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In reply to: The Precious Life and Rambles of Liz Tattler
A sudden and violent storm had cut off the manor from the outside world. Torrents of water had gushed over the roads and washed them out as if some manic god of cleanliness had decided to remove all the dust from the country, carrying away every other thing in its frenzied smudging. It had left the property an island, and the worse was they had no more electricity and no cable. Liz counted the days.
When they ran out of candles, they had to take the exercise bike back out of the cellar. Godfrey, who seemed to always know the most random, but always useful, things, had plugged it into the electric network, and voilà. Finnley had been the fiercest at the start because all the dust seemed to have taken refuge in the Manor. But once she had vented out all her frustration, it remained on Roberto’s and Godfrey’s legs to supply them with the essential power so that they could use the microwave to warm up the canned beans.
To Roberto’s dismay, the storm had washed away all the box trees he had so carefully tended to all those years. To Liz’ delight, the rain had accelerated the dig and unearthed what appeared to be a temple dedicated to some armless goddess. There was just one tiny problem, half the ruins were underwater.
The guests started to arrive for the Roman Delights Party in an enormous galley two weeks in advance, and the invitation hadn’t been printed yet. Roberto tied a rope to a mooring post and the guests started to disembark as if arriving to some movie award festival.
“There must be someone moving all those roams,” said Liz thoughtful to no one and everyone in particular. “They could take turns and relieve us at the bike.”
“Us?” asked Godfrey, raising an eyebrow.
“Tsst. Don’t be so cliché.”
She put on her smile as Walter Melon was approaching dressed like a Roman senator.
Sailors carrying crates invaded the kitchen. Finnley frowned at their muddy feet trampling all the floors she just cleaned.
“What’s in those?” she asked briskly.
“Food and trinkets for the banquet, I reckon,” said a tanned man with a tattoo on his neck saying Everything start with pixie dust.
Finnley rolled her eyes. “Follow me, I’ll show you the cellar.”
“Where do we put the octopuses tanks?”
In reply to: The Precious Life and Rambles of Liz Tattler
Little did they know all was tied to that mysterious tattoo on Roberto’s derrière…
THE END
“Wow. Liz’. Just wow. You have outdone yourself again.”
The crowd was cheering, her mother at the front in an ultragreen bathing suit waving a conductor baton at the assembled fans.
Obviously the nitrous oxide from the dentist was making Liz’ quite delirious.
In reply to: Family Stories From The Other Side ~ Book Two
The First Wife of John Edwards
1794-1844
John was a widower when he married Sarah Reynolds from Kinlet. Both my fathers cousin and I had come to a dead end in the Edwards genealogy research as there were a number of possible births of a John Edwards in Birmingham at the time, and a number of possible first wives for a John Edwards at the time.
John Edwards was a millwright on the 1841 census, the only census he appeared on as he died in 1844, and 1841 was the first census. His birth is recorded as 1800, however on the 1841 census the ages were rounded up or down five years. He was an engineer on some of the marriage records of his children with Sarah, and on his death certificate, engineer and millwright, aged 49. The age of 49 at his death from tuberculosis in 1844 is likely to be more accurate than the census (Sarah his wife was present at his death), making a birth date of 1794 or 1795.
John married Sarah Reynolds in January 1827 in Birmingham, and I am descended from this marriage. Any children of John’s first marriage would no doubt have been living with John and Sarah, but had probably left home by the time of the 1841 census.
I found an Elizabeth Edwards, wife of John Edwards of Constitution Hill, died in August 1826 at the age of 23, as stated on the parish death register. It would be logical for a young widower with small children to marry again quickly. If this was John’s first wife, the marriage to Sarah six months later in January 1827 makes sense. Therefore, John’s first wife, I assumed, was Elizabeth, born in 1803.
Death of Elizabeth Edwards, 23 years old. St Mary, Birmingham, 15 Aug 1826:
There were two baptisms recorded for parents John and Elizabeth Edwards, Constitution Hill, and John’s occupation was an engineer on both baptisms.
They were both daughters: Sarah Ann in 1822 and Elizabeth in 1824.Sarah Ann Edwards: St Philip, Birmingham. Born 15 March 1822, baptised 7 September 1822:
Elizabeth Edwards: St Philip, Birmingham. Born 6 February 1824, baptised 25 February 1824:
With John’s occupation as engineer stated, it looked increasingly likely that I’d found John’s first wife and children of that marriage.
Then I found a marriage of Elizabeth Beach to John Edwards in 1819, and subsequently found an Elizabeth Beach baptised in 1803. This appeared to be the right first wife for John, until an Elizabeth Slater turned up, with a marriage to a John Edwards in 1820. An Elizabeth Slater was baptised in 1803. Either Elizabeth Beach or Elizabeth Slater could have been the first wife of John Edwards. As John’s first wife Elizabeth is not related to us, it’s not necessary to go further back, and in a sense, doesn’t really matter which one it was.
But the Slater name caught my eye.
But first, the name Sarah Ann.
Of the possible baptisms for John Edwards, the most likely seemed to be in 1794, parents John and Sarah. John and Sarah had two infant daughters die just prior to John’s birth. The first was Sarah, the second Sarah Ann. Perhaps this was why John named his daughter Sarah Ann? In the absence of any other significant clues, I decided to assume these were the correct parents. I found and read half a dozen wills of any John Edwards I could find within the likely time period of John’s fathers death.
One of them was dated 1803. In this will, John mentions that his children are not yet of age. (John would have been nine years old.)
