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In reply to: The Last Cruise of Helix 25
It was still raining the morning after the impromptu postcard party at the Golden Trowel in the Hungarian village, and for most of the morning nobody was awake to notice. Molly had spent a sleepless night and was the only one awake listening to the pounding rain. Untroubled by the idea of lack of sleep, her confidence bolstered by the new company and not being solely responsible for the child, Molly luxuriated in the leisure to indulge a mental re run of the previous evening.
Finjas bombshell revelation after the postcard game suddenly changed everything. It was not what Molly had expected to hear. In their advanced state of inebriation by that time it was impossible for anyone to consider the ramifications in any sensible manner. A wild and raucous exuberance ensued of the kind that was all but forgotten to all of them, and unknown to Tundra. It was a joy that brought tears to Mollys eyes to see the wonderful time the child was having.
Molly didn’t want to think about it yet. She wasn’t so sure she wanted to have anything to do with it, the ship coming back. Communication with it, yes. The ship coming back? There was so much to consider, so many ways of looking at it. And there was Tundra to think about, she was so innocent of so many things. Was it better that way? Molly wasn’t going to think about that yet. She wanted to make sure she remembered all the postcard stories.
There is no rush.
The postcard Finja had chosen hadn’t struck Molly as the most interesting, not at the time, but later she wondered if there was any connection with her later role as centre stage overly dramatic prophet. What an extraordinary scene that was! The unexpected party was quite enough excitement without all that as well.
Finja’s card was addressed to Miss FP Finly, c/o The Flying Fish Inn somewhere in the outback of Australia, Molly couldn’t recall the name of the town. The handwriting had been hard to decipher, but it appeared to be a message from “forever your obedient servant xxx” informing her of a Dustsceawung convention in Tasmania. As nobody had any idea what a Dustsceawung conference was, and Finja declined to elaborate with a story or anecdote, the attention moved on to the next card. Molly remembered the time many years ago when everyone would have picked up their gadgets to find out what it meant. As it was now, it remained an unimportant and trifling mystery, perhaps something to wonder about later.
Why did Finja choose that card, and then decline to explain why she chose it? Who was Finly? Why did The Flying Fish Inn seem vaguely familiar to Molly?
I’m sure I’ve seen a postcard from there before. Maybe Ellis had one in his collection.
Yes, that must be it.
Mikhail’s story had been interesting. Molly was struggling to remember all the names. He’d mentioned his Uncle Grishenka, and a cousin Zhana, and a couple called Boris and Elvira with a mushroom farm. The best part was about the snow that the reindeer peed on. Molly had read about that many years ago, but was never entirely sure if it was true or not. Mickhail assured them all that it was indeed true, and many a wild party they’d had in the cold dark winters, and proceeded to share numerous funny anecdotes.
“We all had such strange ideas about Russia back then,” Molly had said. Many of the others murmured agreement, but Jian, a man of few words, merely looked up, raised an eyebrow, and looked down at his postcard again. “Russia was the big bad bogeyman for most of our lives. And in the end, we were our own worst enemies.”
“And by the time we realised, it was too late,” added Petro.
In an effort to revive the party spirit from the descent into depressing memories, Tala suggested they move on to the next postcard, which was Vera’s.
“I know the Tower of London better than any of you would believe,” Vera announced with a smug grin. Mikhail rolled his eyes and downed a large swig of vodka. “My 12th great grandfather was employed in the household of Thomas Cromwell himself. He was the man in charge of postcards to the future.” She paused for greater effect. In the absence of the excited interest she had expected, she continued. “So you can see how exciting it is for me to have a postcard as a prompt.” This further explanation was met with blank stares. Recklessly, Vera added, “I bet you didn’t know that Thomas Cromwell was a time traveller, did you? Oh yes!” she continued, although nobody had responded, “He became involved with a coven of witches in Ireland. Would you believe it!”
“No,” said Mikhail. “I probably wouldn’t.”
“I believe you, Vera,” piped up Tundra, entranced, “Will you tell me all about that later?”
Tundra’s interjection gave Tala the excuse she needed to move on to the next postcard. Mikhail and Vera has always been at loggerheads, and fueled with the unaccustomed alcohol, it was in danger of escalating quickly. “Next postcard!” she announced.
Everyone started banging on the tables shouting, “Next postcard! Next postcard!” Luka and Lev topped up everyone’s glasses.
Molly’s postcard was next.
