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It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

“Once a lecturer, always a lecturer, eh?” Florian teased.

“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing.  It had been Florian’s idea to take the Mongolian hat with her.  Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right.  It had been a present from Amei, many years ago, but Elara had barely worn it.  It wasn’t often that she found herself in a place cold enough to warrant it.

In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship.  It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order.  Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.

Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side.  They had come into contact while researching the family, comparing notes and photographs and family anecdotes.  They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing.  He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.

If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.

Pulling the hat down over her ears, Elara ventured out into the early November chill.  Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!”  Mrs Lovejoy was bareheaded, wearing only a cardigan.

“It was a gift,” Elara told her, “I haven’t worn it much.  A friend bought it for me years ago when we were in Mongolia.”

“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.

“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”

“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go.  Like my Bert…”

“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.

Amei found the letter waiting on the narrow hallway table; her flatmate, Felix, must have left it there. They rarely crossed paths these days as he was working long shifts at the hospital. His absence suited her—mostly.

It was a novelty to get a letter! She turned it over in her hands, noting the faint coffee stain on one corner and the Paris postmark. The handwriting was sharp and angular, unmistakably Lucien’s. It felt like a relic from another life, a self she’d long ago left behind in favour of the safe existence she had built in London.

She slipped a finger under the flap and opened the envelope. It contained a single piece of paper—she read the words and Lucien’s familiar insistence leapt off the page.

Amei set the letter on the kitchen counter and stood for a moment, staring out the window. The view was of the neighbouring building—a dreary brick wall streaked with stains, its monotony interrupted only by a single trailing vine struggling to cling to life.

The flat was small but tidy, shaped by two lives that rarely intersected. Felix’s presence was minimal: a mug left on the counter, a jacket draped over a chair. The rest was hers—books stacked on shelves, notebooks brimming with half-formed ideas, and an easel by the window holding an unfinished canvas. She freelanced as a textile designer. On the desk lay fabric swatches and sketches for her latest project—a clean, modern design for a boutique client. The work was steady and paid the bills but left little room for the creative freedom she once craved.

It certainly wasn’t the life she’d envisioned for herself at twenty, or even thirty, but it was functional. Yet there was an emptiness to it all; she was good at what she did, but the passion she’d once felt for her work had dulled.

There were no children at home to fill the silence, no pets to demand her attention. Relationships had come and gone, but none had felt like forever. Felix offered a semblance of company, though their conversations had dwindled to polite exchanges or the odd humorous anecdote. Her days had settled into a rhythm of predictability, punctuated only by deadlines and occasional dinners with colleagues she liked but never truly connected with.

Amei sank into the armchair by the window. Should she go? She had to admit she was curious. It must be nearly five years since they had last been together and the events of that last occasion still haunted her.

She leaned back, her gaze trailing to the vine outside the window, and let the question linger.

The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.

She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.

Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey.  She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.

At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.

Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.

Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.

Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.

The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.

By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.

When Eris gave Jeezel carte blanche to decorate the meeting room, Frella and Truella looked at her as if she’d handed fireworks to a dragon. They protested immediately, arguing that giving Jeezel that much freedom was like inviting a storm draped in sequins and velvet. After all, Jeezel was a queen diva—a master of flair and excess, ready to transform any ordinary space into a grand stage for her dramatic vision. In their eyes, it would defeat the whole purpose! But Eris raised a firm hand, silencing her sister’s objections.

“Let’s be honest, Malové is no ordinary witch,” she began, addressing Truella, Frella, and even Jeezel, who was still stung by her sisters’ criticism of her decorating skills. “We don’t know how many centuries that witch has been roaming the world, gathering knowledge and sharpening her mind. But what we do know is that she’d detect any concealing spell in a heartbeat.”

“Yeah, you’re right,” Truella agreed. “I think that’s the smell…”

“You mean based on your last potion experiment?” snorted Frella.

“Girls, focus,” Eris said. “This meeting is long overdue, and we need to conceal the truth-revealing spell’s elements. Jeezel’s flair may be our best distraction. Malové has always dismissed her grandiosity as harmless extravagance, so for once, let’s use that to our advantage.”

While Eris spoke, Jeezel’s brow furrowed as she engaged in an animated dialogue with her inner diva, picturing every details. Frella rolled her eyes subtly, glancing off-camera as though for dramatic effect.

