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“Enough of all that nonsense!” exclaimed Liz, who was brimming with enthusiasm, a bit like a frothing glass of cava. “Now then, Finnley, pay attention please! I’m calling a meeting to be held this evening for ALL of our story characters. I’d like you to make sure they are all made welcome and have suitable refreshments. Yes, I know it’s short notice, but I’ll give you the key to the special pantry in the Elsespace Arrangement. Some of the characters will help you, you just need to make a start and it will all fall into place.”

Liz beamed at Finnley, who was looking aghast, and then fixed a piercing gaze on Godfrey.

“Godfrey, my good man. You know what I’m like with technical details. Your job will be to write my questions, with the relevant technical minutia. Don’t interrupt my flow with questions! Use your powers of intuition and telepathy!”

Roberto attempted to slip out of the French windows, but his yellow vest got caught on the latch.

“Not so fast, young man!” Liz had plans for the gardener. “There won’t be room inside for all the characters, so it will be a garden party. I’ll leave it to you to ensure there is plenty of outdoor furniture for people to make themselves comfortable. I’ll give you the key to the special garden shed in the Elsespace Arrangement.”

“May I ask”, Godfrey ventured, “What the meeting is to be about?”

“Indeed you may! I want input, lots of input. And ideas. The topic is Alternate Intelligence. That is a slightly better way of saying it than Artificial Intelligence, but not quite the perfect term. But we can change that later.”

Fox sat back on the wooden chair in Margoritt’s kitchen, and crossed his arms, a little unnerved by the heat and his growing desire to go out in the woods and let go of all restraints. He had been struggling daily to control it and he had noticed it was particularly difficult during the new moon.

“If we have to do it in the house,” said Fox, “Can’t we at least open the windows? It’ll let in some fresh air.” He wrinkled his nose at the heavy scents of sweat mingled with that of fermented goat milk, irritating his delicate sense of smell. Rukshan had gathered their little group and they were waiting for Gorrash to wake up.

“The purpose of meeting here is that nobody can hear what we are saying,” said Rukshan with a hint of exasperation in his tone. “If we open the windows it’ll just…”

“Isn’t it rather because of the mosquitos?” started Fox feeling a little argumentative.

Glynis cleared her throat and got up, mumbling that she might have a solution. She came back a few moment later carrying a big bottle with a big sticker. Rukshan and Mr Minn helped her lift it while Eleri and Margoritt cleared a space on the table where they put the bottle.

The sticker had something written on it : AIR CONDITIONED, winter quality. Handle with caution.

Glynis turned the cap a few turns and a wooshing sound escaped from the neck of the bottle, followed by a gentle and continuous breeze of fresh air which provoked a murmur of appreciation from everyone.

“What’s this?” asked Gorrash who had just woken up.

“It’s what the sticker says. Cooling the atmosphere is just one way to use it. One has to be careful not to turn the wheel too much though or you could get frost bite.”

The fae looked at the bottle appreciatively, impressed at Glynis’ many talents. He was already thinking about a few other ways to put this frozen air bottle to use when Glynis cleared her throat again.

“It’s not infinite content and I only get a few of them, so if we could start the meeting.”

“Of course. I’ve received words from Lhamom. Her father has passed away and they are sending him to the sea during the week-end.” He allowed a moment of silence, sending a silent prayer toward their dear friend. Then he continued : “That means she’ll be able to join us for our trip in the mountains. We only have to decide who’s going and who’s staying to help Margoritt.”

Rukshan looked at each of them intently and Fox felt uneasy when his friend’s eyes fall upon him.

Aunt Idle:

