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Romae antiquitus sine pedibus proficiscor, fabulas et visa tam suavia porto. Etsi e card, annos pons, Nuntium ex praeterito apparet.
Quld?
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
“Don’t be so quick to Judge, Frel,” I tried to point out to her that she was being put off by the womans garrulous ways and sheer bulk. “She may have a heart of gold underneath, notwithstanding her taste in doormats.”
“I came here to relax, though. Maybe I should go to Madeira after all, if she’s going to keep barging in here,” Frella sighed.
I reminded her that Herma had asked for her help, and that she knew perfectly well that it was a dishonour to refuse a request for help. Frella reminded me that it was also acceptable to refuse a request based on the Caryatid Characteristics of the Case. This was no doubt true, but I was struggling to recall what I’d learned about such cases. Something about shouldering a shared burden.
The sound of music wafting through the open window was distracting. Where was it coming from? It sounded like someone was having a party in the distance, but who? And on a Wednesday night?
It was hard enough for Truella to try and glean enough information to cobble together an entry for Frella’s diary from the meagre morsels she was able to gather, without these interruptions.
And if these were the hand drawn postcards that she’d promised, who was going to make any sense of them?
I didn’t know whether to be irritated or relieved when Frella started writing her own holiday diary entries, after asking me to write them. I’d already got the next one planned, and was looking forward to the scenery in Madeira, and here we were in Ireland again. Grey day, too. I was hoping to give her the holiday of a lifetime in my next book, The Frolics of Frivolous Frella.
I think I’ll take one day at a time and see what she comes up with next.
Once upon a time, there was a shiftless lazy tart called Frella who couldn’t be bothered to write her own diary, so she asked me, Truella, to do it for her. She was going away on holiday, which she agreed would be a nice rest, but the preliminary preparations such as packing a suitcase were daunting. It’s a funny thing how witches, accustomed to concocting spells to save the world, rarely remembered to make a spell for themselves to accomplish the more mundane aspects of life, preferring to wallow in the slimy bog of exhaustion while the chores piled up into insurmoutable promontories of little historic acclaim. Weighed down with the rucksack of needy plants wanting water, decomposing salad and rotten tomatoes requiring assistance to the recycling arrangement, nearly empty (but not quite) bottles of assorted daily hygiene products to keep hair, skin and unmentionable areas sweetly scented, best bra and knickers requiring laundering, matching socks and assorted garments to cover all possible weather conditions, a selection of energy boosting vitamins and minerals, a magic stone or two just in case, and remedies for possible holiday ailments, Frella wasted her precious time looking at old drawings and talking about books instead of attending to the things that must be done.
Frella did agree to send hand drawn postcards every day while she was away, while she was relaxing and swanning around at one of the homes in her extensive property portfolio, so all was not lost. That she may be doing this in mismatched socks, climate inappropriate clothing, less than sweetly scented unmentionable areas, and lacking essential energy boosting vitamin intake, was of no concern to the potential recipient.
“A treasure hunt? Are you serious?” Truella was appalled. “Yes,” she said, holding up a hand to silence Eris, “I realise I usually like treasure hunts. But this is ridiculous. And this hotel is just ghastly.”
“Look!” interrupted Frella. “What’s Jeezel doing climbing up that lampost? What an absolute tart she is, everyone can see her knickers.”
“Not another one!” exclaimed Truella. “Another time and money wasting conference in another bloody castle!”
Eris sighed. “It’s a party, a birthday party, not a conference. You know, one of those fun things that people do for entertainment.”
“If Malove planned it there is bound to be a catch. It’s another money making pushy sales thing, I bet.”
“Actually,” Frella ventured timidly, “You’re right, it’s not just a birthday party.”
“How would you know?” Jez was blunt.
Frella stammered nervously, “Well I, er, I overheard a snatch of conversation, you see…”
Jeezel gave her a piercing look and said “And? What did you overhear?”
“Something about the pink spider. We have to find it for some reason, before the others do. Well of course Malove was going to tell us,” Frella rolled her eyes at Truella, “But not until we got there, at the last minute. And no, I don’t know why. And I don’t know what the pink spider is, either. But maybe we can find out before we get there.”
“What’s the castle and where is it?” asked Truella.