In reply to: The Last Cruise of Helix 25
Helix 25 – The Genetic Puzzle
Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.
She took a sip of her long-cold tea and exhaled sharply.
Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.
The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.
Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.
Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.
But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.
Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.
Except in this case, there was evidence that something had triggered them.
The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.
And more surprisingly… it wasn’t truly random.
Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.
The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…
She rubbed her forehead.
“Impossible.”
And yet—here was the data.
On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.
Earth – The Quiz Night Reveal
The Golden Trowel, Hungary
The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.
Once the postcards shared, everyone was listening as Tala addressed the group.
“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”
Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.
She turned toward Vera, who was already inspecting her own card with keen interest.
“Tower of London, anything exciting to share?”
Vera arched a perfectly sculpted eyebrow, lips curving in amusement.
“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”
She spun the postcard between her fingers before answering.
“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”
“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”
Molly inhaled sharply.
Remnants of the Lady of the Lake ?
Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.
If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…
Her fingers tightened around the postcard.
Unless there was something behind her ravings?
Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”
Finja had spent most of the evening pretending not to exist.
But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.
“Alright,” she muttered. “But just one.”
Molly exhaled in relief.
The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.
Because it wasn’t just Molly who wanted to ask.
Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.
Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.
So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.
Finja closed her eyes.
The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.
The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.
She reached out—
And the voices crashed into her.
Too much. Too many.
Hundreds of voices, drowning her in longing and loss.
“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”Her head snapped back, breath shattering into gasps.
The crowd held its breath.
A dozen pairs of eyes, wide and unblinking.
Finja clenched her fists. She had to shut it down. She had to—
And then—
Something else.
A presence. Watching.
Her chest seized.
There was no logical way for an AI to interfere with telepathic frequencies.
And yet—
She felt it.
A subtle distortion. A foreign hand pressing against the link, observing.
The ship knew.
Finja jerked back, knocking over her chair.
The bar erupted into chaos.
“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”Her breath came in short, panicked bursts.
She had never thought about the consequences of calling out across space.
But now…
Now she knew.
They were not the last survivors. Other lived and thrived beyond Earth.
And Synthia wanted to keep it that way.
Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.They were coming back.
In reply to: The Last Cruise of Helix 25
The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins. Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.
The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines. Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea. But a waterey tasteless courgette soup will have to do, I suppose.
It was mid afternoon but there was no debate about continuing the journey that day. There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.
The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire. Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.
Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside. Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.
Slowly Tundra toured the house, inspecting all the objects in the rooms. Gingerly she made her way up the stairs, testing each riser before committing her weight to it. In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges. Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day. And my dad.
Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones. She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.
In reply to: The Last Cruise of Helix 25
Helix 25 – Lower Decks – Secretive Adjustments
Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.
Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.
Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.
The Hold was where she found Luca Stroud.
A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.
Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”
Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”
Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.
Sue’s expression turned sharp. “You know why I can’t.”
Luca said nothing, but his smirk spoke volumes.
There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.
Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”
“Well, forgive me for using my own legs.”
He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”
Sue gave a slow, knowing smile. “And what minor favors will you require this time?”
Luca leaned back, thoughtful. “Information. Since you’re generous with it.”
She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”
He adjusted a component with expert hands. “Tell me about the murder.”
Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”
“They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”
She studied him, his interest piquing her own. “So you think it was a real murder.”
Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”
Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”
Luca glanced up, intrigued. “How far?”
Sue leaned in, voice hushed. “Crusader far.”
He let out a low whistle, shaking his head. “That’s… new.”
She tilted her head. “What does that mean to you?”
Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”
Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”
Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”
Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”
Luca smirked. “You always do.”
As she rose to leave, she paused at the door. “Oh, one last thing, dear.”
Luca glanced at her. “What?”
Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”
The question hung between them.
Luca narrowed his eyes. “Nobody’s ever met the Captain.”
She nodded, satisfied, and left him to his thoughts.
In reply to: Helix Mysteries – Inside the Case
Some pictures selections
Evie and TP Investigating the Drying Machine Crime Scene
A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.
Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor
A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.
Romualdo, the Gardener, Among the Bioluminescent Plants
A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.
Finja and Finkley – A Telepathic Parallel Across Space
A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.
In reply to: The Last Cruise of Helix 25
Helix 25 – Poop Deck – The Jardenery
Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.
Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.
Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”
Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.
A flicker of light.
“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”
Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.