Amazing how you can change your mind about things in the twinkling of an eye, and as I said to Bert (when he’d come down off those mushrooms or whatever was in those brownies that passing hippy gave him on the way to the guru camp over at the old copperworks place), I said to Bert, Bert I said, if you own the place lock stock and barrel, our financial worries are over. He said don’t be daft, you can’t eat the windows and doors, and what about all these dogs to feed, they can’t eat wooden beams, and I said, no listen Bert, I’ve had an idea. We don’t like banks, that’s true, and we don’t like debts, but why stand on principle and shoot yourself in the foot, I said, and I’ve heard about this thing with old people like us, that you can get the bank to give you loads of cash, and you don’t even have to pay them back until after you’re dead, and then he said, don’t be daft, how can you pay them back when you’re dead and I said Exactly, Bert! This is the beauty of it, and who knows if there will even be any more banks by the time we kick the bucket anyway, why not have our cake now and eat it, that’s what I said to Bert. And so he says, Well go on then, tell me why the bank would give us cash an I told him that they give you money because you own a house, and then when you snuff it, they have their money back. So Bert says, Yeah but they take far too much money, it’s another bank scam! And I said, Who the fuck cares, if we get the cash now when we need it? And then he said, Yeah, but what about the kids? I was gonna leave it to the kids, and I said, and I’ll be quite frank here, Fuck the kids! Who in the hell knows what the future will be like for the kids, and I told him straight: You can’t plan you’re own future, let alone trying to plan the kid’s future. Now is what matters, and right now, I need a new camera, and I need to get those tax hounds off my back. Then Bert started to smile and said, Hey, I could get me them new false teeth.

The day after their arrival, Alexandria took Leroway and Jolly on a tour of the abandoned village, inviting them to choose a dwelling for themselves. The other new arrivals had chosen places with the least structural damage, places with roofs remaining, regardless of the size or position, for reasons of immediate practicality. Leroway set his sights on the grandest house just outside the castle walls, perched above the other houses. There was very little roof left, but the thick stone walls were standing firm, and the gaping windows provided impressive views. Jolly was delighted with the spacious inner courtyard and crumbling fountain, picturing the flowering Solandra vines she would plant there once the restorations had been completed.

Leroway had been making mental notes of salvagable materials as they toured the village, and had soon enlisted the help of Lobbocks and a few of the other young men to drag sheets of corrugated iron from crumbling pig pens and stables and other useable items up the winding streets to the house. To cut a long story short, it wasn’t long at all before Leroway had the new villagers organized into efficient teams, under his innovative direction.

Trustinghampton started to take shape. More people arrived and joined in the reconstruction process. Shelter, firewood, and food were the priorities, but Leroway had ideas for the future and during the scavenging he started to collect potentially useful items in the barn adjoining his house.

Jolly and Eleri became friends, and spent much of their days exploring the surrounding countryside in search of edible or medicinal ~ or indeed magical ~ plants. After their walks they conferred with the old woman, Cornelia, showing her the plants they’d gathered and comparing notes on their potential uses. The young women were well versed in plant lore, but the old one had the benefit of a lifetimes learning and experience.

Cornelia had always lived just outside the village, and had watched the old inhabitants gradually die off or move to the lowlands. The last ones to leave had begged her to join them, but she had refused. She had been born next to the old stones and she would die next to them. Eleri and Jolly had asked her about those strange stones, and Cornelia had enigmatically replied that one day she would tell them the secrets of the stones. When the time was right.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

Roberto, the new Hispanic gardener hired that very morning, was cleaning the windows. One of them was open, of course and he had heard what his employer had said about leader and supporters. He had always been a solitary person, and he dared think he was supporting himself. Would that make him his own leader ? He splashed water on the window and used a yellow rubber duck to clear the glass. It squealed. He saw Liz looking at him in a strange way.

Aunt Idle:

Why was Mater going on and on about Trout? I scrutinized her face, but she looked innocent enough ~ perhaps it was just a dream, but I couldn’t help feeling it was a sign, or a clue.

“Oh, I say, Finley, look at the sunlight streaming through those cleaned windows now!” I exclaimed, distracted by the difference to the room a bit of window cleaning made. “What a good job you’ve done!”

“Nothing a bit of elbow grease and buffering with a soft cloth won’t do,” she replied, “Buffer buffer buffer, that’s what I always say, to get everything ship shape!”

Why was the cleaner going on and on about buffering, I wondered. And surely the word was buff, not buffer?

Deep in thought, Devan didn’t notice Finly watching him from the end of the porch. As he clumped down the steps and made his way towards the clapped out banger that served as transport to work, she weighed him up, pausing for a moment with the window cleaning cloth poised in mid air.

He was young, but then, she liked them young. Virile, energetic, easily controlled. The rebellious ones were not so rebellious towards an older woman of experience in their bed. Not that she was all that much older than he was, but the difference in age was enough to create an air of experience. Finly liked to keep on top of things ~ both her cleaning duties, and her young men.

