Search Results for 'occasional'

Helix 25 – The Murder Board

Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.

The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.

Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”

Evie exhaled sharply. “Then let’s go back to the basics.”

She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.

She turned to Riven. “Alright, let’s list it out. Who are our suspects?”

He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.

They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.

1. First, the Obvious Candidates: People with Proximity to the Crime Scene
   Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
   Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
   Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
   The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it…
2. Second, The Wild Cards: People with Unknown Agendas
   The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
   Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
   The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up?
3. Third, The AI Factor: Sentient or Insentient?
   Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
   Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?

Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”

Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”

She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”

A heavy silence settled between them.

Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”

Riven exhaled. “Fine. Who benefits from Herbert’s death?”

Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”

TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”

Evie and Riven exchanged a glance.

Riven sighed. “We need a break.”

Evie scoffed. “Time means nothing here.”

Riven gestured out the window. “Then let’s go see it. The Sun.”

Helix 25 – The Sun-Gazing Chamber

The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.

Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.

Riven was quiet for a moment. “If there’s anyone left.”

Evie frowned. “If they are, I doubt they got much of a choice.”

TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”

Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.

“Some people think we’re not really where they say we are,” she muttered.

Riven raised an eyebrow. “What, like conspiracy theories?”

TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”

Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Musk tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”

“Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”

Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”

Evie didn’t look convinced. “Then why do we feel stuck?”

A chime interrupted them.

A voice, over the comms. Solar flare alert. 

Evie stiffened.

Then: Stay calm and return to your quarters until further notice.

Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.

He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”

Helix 25 – Gentle Utopia at Upper Decks

The Upper Decks of Helix 25 were a marvel of well-designed choreography and engineered tranquility. Life here was made effortless, thanks to an artful curation of everyday problems. Climate control ensured the air was always crisp, with just enough variation to keep the body alert, while maintaining a perfect balance of warm and cool, hygrometry, with no crazy seasons or climate change upheaval to disrupt the monotony. Food dispensers served gourmet meals for every individual preferences —decadent feasts perfectly prepared at the push of a button. The Helix cruise starships were designed for leisure, an eternity of comfort — and it had succeeded.

For the average resident, the days blended into one another in an animated swirl of hobbyist pursuits. There were the Arboretum Philosophers, who debated meaningfully over the purpose of existence while sipping floral-infused teas. There were the Artisans, who crafted digital masterpieces that vanished into the ship’s archives as soon as they were complete. There were the Virtual Adventurers, who lived entire lifetimes in fully immersive life-like simulations, all while reclining on plush lounges, connected to their brain chips courtesy of Muck Industries.

And then, there were Sharon, Gloria, and Mavis.

Three old ladies who, by all accounts, should have spent their days knitting and reminiscing about their youth, but instead had taken it upon themselves to make Helix 25 a little more interesting.

“Another marvelous day, ladies,” Sharon declared as she strolled along the gilded walkway of the Grand Atrium, a cavernous space filled with floating lounges and soft ambient music. The ceiling was a perfect replica of a sky—complete with drifting, lazy clouds and the occasional simulated flock of birds. Enough to make you almost forget you were in a closed fully-controlled environment.

Mavis sighed, adjusting her gaudy, glittering shawl. “It’s too marvelous, if you ask me. Bit samey, innit? Not even a good scandal to shake things up.”

Gloria scoffed. “Pah! That’s ‘cause we ain’t lookin’ hard enough. Did you hear about that dreadful business down in the Granary? Dried ‘im up like an apricot, they did. Disgustin’.”

“Dreadful,” Sharon agreed solemnly. “And not a single murder for decades, you know. We were overdue.”

Mavis clutched her pearls. “You make it sound like a good thing.”

Gloria waved a dismissive hand. “I’m just sayin’, bit of drama keeps people from losing their minds. No offense, but how many decades of spa treatments can a person endure before they go barmy?”

They passed a Wellness Lounge, where a row of residents were floating in Zero-G Hydrotherapy Pods, their faces aglow with Rejuvenex™ Anti-Aging Serum. Others lounged under mild UV therapy lamps, soaking up synthetic vitamin D while attendants rubbed nutrient-rich oils into their wrinkle-free skin.