“It’s the Flossy Liar Chateau,” replied Eris, “In France somewhere. Maybe you can find out some of the history, Tru. Frella, do some research on the botanical garden. And Jez, the costumes…”
“Getting a bit bossy, aint she,” Jez said to nobody in particular, and to Eris she asked sweetly, “And you, dear? What will you be researching?”
“Why, the legends of witchcraft, obviously. There are bound to be some legends and witchcraft.”
“In the shadow of monumental discovery, the heart races with the rhythm of ancient drums; yet often, silence follows the fanfare, leaving the soul to dance alone in the quiet aftermath.”
~Echoes of Antiquity, Amish P. Lwellmon.
“Business!” Truella spat the word out. “Always business, always about money.”
“It’s the way of the world, Tru,” Eris said in a futile attempt to mollify Truella. “Try and fit in a bit.”
“Fit in? Fit in? Fit in to what? Squeeze into one of Jeezel’s cocktail dresses? A lung crushing basque? Lie down flat like a dollar bill and get squashed into a pile of dirty paper notes like the rest of them? I don’t want to fit in.”
“But it’s the only way, you know it is,” Eris entreated. “Please try and see some sense.”
“Sense? Sense? What sense? Common sense? A sense of adventure? A sense of wonder? A sense of the sensational? A sense of sensitivity? A sense of senselessness?”
Eris sighed deeply. “You’re not making sense. And what’s more, you haven’t made any scents for ages either. How do you expect to manage on your own without the coven?”
“Eris,” Truella said with an equally profound sigh,”You misunderstand me. I don’t wish to leave the coven, I wish to change it. It’s gone wrong, horribly wrong. We’re supposed to change the world for the better, not kowtow to this dreadful modern scourge. We need to return to our roots, our true calling. What has happened to us all? Meek grovelling subservient money grubbing towers of the line, that’s what! It’s a disgrace!”
“How are you going to pay your electricity bill then, without any of that ghastly currency?”
“I am a WITCH! I should be able to magic up the light! We all should! Not pissing around making smelly unguents to pander to the faux enlightened! Enlightened! hah! What a word for the huddled masses who can’t even summon up enough magic to illuminate a light bulb. Why aren’t we working on free electricity? huh? Answer me that!”
“Ok then, I’ll report back to Malove that you’re working on a free electricty spell, shall I?” Eris was becoming exasperated.
“You do that!” Truella stormed angrily, annoyed at having her superior motives ridiculed. “But I suggest you have a long hard think about what I’ve said. And you can tell the others that. And not only that,” she added, “Tell them to start work on a magic money spell. It’s utterly beyond me how a coven of witches, constantly strapped for cash, hasn’t considered the all too obvious solution of simply magicking up a pile of banknotes. Or even easier, digits on a screen. Digits on a screen, that’s all it is!”
Eris was forced to admit that this was a very good point.
“Think, Eris,” Truella gave her friends arm a gentle squeeze, relieved that she was starting to see some sense. “If we perfect the money magic spell, and share it widely ~ for free, of course, no need to charge anyone for it after all! ~ the hoarders can bury themselves under mountains of money without depriving anyone else of any essentials. It’s a game changer, Eris. It would be Change, with a capital C. Real Change.”
Eris looked doubtful. “But…”
“And ask yourself why you hesitate.” And with that Truella flounced off, back to her dig, leaving a perplexed Eris in a fog of confusion.
“Good morning.” Truella started nervously. “Good morning!” she repeated in a more confident tone, remembering her intention, as she scanned all the attentive faces in the audience.
“You are gathered here, my friends, colleagues and competetive others, to hear me talk about new sales channels, market studies, double digit growth, and all the rest of it. But I am not going to talk about that. I am a witch, not a business woman. I am an amateur archaeologist, not a business woman. And I am not a competetive witch.” she added, glaring pointedly at some of the witches in the audience. “And I know nothing about sales and marketing.”
“I am an honest witch! A straightforward well meaning witch with a desire to help others, and that has little to do with marketing and digits, double or otherwise. My words of widsom to you all this day is this: this coven has taken a destructive turn, and it’s time to return to our roots. The timeless duty of the naturally helpful community member with special skills. Not the self serving profit and sales motivated capitalist modern witchery that we see here, with these modern money and time wasting conferences.”
Frella glanced worriedly at Malove, whose face was puce with rage. Truella had avoided looking in the direction of Malove but Frella’s movement caught her eye, and she faltered for a moment before continuing.
