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  • #7711

    Matteo — December 2022

    Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

    Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

    At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

    “It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

    “New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

    “And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
    “Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

    “Let me see…”

    Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

    Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

    The app processed for a moment before responding in its overly chipper tone:
    “Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

    Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

    “Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

    The app spun its virtual gears and spat out a more detailed suggestion.
    “Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

    Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

    “Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

    Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

    Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

    Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

    The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

    “You think she’s got more work like that?” he asked, more to himself than to Juliette.

    Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

    Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

    The app processed again, and the next response was less clinical, more anecdotal.
    “Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

    Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

    “Maybe she’s your type,” Juliette teased, grinning.

    Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

    The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

    To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

    Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

    #7707

    Matteo — Easter Break 2023

    The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

    Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

    Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

    “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

    She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

    The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

    Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

    “This guy’s great,” Matteo said. “What happened to him?”

    “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

    Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

    The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

    As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

    “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

    “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

    Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

    “Reinventing where they came from, like us, always reinventing where we go…”

    Juliette chuckled but didn’t reply.

    Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

    As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

    :fleuron2:

    Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

    “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

    Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

    Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

    As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

    #7704

    Darius: Christmas 2022

    Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

    It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

    The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

    His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

     

    By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

    Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

    “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

    Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

    “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

    Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

    The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

    Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

    Darius hesitated. “I haven’t seen him in months,” he said carefully.

    Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

    “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

    Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

    Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

    “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

    The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

    For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

    “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

    Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

    “Yes, I can.” Darius said simply, grabbing his bag.

    “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

    Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

    :fleuron:

    The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

    His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

    Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

    Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

    As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

    #7683
    ÉricÉric
    Keymaster

      “What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”

      “Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”

      “Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”

      “Driving you nuts, you mean?”

      “Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’

      “It’s quite brilliant I must say; how much of it is from the artificial box?”

      “That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”

      “I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.

      #7682

      Matteo — Autumn 2023

      The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

      His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

      “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

      His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

      Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

      A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

      Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

      “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

      The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

      He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

      Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

      He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

      Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

      Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

      Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

      “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

      #7664
      F LoveF Love
      Participant

        There was a sharp knock on the front door. Amei opened it to find Finnley from Meticulous Maids standing there, bucket in one hand, a bag of cleaning supplies in the other.

        “Back to tackle that oven,” she announced, brushing past Amei and striding towards the kitchen.

        “Good to see you too, Finnley.”

        A moment later, an anguished cry echoed from the kitchen. Amei rushed in to find Finnley clutching her brow and pointing accusingly at the oven. “This oven has not been treated with respect,” she declared dramatically.

        “Well, I told you on the phone it was quite bad.”

        “Quite bad!” Finnley rolled her eyes and dumped her supplies on the counter with a thud. “Moving out, are we?”

        “In a few weeks,” Amei said, leaning against the doorframe. “I’ve still got books and stuff to pack, but I’m trying to leave the place in decent shape.”

        “Decent?” Finnley snorted, already pulling on a pair of gloves. “This oven’s beyond decent. But I’ll see if I can drag it back from the brink.”

        Finnley proceeded to inspect the oven with the air of a general preparing for war. She muttered something under her breath that Amei couldn’t quite catch, then added louder, “Books and boxes. Someone’s got the easy bit.”

        Finnley had cleaned for Amei before. She was rude and pricey, but she always got the job done.

        “I’ll leave you to it, then,” said Amei, retreating back to her packing.

        “Sure,” Finnley muttered. “But if I find anything moving in here, I’m charging extra.”

        The house fell silent, save for the occasional scrape of metal and Finnley’s muffled grumblings. An hour later, Amei realized she hadn’t heard anything for a while. Curious, she walked back to the kitchen and peeked her head around the door.

        Finnley was slumped in a chair by the kitchen bench, arms crossed, her head tilted at an awkward angle. Her bucket and gloves sat abandoned on the floor. She was fast asleep.

        Amei stood there for a moment, not sure what to do. Finally, she cleared her throat. “I take it the oven won?”