Mavis peered at them. “Y’know, I swear some of ‘em are the same age as when we boarded.”

Gloria sniffed. “Not the same, Mavis. Just better preserved.”

Sharon tapped her lips, thoughtful. “I always wondered why we don’t have crime ‘ere. I mean, back on Earth, it were all fights, robbery, someone goin’ absolutely mental over a parking space—”

Gloria nodded. “It’s ‘cause we ain’t got money, Sha. No money, no stress, see? Everyone gets what they need.”

“Needs? Glo, love, people here have twelve-course meals and private VR vacations to Ancient Rome! I don’t reckon that counts as ‘needs’.”

“Well, it ain’t money, exactly,” Mavis pondered, “but we still ‘ave credits, don’t we?”

They fell into deep philosophical debates —or to say, their version of it.

Currency still existed aboard Helix 25, in a way. Each resident had a personal wealth balance, a digital measure of their social contributions—creative works, mentorship, scientific discovery, or participation in ship maintenance (for those who actually enjoyed labor, an absurd notion to most Upper Deckers). It wasn’t about survival, not like on the Lower Decks or the Hold, but about status. The wealthiest weren’t necessarily the smartest or the strongest, but rather those who best entertained or enriched the community.

Gloria finally waved her hand dismissively. “Point is, they keep us comfortable so we don’t start thinkin’ about things too much. Keep us occupied. Like a ship-sized cruise, but forever.”

Mavis wrinkled her nose. “A bit sinister, when you put it like that.”

“Well, I didn’t say it were sinister, I just said it were clever.” Gloria sniffed. “Anyway, we ain’t the ones who need entertainin’, are we? We’ve got a mystery on our hands.”

Sharon clapped excitedly. “Ooooh yes! A real mystery! Ain’t it thrillin’?”

“A proper one,” Gloria agreed. “With dead bodies an’ secrets an’—”

“—murder,” Mavis finished, breathless.

The three of them sighed in unison, delighted at the prospect.

They continued their stroll past the Grand Casino & Theatre, where a live orchestral simulation played for a well-dressed audience. Past the Astronomer’s Lounge, where youngster were taught to chart the stars that Helix 25 would never reach. Past the Crystal Arcade, where another group of youth of the ship enjoyed their free time on holographic duels and tactical board games.

So much entertainment. So much luxury.

So much designed distraction.

Gloria stopped suddenly, narrowing her eyes. “You ever wonder why we ain’t heard from the Captain in years?”

Sharon and Mavis stopped.

A hush fell over them.

Mavis frowned. “I thought you said the Captain were an idea, not a person.”

“Well, maybe. But if that’s true, who’s actually runnin’ the show?” Gloria folded her arms.

They glanced around, as if expecting an answer from the glowing Synthia panels embedded in every wall.

For the first time in a long while, they felt watched.

“…Maybe we oughta be careful,” Sharon muttered.

Mavis shivered. “Oh, Glo. What ‘ave you gotten us into this time?”

Gloria straightened her collar. “Dunno yet, love. But ain’t it excitin’?”

“With all the excitment, I almost forgot to tell you about that absolutely ghastly business,” Gloria declared, moments later, at the Moonchies’ Café, swirling her lavender-infused tea. “Watched a documentary this morning. About man-eating lions of Njombe.”

Sharon gasped, clutching her pearls. “Man eating lions?!”

Mavis blinked. “Wait. Man-eating lions, or man eating lions?”

There was a pause.

Gloria narrowed her eyes. “Mavis, why in the name of clotted cream would I be watchin’ a man eating lions?”

Mavis shrugged. “Well, I dunno, do I? Maybe he ran out of elephants.”

Sharon nodded sagely. “Yes, happens all the time in those travel shows.”

Gloria exhaled through her nose. “It’s not a travel show, Sha. And it’s not fiction.”

Mavis scoffed. “You sure? Sounds ridiculous.”