He leaves his plating business and some properties to his eldest son Thomas Davis Edwards, (just shy of 21 years old at the time of his fathers death in 1803) with the business to be run jointly with his widow, Sarah. He mentions his son John, and leaves several properties to him, when he comes of age. He also leaves various properties to his daughters Elizabeth and Mary, ditto. The baptisms for all of these children, including the infant deaths of Sarah and Sarah Ann have been found. All but Mary’s were in the same parish. (I found one for Mary in Sutton Coldfield, which was apparently correct, as a later census also recorded her birth as Sutton Coldfield. She was living with family on that census, so it would appear to be correct that for whatever reason, their daughter Mary was born in Sutton Coldfield)Mary married John Slater in 1813. The witnesses were Elizabeth Whitehouse and John Edwards, her sister and brother. Elizabeth married William Nicklin Whitehouse in 1805 and one of the witnesses was Mary Edwards.
Mary’s husband John Slater died in 1821. They had no children. Mary never remarried, and lived with her bachelor brother Thomas Davis Edwards in West Bromwich. Thomas never married, and on the census he was either a proprietor of houses, or “sinecura” (earning a living without working).With Mary marrying a Slater, does this indicate that her brother John’s first wife was Elizabeth Slater rather than Elizabeth Beach? It is a compelling possibility, but does not constitute proof.
Not only that, there is no absolute proof that the John Edwards who died in 1803 was our ancestor John Edwards father.
If we can’t be sure which Elizabeth married John Edwards, we can be reasonably sure who their daughters married. On both of the marriage records the father is recorded as John Edwards, engineer.
Sarah Ann married Mark Augustin Rawlins in 1850. Mark was a sword hilt maker at the time of the marriage, his father Mark a needle manufacturer. One of the witnesses was Elizabeth Edwards, who signed with her mark. Sarah Ann and Mark however were both able to sign their own names on the register.
Sarah Ann Edwards and Mark Augustin Rawlins marriage 14 October 1850 St Peter and St Paul, Aston, Birmingham:
Elizabeth married Nathaniel Twigg in 1851. (She was living with her sister Sarah Ann and Mark Rawlins on the 1851 census, I assume the census was taken before her marriage to Nathaniel on the 27th April 1851.) Nathaniel was a stationer (later on the census a bookseller), his father Samuel a brass founder. Elizabeth signed with her mark, apparently unable to write, and a witness was Ann Edwards. Although Sarah Ann, Elizabeth’s sister, would have been Sarah Ann Rawlins at the time, having married the previous year, she was known as Ann on later censuses. The signature of Ann Edwards looks remarkably similar to Sarah Ann Edwards signature on her own wedding. Perhaps she couldn’t write but had learned how to write her signature for her wedding?
Elizabeth Edwards and Nathaniel Twigg marriage 27 April 1851, St Peter and St Paul, Aston, Birmingham:
Sarah Ann and Mark Rawlins had one daughter and four sons between 1852 and 1859. One of the sons, Edward Rawlins 1857-1931, was a school master and later master of an orphanage.
On the 1881 census Edward was a bookseller, in 1891 a stationer, 1901 schoolmaster and his wife Edith was matron, and in 1911 he and Edith were master and matron of St Philip’s Catholic Orphanage on Oliver Road in Birmingham. Edward and Edith did not have any children.
Edward Rawlins, 1911:
Elizabeth and Nathaniel Twigg appear to have had only one son, Arthur Twigg 1862-1943. Arthur was a photographer at 291 Bloomsbury Street, Birmingham. Arthur married Harriet Moseley from Burton on Trent, and they had two daughters, Elizabeth Ann 1897-1954, and Edith 1898-1983. I found a photograph of Edith on her wedding day, with her father Arthur in the picture. Arthur and Harriet also had a son Samuel Arthur, who lived for less than a month, born in 1904. Arthur had mistakenly put this son on the 1911 census stating “less than one month”, but the birth and death of Samuel Arthur Twigg were registered in the same quarter of 1904, and none were found registered for 1911.
Edith Twigg and Leslie A Hancock on their Wedding Day 1925. Arthur Twigg behind the bride. Maybe Elizabeth Ann Twigg seated on the right: (photo found on the ancestry website)
Photographs by Arthur Twigg, 291 Bloomsbury Street, Birmingham:
In reply to: The Precious Life and Rambles of Liz Tattler
“Oh!” exclaimed Liz, who had heretofore been struggling to stay abreast of recent developments. “You mean Mr Du Grat! Honestly Finnley, your pronunciation leaves much to be desired. I have it from the horses mouth that the charming Mr Du Grat has gone on an adventure. More’s the pity,” she added, “As I was just starting to take a shine to him.”
“But what about Walter Melon?” Roberto chimed in nervously.
“What’s it got to do with you?” Liz narrowed her eyes. “Turning the garden into a wildlife haven was a mistake, it’s left you with far too much time on your hands, my boy! See if there’s anything you can do to help Finnley, it might stop her screaming.”
“Why not help her with the baby faced cookies, Roberto?” Godfrey said mildly, peering over the top of his spectacles.
“What was that you said? I can’t hear over that racket.”
“I SAID..” Godfrey shouted, but was prevented from continuing when the corner of Liz’s desk landed on his gouty toe, which left him momentarily speechless.
“Well that shut you all up, didn’t it!” With a triumphant smile, Liz surveyed the room. Her sudden urge to upend her desk, sending papers, books, ashtrays, peanuts and coffee cups scattering all over the room had been surprisingly therapeutic. “I must do that more often,” she said quietly to herself.
“I heard that,” retorted Finnley. “Let’s see how therapeutic it is to clean it all up.” And with that, Finnley marched out of the room, tossing her toilet plunger over her shoulder which hit Godfrey on the side of his head knocking his glasses off.
“Not so fast, Finnely! Godfrey shouted. The pain in his big toe had enraged him. But it was too late, the insubordinate wench slammed the door behind her and thundered up the stairs.