“Isn’t that a bit much for a meeting?” Truella groaned. “You already assigned us topics to prepare. Now we’re adding decorations?”

“You won’t have to lift a finger,” Jeezel declared. “I’ve got it all under control—and I already have everything we need. Here’s my vision: Halloween is coming, so the decor should be both elegant and enchanting. I’ll start by draping the room in velvet curtains in deep purples and midnight blacks—straight from my own bedroom.”

Truella’s jaw dropped, while Jeezel’s grin only widened.

“Oh! I love those,” Frella murmured approvingly.

“Next, delicate cobweb accents with a touch of silver thread to catch the light,” Jeezel continued. “Truella, we’ll need your excavation lamps with a few colored gels. They’ll cast a warm, inviting glow—a perfect mix of relaxation and intrigue, with shadows in just the right places. And for the season, a few glowing pumpkins tucked around the room will complete the scene.”

Jeezel’s inner diva briefly entertained the idea of mystical fog, but she discarded it—after all, this was a meeting, not a sabbat. Instead, she proposed a more subtle touch: “To conceal the spell’s elements, I’ll bring in a few charming critters. Faux ravens perched on shelves, bats hanging from the ceiling…a whimsical, creepy-cute vibe. We’ll adorn them with runes and sigils in an insconpicuous way and Frella can cast a gentle animation spell to make them shift ever so slightly. The movement will be just enough to escape Malové’s notice as she stays focused on the meeting. That way she’ll be oblivious to the spell being woven around her.”

“Are you starting to see where this is going?” Eris asked, looking at her sisters.

Frella nodded, and before Truella could chime in with any objections, Jeezel added, “And no Halloween gathering would be complete without wickedly delightful treats! Picture a grand table with themed snacks and drinks on polished silver trays and cauldrons. Caramel apples, spiced cider, chocolates shaped like magic potions—tempting enough to charm even a disciplined witch.”

“Now you’re talking my language,” Truella admitted, finally warming up to the idea.

“Perfect, then it’s settled,” Eris said, pleased. “You all have your tasks. They’ll help us reveal her hidden agenda and how the spell is influencing her. Truella, you’l handle Historical Artifacts and Lore. Frella, with your talent for connections, you’ll cover Coven Alliances and Mutual Interests. Jeezel, you’re in charge of Telluric and Cosmic Energies—it shouldn’t be hard with your endless videos on the subject. I’ll handle the rest: Magical Incense Innovations, Leadership Philosophy, and Coven Dynamics.”

Frella woke with a start. The sun peeked through the curtains of her cottage, softly lighting her room. She lay there quietly trying to hang on to the dream: the bustling fair, the strange cloak-wearing girl with the black cat who said her name was —well she couldn’t remember now—, and even Cedric had made an appearance! Now he was infiltrating her dreams as well! She may need to do a spell for that. As the fog of sleep lifted, the vividness of the dream lingered at the edges of her consciousness and she played it over a few times, wondering what the message was. The fair was months ago, funny that it was coming up in her dreams now.

Her alarm buzzed on the bedside table and a warm tone chimed: “Good morning, Frella. The time is 6:45 a.m. Today’s forecast is mild with a chance of light rain in the morning. Would you like to review today’s tasks?”

Frella snorted and waved her hand in the air, silencing the digital assistant with a flicker of magic. It was far too early for that nonsense. The alarm faded into a soothing melody and the device shifted to Dream Journal mode:  “It looks as though you had a vivid dream. Would you like my help to record it while it’s still fresh?”

Ignoring the prompt, Frella sat up and swung her legs over the side of the bed. Her feet made soft taps on the wooden floor as she walked over to the window. She pulled apart the curtains and opened the window, letting the cool morning air fill the room. Birds called in the distance, and she smiled as she leaned on the windowsill and let the fresh breeze stroke her face.

As she turned away from the window, her eyes fell on the postcard which had arrived in the mail yesterday, still sitting on her dressing table. The edges were slightly worn as if it had travelled a very long way to reach her and the spindly writing was indecipherable even with the help of a decrypting spell. The thought crossed her mind that perhaps it was somehow connected with her dream. She picked it up and studied it again; did that signature read Arona? Wasn’t that the name of the girl in the dream!

Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

 When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

 

So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

The obvious place to start with investigations into the history of the Morticians Guild was to question Rufus.  But first she needed to think. Truella made her way to her room, and locked the door.  At least now that Eris was back so soon, Truella was free to let Eris get on with whatever she was doing. After lowering the blinds at the windows, she lay back on the bed and closed her eyes.  As she started to drift off to sleep, an imaginary conversation ran through her head.

Rufus: “The Morticians’ Guild, originally known as the ‘Necro-Keepers,’ trace their lineage back to ancient Egypt. They were the guardians of rites that ensured the safe passage of souls to the afterlife. Over millennia, they adapted and evolved, absorbing arcane knowledge from various cultures—the Greeks with their Eleusinian Mysteries, the Romans with their burial rites, even the Celtic traditions of Samhain.”

Truella: “That’s fascinating. So, this ancient craft has been handed down through generations?”

Rufus: “Precisely. While Hildegarde von Bingen brought enlightenment and medicinal wisdom to her nuns in the 12th century, the Morticians’ practices were already etched in the annals of history. They operated in silence, often in the shadows, perfecting the skills of embalming, necromancy, and spirit communication.”

Truella: “And what about their presence here, in this coven merger?”

Rufus: “We’ve been called upon at times of great need, when balance must be maintained between the living and the dead. Our presence here isn’t coincidental. The dragons and ancient spirits awaken, and we, the keepers, ensure that not all realms collide irreversibly.”

Truella: “So, would you say the Guild has played a role in significant historical events?”

Rufus: “Indeed. We’ve been the unsung heroes, the silent watchers. From plagues to wars, ensuring the dead find peace and don’t linger to disrupt the world of the living. Our methods may have modernized, but our core purpose remains unchanged. The knowledge, the rituals—they are our legacy.”

Truella: “Thank you, Rufus. That’s more fascinating than a year’s worth of ancient spellbooks.”

Rufus:  “You’re welcome, Truella. Just remember, history isn’t merely dates and names; it’s living through us, weaving its magic continuously.”

“What? Malové sent you a personal letter? And a golden key! We merely had a memo for the merger,” Truella said, pacing quickly in Jeezel’s bedroom.

“You’ve been swooning over Mr. Dark since we got here,” said Jeezel. “Have you even checked your own things? Maybe you have some kind of message or clue or I don’t know what. But stop pacing like that, you’ll bore a hole in my floor.”

“That’s not your floor,” said Truella with fire in her eyes.

“Girls, stop. That’s not the point,” said Eris, her voice carrying icy breeze of Sweden’s coldest winters. “We don’t even know if that message is from Malové.”

“What do you mean?” asked Jeezel and Truella in unison.

“Yes, what do you mean?” asked a floating glowing orb with Frella’s voice.

Eris brushed a few sparkling dark purple powder from her chest. “Bloody dragon soot,” she muttered. “Well, from what you told us, Silas tried to jinx you when you were discussing about the rituals. Baiting you with the idea that there are amongst or around us forces that would rather see this merger fail. Then, conveniently, handsome Garrett comes to your rescue and warns you about Silas’ evil plot, and talks to you about the very thing Malové supposedly entrusted you with in that letter, and muddying the waters even further with that tale about ancient Punic families.”

“What’s wrong with Punic families,” said Truella.

“Why are you blushing?” asked Jeezel.

“The point is, that it could very well be part of a plot to plant doubts about everyone and everything, so that we make the merger fail ourselves.”

“And then exit the witches from the picture,” said Frella’s glowing voice.

“But who could possibly have hidden the envelope amongst my things without me noticing?” asked Jeezel.

“Who comes and goes into your home?” asked Eris.

“Yes, who?” asked Truella with a sudden renewed interest.

After a few moments of reflection, Jeezel raised her hand to her mouth. “You can’t mean Joe? My fan’s brother who came to do some works for me.”

“I don’t mean anything. But if I recall well, you mentioned you gave him the keys or your home so that he could come do the repairs whenever you’re not there.”

“You gave him your keys?” asked Truella, her eyes wide open.

“But Luminia would have seen him.”

“Well even a familiar needs to go out sometimes.”

“Or maybe after a torrid night, when you’re finally resting,” suggested Truella.

“Ooh! You would love that!” Jeezel said. Then she put the back of her hand on her forehead and moaned: “My brain’s not made for that kind of messy story. I can’t investigate, do the rituals, flirt with the enemy. There are too many things to do and too many possibilities.”

