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  • #1620

    In reply to: Synchronicity

    F LoveF Love
    Participant

      Bubbles, skull, 3d software and other miscellaneous type synchs …

      When I left for my walk yesterday, Eric said to me “happy bubbling”, as I left cafe I picked up newspaper off the rack and there was a big photo of a little girl blowing bubbles on the front page. It was a lovely photo, one which had won a photo competition, the child looked very happy. I was wondering what bubbles meant to me, did not think of the 8 thing, but that is a good point.

      Yesterday I had a hair appointment. As I left the house my atttention was caught by a picture which came up on my computer of a skull Dusky Moana (children’s story about a photographer, treasure etc) Later I saw that Eric had started writing about the crystal skull again in the story. Eric’s comment

      As I leafed through a magazine at the hairdressers I was interested in a story about an artist who does his work using 3d software, (I don’t know much about it computer 3d stuff, so was interested to see Jib had been playing with 3d software yesterday. ahahah also George and I are obsessed with flies at the moment, is this a synch? I would love to see the image you did Jib!). It caught my attention because of another image of a girl blowing bubbles. Also because the artist started off saying:

      I was born in London, England on October 26 1958, the youngest of four and much to my parent’s surprise, I was born a dog.
      which I found very funny really, in fact I found his whole Bio very amusing. (ahaha also very amusing none of our numbers in his birthdate, that makes an intriguing change )

      In the interview it talked about how he worked as a photographer in a children’s ward for a number of years, and this greatly influenced his work, endowing his subjects with surreal otherwordly qualities to help them cope with life. Quite a few of them have sort of insect type appendages.

      Ray Caesar Bubbles

      also, just on the off chance anyone interested Ray Caesar’s Bio

      The other image which caught my eye in the magazine was this one of the world’s most valuable skull, made of diamonds: The Diamond Skull (Interesting I was getting the skull imagery I thought, because I have not really been able to quite follow the whereabouts of this skull in the story, it has perplexed and bemused me a bit.)

      Sorry to mess up the order of your next comment Eric. I often whisper my comments to myself when I don’t finish writing them in one go, and I was not expecting anyone else to be up writing. But I think that is a tremendous synch, particularly in relation to Tracy’s comment about the 888th comment and a huggy is a nice one for it to be. Tracy’s comment mentioning the 888th comment (Is this a synch or did Tracy already know about the 888th mark having been hit? oh who cares, lovely synch, that was evil twin popped in for a minute)

      I had a Sam synch, well this is getting long. But anyway I was thinking about spiders as I left the supermarket (long story as to why I was thinking about spiders), Anyway Jib and I had talked about spiders in the story earlier, and as I looked up I saw the car plate coming towards me was X SAM X ….. (what does this mean? is it sam surrounded by X’s? or kisses from Sam ? hahah well I think I will go with that one ) :yahoo_kiss:

      #645

      As soon as she’d come back from her trip, Dory had planned to travel again very soon.
      Of course, she had enjoyed tremendously being home, being with Dan and young Becky… yes, she had… the first day for sure…
      Well… She was a born wanderer, she couldn’t do against her own nature, no need to beat herself for that, and feel guilty for leaving Dan and Becky periodically. Hopefully, Becky was very understanding, and perhaps that the fact that Dory was her stepmother made things easier for them both, without burdening their relationship with useless obligations towards one another.

      On the other side, many exciting destinations were on her list, and she barely knew where to start. One that had attracted her curiosity was the site of Jiroft in Iran, where the famed lost Kingdom of Aratta had been supposedly found very recently. Artifacts had been discovered on this site, predating our commonly supposed invention date of written language, which had fascinated Dory for a while, before she got lost amidst the wide spectrum of her other interests.