“Ah, Roberto! You can clean all this mess up. I’m off to the dentist for a bit of peace and quiet. I’ll expect it all to be tip top and Bristol fashion when I get back.”
Thundering back down the stairs, Finnley flung the door open. “You use far too many cliches!” and then slammed back out again.
In reply to: The Precious Life and Rambles of Liz Tattler
A scream not unlike those of Irish Banshees made Roberto jump and inadvertently cut the head of the duck shaped box tree he was tending to and had been carefully shaping for years. He looked, first, horrified at the headless duck, then towards the manor, from where the scream had originated. The grand patio door was open and revealed Finnley standing behind the pink furred sofa. He could only see her back. She was wearing green dungarees that oddly gave her an adventurous Lara Croft look. She brandished her duster and plunger like a pair of combat knives in front of Godfrey and a disheveled Liz. Godfrey picked up a book and frowned.
All he could make were two words “Dung” and “rat”. Could that be related to that time when Liz asked him to find a solution for the rat she had spotted several times near the pool? Did Finnley find rat dungs somewhere? Roberto thought the problem would have been resolved with the poisonous wheat, but he never found a body.He looked again at Finnley, Godfrey and Liz. Seeing them all agitated, an idea started to sprout in his mind. The inauguration of Tatler’s Roman Villa was near. Walter Melon had responded positively to his suggestion. Maybe he could find special someones for the other two too. His abuela had always told him he had a knack for finding missing pieces.
He picked up the duck’s head and put it back on top of the box tree. He pouted. Could a piece of wire and some special glue do the trick? There might be another solution. The duck’s body just looked like a whale calf.
In reply to: The Precious Life and Rambles of Liz Tattler
Finnley, who was behind the sofa for reasons unknown, stood up and screamed at the top of her lungs. The scream was so unexpected and of such force that Godfrey dropped the novel he was holding and Liz came running from across the hall. What she had been doing across the hall all that time, god only knows, but she certainly wasn’t writing, said Godfrey later when recounting the story to Roberto.
“Mr Dugrat has gone,” announced Finnley when she was sure she had their attention. “Gone,” she repeated.
“Rat? I didn’t know you had a rat. Gone where?” asked Liz nervously.
Finnley gave her a withering glance. “Therefore I did not get to the convention because I have been searching hither and thither for him.”
In reply to: The Precious Life and Rambles of Liz Tattler
“Is Finnley back from her dustsceawung retreat trip yet?” Godfrey wondered aloud.
“Bless you!” Liz shouted across the hall.
“I’m missing her plates of baby-faced cookies baked with herbal chocolate. Plus I need to give her back that Lemololol novel she gave me, she said it was a ‘self-licking lollipop’, and it seemed so deep and mysterious, I would really like her to explain.”
In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
“Tasmania?” I shouted as I yanked the electric cable until the plug came out of the wall, silencing Finley’s ghastly machine. “Why Tasmania all of a sudden? Explain yourself, girl!”
In reply to: Orbs of Madjourneys
Any news on Yasmin? Xavier sent a message to Zara. He was puzzled when she sent a cryptic screenshot with no explanatory message:
Xavier forwarded the message to Youssef and then his phone rang. It was an important call that went on at some length and he forgot to add that Zara had sent it to him with no explanation. Youssef frowned, and forwarded the screenshot to Zara. In a strange but by no means uncommon coincidence, Youssef was also called away before he had time to add a message of his own.
When Zara received the message from Youssef, her first thought was that somehow Youssef was involved with Yasmin’s disappearance, but what were they both doing at a dust convention? But she was having a busy day at the wombat rescue centre, and didn’t have time for this new puzzling development until the evening.
Zara had started the new job a week before, and had not been expecting it to be so busy. It was for this reason that it took her several days to realize that Yasmin hadn’t replied to any of her brief daily messages. When she tried phoning, the automated message informed her that the phone was switched off or outside of network, so Zara phoned the meditation centre where Yasmin was still staying when Zara left to start her new job. They said she had left a few days ago, and nobody knew where she was going to. They added that it was not their business to know such things, and that they were only interested in silence and contemplation. Zara sighed, and wished she wasn’t too busy to get a bus over to the retreat and ask around but it was a two hour journey and it would have to wait until her next day off.
Going back over the most recent messages from Yasmin, Zara realized that the very last communication was the odd message about dust. It hadn’t seemed particularly strange the other day, after all, there were so many odd people at meditation retreats and they all had strange quirks and wacky ideas, but then she’d seen a flyer pinned to the cork board at the wombat rescue centre about a Dustsceawung Convention. Had Yasmin gone to that?
The more that Zara thought about it, the more likely it seemed. While Zara herself hadn’t been very serious about the meditation regime at the retreat and had mostly snoozed during the sessions, Yasmin had been smitten and was in danger, to Zara’s way of thinking, of going over the top on the woo stuff. Kept going on about being enlightened and so on. But she’d also taken to sniffing everything, and not just flowers. Zara had seen her sniffing deeply with a rapturous expression on several occasions ~ once she even saw her on her knees sniffing the carpet.
When Zara asked her about it, a glazed look came over Yasmin’s face and she garbled something about it being the highest level of enlightenment, the scent was stronger and more precise than the word, and all the answers were in the scents and that we’d all been misled into thinking words were the key to the truth, when really it was our nose that was the key.
Zara had noticed that Yasmin wasn’t snorting as much, and decided to say no more on the topic. If it was doing Yasmin good and curing the snorting, then all well and good. But it was that saintly expression on her face that was worrying, and Zara hoped she’d snap out of it in due course.
I had better explain all this to Xavier and Youssef, Zara decided, and then see if I can find out more about the dust convention. Maybe we can use the game quest to help. Not that I have any time for game playing with all these wombats though!
