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Helix 25 – Synthia’s Calculations

Helix 25 – Space Tai Chi and Mass Lunacy

The Grand Observation Atrium was one of the few places on Helix 25 where people would come and regroup from all strata of the ship —Upper Decks, Lower Decks, even the more elusive Hold-dwellers— there were always groups of them gathered for the morning sessions without any predefined roles.

In the secular tradition of Chinese taichi done on public squares, a revival of this practice has started few years ago all thanks to Grand Master Sifu Gou quiet stubborn consistency to practice in the early light of the artificial day, that gradually had attracted followers, quietly and awkwardly joining to follow his strange motions. The unions, ever eager to claim a social victory and seeing an opportunity to boost their stature, petitioned to make this a right, and succeeded, despite the complaints from the cleaning staff who couldn’t do their jobs (and jogs) in the late night while all passengers had gone to sleep, apart from the night owls and party goers.

In short, it was a quiet moment of communion, and it was now institutionalised, whether Sifu Gou had wanted it or not.

The artificial gravity fluctuated subtly here, closer to the artificial gravitational core, in a way that could help attune people to feel their balance shift, even in absence of the Earth’s old pull.

It was simply perfect for Space Tai Chi.

A soft chime signaled the start of the session. Grand Master Gou, in the Helix 25’s signature milk-silk fabric pajamas, silver-haired and in a quiet poise, stood at the center of the open-air space beneath the reinforced glass dome, where Jupiter loomed impossibly large beyond the ship, its storms shifting in slow, eternal violence. He moved slowly, deliberately, his hands bearing a weight that flowed improbably in the thinness of the gravity shifts.

“To find one’s center,” he intoned, “is to find the center of all things. The ship moves, and so do we. You need to feel the center of gravity and use it —it is our guide.”

A hundred bodies followed in various degrees of synchrony, from well-dressed Upper Deck philosophers to the manutentioners and practical mechanics of the Lower Decks in their uniforms who stretched stiff shoulders between shift rotations. There was something mesmerizing about the communal movement, that even the ship usually a motionless background, seemed to vibrate beneath their feet as though their motions echoed through space.

Every morning, for this graceful moment, Helix 25 felt like a true utopia.

That was without counting when the madness began.

The Gossip Spiral

“Did you hear about Sarawen?” hissed a woman in a flowing silk robe.
“The Lexican?” gasped another.
“Yes. Gave birth last night.”
“What?! Already? Why weren’t we informed?”
“Oh, she kept it very quiet. Didn’t even invite anyone to the naming.”
“Disgraceful. And where are her two husbands? Following her everywhere. Suspicious if you ask me.”

A grizzled Lower Deck worker grunted, still trying to follow Master Gou’s movement. “Why would she invite people to see her water break? Sounds unhygienic.”

This earned a scandalized gasp from an Upper Decker. “Not the birth—the ceremony! Honestly, you Lower Deck folk know nothing of tradition.”

Wisdom Against Wisdom

Master Gou was just finishing an elegant and powerful sweep of his arms when Edeltraut Snoot, a self-proclaimed philosopher from Quadrant B, pirouetted herself into the session with a flamboyant twirl.

“Ah, my dear glowing movement-makers! Thou dost align thine energies with the artificial celestial pull, and yet! And yet! Dost thou not see—this gravity is but a fabrication! A lie to lull thee into believing in balance when there is none!”

Master Gou paused, blinking, impassive, suspended in time and space, yet intently concentrated. Handling such disturbances of the force gracefully, unperturbed, was what the practice was about. He resumed as soon as Edeltraut moved aside to continue her impassionate speech.

“Ah yiii! The Snoot Knows. Oh yes. Balance is an illusion sold to us by the Grand Micromanagers, the Whymen of the Ever-Hungry Order. Like pacmaniacs, they devour structure and call it stability. And we! We are but rabbits, forced to hop through their labyrinth of rules!”

Someone muttered, “Oh no, it’s another of those speeches.”

Another person whispered, “Just let her talk, it’s easier.”

The Snoot lady continued, undeterred. “But we? Oh, we are not merely rabbits. We are the mist in the hedge! The trick in their tale! We evade! We escape! And when they demand we obey their whys—we vanish!”

By now, half the class had abandoned their movements entirely, mesmerized by the absurdity. The other half valiantly continued the Space taichi routine while inching away.