Nice ass, she said to herself, with a warm tingle of anticipation, rubbing the windows with renewed vigour. She licked her lips, smirking at her reflection in the glass, and then blew herself a kiss. A slight movement caught her eye. Prune bobbed her tongue out, and then disappeared from view.

Bert raised an eyebrow at Elizabeth’s obvious sarcasm, which unfortunately caught her eye and put him in the spotlight of her penetrating gaze.

“How about you Bert? Were you listening?” she asked, raising an eyebrow of her own to match Berts.

Finnly, always on the lookout for an opportunity to out do Liz, raised both of her eyebrows simultaneously; then looked quickly down, pretending to examine her nails.

Bert decided that in this case honestly was the best policy and replied “No. I was wondering if Prune had cleaned up the blood spattered corridor.”

While Liz was momentarily speechless, Finnley quickly interjected another line from the book she had hidden under the table.

“Then why did none of us hear the blood crazed howl?”

“Ah! Aha! I’ll tell you why nobody heard the blood crazed howl!” Elizabeth had become alarmingly animated, leaning forward and rapping sharply on the table with her cigarette lighter. “The walls of isolation that surround you, the windows you keep closed and shuttered for fear of a draft of passion, the fences of barbed trotted out dogma you use as protection ~ but I ask you, protection from what?”

“Buggered if I know, Liz. Can I go now?” said Bert.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

“Why haven’t these windows been cleaned?” snapped the bossy dwarf. “And these mirrors? The mirrors are disgusting, and I can smell unwashed hair everywhere.”
“I’m not surprised, with all this housework, we haven’t had time to wash our hair, what do you expect?” retorted Consuela, almost at the end of her tether with the demanding interloper.
Anna Purrna glared at her. “How dare you speak to me like that!”
Consuela glared back. “Just what gives you the right to come here and start bossing us all around anyway? Where have you come from, who sent you?” Conseula was starting to warm up for a heated exchange. “What gives you the authority to boss us around?”
“I am” replied the monstrous diminutive gargoyle, “Your inner dictator, made physical. For your own benefit.”
Consuela was at a loss for words.

Anna’s voice and young face trailed off as the Queen emerged from her dream. Confused for a moment, she tried to get rid off the undefinable guilt she always felt when dreaming about her late sister. You simply didn’t speak about Anna. And you couldn’t take pleasure in childish dreams.

Her guilt soon transformed into a mild irritation and she frowned as she remembered the cavagnol game of the previous night. She had lost again. The amount didn’t really matter, it was more about the principle. She always lost. But she took a momentary pleasure in thinking that Jeanne-Antoinette also lost most of her bets.

With a sigh, she looked at the big ornate windows. Someone had opened the heavy velvet curtains while she was still asleep, and it certainly didn’t help keep the air warm in that time of year. Nonetheless, she enjoyed seeing the sky when she woke up, even in winter time when it was still dark or like today, when the colours of dawn preceded the Sun. She couldn’t believe she had slept so long.

It always was a too brief moment alone. As if summonned by magic, three maids entered the room silently, two of them holding her morning dress, that they carefully deposited on a chair, and the other holding the copper basin of fresh water for the Queen’s quick morning ablution. The maid put it on top of the sauteuse chest made of rose wood and carved beautifully. One of her daughters once told her that she swore the chest in her bedroom was alive and would jump on her bed at night to play with her.

One thought leading to another, she looked at her collection of stuffed toy, unconsciously counting them and checking if they were all in order. She had two cabinets made of rose wood especially for her “friends” as she used to call them. She had begun to buy them after she almost died giving birth so long ago. At first it was just a simple gift from the King. She first thought it to be a lion, but apparently it was one of those Asian dogs. The finish was crude, it had small beady eyes and the curly tail didn’t hold very long on its bottom, but she developed a liking for it. And after a few weeks, she felt it needed a friend, so she had a lion made as a companion for her asian dog.
Her ladies-in-waiting, began to bring her new ones, little dogs (she had a liking for them), zebras, fluffy cats and dwarf goats, she even had an owl and two rabbits, one white and one cerulean blue.

Her eyes almost missed the twin ferrets, offered to her by Saint Germain after a gambling party. He had said they would bring her luck. She didn’t really liked them, they were scrawny and heavy, certainly weighted with lead.

It was time to get up, she had her weekly Polish concert to organize. One of her small pleasures.

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.

The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.

Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.

The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”

There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.

As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.

{link: entrance}