“I’m here to tell you, it’s time to take direct action and strike until the leaders of this shambolic institution return to proper and honourable witchy ways.”
A few gasps were heard in the audience, breaking the uncomfortable silence. Then Eris started to clap, quietly and slowly at first but then louder. Others started joining in. Eris and Jez stood up, raising their hands above their heads to clap loudly. Frella remained seated with the baby on her lap, although she held the baby’s hands and patted them together in a show of solidarity. With that, the baby turned into a seal and soon slithered off Frella’s lap and humped off to find the ornamental lake.
“Now, if you’ll excuse me, I have spells to do for the needy ~ for free, as a good witch should.” And with that Truella flounced out of the conference room.
An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination. Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.
“This place is sorely in need of some steampunk hats,” remarked Truella. “And some Victorian clothes.”
“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.
“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?” For a moment, she felt a ray of hope. She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.
Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose. Naturally everyone took flattering photos of her as was expected.
Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.
“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face. Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.
“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo! Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”
Frella went off to ask, returning shortly with surprising news. “There is nobody checked in here with a baby, Eris. Nobody knows whose it is. Here, give it to me, the poor thing.”
Eris handed over the smelly bundle gratefully.
I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.
It was impossible to sleep in the octobus, despite that Truella always found it easy to drop off while a passenger on various modes of transport. Unlike the usual gentle rocking of a bus or train, the tentacular motion resembled a slow roller coaster, and the interior walls were slippery. Tactile my ass, she muttered, this is revolting. Truella felt her stomach heave when a steward brought a round tray covered with a glass dome, full of unspeakable fishy things to nibble. At this hour of the morning!
Jezeel wasn’t enjoying it either, her boots had an unfortunate attraction to the slimy interior and kept sticking. It took a great effort to pull her foot up to change position and made a disgusting squelchy noise.
“Sit still, will you? You’re making me sick with those slurpy noises!” Truella glared at Jezreel. “Take the bloody boots off why don’t you!”
“I’m not putting my stockinged feet on that, what if it pulls them down?”
“When’s the last time you had your stockings pulled down, sweetie?” Eris said with a sly grin. Frella tittered in the background, momentarily distracted from her angst about the party looming ahead.
Malove came rocking up the aisle, uncharacteristically beaming with pleasure. “I knew you’d all enjoy it!” she said, apparently believing that they were. “Are we all feeling tactile and tender? Soaking up the harmonious healing? Feeling the fullness of environmental resonance? Good!” she said, oblivious to the pained expressions of the four witches. “You’ll be delighted to know that I’ve asked the driver to take the long way round, via Dublin. We have plenty of time. No!” she said, holding up a hand with a smug smile, “No need to thank me. You all deserve it.” And with that she slithered off into the slippery depths of the strange vehicle.
““If there’s a chance it does the job,” Truella shrugged, “On a scale of one to ten, how much do you like steampunk hats?” Smiling at Jezeel’s reaction she said, “Exactly. Who doesn’t?”
“…..a steampunk soirée amongst the witches of Adare Manor! Picture it, my dear—cogs and corsets, gears and garters!
First, we must set the scene. The manor, that grand old dame Malove will be bedecked with brass and copper, festooned with flickering gaslights that cast a warm, sepia-toned glow upon all the revelry. The air will be thick with the scent of oil and ambition (mentioning no names), and the sound of pistons and valves will accompany the rustle of taffeta skirts.
Now, our witches, those cunning creatures, will be the belles of the ball, their attire a fusion of Victorian elegance and industrial ingenuity. Picture bustled gowns with mechanical embellishments, parasols that double as communication devices, and monocles that can see into the aether!
The pièce de résistance? A grand invention, unveiled at the stroke of midnight—an automaton oracle that will reveal secrets and predict the future with uncanny accuracy, all while puffing steam and sparking with electric life.
And let’s not forget the refreshments! Scones that emit plumes of colored smoke when bitten, and a punch that changes flavor as it circulates through a series of alchemical tubes.
A spectacle of speculative fiction, a carnival of chronology, a meeting of minds both mystical and mechanical!
A most enticing invitation—we want all the witches of Adare Manor to be abuzz with anticipation. The steampunk party of the century awaits!”