“There, dear. You have us now,” said Eris, still brushing the dragon soot from her dress.

“And I know one who needs to go to the bottom of a chest,” added Truella. “Frella, we need you here.”

“I’m not sure,” Frella said. “I guess someone has to investigate what really happened to Malové. Who knows if that postcard and that love affair are even real? I’ll let you know.”

After an eternity of cordial superficial conversation with a vertitable horde of new characters, and despite that some of them seemed either potentially interesting, possibly entertaining, or just downright intriguingly bizarre, Truella badly needed a quiet moment to herself, or in other words, a cigarette.  Excusing herself from a strained attempt at getting to know a prim thin lipped nun whose name escaped her, Truella made her way over to the cloisters beyond the open doors. The courtyard beckoned, a breath of fresh air and a peaceful respite.

Leaning against a pillar, Truella took a drag on her cigarette, exhaling long and slowly. Perhaps it was just the shafts of sunlight making it seem that there was so much smoke.  It hadn’t been too bad, after all. What an assorted bag they all were!  Truella hadn’t given any thought to what all these new people she was to merge with would be like ~ she’d been focused on the intrusion into her own pursuits that such a thing would inevitably entail.

Rufus seemed to be keeping his distance, but Truella was relishing it, like knowing there’s cheesecake in the fridge for a midnight snack.  Surprisingly, the two nuns Sandra and Sassafras seemed like good eggs underneath those dreadful habits. Truella was glad that Sassafras was her partner for the ritual; certainly it would have been worse with one of those silent ones. She wondered if Sassafras had anything planned, and if she should have thought about the ritual sooner. But then, how could she have known? The assumption had been that the partners would meet, and then come up with something together.   Wasn’t it just a fun getting to know each other game kind of thing?

“How many cigarettes are you smoking out here?” Sandra laughed, “Can’t say I blame you though, gawd, will it never end.”  Coughing, she lit a cigarette.  “What is it you’re smoking anyway? What a funny smell, like the bowels of the earth.”

Truella thought this was rather rude, but had to admit that the smoke did smell peculiar.  “That’s exactly what it smells like. And that smoke isn’t from my cigarette.”

“Fee Fi Finnley Fum, I smell the smoke of a dragon’s bum,” Sandra tried to laugh and failed.  “Oh, heck. I don’t like dragons.”

“Neither do I,” Truella didn’t like the sound of this at all, but it had given her an idea for her ritual.

After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.

The program they distributed to each participant was as follow:

Under the guidance of the Ancient Telluric Forces of the Dragons

1. The Invocation of Unity

Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
Components:

• Witches: Incantations and invocations to elemental spirits and deities.
• Nuns: Hymns and prayers invoking divine blessings.
• Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.

Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.

2. The Weaving of Fate

Purpose: To create a physical symbol of their intertwined destinies.
Components:

• Witches: Magical threads imbued with protective charms and blessings.
• Nuns: Sacred textiles woven with prayers and religious symbols.
• Morticians: Ribbons representing life, death, and the transition between them.

Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.

3. The Concordia Cauldron

Purpose: To brew a potion that represents their collective energy and intent.

Components:

• Witches: Magical herbs, crystals, and other mystical ingredients.
• Nuns: Holy water and sacred relics.
• Morticians: Ashes from ritual fires and symbols of purification.

Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.

4. The Harmonious Choir

Purpose: To blend their voices and energies in a powerful, resonant harmony.

Components:

• Witches: Chants and spells sung in unison.
• Nuns: Choir hymns and sacred music.
• Morticians: Melodic recitations of ancient rites.

Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.

5. The Altar of Convergence

Purpose: To create a shared sacred space where offerings and symbols from each group are placed.

Components:

• Witches: Ritual objects, such as wands, crystals, and candles.
• Nuns: Holy relics, icons, and prayer books.
• Morticians: Mementos of the deceased, symbolizing the continuity of life and death.

Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.

6. The Ceremony of Reflection and Projection

Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.

Components:

• Witches: Scrying mirrors and crystal balls for reflection and foresight.
• Nuns: Candles representing illumination and enlightenment.
• Morticians: Artifacts representing the cyclical nature of life and death.

Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.

Supervision by Jeezel and Silas

Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.

Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.

Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.

Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.