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Washed off the sea ~ Creative larks
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various purposes—sometimes just for a lark—and terrible things can happen. But wait, what? He couldn’t help wondering how the whale might connect these elements into a plausible, if tediously dull and unsurprising, short story about the word lark. Did I use too many commas, he wondered? And what about the apostrophe in the plural comma word? I bet AI doesn’t have any trouble with that. He asked who could think of caging larks that sang at heaven’s gates. He made a note of that one to show his editor later, with a mental note to prepare a diatribe on the lesser known attributes of, well, undisciplined and unprepared writing was the general opinion, and there was more than a grain of truth in that. Would AI write run on sentences and use too many whataretheycalled? Again, the newspapers tell these children about pills with fascinating properties, and taking a pill has become a lark. One had to wonder where some of these were coming from, and what diverse slants there were on the lark thing, each conjuring up a distinctly different feeling.
Suddenly he had an idea.
In reply to: Orbs of Madjourneys
Xavier had been back for a month in Berlin, called back for an emergency as his company was announcing a big new venture. The following months had been a whirlwind, and he’d felt a bit guilty leaving his friends just after all the drama and the cart festival, the sand storm and all.
Truth is, the sands of Australia weren’t much to his taste, and he couldn’t dedicate enough of his attention to all the distraction going on. What was Zara saying already? Like trucks in the night? Something like that, they’d gone, all of them their own way. Even AL and the game had stayed silent for while, not sending any new challenges.
It was ironic in a sense, considering his company was all abuzz with AI news, new human interfaces, threat of job loses by the million, data privacy concerns etc. It was already a matter of fact for him, and frankly, he was a bit bored by it now, even though the craze was showing no sign of abating.
“Illusion of depth of knowledge” or rather illusion of explanatory depth — that was was got him to think. All of this automatically generated expressions would be giving huge knowledge at everybody’s fingertips, but with either no willingness to truly understand, or always a nagging doubt it was just a neat narrative that could be completely imagined.
The quest for the elusive spark of creativity was still on. If one thing was sure, it wasn’t to be found in AI.
Suddenly, his phone rang, jolting him out of his daydreams. It was Youssef.
“Hey man, how’s it going?” Xavier asked, pleasantly surprised at the call.
“Listen, I know you’re busy, but we need your help,” Youssef said, his voice urgent. “Yasmin’s gone missing.”
“What do you mean she’s gone missing?”
“We don’t know. We haven’t heard back from her since weeks. Zara’s been trying to reach her, but she’s not answering her phone. We’re all getting worried,” Youssef explained.
Xavier felt a wave of guilt wash over him. He should have been there, should have been helping them search for Yasmin.
There was a silence on the line.
“Look, we had a crazy idea. Can’t your AL or the game give us any clues?” Youssef asked.
“Well, we’ve set boundaries on the system for ethical reasons Youssef. We can’t just spy on people. And who’s to tell she doesn’t just need the space? It wouldn’t have been unheard of. I’m sure she’ll come back in no time, with a smile and a song.”
“I hope so…” Youssef sounded disappointed. “So you won’t help?”
Xavier took a breathe. “Not this time my friend, I’m afraid. But I tell you what. You can go an post an advertisement at the Faded Cabbage pub, in the game’s Old District. Someone who knows someone may be able to help.”
“Thanks for the tip, man… It’s was good to talk to you.” Youssef hanged up.
In reply to: The Chronicles of the Flying Fish Inn
It took us weeks to clean up after that dust storm, and I’ll be honest, I didn’t help much. I had a lot to think about. Finley and the twins did most of it, and Bert of course. Mater took to her room after the revelations and stayed up there like queen bee, not speaking to any of us, only Finley who took her meals up. I banged on her door a few times (she’d locked it, can you believe it?) but she wouldn’t even speak to me through the door. I’d have thought she was dead but Finley said no she wasn’t dead, she’d just about had enough of all of us and wanted to be left in peace to think about it. Well, what about me, I said, don’t you think I need some time to think about it all too? But Finley snorted (picked it up off that Yasmin I reckon) and swanned off, quite rudely if you ask me.
I did spend quite a bit of time down by the water hole, thinking about it all. I never in a million years expected that baby to come back and haunt me forty odd years later. I did get to wondering though, if I’d have brought her up instead of those nuns, she might have been a happier soul. Not much ever seemed to please her, quite the reverse in fact. Bert said Well what do you expect? in an exasperated tone. I got a bit fed up with all the dirty looks to tell you the truth. I even thought of leaving the Flying Fish once and for all and never coming back. Then I thought, bugger that, I’m staying right here.
Zara and her friends left right after the dust had settled (from the dust storm that is ~ it was quite some time before the metaphorical dust had settled, in fact I don’t think it’ll ever settle. Some people do like to harp on and on about things) and I was sorry to see them go. They were great sports about everything, they didn’t judge me. Unlike my own family!
I didn’t dare tell anyone about the night of the cart race when Youssef and I holed up in the cellar with all the old books. Thank goodness I had the presence of mind to grab a couple of bottles of gin and something to smoke before we fled down the stairs. I tell you what though, the next day I had such a hangover I had a job remembering everything and wondered if I’d been dreaming. Youssef wasn’t there when I woke up, and he had the darn cheek to avoid me the next day, and the day after that, and then they left.
One good thing was seeing Fred again. I wish he’d have stayed for a bit longer. If Fred had stayed awhile, maybe he’d have helped smooth things over with me and my ill gotten brat. Some people are so ungrateful! I may have dumped her, but it was in a nice place and she wouldn’t be alive at all if it wasn’t for me.
People are strange.
