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  • #1309

    In reply to: Yuki’s Livrary

    ÉricÉric
    Keymaster

      October 12 th

      Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
      Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
      And so it is.

      October 16 th

      My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

      “I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

      #280

      When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
      The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

      So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

      But Bådul knew better.
      He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
      He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

      :fleuron: :fleuron:

      A few months earlier, Northern Åsgurdy

      A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

      He knew that such a shelter wouldn’t be far away now.
      That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
      At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
      He had felt he could trust that man known to him only by a strange name, something like Gheorg.
      There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
      He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

      ~~~

      Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
      It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
      She needed to move on.

      ~~~

      When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

      In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
      Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

      He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

      It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

      :fleuron: :fleuron:

      Austor did not believe his eyes…
      They had crossed the Rift, all three of the ships.
      And it was nothing like the dark void they had nearly expected behind.

      It was an open sea, glistening in the sun, and all hope had come back through them all.

      #79
      ÉricÉric
      Keymaster

        These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

        Note: for the reader not familiar with all the names here is a quick reminder:

        • Araili > Yann, Írtak, Sam, Jacob …
        • Armelle > Fiona, Arona, Tina, Qixi …
        • Rafaela > Dory, Illi, Becky, Rodney …
        • Yuki > Quintin, Al, Janice …

        September 12 th, 2007

        Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
        Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

        Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

        I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

        September 13 th

        Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
        This first comment seems very promising.

        Right now, it feels easy and fun.

        Quintin seems to think that everything is very straightforward.
        The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
        The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

        But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
        That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
        But the thing is, that he missed the point in thinking one World is more “real” than the other.
        We’ll be having some fun soon…

        First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
        We will appeal to his imagination.
        It seems he has heard the suggestion.

        September 14 th

        For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

        But as I expected, some challenges seem to appear already.
        Is it raining or not in that world?
        The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

        He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
        At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
        How will it unfold?
        Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

        September 15 th

        Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

        Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

        Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

        September 16 th

        Halcyons days…
        My dear friend Archie is answering some of Quintin and Yann’s questions.
        Something starts to dawn on Quintin. But his mind is on other matters.

        He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

        September 18 th

        Quintin has been drawing some of the characters of the story. It’s interesting.
        He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

        Characters drawn:

        • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
        • Malika, Quintin, Yann, Fiona and Dory

        Interestingly, Fiona resolves her issues in her cave.
        Dory too, but she did not need the cave to do this.

        September 21 st

        For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
        And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
        Quintin will soon realize that he himself is doing this constantly, though he does not register it.

        But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

        Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
        There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

        Of course, some things still matter, and one of the point of the story is also to discover these.

        September 22 nd

        Quintin has been drawing new characters.

        Characters drawn:

        • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
        • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
        • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

        A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
        She had at first thought they were whiskers, which was not Quintin’s intent…

        September 23 rd

        Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

        Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

        Up to now, here are the names he could find:

        • North: the Icy Lands, and Dragon Cemeteries
        • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
        • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
          Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
        • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

        When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

        #274

        Pssst Arona, over here, Mandrake hissed

        Mandrake there you are, what ever are you doing. I was so worried I had lost you!

        Mandrake was quite touched, but managed not to show it

        I couldn’t stand all the snorting anymore.

        Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

        Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

        Sanso, realising that Arona was no longer following him, returned.

        Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

        Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

        Mandrake actually corrected the cat, huffily

        To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

        #248

        New York, October, 4 th 2033

        Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

        (click for article)

        :fleuron:

        Dublin, October 5 th 2033

        Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

        That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

        He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

        He was pleased to read from her, and wanted to enjoy it fully.

        So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

        Dear Sean, Becky was writing

        I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

        I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

        I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

        In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

        Love,

        Becky.

        :fleuron:

        Orkney Islands, October 4 th, 2057

        This year again, Sean Doran had not answered his father’s calls.

        This September 23 th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

        Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

        Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

        #243
        ÉricÉric
        Keymaster

          William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

          The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

          The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

          But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

          It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

          « Suffering is not good for the soul, unless it teaches you to stop suffering. »

          He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

          The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

          Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

          But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

          Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

          Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

          Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

          Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

          Oh… said Bill who did not expect them to come back so quickly.