        Finnley’s eyes snapped open, and she straightened with a snort. “I just needed a regroup,” she muttered, rubbing her face. She looked at the oven and shuddered. “I dreamed that bloody monster of a thing was chasing me.”

        “Chasing you?” Amei said, trying hard not to laugh.

        Finnley stood, tugging her gloves back on with determination. “It’s not going to win. Not today.” She glared at Amei. “And I’ll be charging you for my break.”

        #7659
        Jib
        Participant

          March 2024

          The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

          He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

          Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

          As always, no hello, no question about his health or anything personal.

          “I didn’t want it”, Lucien said, his voice calm only on the surface.

          “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

          “I already told you, it’s not what I want. I’ve made my decision.”

          Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

          Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

          “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

          Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

          A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

          “We’re never finished”, Lucien muttered as the line went dead.

          Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

          “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

          The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

          The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

          The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

          Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

          He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

          When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

          The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

          “What have we here?” He asked, his voice bordering on disdain.

          Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

          Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

          The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

          Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

          “It’s personal”, he said, his voice low.

          Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

          Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

          Lucien nodded towards the covered stack of canvases near the wall. “Done.”

          “Good. They’ll come tomorrow and take the lot.”

          Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

          Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

          He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

          Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
          He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

          #7657
          ÉricÉric
          Keymaster

            A list of events for reference (WIP)

            Date Matteo Lucien Darius Amei Elara
            Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
            Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
            Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
            She reminisces about chalkapocalypse.
            Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E:
            Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E:
            Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E:
            early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E:
            Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E:
            early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
            end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
            Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
            beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E:
            2020 M: L: D: A: E:
            beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E:
            Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion
            2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
            ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
            Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
            2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
            2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
            before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank
            #7654
            TracyTracy
            Participant

              The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

              Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

              Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

              Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

              You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

              They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

              Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

              Look, we need to start making our way back to the carElara had said, It’ll be dark in a couple of hours. 
              Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

              The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

              Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
              Is it real? whispered Amei, awestruck.

              I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

              #7650
              Yurara FamelikiYurara Fameliki
              Participant

                Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                :fleuron2:

                Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                The Strange Couple: Éloïse and Monsieur Renard

                Winter 2019: Paris, Just Before the Pandemic

                The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                First Impressions of Éloïse and Monsieur Renard

                Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                Darius’s Growing Involvement

                Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                “Connections to what?” she asked, her tone sharper than she intended.

                “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                The Séance

                The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                And then, the bell rang.

                It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                “What the hell is that?” Lucien muttered, his eyes snapping open.

                Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                The Fallout

                The séance fractured the group.

                • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                Lingering Questions

                1. What Happened to Darius with Éloïse and Renard?
                  • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                2. The Bell’s Role:
                  • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                3. Lucien’s Entanglement:
                  • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                4. Éloïse and Renard’s Motives:
                  • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                Impact on the Reunion

                • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                #7649
                F LoveF Love
                Participant

                  The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.

                  The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”

                  “Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.

                  A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.

                  “These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”

                  Amei nodded politely. “They do,” she said.

                  He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”

                  “They’re just for light on this occasion,” she said, her tone sharper than she intended.

                  “Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”

                  Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”

                  The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”

                  Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”

                  The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.

                  #7648
                  Jib
                  Participant

                    Spring 2024

                    Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

                    On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

                    Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

                    The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

                    The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

                    Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

                    Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

                    Matteo tilted his head, intrigued. “You mean you’ve drifted?”

                    Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

                    Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

                    Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

                    Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

                    Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

                    “Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

                    Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

                    “Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

                    Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

                    For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

                    #7647

                    Darius: A Map of People

                    June 2023 – Capesterre-Belle-Eau, Guadeloupe

                    The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

                    It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

                    Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

                    “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

                    It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

                    Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

                    Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

                    “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

                    He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

                    But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

                    A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

                    He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

                    Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

                    Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

                    Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

                    Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

                    When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

                    But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

                    Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

                    One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

                    “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

                    He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

                    The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

                    “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

                    “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

                    She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

                    Darius accepted it with a quiet laugh. “Merci, tatie.”

                    As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

                    The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

                    “Nice scarf,” Darius said casually as he passed.