In reply to: The Precious Life and Rambles of Liz Tattler
“What? What’s that you say? Do speak up, dear. Not now Finnley! Can’t you see I’m on the phone? Now then dear,” Liz said into the telephone, “Have I got this right? He hasn’t seeen a doctor yet? What do you mean, there aren’t any, they must have some at the hospital? Only the youngest ones nobody wants and the very old ones? A lousy hospital and the cardiologist isn’t very techy and doesn’t know what to do? So Michael is a what did you say, a PA? Oh a physicians assistant. Wait a minute, have I got this right? The doctor only comes to the clinic twice a month? So you can only see the PA? But what about the difficulty breathing and the coughing, I don’t know about in rural Arkansas, but in the rest of the world an 89 year old who’s been coughing so much for three weeks that he can hardly breathe is known as a medical emergency! But why are you waiting for diabetes and heart tests, surely he needs to breathe now and do the tests later? Couldn’t taste the Worcester sauce on his scrambled eggs, you say?”
Finnley’s gentle hand appeared as if by magic and restrained Liz from pulling a third handful of hair out.
“They’re going to fucking kill him, Finnley, and there’s nothing I can do.”
“There never is, really, in situations like this. Here, drink this. It’ll buck you up.”
In reply to: The Precious Life and Rambles of Liz Tattler
“I worry about the dreadful limbo, those poor characters! So much going on and there they all are, frozen in time, perched on the edge of all those cliffs, waiting to spring into action, leap across chasms of revelations, lurch into dark mysterious depths…” Liz trailed off, looking pensively out of the window. “I wonder if the characters will ever forgive me for the jerky spasms of action followed by interminable stretches of oblivion, endlessly repeated…. Oh dear, oh dear! What a terrible torment, taunting them with great unveilings, and then… then, the desertion, forsaken yet again, abandoned …. and for what?”
“Attending to other pressing matters in real life?” offered Finnley. “Entertaining guests? Worrying about aged relatives?” Liz interrupted with a cross between a snort and a harumph. “Writing shopping lists?” Finnley continued, a fount of gently patient sagacity. Bless that girl, thought Liz, uncharacteristically generous in her assessment of the often difficult maid. “Do you even know if they’re aware of the dilated gaps in the narrative?”
Liz was momentarily nonplussed. This was something she had heretofore not considered. “You mean they might not be waiting?”
“That’s right”, Finnley replied, warming to the idea that she hadn’t given much thought to, and had just thrown into the conversation to mollify Liz, who was in danger of droning on depressingly for the rest of the evening. “They probably don’t even notice, a bit like blinking out, and then springing back into animation. I wouldn’t worry if I were you. Why don’t you ask them and see what they say?”
“Ask them?” repeated Liz stupidly. I really am getting dull in the head, she thought to herself and wondered why Finnley was smirking and nodding. Was the dratted girl reading her mind again? “Fetch me something to buck me up, Finnley. And fetch Roberto and Godfrey in here. Oh and bring a tray of whatever you’re bringing me, to buck us all up.” Liz looked up and smiled magnanimously into Finnley’s face. “And one for yourself, dear.”
Tidying the stack of papers on her desk into a neat pile and blowing the ash and crumbs off, Liz felt a plan forming. They would have a meeting with the characters and discuss their feelings, their hopes and ambitions, work it all out together. Why didn’t I think of this before? she wondered, quite forgetting that it was Finnley’s idea.
In reply to: The Jorid’s Travels – 14 years on
Georges was following an orange line on the floor of Jorid’s corridor with Barney on his left shoulder. The man was talking to the creature and listening to the occasional chirps Barney made as if they were part of a normal conversation.
“You see, Barney,” said Georges. “Salomé gave us this checklist.” He tapped on the clipboard with his index finger. “I have to conduct all those experiments with you in the lab while she’s doing whatever she’s doing with the maps. Salomé loves maps, I can tell you. Always trying to invent new ones that would help us navigate all those dimensions. But they confuse me, so I’m glad to leave that to her and Jorid.”
The two of them stopped in front of an orange door with a tag on it.
“So you’ll ask me: ‘Georges, why are we going to the kitchen instead of going into the lab?’ —which is the blue door.”
Georges waited for Barney’s chirp before continuing.
“You’re right! She forgot the most important. What do you like to eat? You can’t do that in a lab with instruments stuck onto your head and tummy. It’s best done in the warm and cozy atmosphere of a kitchen.”
The door swooshed open and they entered a bland, sanitised kitchen.
“Jorid, morph the kitchen into a 19th century style pub, with greasy smells and a cozy atmosphere.”
“Shouldn’t you be into the lab?” asked Jorid.
“Let’s call it a kitchen lab,” answered Georges. “So you can tell Salomé I’m in the lab if she asks you.”
“Most certainly.”
The bland rooms started wobbling and becoming darker. Gas wall lamps were coming out of the walls, and a Chandeliers bloomed from the ceiling. The kitchen island turned into a mahogany pub counter behind which the cupboards turned into glass shelves with a collection of colourful liquor bottles. Right beside the beer pumps was the cornucopia, the source of all things edible, the replicator. It was simple and looked like a silver tray.
“That’s more like it,” said Georges. He put Barney on the counter and the creature chirped contentedly to show his agreement.
“Now, You don’t look like the kind of guy who eat salad”, said Georges. “What do you want to try?”
Barney shook his head and launched into a series of chirps and squeals.
“I know! Let’s try something you certainly can’t find where you come from… outer space. Jorid, make us some good pickles in a jar.”
The replicator made a buzzing sound and a big jar full of pickles materialised on the silver tray. Barney chirped in awe and Georges frowned.
“Why did you make a Roman jar?” he asked. “We’re in a 19th century pub. And the pickles are so huge! Aubergine size.”