      Well, all of this was of frenzying interest, but there were dogs and back issues…
      Somehow, Dory had been struggling with lots of tensions in her back, and the more she forced herself moving, the worse the pain was. Finally beaten by herself, when no one else, friend, family or doctor could accomplish such a feat, she was stuck to a cushioned armchair for most of the day holding to her pain as to a stuck parasitic hated friend.
      And then, there was the dogs.
      As she was barely able to move, Dan had renounced to have her come with him and Becky to see Sabine, Becky’s mother, in Mallorca, where she had invited them for the Epiphany.
      Secretly, Dory was happy to have to stay at home, and not to have to make pleasing faces to the horrid obsessive woman she could only stand a few minutes without having to go out and empty a whole pack of cigarettes to calm her down.
      The only little drawback was that she had to take care of the dogs… And she was running short of dog’s food…

      Before leaving, Dan had left her a phone number of their new neighbours, a batty couple of Brits who had just rented the farm nearby, and with whom Dan was occasionally playing golf and lending a hand in small DIY work.
      Reluctantly, Dory took the post-it and smiled at the familiar handwriting of Dan

      BEATTIE & LEONORA FLETCHER : 933-157-821

      She composed the number in a deliberate slow motion, which strangely felt very empowering.

      — Hello! a quavering male voice answered
      — Err… Mr Fletcher?
      — Ms Fletcher,… herself, what can I do for you?
      — I’m Dorothy Mc Leane, one of your neighbour, you probably know my…
      — Oh, yes! Dorothy, may I call you Dorothy, Dan spoke of you so much that we were very eager to meet you, weren’t we Leo?

      A ruffling sound behind Beattie Fletcher seemed to approve.

      — And is there anything we could do for you?
      — Well, I’m awfully embarrassed to have to ask you, but I’m stuck at home, and my dogs don’t have much food left…
      — Oh my dear! You did so very well to call us, didn’t she Leo? We’ll be at your home in a few minutes!
      — But…
      — Oh, no need to thank us for that, it’s all natural, after all that your delightful husband did for us! We see you in a moment…

      And with that the line was cut. Dory was a bit disconcerted by the strange couple, but decided to dance with what was coming to her doorstep (wishing it would not be flamenco), seeing that having placed these quaint people in her reality could not entirely be a stroke of wild madness… If only…

      #626
      F LoveF Love
      Participant

        There was a tentative knock on the door and Finnley, the weekly cleaner popped her head around.

        Oh Ms Tattler …. I wasn’t expecting anyone to be in here at… she checked the wootch on her wrist, 5:57 am .. but I saw the light on …. A horrified expression passed fleetingly over her face as she took in condition of the office.

        Perhaps I shall come back later Ms Tattler, she said retreating, and making a note to have a word to the building supervisor, Mr Arak, as soon as possible. Mind you this wasn’t the first time she had spoken to Mr Arak about the issue of Ms Tattler living on the premises, to no avail. He was mad as Almad that man. Perhaps I will bloddy resign while I am at it too, she thought. Perhaps I will tell him to bugger his job, shove it where the sun doesn’t shine! Finnly cheered up greatly at the prospect.

        Elizabeth, exhausted, only dimly registered the interruption, looking up for an instant she waved vaguely in the direction of the door, and then returned to her frenzied writing, eager to capture the last remnants of her dream before it faded.

        #1994

        In reply to: Scrying the Word Cloud

        TracyTracy
        Participant

          loved strong :heart:dear dimension :face-devil-grin:
          town eyes :yahoo_skull:
          weird images :mummy:
          cave surface :magnify:
          writing focuses :notepad:
          swing dear:bounce:
          often speaking:yahoo_not_listening:
          night dream bugger :yahoo_devil:
          strange writing :news:
          rather taken :yahoo_heehee:
          friend matter :yahoo_big_hug:
          change :yahoo_doh:
          love woke :yahoo_sick:

          #624

          Instantly Elizabeth regretted her spikey, voodish behaviour and scrambled to retrieve the telepooh. Her mother was Vood by nature, a particularly dysfunctional personality type, and Elizabeth had struggled all her life to avoid similar behavioural patterns. Her friends, and certainly her ex-husbands, would say perhaps with only partial success.

          Apologies Bronkel, I was engrossed in my writing. How can I help you?

          Bronkel appeared to be covered in bandages from what she could see of his upper torso, giving him the appearance of a rather odd mummy like creature. He was constantly searching for new beauty treatments to extend his youthful goodlooks, however at 167 years more and more desperate measures were being called for.

          Elizabeth! Thank God, Where in Flork’s name have you been? he shouted at her. His pudgy, prouty little face was scrunched in peevish vexation. I can’t talk for long, I am on the Island for a month and the connection is flork. Where in the name of Fock is the story you promised me?