“No, indeed. I’m admiring this.” She turned the screen toward them.
The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.
Evie frowned. “What are we looking at?”
Amara pinched the bridge of her nose. “A genetic anomaly.”
Riven crossed his arms. “You’ll have to be more specific.”
Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”
Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”
Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”
Silence stretched between them.
Finally, Riven scoffed. “That’s impossible.”
TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”
Evie’s mind raced. “Could the database be corrupted?”
Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.
Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”
Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”
Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”
TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”
Evie turned toward Amara. “Did Herbert ever come here?”
Before Amara could answer, a voice cut through the foliage.
“Herbert?”
They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.
Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”
Evie stepped closer. “What did he want?”
Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”
Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”
Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”
Evie stiffened. TP let out an appreciative hum.
“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”
Riven scowled. “That’s a bit dramatic.”
Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”
Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.
She turned to Amara. “You wrote this?”
Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”
Evie closed the book. “Looks like someone didn’t agree.”
Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”
TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”
Riven rolled his eyes. “Let’s go.”
As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.
In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
In reply to: Quintessence: Reversing the Fifth
Matteo — Easter Break 2023
The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.
Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.
Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.
“Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.
She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.
The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”
Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.
“This guy’s great,” Matteo said. “What happened to him?”
“Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”
Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”
The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.
As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.
“The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”
“Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”
Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”
“Reinventing where they came from, like us, always reinventing where we go…”
Juliette chuckled but didn’t reply.
Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.
As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.
Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”
“Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”
Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”
Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”
As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.
In reply to: Quintessence: Reversing the Fifth
Elara — December 2021
Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.
It’s because I can’t go out and buy any, she told herself, I hate tinsel.
It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.
The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.
The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.
England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops, populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens. Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.
When the lockdown happened, instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.
The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.
Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone. The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.
If only I had some tinsel though.
In reply to: Quintessence: Reversing the Fifth
Matteo — Autumn 2023
The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.
His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.
“They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”
His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.
Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.
A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.
Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”
“Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.
The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.
He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.
Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”
He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”
Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.
Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.
Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:
“Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”
In reply to: Quintessence: A Portrait in Reverse
Quintessence – Looking for the 5th — A concept film trailer…
The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:
- Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
- Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
- Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
- Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.
The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.
In reply to: Quintessence: Reversing the Fifth
March 2024
The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.
He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.
“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”
As always, no hello, no question about his health or anything personal.
“I didn’t want it”, Lucien said, his voice calm only on the surface.
“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”
“I already told you, it’s not what I want. I’ve made my decision.”
Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”
Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”
“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”
Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”
A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”
“We’re never finished”, Lucien muttered as the line went dead.
Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.
“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”
The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”
The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”
The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”
Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”
He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.
When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.
The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.
“What have we here?” He asked, his voice bordering on disdain.
Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.
Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”
The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.
Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”
“It’s personal”, he said, his voice low.
Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”
Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”
Lucien nodded towards the covered stack of canvases near the wall. “Done.”
“Good. They’ll come tomorrow and take the lot.”
Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.
Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.
He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.
Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.In reply to: Quintessence: Reversing the Fifth
Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.
“In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”
Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.
Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”
She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.
She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.
The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.
She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.
Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.
“Magnificent, isn’t it?”
The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.
“It’s quite interesting,” Amei said. “But I’m not sure I get it.”
“It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”
“You sound like you know what you’re talking about.”
“I do,” she said. “Do you?”
Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”
The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”
“Amei,” she replied, returning the smile.
Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”
“Oh, I made it, actually,” Amei felt proud.
Elara raised her eyebrows. “You made it? I’m impressed.”
And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.
In reply to: Quintessence: Reversing the Fifth
Darius: The Call Home
South of France: Early 2023
Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.
The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.
“Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.
The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.
“I’ve got some things in the works,” he’d say, avoiding their eyes.
But the truth was, he didn’t.
It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”
The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.
When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.
“Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”
Arrival in Guadeloupe
The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.
“You look thin,” she said, her tone clipped. “Let’s get you fed.”
The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.
“You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”
He nodded, too tired to argue.
The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.
“Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”
Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.
Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.
A Turning Point
One morning, as the sun rose over the fields, his aunt handed him a machete.
“Today, you clear,” she said.
He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.
With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.
By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.
As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.
“You’re starting to see it, aren’t you?” she said.
“See what?”
“That life isn’t just what you chase. It’s what you build.”
Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.
One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.
The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.
The Bell
It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.
Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.
He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.
Darius nodded, unable to speak.