“My apologies,” said Jorid. “I’m confused. As you know, my database is a bit scrambled at the moment…”
“It’s ok,” said Georges who feared the ship would launch into some unsolicited confidences and self deprecating moment. “A pickle is a pickle anyway.” He picked a pickle in the jar and turned towards Barney with a big grin. “Let’s try some.”
Barney’s eyes widened. He put his hands in front of him and shook his head. The door swooshed open.
“What have you done with the kitchen?” asked Léonard. “And what are you trying to feed this rat with?”
“This rat has a name. It’s Barney. What are you doing here?” asked Georges.
“Well, Isn’t it a kitchen? I’m hungry.”
“I mean, shouldn’t you go check your vitals first in med bay?”
“When you feel hungry, it’s enough to tell a man he’s alive and well,” said Léonard. “Nice roman jar, Jorid. Depicting naked roman fighters, archaeological finding of 2nd century BC, good state of conservation.” He looked closer. “Intricate details between the legs… You surpassed yourself on that one Jorid.”
“Thanks for the compliment Léonard. It’s reassuring to know I’m still doing great at some things when others think I’m losing it.”
“I never said…” started Georges.
“You thought it.”
Léonard took a pickle from the jar and smelled it. He winced.
“Sure, smells like pickles enough,” he said, putting it back in the jar and licking his finger. “Disgusting.” He looked at Georges. “I was thinking of taking a shuttle and doing a little tour, while you solve the navigational array problem with Salomé.”
“Why are you asking me? Why don’t you just take a shuttle and go there by yourself?”
“Jorid won’t let me take one.”
“Jorid? Why don’t you let Léonard take a shuttle?”
“Salomé said he’s not to be left out of the ship without supervision.”
“Oh! Right,” said Georges. “We just rescued you from a sand prison egg where you’ve been kept in stasis for several weeks and you can’t remember anything that led you there. Why don’t we let you pilot a shuttle and wander about on your own?”
Léonard looked at Georges, annoyed. He picked a pickle from the jar and took a bite. Barney squealed. As Léonard chewed and made crunching sounds, the creature hit its head with its paw.
“Then why don’t you come with me?” asked Léonard.
“I can’t believe it.”
“What? You go with me. You can supervise me wherever I go. Problem solved.”
“No. I mean. You eating one of Barney’s pickles.”
Léonard took another bite and chewed noisily. Barney chirped and squealed. He put his hands to its throat and spat on the counter.
“I’m sure he won’t mind. Look at him. Doesn’t seem it likes pickles that much.”
“You hate pickles, Léonard.”
“I know. That’s disgusting.”
“Why do you eat them if you find it disgusting?”
“That’s the sound of it. It’s melodious. And for some reason those pickles are particularly good.”
Barney jumped on Georges arm and ran to his neck where he planted his little claws in.
“Ouch!” said Georges. He slapped Léonard’s hand before the man could take one more pickle bite. “What the f*ck?”
“Hey! Why did you do that?”
“It’s not me,” said Georges. Barney squealed and Georges’s hands pushed the jar on the floor. It crashed and a flood of pickle and vinegar juice spread on the floor.
“Haven’t your mother told you not to play with food?” asked Léonard diving on the floor to catch some more pickles. Barney chirped and squealed while Georges’s body jumped on Léonard and they both rolled over in the pickles.
The door swooshed open.
“Guys, we need to…” started Salomé. She had a set of maps in her hands. “What’s that smell? What… did you do to the kitchen? ”
“Georges made me do it,” said Jorid.
“Georges broke a 2nd century BC jar,” said Léonard.
“Barney’s controlling me,” said Georges.
The creature shrugged and removed its claws from Georges’ neck.
“Squeak!”
“Ouch! Thank you,” said Georges, licking the pickle juice he got on his lips during the fight.
“I can’t believe it. Georges, you had a checklist. And it did not include the words kitchen or pickles or making a mess. And Léonard, you hate pickles.”
“I know,” said Léonard who took a bite in the pickle he was holding. “That’s disgusting, but I can’t help it they taste so good.”
Georges stole the pickle from Léonard’s hand and took a bite.
“Pick your own pickle,” said Léonard, stealing it back.
“Stop guys! That smell… Jorid what did you put in those pickles?”
“I took the liberty to change the recipe and added some cinnamon.”
“It doesn’t smell like cinnamon,” said Georges smelling his hands full of pickle juice. He took a bite in one and said: “Doesn’t taste like cinnamon either. I would know. I hate cinnamon since the time I was turned into an Asari.”
“That’s it,” said Salomé. “What kind of cinnamon did you put in the brew, Jorid?”
“I’ve heard it’s best to use local ingredients. I put cinnamon from Langurdy,” said the ship.
“Quick! Guys, spit it out,” she said, kneeling and putting her fingers into Georges’ throat to make him puke. “Jorid, make away with the pickles,” said Salomé.
“Nooo,” said the men.
“Cinnamon from Langurdy is very addictive,” Salomé snapped. “You don’t want to OD on pickles, do you?”
After they got the mess cleaned up and the kitchen went back to its normal blank state. Georges and Léonard took some pills to counter the effects of withdrawal. Salomé had them sit at the kitchen table. Georges kept blinking as if the white light on the white walls were hurting his eyes.
“You can thank Barney if you didn’t eat more pickles,” said Salomé. “You could have had a relapse, and you know how bad it was the first time you had to flush cinnamon from your body.”
Georges groaned.
“Anyway. I checked the maps with Jorid and I came upon an anomaly in the Southern Deserts. Something there is causing Jorid’s confusion. We’ll have to go down there if we ever want to leave this place and time.”
In reply to: Prompts of Madjourneys
Very well, let us focus a bit on an overarching mystery.