          She could not find the words to reply to Bronkel. I wonder if I am mindblown? she mused. She had read of this horrible phenomenon, and seen the sad pictures of those thus afflicted. Poor wandering creatures, strange erratic behaviour, always travelling, always seeking. But for what? Hell on Dearth indeed. She shuddered.

          It is getting urgent you know, spluttered Bronkel. Every day I am reading of new treatment centers opening for those undergoing crisis due to the prolonged absence of the Fickle Four in their lives.

          She sighed, Pull yourself together Elizabeth, her bloodshot and tired eyes were drawn to the planetary horrorscope on the monthly calendar. Todays “Words of Comfort for the Descending” quotation was from the famous philosopher Lemone. She particularly loved Lemone’s ideas. Many considered him a nutter, a few thought he was a genius ahead of his time. For herself, she did not really know, only that his profoundly beautiful words offered a kind of solace or balm to her tortured soul at times such as this :

          Sometimes it takes a single sniggly thorny path to go through to reach Elysian avenues much more efficiently ~ Lemone

          Absolutely fantastic Bronkel, I think this is going to be the best novel yet! My God what an effort it took to say that, but for some reason Bronkel appeared to believe her and began to calm. Thank you Lemone, I could kiss you! she breathed an inward sigh of relief.

          Poke its eyes out! screeched Robert X exuberantly.

          A sniggly thorny path indeed, she thought, hanging up on Bronkel. She had fun using him and his island getaway for inspiration in her last novel. Fun, what happened to the fun? Is this what descended beings do, sit around in a dank, dusty office writing trashy novels?

          She began nervously smoothing out pieces of paper and tried to decipher the scribbled notes; …big soup party …..pointy teeth like cannibals…..tribal wedding ….

          Elizabeth put her head in her hands and groaned in abject despair. Twelve of the twenty mongoats fainted at the fearful sound.

          #623
          F LoveF Love
          Participant

            Elizabeth Tattler stared morosely at her screen. Her long hair, formerly her crowning glory was wild and matted, small bald patches had formed where she had begun to habitually pull at it. Her beautiful violet eyes for which she was famous were bloodshot from weariness.

            Ms Tattler was known planet wide for her series of children’s books “The Fickle Four”. The exploits of Almad, Tinigrump, Samnuf and Bekipo were beloved by children of all ages and planetary connections, although perhaps most endearing to those of the Fumari dimension who had a natural disposition for exploits of such fickleness. The catchprase “Bit rude Tinigrump”, and “Madder than Almad” had become part of the national vocabulary in recent years.

            Formerly Ms Tattler had written, with limited success, novels of a more adult nature, drawing on her numerous marriages for creative inspiration. However her publisher had asked her to create a series about four friends who were on a mission to create other worlds, the focus being on “providing positive and fun role models” for children growing up in these difficult times of planetary upheaval. The works were in the science freakshow genre of writing and the popularity of the original novel had been unprecedented, taking Elizabeth and her publisher by surprise and leading for the demand for many more.

            Ah, she sighed, and then spluttered as she inhaled the dusty, smoky air, but what a noose this has created. Her yellow nicobeck stained fingers touched her neck and then ran agitatedly through her hair. For at some point, when did it start? the story had begun to take a life of its own. She no longer felt in control as plots became more and more bizarre. She felt unable to follow anything through, creating endless threads which seemed to lead nowhere. She looked around her small office, everywhere was the evidence of stories started and discarded, screwed up pieces of paper covered in frenetic doodles littering the floor.

            The telepooh began to buzz. She knew it was Bronkel her publisher before his face came up on the screen.

            I know you are there Elizabeth. Will you pick up please!

            In a fit of rage Elizabeth picked up the telepooh and threw it across the room, where it narrowly missed Lana, one of her 20 fainting Mongoats she kept as pets. Lana fainted for a few seconds in fear and Robert X, her pet Magpie, hopped around delightedly, Bugger the telepooh, Bugger the telepooh! he screeched. Poke its eyes out! Poke its eyes out.