Master Gou finally closed the form, then sighed intently, pinching the bridge of his nose. “Let us… return to our breath.”

More Mass Lunacy 

It started as a low murmur, a shifting agitation in the crowd. Then, bickering erupted like a solar flare.

“I can’t find my center with all this noise!”
“Oh shut up, you’ve never had a center.”
“Who took my water flask?!”
“Why is this man so close to me?!”
“I am FLOATING?! HELP!”

Synthia’s calm, omnipresent voice chimed in overhead.

“For your well-being, an emergency dose of equilibrium supplements will be dispensed.”

Small white pills rained from overhead dispensers.

Instead of calming people down, this only increased the chaos.

Some took the pills immediately, while others refused on principle.
Someone accused the Lexicans of hoarding pills.
Two men got into a heated debate over whether taking the pills was an act of submission to the AI overlords.
A woman screamed that her husband had vanished, only to be reminded that he left her twelve years ago.
Someone swore they saw a moon-sized squid in the sky.

The Unions and the Leopards

Near the edges of the room, two quadrant bosses from different labor unions were deep in mutual grumbling.

“Bloody management.”
“Agreed, even if they don’t call themselves that any longer, it’s still bloody management.”
“Damn right. MICRO-management.”
“Always telling us to be more efficient, more aligned, more at peace.”
“Yeah, well, who the hell voted for peace?! I preferred it when we just argued in the corridors!”

One of them scowled. “That’s the problem, mate. We fought for this, better conditions, and what did we get? More rules, more supervisors! Who knew that the Leopards-Eating-People’s-Faces Party would, y’know—eat our own bloody faces?!”

The other snorted. “We demanded stability, and now we have so much stability we can’t move without filling out a form with all sorts of dumb questions. You know I have to submit a motion request before taking a piss?”

“…seriously?”

“Dead serious. Takes an eternity to fill. And four goddamn business hours for approval.”

“That’s inhumane.”

“Bloody right it is.”

At that moment, Synthia’s voice chimed in again.

“Please be advised: Temporary gravitational shifts are normal during orbital adjustments. Equilibrium supplements have been optimized. Kindly return to your scheduled calm.”

The Slingshot Begins

The whole ship gave a lurch, a gravitational hiccup as Helix 25 completed its slingshot maneuver around the celestial body.

Bodies swayed unnaturally. Some hovered momentarily, shrieking.
Someone declared that they had achieved enlightenment.
Someone else vomited.

Master Gou sighed deeply, rubbing his temples. “We should invent retirement for old Masters. People can’t handle their shit during those Moonacies. Months of it ahead, better focus on breath more.”

Snoot Lady, still unaffected, spread her arms wide and declared:
“And so, the rabbit prevails once again!”

Evie, passing by on her way to the investigation, took one look at the scene of absolute madness and turned right back around.

“Yeah. Nope. Not this morning. Back to the Murder Board.”

Elara — Nov 2021: The End of Genealogix

The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

Sat. Nov. 30, 2024 5:55am — Matteo’s morning

Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

Lucien. Elara. Darius. Amei.

He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

The strangest part wasn’t the names— it was the certainty that he’d see them that day.

Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

“You’ve never come inside,” she said, her voice soft but certain.

“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

“Today, you might,” the woman said, stepping forward. “Looking for something specific?”

“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

“What’s uncommon about a bell?”

The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

“How much?”

“For you?” The shopkeeper tilted his head. “A trade.”

Matteo raised an eyebrow. “A trade for what?”

“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

“Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.

The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.

“The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”

“Liz, are you sure this is wise to pursue?”

“Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”

As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.

During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.

And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.

Elton Marshall’s

Early Quaker Emigrants to USA.

The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

(There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

Derbyshire Quakers

In “Derbyshire Quakers 1650-1761” by Helen Forde:

“… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
Besse, Joseph. 1753

Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

The Botanist

Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

Marshall has been called the “Father of American Dendrology”.

A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

via Wikipedia.

From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

From The Chester Country History Center:

“Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
pay for the whole.’

– Benjamin Franklin to Humphry, March 18, 1770

“In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

Austreberthe Baltherbridge, interim CEO of Quadrivium Emporium.