So, Xavier is working on this program he calls AL (for Alternate Life), for a company we know little about.
Meanwhile, the game they’re playing on, Orbs of Madjourneys seems to direct them to certain quests which subtly influence their activities. For instance, after playing the game, a succession of events got the four of them booking a trip to the Flying fish Inn in the middle of Australian outback (Zara is living in Australia unlike the others).
Let’s assume the Game had somehow detected some unlawful or immoral activities being conducted, and has started to drop clues to influence these 4 gamers, selected because of their unique connexions and some of their special skills to get to reveal and bring the mystery to light.
Zara has an explorer mind, free-spirited, jumping right in. It’s suggested she was assigned group leadership for this round of game, while taking care of a group doesn’t come naturally for her. Yasmin is talented and it is said she is the brains of the team and also a competent actress, which may come in play at some point. Youssef is a journalist, and works for Miss Tartiflate, owner of THE Blog, a blog with a soul – unlike rival blog from Botty Banworth, the lady millionaire, who is sponsoring the Carts & Lager festival at the town of the Flying Fish Inn, next to the mines. Xavier has a bit of a monkey mind, but is also good at drawing connections; he’s a programmer for AL.
Which brings us to the group quest. The current hunch is that there is some shenanigan at play in the old collapsed mines of the town, where some key characters were lost in the past. One of them being Fred, a sci-fi writer who disappeared to Fiji to protect his family (the owners of the Flying Fish Inn) a decade or so ago. It’s suggested by the last poem found in the game that it may have something to do with illegal underground water drilling —possibly for frivolous usages of a select few elite, like maintaining a golf green nearby or other things.
If that is on the right track, we need to accelerate the path of discovery of these mysteries for our 4 characters. The game will suggest additional clues to their quests, so that they can use their skills during the Carts & Lager Festival to discover the truth, while remaining out of harm’s way.
Here are some additional clues that the game will suggest to our four characters:
Zara:
“To find the truth, you must first seek the light.” 🌞🔍🕯️💡🔦
“The answer lies beneath the surface.” 🕳️🔍👀🌊💧Yasmin:
“All the world’s a stage, and we are merely players.” 🌍🎭🤹♀️👥🕺
“Sometimes, the truth is hidden in plain sight.” 👀🔍🤫🧐🕵️♀️Youssef:
“Words have power, and the pen is mightier than the sword.” 📝🗡️💪📚👨💻
“The truth may be hidden in the most unexpected of places.” 🤔🕵️♂️🔍🧩🕰️Xavier:
“The truth is a puzzle waiting to be solved.” 🧩🔍🤔🕵️♂️💡
“Sometimes, the smallest details can lead to the biggest discoveries.” 🔍👀🔬🧐🔎What are potential outcomes for our 4 characters in game and in real life.
How are they going to work together to unravel the mystery and discover the truth.There are several potential outcomes for our 4 characters as they work together to unravel the truth about the collapsed mines and the illegal underground water drilling.
In the game, they may encounter various obstacles and puzzles to solve, such as deciphering codes and finding hidden passages. They will need to work together and use their unique skills to uncover the truth and prevent any further harm.
In real life, they may need to conduct research and gather information about the history of the town and its residents. They may also need to interview locals and investigate any suspicious activity related to the water drilling. They will need to be careful not to draw too much attention to themselves, as the perpetrators may try to silence them.
If they are successful in their quest, they may uncover a conspiracy involving powerful people in the town and beyond who are profiting from the illegal water drilling. They may also discover the fate of Fred, the missing writer, and other key characters. The truth may have a significant impact on the future of the town and its residents.
To work together effectively, each of the characters will need to utilize their unique skills and strengths. Zara’s exploratory nature may help them discover hidden clues and passages, while Yasmin’s intellect and acting abilities may allow her to gain access to key information and people. Youssef’s journalistic skills and connection to Miss Tartiflate may provide them with insider knowledge and resources, and Xavier’s ability to draw connections and work with technology may help them piece together the puzzle.
Overall, by working together and using their skills in both the game and real life, our 4 characters may uncover a significant truth and make a positive impact on the town and its residents.
In reply to: Orbs of Madjourneys
Zara took the notebook to the door of the hut where there was more light. The notebook fell open in the middle. A poem was written:
In the dry and dusty Outback land,
Where once gold was king and gold was grand,
Now a new treasure has taken hold,
A precious resource worth more than gold.
It flows beneath the sun-baked ground,
And in its depths, a fortune’s found,
For golfers come from far and wide,
To play on greens that should have died.
The mines that once lay abandoned and still,
Now hold the key to this water’s thrill,
For deep within their shadowed halls,
The liquid flows and never stalls.
But this is no natural spring,
The water here is a stolen thing,
Drilled and pumped with greedy hands,
To feed the golf course’s demands.
And so the land is left to bake,
While the greens stay lush and never break,
A crime against the thirsty earth,
A selfish act of financial worth.
For water is the lifeblood of this place,
A scarce resource that they should embrace,
Instead, they steal and hoard and sell,
A priceless gem, a living well.
So let us remember,
as we play and roam,
That water is not a thing to own,
But a gift from nature, pure and true,
That we must cherish and protect anew.
Golf! Zara wasn’t expecting that! As she closed the notebook she noticed a green pool had appeared just outside the hut, which had not been there before she found the poem. Pool! Water! Those green pools of water!
Zara almost dived headlong into the pool, and then remembered this was a group exercise and that she really ought to find out where the others were and share her finds with them.
In reply to: The Chronicles of the Flying Fish Inn
At 10:30am, the air is buzzing with excitement. As the first race is going to start soon. There has been no signs of a dust storm and everyone seem to have forgotten about it. The participants are cheering and getting ready for the race while groups of tourists are wandering about, taking pictures of the teams and the folks in costume. People came from as far as Mexico, Italy and Macedonia.