            #1604

            In reply to: Synchronicity

            F LoveF Love
            Participant

              While I was cleaning today there was a music doco playing on tv …. I was thinking about our story when I tuned in to the television where they were talking about David Bowie using fishbowl technique to help him with lyrics cut out technique. This seems similar to our word cloud. Not so much a synch, however I thought it was quite interesting and thought it might be fun to try when I get stuck in my writing.

              #599

              I wonder how delightful it may feel to become one with that butterfly, mused Franiel, his attention diverted from the job at hand as he followed the dance of a delicate white butterfly. He closed his eyes for a moment and merged with the creature, how free ! He sighed, trying somewhat reluctantly to pull himself back. Franiel had been sat there for quite some time now, supposedly engaged in the task of writing a short poem of 3 stanzas for Hrih, the Old One.

              Of course there was no pressure. Yet in his desire to please, Franiel felt it as such. In his dreams of the previous night Hrih had visited him. He had offered Franiel a golden crown, a silver goblet filled with sweet nectar, and a jewelled sword. Choose! commanded Hrih. Franiel had chosen the goblet and drank thirstily from it, and yet he had felt that Hrih was not pleased with his choice, and upon wakening Franiel had felt a strange uneasiness.

              Franiel had not been trained in the way of the pen, and he knew his words would be clumsy. He had been raised in a poor home, where words were not considered to be of much value other than to instruct him in his tasks, or berate him when those tasks were not completed. Being a dreamy child, this had often been the case.

              He wished he could harness the power of words and use them to soothe and caress, to create beauty even, he thought, gently running his finger over the plain wooden table where he was seated.

              Well for now he would not worry what form his words should take, for it was enough of a task even to know what his highest truth might be!

              My highest truth .. my highest truth, … how many times now had he said these words, hoping perhaps if he repeated them enough the gods might take pity on his for his ignorance and provide an answer. How could he possibly know his highest truth? The very concept of such a thing perplexed him.

              Day was turning into night before Franiel finally laid down his pen. In the end his words were simple. He sighed, saddened by the thought that they would surely be a disappointment. The best I can hope for is that the Old One will see these words as nothing more than a doorway to my soul. Hrih was wise, Franiel knew this, and trusted the decision of the Old One.

              It was in the hands of the gods, for surely if I can’t trust this at least, all my fine talk and learning is for nothing.

              I am the driftwood
              the wave carried me
              I was buried in sand

              I am the flower
              the butterfly touched me
              I fell in love

              I am the raindrop
              the cloud released me
              I became the ocean

              #1957

              In reply to: Scrying the Word Cloud

              ÉricÉric
              Keymaster

                Ahaha, yes! And something funny that caught my mind while discussing with TP is that as you go on scrying and writing about your findings, you modify the cloud, as the new words are reintegrated into it.

                A bit like self-fulfilling prophecies. Or the more you focus on things, the more you make them prominent…
                Interesting stuff…

                #498

                some writing by Twilight

                Jo fixed me up a swing. It hung from the old elm tree out the front. That’s my favourite place. I just sit there rocking and thinking, and thinking and rocking. Sometimes I would weave stories or sometimes I would dream about when I am real famous. I know I will miss Jo and Elroy, but then I cheer myself up thinking how, when I am rich, I will visit them and give them money and presents and how fine that will be.

                Elroy and Jo don’t know about my stories or how I love to write. I ain’t much good. I didn’t get much schooling but Elroy helped me some and then I would try and teach myself the rest. The only book we have is a big old bible. That is written in real fine words. The part I like the best is a song that Solomon wrote. I don’t know how the tune went but the words are real nice. It is real romantic too. I dream one day some man will use words like that to me. Not like those drunken slobs round these parts. Anyway, that’s how I know I am not much good, because I can’t write nothing like Solomon. But I try anyway.

                Yesterday I was sitting out on the swing rocking and thinking and young Dan from the ranch over the way turned up on his horse. He looked real hot and red and sweaty. Mostly though, he is real fine looking, and I confess I have a soft spot for him. So I leapt off the swing real quick and straightened myself up and bit my lips to make them all big and red. I wanted him to see I had developed some in the last little while.

                Where’s your brothers, Twi? he said to me.

                I felt he didn’t seem to be giving me the appreciation I hoped for, so I did a little flick of my head and gave him the look I had been practising. I had seen the other girls do this look to the men at the saloon, and it seemed to work a treat. I gestured at the same time, real slow and casual, and I said “Out the back, Dan.” in a honey voice.