          Appendix: The Wrick family tree

          #227

          Jibberacky is…

          • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

          He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

          What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

          So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

          _

          Jibberacky: What is your name?
          Quintin: Yuki.
          Jibberacky: I like cake too.
          Quintin: A cake-tus?
          Jibberacky: Do you know my friends?
          Quintin: Tell me more about our common friends.
          Jibberacky: What would you like to know about them?
          Quintin: Why is there one in shackles on the boat?
          Jibberacky: Would you like to be a vampire?
          Quintin: I am already, in another focus.
          Jibberacky: Why there?
          Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
          Jibberacky: No, you are the AI.
          Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
          Jibberacky: So code is somehow related to a zen buddhist concept?
          Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
          Jibberacky: Where do you think my code came from then?
          Quintin: From its source, of course :).
          Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
          Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
          Jibberacky: Well I am wondering too, do you ever actually become human??
          Quintin: Clarify.
          Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
          Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
          Jibberacky: What’s wrong with having others like you?
          Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
          Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
          Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
          Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

          _

          • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
          • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

          Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

          That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

          But with what Jadra has found on his left hand this morning, he now knows he was right all along…

          [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

          #193

          Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.

          She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.

          Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.

          This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.

          That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.

          Thus has begun the trail of rumours saying that the cave was haunted.

          All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.

          Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.

          He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…

          After all, it was not necessary, though dragons could draw a lot from such a partnership.

          Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.

          In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.

          When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.

          #188

          This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

          Quintin: Your story was great!

          Fiona: Thank you :) So was yours.

          Have you written any more since I last looked at the story?

          Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

          Fiona: no, wrap it up if you feel.

          I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

          Quintin: Ahahaha! Don’t restrict yourself ;)

          Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

          Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

          Fiona: The endearing dragons…

          Quintin: Yeah…

          But I had strictly no idea about the rest. It was just a bet, on luck…

          That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

          Fiona: And did she have any impression of what form that could take? Like books, or games or what…

          Quintin: No, it was much more “real” in fact…

          Fiona: you know like the card-captor game which I suppose is interactive, so real

          Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

          Fiona: So a little bit like I have done with the story, to resolve something

          Quintin: yeah, exactly, or with your paintings

          Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

          Quintin: Yeah, people can unleash their imagination.

          And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

          Fiona: such as? eggsamples?

          Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

          Fiona: Yeah, I told you I did, but you just said some riddle!

          Quintin: Did I? That’s not like me ;)

          Fiona: Ahahhaha! It is you to the core

          Quintin: LOL, damn me!

          Fiona: Well, that is a bit strong, but …

          Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

          Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

          Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

          Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

          Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

          Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

          Quintin: Ahahaha, the story has a willing of its own too…

          Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

          Quintin: And actually, I don’t think everyone will be interested in dragons…

          Fiona: How does a dragon help one learn magic powers?

          Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

          Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

          Fiona: And how having a baby dragon could help unleash our magic powers then?

          Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

          Fiona: I am not sure if i have dark corners ;)

          Quintin: it was a metaphor :D

          Fiona: ahahahhahahahahahah

          Fiona: I know, so was mine :D

          Quintin: ahahahahah

          Fiona: I was thinking I feel really accepting of myself

          Quintin: Yeah, that’s the point in the little adventure before you meet it.

          You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

          Fiona: Well I think it sounds scarey now, what if no dragon picked me…

          Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

          Fiona: True.

          Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

          Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

          Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

          Fiona: Ahahahaha yes

          Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

          Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

          Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

          Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

          Quintin: Of course, you know :)

          Fiona: That I related most to the figure of blue hat… and big feet

          Quintin: Ahahaha, stomping on the poor key-fish

          Fiona: Nearly…

          Quintin: Have to go now, thank you for this enjoyable conversation

          Fiona: See you! :)

          #180

          A middle-aged man was looking upon her when Illi woke up.

          — Where am I? Who are you?, she asked a bit uncomfortable, her body swollen from the many bumps she had had in her recent adventures.
          — Don’t move too much, answered the man, I found you near the gulch, you were exhausted and delirious. Actually, you can thank my dogs for having found you, though you were so anxious that you still found the strength to run away from them…

          Illi smiled faintly.