Because of the harsh conditions, miners were usually males back in the days. But there have always been teams at our little town’s festival ready to include women and children because they were usually lighter and it was easier to push the carts around on the tracks. Since a few years, there even have been full female teams, and they were pretty good too.
Prune arrives with her new fancy reflex camera she got at her last birthday. She wants to take our picture in front of our cart. At Joe and Callum’s surprise, I try to talk her into joining our team and be part of the fun. I get out of the cart a spare hat and a wig I had prepared for her, but she says today she’s doing a reportage about the festival. I know she wants to be on the lookout for our father, and keep an eye on the Inn’s guests. She told me yesterday something was off with that Liana Parker who kept snooping around and asking questions to townsfolk about Howard and Fred. And, she heard the two other girls talking about Liana being a Finli and a nun.
I frown. I haven’t told the boys anything about my father or suspicious guests with false names. Prune knows I’m not too keen about letting my little sister following people around on her own. I told her something could go wrong, but she brushed it aside explaining it was the perfect occasion because people wouldn’t pay attention to someone taking random pictures during a festival. She’s got a point, but I’m still her big brother. I had to try.
She asks us to strike a pose in front of our cart and tells a few jokes. When we laugh she takes a picture of our all male team, I’m the one in the center, Callum’s on the left and Joe on the right. I’m glad despite all the concern, I look like I’m having fun.
Checking her camera screen, Prune says: “You guys remind me of the Clockwork Orange with your hats, but more colourful and less creepy.”
Callum and Joe look at each other, each having one eyebrow raised. I snort. I’m sure they don’t understand the reference.
“You’re ok,” she tells them. “It means people will notice and remember you.”
“Spread the word! We’ll crush them all!” Callum shouts.
Prune looks at me. “You’re still frowning,” she says. “It’ll be fine.”
“Ok,” I say. “But at least take the hat. You can’t dress as yourself during a Cart and Lager festival, or you’ll pop out of the crowd.”
She raises her eyes to the sky and sighs. Then, she takes the orange hat from my hands and puts it on her head.
“There, happy? Consider that an endorsement of your team,” she says with a wink.
Joe and Callum hoot and whistle loudly. “Miss serious is running wild! Anything can happen today.”
We all laugh. Their enthusiasm is contagious.
“Hey! You’re mother is about to talk,” says Joe to Callum. “She’s hot.”
“Don’t speak about my mother like that.”
The mayor has climbed on the central stage and she’s talking with an all dressed up woman with a big hat that makes her look like the Queen of England. She sure seems out of place in our little town’s festival. Flanked by two bodyguards in black, I guess it’s Botty Banworth who’s provided that expensive sound system the mayor’s trying to use. “One, two, three… Is it working? Yes. Ok. All the participants are expected to bring their cart to the depart lane. We’re about to start. In the meantime let me introduce Miss Banworth who’s been very generous and allowed our festival to get to another level. She’s going to help us rehabilitate the abandoned mines and open a museum.”
A roar from the crowd. The woman’s lips are so thin and red that the smile she puts on her face looks like it’s just been made with a razor blade. I shiver. She’s the Queen of England turned by a vampire.
Someone bumps into my back and knocks the air out of my lungs. I almost fall on my sister.
“Hey! Watch out!” says Callum.
I catch my breath and look up. It’s Betsy, dressed as a miner too, with extra sequins and gummy stars on her dungarees. She looks confused and mutters some excuses but doesn’t stop. She walks as if she has had a few lagers already.
“Hey, Betsy,” calls Prune. “You seem like you just saw a ghost.”
“Someone… near the mines… It can’t be…” says Betsy.
“Who did you see near the mines?” shouts my sister.
With the noise around us, I almost didn’t hear Betsy’s answer.
“Fred… Howard… It can’t be. I need Idle’s cakes,” she says before disappearing in the crowd.
I look at Prune. I see in her eyes we’re thinking the same thing. Dad’s really here. We nod at the same time and I move my lips: “Be careful.” She nods.
“You three, win,” she tells us before leaving.
“You heard her?” I asked Callum and Joe. “Let’s move our limo.” As we approach the tracks with the other participants, a gush of wind almost knock my hat off my head. There is some commotion coming from the central stage. A guy climbed up and is shouting something that I don’t understand, pointing at the sky behind us. When I look back like everyone, tourists and teams, I understand.
“Dust! Dust’s coming!”
And right from the direction of the abandoned mines. Dad what did you get yourself into?
It’s 10:55am and I’m pretty sure we’ll have to put off the race.
In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
There’s nothing quite like the morning of the cart race, watching for the dust anouncing the arrival of another van or cart full of people on a partying mission, there’s something in the air, well dust mainly after awhile. Yes I know there’s a lot to do with all the extra people but Finley can manage and nobody will expect much from overworked staff anywhere today anyway. I just love catching the first sight of a decorated cart and people in costumes, you have no idea how monotonous the attire around here is. People of all ages, too, that’s what I love about it. Some people been coming for as long as anyone can remember, they came back when it started again, and some of them never took their masks off, nobody ever saw them without masks and you can bet your bottom dollar they’ll be here later, they always turn up. You won’t catch them with their mask off though. Always see some new ones. Every year new ones turn up, and then we never see them again, like pop ins they are. Some of them stick in your mind, oddly enough. There’s one in particular I’m always keeping an eye out for, got a cart all decked out like a pirate galleon, and barrels of rum instead of lager. Maybe I’ll get lucky this year and get a ride in the pirate galleon, you never know. Anything can happen in a dust storm after a lager and cart race.