                He started to ride off, like he was in a hurry. But then he stopped. My heart did a little flutter. He said to me, “You know Twi, the boys at the ranch were talking about you. And it wasn’t the sort of talk should be said about a lady”.

                When Dan said that, I felt he had kicked me in the guts. I wanted to gasp. But I am plenty used to putting up with things and not showing my true feelings, so I just looked at him real cold. Then I spat. I have been practising my spitting and I can do it real good now. Nearly as good as Jo.

                “I am just telling you Twi he said. I thought he would say more, but he seemed to reflect for a moment, then shook his head and off he went in a hurry to find the boys.

                Elroy and Jo looked real bothered when I saw them later. I knew when to hold my tongue so I did not give them no smart talk, and I cooked up a real fine bean dish for their supper. It was real quiet over the table that night. Truth was, I still felt mighty bad over what Dan had said.

                I confess I felt some cares and sadness on me that evening when I went to bed, and found I could not sleep. I got out my diary and thought I would do some writing.
                I tried to write what my name, Twilight, means to me. My real name is Tina Willemine Ivy El Disperso. I always been called Twi. Then Hank at the saloon, he says one night, “I am calling you Twilight and that sort of caught on. It made me feel special, having my own stage name.

                I started writing. Lavender blue sky bleeding into the dark. I thought that sounded quite a good start to my writing, so feeling a bit encouraged I went on some more: Twilight is a magic time. It is the time I see things that aint there, but maybe they could be. My eyes play tricks on me in the half light and I feel like I could be anyone. I feel like I could be someone who I isn’t. Twilight is the time of promises. The promise and mystery of the night to come. It is inbetween time when you know the ordinary stuff could be magic.

                I stopped. I weren’t never going to be able to write like Solomon. I knew that and I felt real bad. At least I could dance though, and that was going to make me famous. But that thought could not cheer me up this night and I confess I cried myself to sleep like a baby.

                #423

                New Venice, November 2101

                Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

                Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
                She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
                Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

                When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
                She had given him the old parchment.

                Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

                When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
                Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
                Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
                He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
                So unlike Bill’s disengagement, which was peaceful and full of love.

                So yes, people were not far from the truth when they saw them as brother and sister.
                According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

                :fleuron:

                Egypt, 2657 B.C.

                :tile:
                Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

                It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

                He needed sleep before hiding the text with the mummy.

                :fleuron:

                Paris, 2007

                :tile: That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

                Let’s insert it again then, he smiled to himself.

                :fleuron:

                When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
                There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother BeckyBart wasn’t too sure…

                Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
                Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

                “There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

                “And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

                “And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

                “And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

                “And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

                Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

                #417

                Tina was sitting in a cafe waiting for the others to arrive.

                She was studying the play with a bemused and perplexed expression. Good grief, where was her head at? Not only had she saddled poor Arona with a baby, now she had a hunky nanny to contend with as well.

                She had been intending to bring Arona to the banquet in the cave … and had somehow got distracted.

                She read what she had written in astonishment “bronzed skin pulled taut over rippling muscles”….. “He came bounding athletically over” …. “deep, melodic voice” …and to cap it off calling him Vincentius!

                He didn’t even sound like her type, way too perfect, she mused. Thank goodness Al is nothing like that.

                Still, she wanted to trust the process and follow the pictures that came to mind when writing the play, even if she didn’t know where they were going.

                #391
                F LoveF Love
                Participant

                  Tina was so happy Becky had sorted her hair problems so creatively. She wondered if she should tell her she had missed a bit at the back of her head. Yes of course she must.

                  She also wondered if she should get changed before she met the others. Al had said he liked her new dress and then winked at her. What did that mean? Winks always made her a bit uneasy. They were so ambiguous.

                  Oh that’s right, she could configure it anyway she chose she remembered. So she spent a few happy minutes remembering how fantastic she looked, like a supermodel actually.