                    The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

                    Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

                    Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

                    The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

                    A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

                    He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

                    “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

                    He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

                    As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

                    #7644

                    From Decay to Birth: a Map of Paths and Connections

                    7. Darius’s Encounter (November 2024)

                    Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

                    He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

                    When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

                     

                    6. Matteo’s Discovery (near Avignon, Spring 2024)

                    The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

                    His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

                    Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

                    Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

                    “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

                    Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

                    The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

                     

                    5. From Hand to Hand (1995–2024)

                    By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

                    2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

                    2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

                    1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

                    The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

                     

                    4. The Artist (1995)

                    The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

                    “I don’t map what is,” she once told a curious buyer. “I map what could be.”

                    In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

                     

                    3. The Ink (1990s)

                    The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

                    From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

                     

                    2. The Paper (1980)

                    The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

                    By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

                    The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

                    This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

                     

                    1. The Seed (1950s)

                    It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

                    “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

                    Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

                    #7642
                    TracyTracy
                    Participant

                      It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

                      When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

                      Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

                      Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

                      It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

                      When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

                      Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

                      “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

                      “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

                      “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

                      Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

                      “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

                      “Once a lecturer, always a lecturer, eh?” Florian teased.

                      “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

                      #7639
                      ÉricÉric
                      Keymaster

                        Work in Progress: Character Timelines and Events

                        Matteo

                        • November 2024 (Reunion):
                          • Newly employed at the Sarah Bernhardt Café, started after its reopening.
                          • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
                          • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
                          • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
                        • Summer 2024 (Olympics):
                          • Working in a vineyard in southern France, nearing the end of the harvest season.
                          • Receives a call for a renovation job in Paris, which pulls him toward the city.
                          • Feels an intuitive connection to Paris, as if something is waiting for him there.
                        • Past Events (Implied):
                          • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
                          • Has likely crossed paths with the group in unremarkable but meaningful ways before.

                         

                        Darius

                        • November 2024 (Reunion):
                          • Arrives at the café, a wanderer who rarely stays in one place.
                          • Reflects on his time in India during the autumn and the philosophical journey it sparked.
                          • Brings with him an artifact that ties into his travels and personal story.
                        • Summer 2024 (Olympics):
                          • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
                          • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
                          • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
                        • Past Events (Implied):
                          • Has a history of introducing enigmatic figures to the group, often leading to tension.
                          • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

                         

                        Elara

                        • November 2024 (Reunion):
                          • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
                          • Still processing her mother’s passing and reflecting on their strained relationship.
                          • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
                        • Summer 2024 (Olympics):
                          • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
                          • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
                          • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
                          • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
                        • Past Events (Implied):
                          • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
                          • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
                          • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
                          • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

                         

                        Lucien

                        • November 2024 (Reunion):
                          • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
                          • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
                          • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
                          • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
                        • Summer 2024 (Olympics):
                          • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
                          • Reflects on his artistic block and the emotional weight of his distance from the group.
                          • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
                        • Past Events (Implied):
                          • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
                          • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

                        Amei

                         

                        • November 2024 (Reunion):
                          • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
                          • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
                          • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
                        • Summer 2024 (Olympics):
                          • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
                          • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
                          • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
                        • Past Events (Implied):
                          • The last group meeting five years ago left her with lingering emotional scars.
                          • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

                         

                        Tabitha (Amei’s Daughter)

                        • November 2024:
                          • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
                          • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
                        • Summer 2024 (Olympics):
                          • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
                          • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
                        • Past Events (Implied):
                          • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

                        Key Threads and Patterns

                        • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
                        • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
                        • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
                        #7638

                        The Bell’s Moment: Paris, Summer 2024 – Olympic Games

                        The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

                        1st Ring of the Bell: Matteo

                        The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

                        “You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

                        Matteo nodded. “And after that?”

                        The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

                        Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

                        When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

                        Somewhere, miles away, the bell rang its first note.

                        2nd Ring of the Bell: Darius

                        In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

                        A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

                        “Sometimes,” Darius replied, his pen still moving.

