Search Results for 'artifacts'

The package was labeled in Sinese. Goat was fluent in a few languages after many a travel, and although Sinese wasn’t his mother tongue — he was only half-Sinese from his father’s side, he could read it well enough, and make himself passably understood in most of the Colonies.
It was a code, or more precisely, a reference. It said 时间舱23号, which you could probably translate as “Time capsule #23”. Back in the days, the Surge Team would bag and tag any strange artefact they confiscated during their missions, and usually would archive them in such capsules.

Although the concept of Time-capsule in itself for the old teams was soon to become somewhat of a mind puzzle if you thought too much of it, it still held value of… archaeological, rather than historical sorts for their descendants, such as himself. Of course, if you’d like some wild flowers, you’d rather pick them directly in the dewy meadows or mossy forests where they grew instead of taking them from the interstice of an old moldy book between the pages of which it had been laid down to dry, wouldn’t you. Now, anybody could easily become an historian with complete immediate sensory experience of past times at their perception tips —much like how it started, back in the twenty hundreds, with everyone able to become an amateur geographer in minutes with instant access to the satellites maps of Earth.
But being a map reader would never suffice to make you a sailor.

So, of course, Time capsules somewhat felt like such old dry plants if you were an historian. But if you were looking for ancient treasures or secret powerful artifacts, you knew you couldn’t just bring them from the past lest you disrupt the chain of events leading you to it. Many had gone madder than Lord Elmed trying to figure out safer ways. Time capsules were such a way.

“Now, I guess that fishy stench was there for a reason after all,” he sighed: to keep intruders and medlers off of its content, surely.

That unexpected call from the Dean had put the Fisherman in abyss of perplexity.

The fishes weren’t really his prime concern. He only needed to paint a little red nose on one of the cloud fishes to stir the others out of their unerratic routine.
The matter wasn’t really worth his coming back to the Worseversity, but he and the Dean knew better. If the fishes had snapped into that randomless routine, it was most probably a protective reflex to anticipate some trauma.

Trauma hadn’t really been seen in ages —in fact, not even once since the Great Shift, which had been an orgiastic experience of trauma of all kinds for people prone to indulge into this emotional drug. The coincidence had not been lost on the two old men. Of all the Worseversity’s, there were very few true artifacts remaining from before the Great Shift; barely a handful of them. Most of the known artifacts were in actuality clever re-creations from older designs, but not the “real” thing. And for good reason actually; most of the laws of physics had changed since, and made almost all of the older designs broken and unusable.

The pool was hiding one of these few artifacts that had mysteriously gone through the Great Shift without decaying. Furthermore, this very artifact was quite old, and signed by the visionary architect Rumbold the Pale boasting in carved letters which had once been golden, now mostly erased by the passing of times: “The real game is only played whence it started”.

That fishy omen seemed so dire that it couldn’t help but put the Fisherman out of his lifelong passion questing for the great Trouts of the Universe.

When Phoebe had recovered all her memories she’d felt particularly annoyed at the Baron snatching her prize from her.
So far, that crystal skulls quest had been only a disaster. She’d been warned, but the temptation had been too great for her.

Now, she wanted to get back as soon as possible (which was her nicest way of saying “NOW”) to her dimensional interstitial home —that place that uninformed people would have called her evil lair, but that she preferred to think of as her little cottage.

However, to be able to travel through interdimensional puddles would have required to gain some speed, and without something like a tuned motorbike, it wouldn’t be easy nor practical. She hadn’t got that much time to spend on recreating her tools from scratch.
Brilliant as she were, it would still have required at least a few weeks, and the days she’d spent at this place had already been far too much to her taste for her to suffer one more —handcuffs entertainment notwithstanding.

Her hopes were high that Vincentius, her talking parrot would find her and bring her the key that was needed.

Then she would focus on her next quest. The artifacts of Rumbold the Pale, the famous Byzantine architect from the Renaissance.

Bronkel was stern as ever, yet you could feel in his eyes that he was troubled.

— “What? That’s roobish, isn’t it?”
— “No! Elizabeth! Not at all! It’s your best book in years! Poople will want more!”
— “Well, we’ll see… For now, I think my moose needs some rest”

Her detox had done her great. Her beautifool violet eyes weren’t as bloodshot as before, and she could even see some of her hair grow back in places. Elizabeth in some surge of energy had collected all the bits written here and there, loose paper flying at times with some missing (perhaps used during her poohnuts hazes to light fires in the office).
Some of these paper she wasn’t even sure were hers, or writing attempts by Finnley, but she didn’t care; they were all so funny and interesting.

For instance, she wasn’t too soore that she’d have Veranassasss —whatever her bloody name was— go off with the pilot of the plane, but that sounded nice for her. So she’d used that part too.

Of course, the Spanish couple, Paqui and Jose had reemerged at the boulder moving party after a long trip in the underground space-traveling tunnels. Leo and Bea were not so glad they’d reappeared so early, but had found it was time to move on, and continue their quest for more bizarre and entertaining artifacts. And they wanted to go to Morocco anyway, in this gorgeous blue city…
Young Becky decided she wanted to go abroad to travel the world. “And study too” had said Dan who wasn’t as shifty as Dory, a thing for which she thanked heavens profusely every day.

Sharon, Gloria and Mavis after some more bizarre adventures among the Masai tribes finally found their way back home, while Akita continued his explorations of this strange shifting world of the 21st century.

Even the bizarre animals stories in the ZOO she’d kept. They’d even found Arky the Aardvark. He had been accidentally buried under Oligan the Oliphant’s pile of poop. The poor Oliphant had suffered from an excess of mangoes in his diet, and Arky was so eager to collect poop for his garden of flowers that he hadn’t noticed the harbingers of it.
Pawanie the lady Panda and Barry the White Bear had since then decided to take care of the little Aardvark, and provide it with their own poop to fertilize the flower garden. Theirs was a garden to behold, with the most beautiful flowers to be seen in miles. Attracting creatures from all over the place.