                  She would give the gift voucher to Sam for his birthday now Becky didn’t need it, she decided. No matter his birthday was months ago, she was always late with birthday gifts and preferred to do things on impluse. Not that Sam had any hair issues that she knew of, she just thought he would enjoy meeting Hari. :face-wink:

                  She thought how great life was. Really it was all just about having fun. She felt so much easier with the play they were writing too, no longer concerned she could not follow the plots, plots? what a funny word to use, of the others, content just to follow her own unique path.

                  #350
                  TracyTracy
                  Participant

                    Becky was worried about Sam. He’d been feverishly writing and scribbling jibberish ever since she’d arrived with the rice water (in between frequent visits to the loo, and even then he took his new sketchpad and three pencils with him..what inspiration he found in the bathroom, Becky didn’t like to ponder).

                    #342
                    ÉricÉric
                    Keymaster

                      Al was concerned about Tina. He wondered why at times it was like their moods were at the antipodes of each other. Like one was in summer when the other one was in winter. Of course, seasons had gone awfully awry in the past (well, in people’s perception at least), and cherry trees were at times blooming in the late autumn, so that was hardly a good metaphore. Enfin bref…
                      Sometimes he wished they could move to a part of the Earth were the differences were leveled or not so dramatic, but of course, that would be focusing unduly on what seems awry, and not appreciating the differences for what they brought in understanding for each other.

                      Like most people now, Tina and him were living in a free relationship, not bonded by written contracts, just by a mutual wish to be experiencing a common exploration. But lately, especially with the play writing, deep issues had surfaced between them, and he was no longer sure of what they were exploring, as it was like shifting sands. Of course, now, most people were shifted themselves, thanks to the new generations of children who were exceptionally gifted in accessing their own essence. But for them, in their mid-30s, there were still issues linked to their old patterns of thoughts, many deeply ingrained ways of thinking, coming from many generations before them.
                      That T.R.A.P. attraction thing was a good example of the differences. It was mostly an attraction park for his generation, not really for children, as they were greatly able of doing these kinds of inner-travels without the aid of technology —not that they didn’t enjoy it either.

                      Al was thinking of a gift for Tina. He wanted to show her that she had really transformed Jadra, or that they had come a long way since the wandering in the cave tunnels, or that everything started to make sense, even the invisible friend Blohmul…
                      Well, there were still mysteries around him, (not mysteries really, but things yet at the state of seeds, or potentials) but he was no longer a hair on the soup they cooked. He was the blue fox of Mævel, and more interestingly, that cursed god was the son of Mirÿnda, the Goddess of Mirth —but that, Tina had not realized yet…

                      Actually, now that he was looking at the entry, Al noticed that Jadra was last seen with Mirÿnda, and that struck him as something more than a coincidence…

                      #336

                      Hi Torsten, said Tina, giving her old friend a hug. Thanks for calling and saying you had some time to chat, hope I didn’t sound odd when I answered the phone, Becky was there, and I didn’t want to tell her. I am trying to pretend I am normal you see, she laughed wryly.

                      I really need someone who isn’t involved with the play to talk to though, I feel like I am going a bit weirdo, bottling everything up. And it is affecting the play and my relationship with the others.

                      I can’t find my place in the play the others are writing. See it is the play “the others are writing”. I feel as though I am drifting through it, trying to find my way amidst the structure, if you can call it structure, they give it. And that is the way I am feeling about life, I can’t find my place in it

                      At the moment I claim to believe in magic, and that I create my own reality, but I certainly don’t feel it the last few days. She thought for a moment. Well other days recently have been golden, it is all magic. I find it everywhere. Yes, I have had days like that, but the last week or so I can’t find it.

                      What changed?

                      I felt as though I couldn’t create what I wanted to.

                      What if you could?

                      All of it? It would be a miracle though. My rational mind tells me it is not possible. And in that lies the source of this pain.

                      So you don’t believe what you claim to believe

                      Tina thought for a moment. I keep feeling the eyes of that Blue Mule character I told you we created on me. That’s not his name, but I keep getting stuck on the spelling . Well actually I didn’t create him. The others keep creating new characters, every time someone does a typo, it is “hey! new character!” Anyway this was ages ago. And in the play there was a picture that one of the characters, Quintin, did, and whenever I say “I can’t”, then I feel these eyes of Blue Mule challenging me, and it’s like he’s saying, “ well what DO you believe then?” and it is like a real challenge in these eyes.

