Search Results for 'wants'

— These are MY eggs! Nobody touches my eggs!
— Oh come on, you’re not gonna make these ostrich eggs hatch Cathy… Better have them made into a nice big omelet for our guests… Fleur said with a tentative smile.
— And why use MY eggs for that?! Moooom, she’s trying to steal my eggs…

— What’s with all that fuss here? a coarse, yet sensual female voice said in the background of the kitchen.
— Mom, she wants to make an omelet with the eggs that granddad gave me…
— Calm down Catherine, will you… Is that true Fleur?
— Err… Madam Wrick, I suppose it was only a stupid joke… Thing is that wasn’t such a bad idea… There will be quite a few guests tonight, and… she began to falter as the eyebrows of Dorean Wrick were taking a more severe look. Err… I’m sorry, M’am, I’ll send Raster fetch some food for a nice meat pie, will it be nice?
— Perfect. That settles the matter then… Catherine, go back to your room, and let Fleur work. I’ll send you a maid to help you be prepared for our guests arrival.
— Yes, Mum.

What a silly idea Theobald, her father have had, to give her step-daughter those eggs for her birthday… Big funny green eggs. He’d said they were ostrich eggs, but there were no ostrich in Mexico, as far as she knew. Of course, now the little girl’s only idea was to have the birds hatch and to mount them and ride in the slopes of Ireland.
This family was definitely insane, Dorean was thinking.
At least, she had thought her own branch of the family tree had been spared by the folly of her relatives and their attraction for occult and intangible things, but with that odd gift, it seemed to her more than likely that her father had followed the steps of his wricked brother… Or perhaps it was only an old man’s way of passing time. But knowing her father down-to-earth nature, that was not like him. He didn’t do things out of a whim, and there was probably more than met the eye having to do with the funny eggs…

A few days ago, shortly after New Year’s eve and stepping into year 2034, she’d had received an unexpected parcel from her cousin, Sean Doran. A couple of wrapped books, he was asking her to keep in store for him. She always had liked her cousin, though they had only met two or three times when they were children. Thing was, family matters were more a wrickage than anything else, and they had barely kept in touch over the years.
She had distractedly opened the big ornate leather-bound books only to discover they were blank. What was the purpose of all of this, she didn’t know. But unlike most people, Dorean wasn’t interested in others’ businesses. She would keep the books, whatever they meant.

And she had more pressing matters now.
Her guest were coming. Elvira and her demented husband were moving back, and were due to arrive tonight after a rather long expatriation in the lands of Russia. Having met that strange and impressive individual, the perspective of getting away in a foreign land leaving all the past behind, all of this had most probably saved Elvira from her depressive mood…
But she had been so isolated from her past that Dorean suspected that these almost thirty years abroad would have changed her profoundly.

A hotel room in New Venice, January 2034

Sean had agreed reluctantly.
As his father Lord Wrick had been aware for some time, Sean had been heavily drinking following the death of Margaret, and though he could still speak with her, he had a hard time not to take her as an illusion from his guilty mind.
So, wary of the impacts on his grand-children, Guinevere and Peregrine, Hilarion Wrick had demanded him to personally take care of their education, and have them move with him. The year before, he had acquired an old mansion in the Orkney Islands, in a healthy location far from the buzz of towns, and was in the process of having it restored. Its previous owner, Baron O’Dolly seemed to have disappeared and Lord Wrick had seized the occasion, as there was a nice big area of land around the place. Restoration would soon be over, he’d said, and he was wishing the children would move in the next spring.

Of course, Sean had known that his father’s proposal was no mere proposal. With the wealth and lawyers he had at his disposal, even if he would have to wait years, he could get what he was wanting. Even if he was to crush everything in the process. So he had agreed.

— Why do you feel sorry? You are no fit to raise children, and Becky is certainly no better than you… the ghost of Margaret was saying
— You know what it is, I feel so inadequate… What will my children remember of me?
— Don’t be stupid, they love you… And I’ll talk to them… On the contrary, loving the old bat won’t be as easy for them

This almost brought up a smile on Sean’s face.

— Yes, you’re right, and you are right for Becky and I… Perhaps we’ll have children, but for now, I suppose we want to enjoy being together, and take a deep bracing breath.
— Then stop being so gloomy and go call her. Perhaps you even want to start looking for an apartment in New Venice for both of you, to make her a big nice surprise for your wedding. She didn’t seem so fond of the idea of staying in Dublin for extended periods of time.
— Yes! And I’ll book our honey moon too… She wants to see so many places I suppose I’ll have to book a cruise over the world. And perhaps get tickets for the first trip in the cross-oceanic tunnel… Thank you Margaret, I’m so full of projects…
— Why, thank YOU, she said with a bwink (a simultaneous blinking and winking, in ghost’s jargon).

— So he wants us to paddle down a river of pea-soup, is that it, sweetie?
Al was asking Tina, while playing with his teeth and gums…

— Oh, I don’t have any clue really, sighed Tina who began to feel annoyed by Al’s constant fiddling with his mouth.
— Well, not to worry then, except I’ve got focuses dead from poisoned pea-soup as far as I remember, so I am not overly enthusiastic about the whole pea-soup adventure… Better make it some more fluid…
— And will you tell me what you’re doing now with that mouth of yours Albert? Last time that was the hair, then the nails… it seems you can’t get enough of these explorations of your body consciousness, can you? Tsss… Tumold aligned people…
— Oh, this is fascinating, can’t you see, how fluid this all area is, despite the appearances.
— If you say so…
— Look!
— Oh now, you’re being gross! Tina was positively appalled by Al’s behaviour
— Oh, it’s funny, look… I can make my gums as malleable as marshmallow, and have my teeth float on that gum-soup…
— Yikes!
— Entirely fascinating… And I can also grow some new ones, what would you say of pointy teeth like cannibals?
— Oh, come on, Tina was now no longer impressed… Have fun as you want, I’m going for a walk to help Becky buy her wedding dress… She wants something that looks “tribal” she said…

Tina went outside shrugging at the toothy grin Al gave her.

— Daddy, daddy! I want to come with you!

Young Peregrine had been running after his father at the moment when he had put the letter in his pocket ready to go off the streets.

— Oh, really? Sean Doran Wrick was weighing the possibilities.

Peregrine was still in fluffy rabbit slippers and pajamas, but he had a very determined look on his young face.

— Then perhaps we should ask Guinevere to come with us too?
— OK, I go ask her!

And off was Peregrine, running down the hall of the large Dublin apartment to his sister’s room.

Sean was thoughtful… Well, Edmund had said that the private jet would be ready in an hour, so that was leaving him some time to have a nice beer at the pub before departing to New York to see the Traveling Reality Amusement Park, or T.R.A.P. for short, as the imaginative publicists of his father’s company had decided to brand the new revolutionary concept.

Sean had been supervising the very first prototype before he had met Margaret, and then had got more interested in his “real” family life than in amusement travels in fairy lands… But nonetheless his father had trusted his flair, and had kept him informed of the developments of the project.
Now, for the premiere of the T.R.A.P., he’d got some VIP invitations, but grieved with Margaret’s death, he had not wanted to go there at all. That is, until Becky had spoken about it…

Peregrine came back with a pout on his face.
— She’s not sure if she wants to come, he said…
— Oh well. Then, let me have my beer, and I come back in a few minutes to see if you and your sister are ready. I’ll pick up whomever is ready and packed up.
— Yipeeee! Peregrine’s eyes were gleaming with joy.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…