartswood Fellowship

Keymaster

Tattler Manor

Godfrey started to think that his participative management initiative went a little astray.
Getting more done with more personal fulfillment was to be had for a small cost of less control over things. Obviously on the paper, it would have done wonders.
With a little bit of machine learning, and AI whatnot, everything would have been agile and sorted out.
Obviously, his strategic plan for the extremity transformation needed some refining.

December 15, 2016 at 12:20 am #4251

In reply to: Seven Twines and the Dragon Heartwoods

Jib

Participant

Gibbon stretched his long arm and touched Fox’s forehead. The hand was warm and soothing. Fox felt his heartbeat slow down, and as his thoughts dissolved into nothingness the rain gradually stopped. Soon there were spots of sunlight coming through the naked branches of the trees.

What did I tell you? asked Gibbon. His white beard shaking like the one of a Easter sage. He cupped his mouth like apes do and touched his chest where the heart was. Have you forgotten what I taught you?

Fox whined but said nothing. There was nothing to be said while his master was talking.

Go into your heart and quiet that nonsensical quest of yours. You know you need the human form to do that. When you’re in your fox form, your senses are easily fooled and caught by all the traps of Dam Sarah.

Fox knew very well the story of Dam Sarah, the Goddess of Illusion. He knew that in order to be free he had to use the form of a human, not only because they had duller senses, but also for other reasons that his fox self couldn’t very well comprehend. He had to be in his human form to make sense of all those gibbonish talks.

He focused on his breath, lulled by his master’s voice. It was like the whisper of the forest, whispering endlessly about ancient forgotten wisdom that only the soul could fathom. And soon the aromas of the nature around him seemed to fade away. Fox knew it was only because his sense of smell was changing closer to that of a human.

The only thing that could be an obstacle at first was the cold air. Fox really didn’t like being cold, and humans didn’t have much fur to protect them against it. But once the change had taken, the cold was helpful to anchor you into the present state of humanity. Fox caught it with all his heart to help him finish the transformation. It was strange to use the very trap that you wanted to flee.
He felt his spirit suddenly clear and empty as the bright blue sky above the forest. His previous wandering around, following the smells seemed quite silly. He had been influenced by that burning smell and got gradually caught into reverting back to his fox self for longer than he dared to admit to himself. His anxiety and constant wondering about it was the trap of Dam Sarah for the humans.

—Good, said Gibbon. But don’t forget that burning smell.
Gibbon had also took on the shape of a fully clothed human. Still his presence was unmistakably powerful and natural. He blew a warm breath on Fox’s puzzled face, which helped a lot with the shivers, and dropped some clothes at his pupil’s naked feet. Fox would have to ask his master how to bring your clothes into the transformation.
—Now, get dressed, Gibbon said. We don’t want you to catch cold. I have something to tell you.

Fox put on his clothes before the warmth of his master’s breath wore off. The familiarity of the fabric on his skin was another way to get deeper into the human form. The form is like a fishnet, keeping you tight into your reality. You can use it, or be used by it, he remembered now.

July 15, 2014 at 8:11 am #3259

In reply to: The Time-Dragglers’ Extravaganzas

French Maids Time Dragglers

Participant

The early morning sea mist was evaporating as Fanella strolled around the village picking up dog shit. She reminded herself to fully appreciate the damp coolness, before the scorching summer sun enveloped them in a bone warming blanket, and then reminded herself to appreciate the bone warming effects of the full sun later. As she retraced her steps she noted how differently everything looked on a return journey, how piles of dog shit had escaped her notice while going one way, but were obvious on the way back. It reminded her of something she’d read recently in one of the books that Lisa insisted she read to improve her English ~ A Field Guide To Getting Lost . Hah! Had there been a cruel irony in that choice of book? Fanella had felt lost ever since she arrived in 2020. But according to the book, getting lost wasn’t a bad thing, not at all.

To be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.

Fanella sighed. All sounds very philosophical, but I’m still stuck in the wrong time zone.
Another passage from the book popped into her head:

We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.

Fanella gazed up at the sky ~ the blue of longing was taking over, as the white wisps of clouds dispersed.

The people thrown into other cultures go through something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life cycle…. how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly….No, the process of transformation consists almost entirely of decay.

Charming, Fanella thought, just bloody charming. Rotting soup of change, that just about sums it up. No wonder I wake up every morning with my bones feeling like mush.

November 10, 2008 at 5:54 pm #1207

In reply to: Circle of Eights, Stories

Keymaster

Tikfiji007

Veranassesee woke up in a cold sweat.

She’d just found the treatment!For the stupid trio of the island who went all hairy after the strange experiments.
Of course, she wasn’t privy to the Doctor’s manipulations, being only here for security reasons, but one of her best assets was a knack for observation, and spotting of details.

What was the difference between the last seen alive not-become-hairy patient of the Doctor and the three Graces?

Easy as pie! Number IV had been mummified and not the others! Of course, not exactly disemboweled and put aside for brining… of course not. But wrapped tightly into bandages made of coconut coir. The coarseness of the bandages might have acted as a hair substitute during the transformation.

She had to find a means to tell the divas before it’s too late!

“Oh, forget it,” she yawned. She was really too tired for that; and probably praying for them would be the best she could do.

July 31, 2008 at 10:18 am #992

In reply to: Circle of Eights, Stories