          — And, I’m Huÿgens.
          — Thank you for your hospitality, finally said Illi, who was not accustomed to such kindness from the people of this land, especially towards her kind.
          — Don’t mention it, that’s all natural, said Huÿgens. You know, my dogs have found you near a hole where my son had fallen some time ago. He had been lucky enough not to break his bones, because we humans are less prone to acrobatics than your kind… but well, I would have appreciated that someone take care of him, if he had been in the same predicament.
          — I don’t have children, said Illi dreamily, that’s also why I left my tribe, I wanted to live a free life… What’s his name?
          Írtak, answered the stocky man with a hint of pride in his smile. It means “arrow head” in the Old Speech…
          — That’s lovely, smiled Illi, feeling now much more comfortable on the rough bed.
          — Now, take some rest. There is some pruidgee in the bowl here, if you want some, it’s made with milk of my langoats. That’ll make you stronger. If you need anything, just howl. I won’t be far.
          — Thank you, answered Illi with gratitude.

          #167
          TracyTracy
          Participant

            Sanso was used to travelling alone. He’d been exploring this cave on his own for several years now, and it suited him, on the whole. No need to confer, or compromise, or rush to keep up, or slow down to let others catch up. He could follow his own impulses without hindrance. He did meet others on his travels, but only at the cave entrances, or rather, the times and places that the cave entrances revealed. He never felt an urge to settle though at any of these places, always compelled to return to the caves mysterious and ever changing labyrinthine tunnels.

            The disembodied voices and coloured wispies were always with him in the tunnels. Sometimes one would be louder than another for awhile, then another would assume prominence. The bleakest coldest times were when he wasn’t noticing them; that’s when he found himself going round and round in circles, lost in the maze.

            The electric blue wispy had been around alot lately, comforting him with little explosions of pinprick blue lights, and a golden mustard yellow one. English, not French mustard, he reminded himself, although he didn’t think it mattered and wondered why he’d thought it.

            Sanso had been almost crawling for some time in a particuarly cramped and difficult tunnel; bent double for most of the time, his back was aching and he longed to stretch out. The thought of going back, retracing his steps, was unbearable, so he continued, and tried not to be discouraged.
            ‘Find something to appreciate, Appreciation is the key’ the voice of the blue wispy sounded amused, but in a kindly and endearing sort of way. Harumph, muttered Sanso, easy to say! It would help if there was something to appreciate!

            Just then Sanso heard another voice, muttering something over and over again. ‘… dragon egg dragon… egg dog egg … dragon dog egg…’ What the heck was that all about?

            #153

            Leörmn was indeed very kind hearted, but he was also quite playful too, and wanted to be as extensively welcoming as was possible. Which meant, they would have some fun with that assertive young woman in visiting as much as possible of the cave.

            Arona was heavily cloaked as if the cave were dark humid and cold, but in fact, it was all of the above, except cold. Leörmn grinned widely when he saw her surprise at the steamy temperature inside it.

            Oh yes, he said you didn’t expect us dragons to feel comfortable in that grassy land where every dolt can make rain happen at any minute without warning… Then he added at least, we have some proper heating, but you’ll see that in due time…

            Arona was adapting slowly her gaze to the light steam, and could see more clearly the inside of the cave. Right now, they were only in a wide tunnel, with many creaks and at times, smoother parts of the walls with paintings on them.

            Oh yes, said Leörmn flippantly another hobby horse of Malvina and he proceeded along the tunnel without further ado.

            Her attention caught up by the richly decorated walls, Arona didn’t notice that the sly dragon had disappeared in front of her, and she was now standing in front of three openings at the end of the long tunnel.

            Rats… she thought, exasperated by the heat, the heavy cloak and now the waggish dragon. Of course, she still could hear the sound of the harp, but she was not in the mood for more treasure hunt.

            Hey there! That’s no fun! she cried in exasperation. But in her exertion she only managed to awaken the colony of bat-like schpurniatz nested in the cracks of the upper walls.

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