“I’m so glad you’re here!” Jezeel rushed over as they entered The Escarabajo Pelotero cafe they had arranged to meet in. Leading them to a corner table, she added “It’s escalating quickly, we don’t have time for any difficult spells, we’re going to have to resort to….”
“Resort to what?” asked Frella with a worried frown.
“Well…. er, resort to faster more efficient means than magic spells, I guess. Physically restraining her until we can sort something out. If we can catch her!”
“Whatever do you mean, catch her? Look Jez, just calm down and tell us what’s happened. And your wig’s slipped a bit, poppet, that’s it, bit more to the right, there you go.”
“Eris has gone off in a red racing car.”
“What, with the elephant head? Oh, was it one without a top? I was wondering how she’d have got that head inside the car!”
“I think you’re missing the point, Truella,” Frella said. “As usual.”
Jezeel explained how Eris had overheard a group of distinguished looking executive type men chatting in a restaurant about the race track they’d all been on that afternoon, and decided she wanted to do it, and there was no talking her out of it. With a sense of foreboding Jezeel had followed her there and witnessed Eris drive the red racing car like a maniac, overtaking every other driver and racing past the finishing line and beyond, into the car park outside and off up the motorway in the direction of Segovia.
“Let’s order breakfast,” suggested Frella. “We don’t even know where she’s going.”
“Oh no, we’re too late! Look at these photos Jezeel just sent!”
“Well at least Jez is there with her. Why didn’t you wake me up sooner?”
Truella rolled her eyes. “Come ON! Imagine the mess Eris is going to make at breakfast with that trunk!”
“It’s the telephantom! You know what this mean, don’t you.” Truella sounded ominous. Frella shook her head. “It’s Punic magic, and it’s almost impossible to reverse. You need a piece of Hannibal’s tunic for the spell, and you can imagine the difficulties.”
“Surprise!” Truella called, rapping on the caravan door. “Surprise breakfast outting!”
“What? It’s 7 o clock in the morning and it isn’t even light out,” Frella answered groggily, “And I don’t want breakfast yet.”
“You will by the time we get to Madrid!”
Frella mananged to rouse herself. “Why? What’s happened?”
“It’s Eris. She’s had an altercation with an elephant in a bar. We’ll have to teleport, there’s no time for the fast train. Not if we’re to get there before something…..happens…”
“Happens like what? Stop being so mysterious!”
“Put it this way, Frel. Jez is on her way too. It’s all hands on deck so I suggest you get a move on. I’ll be waiting.”
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
During the renovations on Brightwater Mill Truella’s parents rented a cottage nearby. It was easier to supervise the builders if they were based in the area, and it would be a nice place for Truella to spend the summer. One of the builders had come over from Ireland and was camping out in the mill kitchen. He didn’t mind when Truella got in the way while he was working, and indulged her wish to help him. He gave her his smallest trowel and a little bucket of plaster, not minding that he’d have to fix it later. He was paid by the hour after all.
When the builder mentioned that his daughter Frigella was the same age, Truella’s mother had an idea. Truella needed a little friend to play with, to keep her from distratcing the builders from their work.
And so a few days later, Frigella arrived for the rest of the summer holidays. He father continued to camp out in the mill, and Frigella stayed with Truella. But even with the new friend to play with, Truella still wanted to plaster the walls with her little trowel. Frigella didn’t want to stay cooped up all day in the dusty mill with her father keeping an eye on her all day, and suggested that they go and dig a hole somewhere in the garden to find treasure.
Truella carried the little trowel around with her everywhere she went that summer, and Frigella started to call her Trowel. Truella retaliated by calling her friend Fridge Jelly, saying what a silly name it was. It wasn’t until she burst into tears that Truella felt remorseful and kindly asked Frigella what she would like to be called, but it had to be something that didn’t remind Truella of fridges and jellys. Frigella admitted that she’s always hated the G in her name and would quite like to be called Frella instead. Truella replied that she didn’t mind being called Trowel though, in fact she quite liked it.
The girls spent many school summer holidays together over the years, but it wasn’t until Truella was older and staying in one of the apartments with a boyfriend that she found the trunk in the attic. She put it in the boot of the car without opening it. She only had the weekend with the new guy and there were other activities on the agenda, after all. Work and other events occupied her when she returned home, and the trunk was put in a closet and forgotten.