                        “Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

                        Darius chuckled. “You recruiting me?”

                        “India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

                        The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

                        3rd Ring of the Bell: Elara

                        The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

                        The voicemail notification glared at her, and she tapped it reluctantly.

                        Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

                        Her coffee cup trembled slightly as she set it down.

                        Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

                        Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

                        She would have to travel to Montrouge for the funeral arrangements.

                        In that moment, the bell in Les Reliques rang a third time.

                        4th Ring of the Bell: Lucien

                        The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

                        Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

                        He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

                        He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

                        The bell rang again in Paris, its resonance threading through the quiet hum of the train.

                        5th Ring of the Bell: …. Tabitha

                        In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

                        “Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

                        “She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

                        Her friend raised an eyebrow. “Pretending?”

                        “Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

                        The bell rang faintly in Paris, though neither of them could hear it.

                        “Maybe you should tell her to come with you,” the friend suggested.

                        Tabitha grinned. “Now that would be a trip.”

                        Last Ring: The Pawn

                        It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

                        Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

                        “Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

                        “It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

                        The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

                        “Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

                        “Not anymore,” the shopkeeper murmured, handing him a stack of bills.

                        The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

                        And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

                        #7625
                        ÉricÉric
                        Keymaster

                          Characters list

                          Character / Personality TraitsConnection clues to Matteo

                          • Lucien
                            • The Artist
                            • Introspective, dreamy, quietly sarcastic
                            • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
                            • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
                          • Elara
                            • The Scientist
                            • Analytical, sharp, skeptical
                            • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
                            • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
                          • Darius
                            • The Explorer
                            • Bold, restless, deeply curious
                            • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
                            • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
                          • Amei
                            • The Storyteller
                            • Observant, wise, enigmatic
                            • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
                            • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

                          • Matteo
                            • The Enigmatic Server
                            • Charismatic, cryptic, all-knowing
                            • A waiter with an uncanny awareness of the four friends, both individually and collectively.
                            • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

                          #7623

                          At the Café

                          The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.

                          Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.

                          The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.

                          “Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.

                          “Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.

                          Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”

                          “You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”

                          She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.

                          The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.

                          “Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.

                          “Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.

                          Lucien snorted. “Still paying for strangers’ stories, I see.”

                          “The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.

                          The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.

                          “You’re late,” Darius said, but his voice carried no accusation.

                          “Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”

                          Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”

                          “Not all of us live in Paris,” Elara said, with a glance at Lucien.

                          “Only some of us make better life choices,” Lucien replied dryly.

                          The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.

                           

                          :fleuron2:

                          #7618

                          Matteo Appears

                          Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

                          “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

                          “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

                          The group exchanged glances, each of them caught off-guard by the comment.

                          “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

                          “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

                          “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

                          Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

                          “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

                          “Wait,” Amei said, narrowing her eyes. “You know us?”

                          “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

                          “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

                          Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

                          He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

                          “You’re being cryptic,” Elara said, her voice edged with suspicion.

                          “It’s a talent,” Matteo replied smoothly.

                          “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

                          “Nor I,” Amei added, her voice soft but steady.

                          Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

                          The words hung in the air, unsettling and oddly satisfying at once.

                          “You’re saying we’ve met you before?” Elara asked.

                          Matteo inclined his head. “In a manner of speaking.”

                          “That doesn’t make sense,” Lucien said, his voice quiet but firm.

                          “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

                          A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

                          “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

                          “For what?” Amei asked, her eyes narrowing.

                          “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

                          “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

                          One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

                          “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

                          And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

                          They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

                          “What the hell was that?” Darius asked finally, breaking the spell.

                          “Does he seem… different to you?” Amei asked, her voice distant.

                          “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

                          “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

                          “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

                          “And he didn’t explain anything,” Darius added, shaking his head.

                          “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

                          They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

                          The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

                          And though none of them said it aloud, the thought was the same: What had happened before?

                          :fleuron2:

                          Quintessence: Reversing the Fifth

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