“Good,” she said. “It means you know the way back.”
By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”
For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.
The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.
In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
In reply to: Quintessence: A Portrait in Reverse
Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:
Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.
The Strange Couple: Éloïse and Monsieur Renard
Winter 2019: Paris, Just Before the Pandemic
The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.
It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.
First Impressions of Éloïse and Monsieur Renard
Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.
“They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”
But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.
Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.
Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.
Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.
Darius’s Growing Involvement
Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.
“They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”
“Connections to what?” she asked, her tone sharper than she intended.
“Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”
Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.
The Séance
The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.
Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.
The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.
Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.
“You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”
The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.
And then, the bell rang.
It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.
“What the hell is that?” Lucien muttered, his eyes snapping open.
Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.
Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”
Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”
The Fallout
The séance fractured the group.
- Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
- Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
- Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
- Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.
Lingering Questions
- What Happened to Darius with Éloïse and Renard?
- Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
- The Bell’s Role:
- The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
- Lucien’s Entanglement:
- Éloïse and Renard’s Motives:
- Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?
Impact on the Reunion
In reply to: Quintessence: Reversing the Fifth
It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university. Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.
When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.
Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.
Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out. You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.
It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk. She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes. It was a project to savour, luxuriate in, amuse herself with.
When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.
Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.
“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”
“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”
“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.
Florian noticed her unexpected discomfiture, and tactfully changed the subject. We all have pasts we don’t want to talk about. “Is the sun sufficiently past the yard arm for a glass of wine?” he asked. “What is a yard arm, anyway?”
“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”
“Once a lecturer, always a lecturer, eh?” Florian teased.
“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”
In reply to: Quintessence: A Portrait in Reverse
Work in Progress: Character Timelines and Events
Matteo
- November 2024 (Reunion):
- Newly employed at the Sarah Bernhardt Café, started after its reopening.
- Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
- Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
- Serves the group during the reunion, surprised to see all four together, though he knows them individually.
- Summer 2024 (Olympics):
- Working in a vineyard in southern France, nearing the end of the harvest season.
- Receives a call for a renovation job in Paris, which pulls him toward the city.
- Feels an intuitive connection to Paris, as if something is waiting for him there.
- Past Events (Implied):
- Matteo has a mysterious ability to sense patterns and connections in people’s lives.
- Has likely crossed paths with the group in unremarkable but meaningful ways before.
Darius
- November 2024 (Reunion):
- Arrives at the café, a wanderer who rarely stays in one place.
- Reflects on his time in India during the autumn and the philosophical journey it sparked.
- Brings with him an artifact that ties into his travels and personal story.
- Summer 2024 (Olympics):
- Living in Barcelona, sketching temples and engaging with a bohemian crowd.
- Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
- Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
- Past Events (Implied):
- Has a history of introducing enigmatic figures to the group, often leading to tension.
- His intense, nomadic lifestyle creates both fascination and distance between him and the others.
Elara
- November 2024 (Reunion):
- Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
- Still processing her mother’s passing and reflecting on their strained relationship.
- Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
- Summer 2024 (Olympics):
- (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
- Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
- Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
- Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
- Past Events (Implied):
- Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
- Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
- Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
- Values intellectual connections over emotional ones but is gradually learning to reconcile the two.
Lucien
- November 2024 (Reunion):
- Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
- In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
- Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
- Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
- Summer 2024 (Olympics):
- Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
- Reflects on his artistic block and the emotional weight of his distance from the group.
- Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
- Past Events (Implied):
- Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
- Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.
Amei
- November 2024 (Reunion):
- Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
- Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
- Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
- Summer 2024 (Olympics):
- Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
- Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
- Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
- Past Events (Implied):
Tabitha (Amei’s Daughter)
- November 2024:
- Summer 2024 (Olympics):
- Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
- Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
- Past Events (Implied):
- Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.
Key Threads and Patterns
- The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
- Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
- Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
In reply to: Quintessence: Reversing the Fifth
The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.
She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.
Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.
At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.
Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.
Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.
Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.
The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.
By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.
In reply to: Quintessence: A Portrait in Reverse
Characters list
Character / Personality Traits / Connection clues to Matteo
- Lucien
- Elara
- The Scientist
- Analytical, sharp, skeptical
- A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
- Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
- Darius
- Amei
- The Storyteller
- Observant, wise, enigmatic
- A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
- Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.
- Matteo
- The Enigmatic Server
- Charismatic, cryptic, all-knowing
- A waiter with an uncanny awareness of the four friends, both individually and collectively.
- Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.