A unassuming small stature yet mentally imposing witch accountant, head of finance witch, known for her meticulous financial acumen, strategic mind, and quiet mildly bossy yet unwavering leadership. Balances deference with authority, ensuring economic stability amidst magical enterprises. She is tidy and strict, middle aged, round figure, and valkyriesque.

From left to right:

Silas, Garrett, Rufus, Nemo

Silas, often the leader, possesses an analytical mind and a strategic approach to problem-solving. His leadership style is methodical yet adaptable, ensuring that the team stays on course while remaining open to new ideas.

Garrett complements Silas with his creative thinking and innovative solutions. He is the team’s visionary, always looking for the next big idea that will propel their projects forward.

Rufus provides the grounding force, bringing practicality and a hands-on approach. His technical expertise and ability to implement plans effectively ensure that concepts become reality.

Lastly, Nemo is the wildcard, blending a mix of unpredictability and resourcefulness. His unconventional methods often lead to breakthroughs that the others might not have considered.

Together, these four individuals create a dynamic synergy. Their different strengths and perspectives allow them to tackle challenges from multiple angles, making them a formidable team.

Silas’s strategic insights guide the group, Garrett’s creative inputs spark innovation, Rufus’s practical skills bring plans to life, and Nemo’s unique approach rounds out their capabilities. This balance of skills ensures that they are well-equipped to handle a variety of tasks and projects, navigating both predictable and unexpected obstacles with ease. Their collaboration highlights the importance of diverse talents and viewpoints in achieving common goals.

Getting this out in the room did bring a tide of emotions; pent-up frustration, indignation, bits of bruised egoes, the whole spectrum. Truella’s tirade had managed to uncork a complete bundle of electricity in the atmosphere, but the genie had left the building.

Eris had suddenly felt like scrambling away, but had stayed along with spaced out Frigella and Jeezel as she’d felt a pang of responsibility.

Surprisingly, Malové had remained composed throughout the heated ensuing exchanges, trying to be constructive at every turn, and managing to conclude most of the debates —even when was not fully settled, and by far, a round of collected feedback afterwards, she’d clapped appreciatively saying. “Congratulations team, seeing how we are no longer covertly disagreeing behind everyone else’s back, I can see improvement in our functioning as a cohesive Coven. Believe it or not, being in a place to openly voice disagreement is a sign of progress, we’ve moved past the trust issues, into constructive conflict. There is still much to be done to commit, be accountable and focus on results together, but I feel we are on track to a brighter future, you’ve all done well.”

Back in her cottage in Finland,  Eris was wondering “then why do I feel so bloody exhausted…”

She played back in her head some of the comments that Malové had shared in private after, when Eris had enquired if there would be some consequences for her witch’s friend actions. Once more, Malové has shown a unusual restraint that had put her worries at ease for now.

“Truella’s actions during the Adare Manor workshop presentation displayed boldness and conviction, two qualities that are essential for any individual, executive or otherwise, who wishes to effect change within an organization or a venture. Standing up for oneself is not only about self-assurance; it’s about ensuring that your voice and perspective are heard and considered.

However, the manner in which one stands up for oneself is crucial. Berating others, especially in a public forum such as a workshop presentation, can be counterproductive. It can create resistance and diminish the opportunity for constructive dialogue. While I understand her frustration, it is important to channel such energies towards a more strategic approach that fosters collaboration and leads to solutions.

As a leader, I advocate for clear communication and assertiveness, tempered with respect for all members of the coven. The success of our ventures, vaping or otherwise, depends on our ability to work cohesively towards our common goals. Truella’s passion is commendable, but it must be directed appropriately to benefit the coven and our business endeavors.”

She had asked Eris to convey the same to Truella. She’d made no promises —her friend was known to be more difficult to herd than cats. But with time, there would be a chance she would see reason.

Meanwhile, their sales targets had not gone away, and they had to keep the Quadrivium afloat. With Truella checking out of the game, and clearly not overly engaged on results, it fell onto the rest of the team to deliver.

A second session of workshop and celebration was planned in a month’s time in Spain with all top witches. With Eris’ last experience in Spain and her elephant head, she was starting to dread another mishap. Plus, she sighed when she looked at the invite. She would have to fetch a cocktail attire. A vacation was long overdue…

Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.

So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.

As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.

Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.

To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.

As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.

Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.

So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.

Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.

Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?