There were a few points Elizabeth had left deliberately unanswered; the mad doctor, who was probably still alive somewhere, and most important of all… if, after all this children bearing with Sean, Becky ended up with Sam or not.
One thing was sure though, they were all moving to the City. The sooner the better.

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

What a francitic woman thought Elizabeth, a bit less distressed now she had secured her last insights into her clooh-box.
Hopefully, she could happily forget about those, and go for a walk to have some welcomed cooffee.

Wishing she would not bounce into some unwelcome apparition, she trod her way to the outside world.
How long it had been? With all that pressure from her publisher, she had almost forgotten how exquisite it all was outside.
So simple, and yet so brilliant.

It didn’t have the complexity of the Worlds of which she intuited things, nor the same amount of excitement it aroused in her, but nonetheless it was appeasing, and that was perhaps all she needed for the moment.
Perhaps a walk to Garden Centrool would do her great.

Sitting on a bench near the dribbling foontain where cuckoos were drinking at the sound of woodpeckers’ holes drilling, she became entranced by the sound of water, and almost felt like dancing at the cuckoos and woodpecker’s cooing and drumming beats…
All this Lemone quotes were now far away… She’d had enough of them, and wanted simpler truths. Lively ones.

She could feel inspiration flow back into herself, as she envisioned her favorite depiction of inspiration, the mangeloose Pigoosus. Elizabeth was reeling in its wonderful aura, seeing the squinting eyes of the creature, the magnificence of its sprawled wings, its awe-inspiring moose antlers, and the slick body of a foxy mongoose with a protuberant snoot.

It all was symbolic of herself of course, the best depiction of all her awesome features. The snoot for curiosity (and nose in general), the wings for imagination, the antlers for connection, and the mongoose for the fearlessness and sex-appeal.

Pigoosus, or Pigooh, as she called him, was telling him tales, tales that were spun between the gapping holes of her clooh-box items, and that were weaving them together in beautiful macramooh patterns.

The Shift in Earth-dimension awareness is coming and it is revealing long-lost hidden things, that is the reason of these other-dimensional bleed-through on the islands. Where those having hoped to bury some artifacts away of consciousness, in that dimension where all was so separated that even Pigooh would have had trouble getting throoh. The skulls gates one by one open now.…

Pen! She needed a pen!

As soon as she’d come back from her trip, Dory had planned to travel again very soon.
Of course, she had enjoyed tremendously being home, being with Dan and young Becky… yes, she had… the first day for sure…
Well… She was a born wanderer, she couldn’t do against her own nature, no need to beat herself for that, and feel guilty for leaving Dan and Becky periodically. Hopefully, Becky was very understanding, and perhaps that the fact that Dory was her stepmother made things easier for them both, without burdening their relationship with useless obligations towards one another.

On the other side, many exciting destinations were on her list, and she barely knew where to start. One that had attracted her curiosity was the site of Jiroft in Iran, where the famed lost Kingdom of Aratta had been supposedly found very recently. Artifacts had been discovered on this site, predating our commonly supposed invention date of written language, which had fascinated Dory for a while, before she got lost amidst the wide spectrum of her other interests.

Well, all of this was of frenzying interest, but there were dogs and back issues…
Somehow, Dory had been struggling with lots of tensions in her back, and the more she forced herself moving, the worse the pain was. Finally beaten by herself, when no one else, friend, family or doctor could accomplish such a feat, she was stuck to a cushioned armchair for most of the day holding to her pain as to a stuck parasitic hated friend.
And then, there was the dogs.
As she was barely able to move, Dan had renounced to have her come with him and Becky to see Sabine, Becky’s mother, in Mallorca, where she had invited them for the Epiphany.
Secretly, Dory was happy to have to stay at home, and not to have to make pleasing faces to the horrid obsessive woman she could only stand a few minutes without having to go out and empty a whole pack of cigarettes to calm her down.
The only little drawback was that she had to take care of the dogs… And she was running short of dog’s food…

Before leaving, Dan had left her a phone number of their new neighbours, a batty couple of Brits who had just rented the farm nearby, and with whom Dan was occasionally playing golf and lending a hand in small DIY work.
Reluctantly, Dory took the post-it and smiled at the familiar handwriting of Dan…

BEATTIE & LEONORA FLETCHER : 933-157-821

She composed the number in a deliberate slow motion, which strangely felt very empowering.

— Hello! a quavering male voice answered
— Err… Mr Fletcher?
— Ms Fletcher,… herself, what can I do for you?
— I’m Dorothy Mc Leane, one of your neighbour, you probably know my…
— Oh, yes! Dorothy, may I call you Dorothy, Dan spoke of you so much that we were very eager to meet you, weren’t we Leo?

A ruffling sound behind Beattie Fletcher seemed to approve.

— And is there anything we could do for you?
— Well, I’m awfully embarrassed to have to ask you, but I’m stuck at home, and my dogs don’t have much food left…
— Oh my dear! You did so very well to call us, didn’t she Leo? We’ll be at your home in a few minutes!
— But…
— Oh, no need to thank us for that, it’s all natural, after all that your delightful husband did for us! We see you in a moment…

And with that the line was cut. Dory was a bit disconcerted by the strange couple, but decided to dance with what was coming to her doorstep (wishing it would not be flamenco), seeing that having placed these quaint people in her reality could not entirely be a stroke of wild madness… If only…

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.

Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…

He didn’t really expect Dory would be giving him her two pence on this quaint dream…

—

Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!