                      #331

                      Becky was wondering what on earth Finn was on about. Gentle bemused and perplexed voice? Well, fair play to her, thought Becky, if she can here typewriting on a computer screen as bemused gentle voices, she’s a better man than I , Gunga Din……

                      #290
                      ÉricÉric
                      Keymaster

                        Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
                        — What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
                        — Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
                        — Muddle, interrupted Becky Pooh, Muddle…
                        — … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
                        AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
                        — Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
                        — Yes, of course there are! It all makes perfect sense, said Becky.
                        — Oh sure, said Tina, except that you don’t really make Illi do anything…
                        — Do I?
                        — Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
                        — Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
                        — Mmmm. Becky was pondering.

                        — And what were your suggestions to explain that insane dream? asked Al to Sam.
                        — Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
                        — And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
                        — Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.

                        #1308

                        In reply to: Yuki’s Livrary

                        ÉricÉric
                        Keymaster

                          September 24 th

                          Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                          Relevant extracts:

                          At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                          […] HE KNEW HIS WAY INSIDE !
                          When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                          focus opening/doors ; time/space…
                          The central cavernous part is some kind of key center, where anyone can meet…

                          This has inspired Quintin to write some notes too.
                          He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                          September 26 th

                          The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                          Here would be what we will say to him, if he wants to listen:

                          « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                          Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                          These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                          And you begin to really experience it, and really pay attention.

                          « As was expressed many times, “essence” is no thing. It is an action.
                          The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                          In that, your purpose, you see, is only to experience, nothing more, nothing less.
                          And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                          Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                          Just as your dreams at night overlap and blend into each other.
                          Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                          « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                          « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                          In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                          « Let us explain this in other terms.
                          When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                          In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                          You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                          Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                          « We will let you ponder this, and we will continue our own story, writing about you… »

                          September 28 th

                          This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                          Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                          Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                          It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                          And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                          It is almost limitless in your understanding.
                          As is your magic.

                          This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                          The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                          The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                          As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                          In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                          With that said, let us see how much more will appear from that sandbox…

                          September 30 th

                          The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                          The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                          October 7 th

                          The dragon Naasir’s dream
                          A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                          And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                          #79
                          ÉricÉric
                          Keymaster

                            These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                            Note: for the reader not familiar with all the names here is a quick reminder:

                            • Araili > Yann, Írtak, Sam, Jacob …
                            • Armelle > Fiona, Arona, Tina, Qixi …
                            • Rafaela > Dory, Illi, Becky, Rodney …
                            • Yuki > Quintin, Al, Janice …

                            September 12 th, 2007

                            Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                            Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                            Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                            I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                            September 13 th

                            Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                            This first comment seems very promising.

                            Right now, it feels easy and fun.

                            Quintin seems to think that everything is very straightforward.
                            The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                            The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                            But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                            That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                            But the thing is, that he missed the point in thinking one World is more “real” than the other.
                            We’ll be having some fun soon…

                            First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                            We will appeal to his imagination.
                            It seems he has heard the suggestion.

                            September 14 th

                            For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                            But as I expected, some challenges seem to appear already.
                            Is it raining or not in that world?
                            The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                            He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                            At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                            How will it unfold?
                            Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                            September 15 th

                            Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                            Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                            Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                            September 16 th

                            Halcyons days…
                            My dear friend Archie is answering some of Quintin and Yann’s questions.
                            Something starts to dawn on Quintin. But his mind is on other matters.

                            He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                            September 18 th

                            Quintin has been drawing some of the characters of the story. It’s interesting.
                            He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                            Characters drawn:

                            • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                            • Malika, Quintin, Yann, Fiona and Dory

                            Interestingly, Fiona resolves her issues in her cave.
                            Dory too, but she did not need the cave to do this.

                            September 21 st

                            For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                            And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                            Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                            But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                            Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                            There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                            Of course, some things still matter, and one of the point of the story is also to discover these.

                            September 22 nd

                            Quintin has been drawing new characters.

                            Characters drawn:

                            • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                            • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                            • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                            A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                            She had at first thought they were whiskers, which was not Quintin’s intent…

                            September 23 rd

                            Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                            Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                            Up to now, here are the names he could find:

                            • North: the Icy Lands, and Dragon Cemeteries
                            • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                            • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                              Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                            • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                            When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

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