“Not as ridiculous as a man sittin’ down to a plate of roast lion chops,” Gloria shot back.

Mavis tilted her head. “Maybe it’s in a recipe book?”

Gloria slammed her teacup down. “I give up. I absolutely give up.”

Sharon patted her hand. “There, there, Glo. You can always watch somethin’ lighter tomorrow. Maybe a nice documentary about man-eating otters.”

Mavis grinned. “Or man eating otters.”

Gloria inhaled deeply, resisting the urge to upend her tea.

This, this was why Helix 25 had never known war.

No one had the time.

Epilogue & Prologue

Paris, November 2029 – The Fifth Note Resounds

Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

The bell above the door rang—the fifth note, as her mother had called it once.

She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

And that was what had happened.

The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

 

True Stories of How It Was.

 

It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

And Matteo—Matteo had grounded it.

The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

Tabitha turned the page.

“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

And yet, here in the café, none of that felt urgent.

Tabitha looked up as the server approached. Not Matteo, but someone new.

“Another espresso?”

She hesitated, then nodded. “Yes. And a glass of water, please.”

She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

A bell rang softly as the door swung open again.

Tabitha smiled to herself. The fifth note always sounded, in the end.

She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

Matteo — December 2022

Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

“It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

“New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

“And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
“Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

“Let me see…”

Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

The app processed for a moment before responding in its overly chipper tone:
“Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

“Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

The app spun its virtual gears and spat out a more detailed suggestion.
“Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

“Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

“You think she’s got more work like that?” he asked, more to himself than to Juliette.

Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

The app processed again, and the next response was less clinical, more anecdotal.
“Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

“Maybe she’s your type,” Juliette teased, grinning.

Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

Glynis making potions (in Dragon Heartswood Fellowship story)

[Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

Matteo — December 1st 2023: the Advent Visit

(near Avignon, France)

The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

“Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

“It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

Matteo’s chest tightened. “You’ve never told me much about him.”

“There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

“Why didn’t you give it to me before?” he asked, his voice quiet.

“I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

“Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

“Do you remember our house in Crest?” she asked.

Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

“It was a good idea,” Matteo said. “It just… didn’t happen.”

“No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

“Patron saint of travellers”, that felt like a sign, if not a blessing.

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

 

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

 

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

 

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

 

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

 

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

The Tailor of Haddon
Wibberly and Newton of Over Haddon

 

It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

 

James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

 

Newton:

George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

1636 marriage of John Newton and Anne Buxton:

 

 

Wibberly

Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

 

John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

The tiny village of Over Haddon was historically associated with Haddon Hall.

A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

1619 Joyce Wibersley married Raphe Cowper.
1621 Jocosa Wibersley married Radulphus Cowper
1623 Agnes Wibersley married Richard Palfreyman
1635 Cisley Wibberlsy married ? Mr. Mason
1653 John Wibbersly married Grace Dayken

 

Haddon Hall

 

Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

 

Also in this book, an early 1600s “washing tally” from Haddon Hall:

 

Over Haddon

Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

4pm EET.

Beneath the watchful gaze of the silent woods, Eris savors her hot herbal tea, while Thorsten is out cutting wood logs before night descends. A resident Norwegian Forest cat lounges on the wooden deck, catching the late sunbeams. The house is conveniently remote —a witch’s magic combined with well-placed portals allows this remoteness while avoiding any inconvenience ; a few minutes’ walk from lake Saimaa, where the icy birch woods kiss the edge of the water and its small islands.

Eris calls the little bobcat ‘Mandrake’; a playful nod to another grumpy cat from the Travels of Arona, the children book about a young sorceress and her talking feline, that captivated her during bedtime stories with her mother.

Mandrake pays little heed to her, coming and going at his own whim. Yet, she occasionally finds him waiting for her when she comes back from work, those times she has to portal-jump to Limerick, Ireland, where the Quadrivium Emporium (and its subsidiaries) are headquartered. And one thing was sure, he is not coming back for the canned tuna or milk she leaves him, as he often neglects the offering before going for his night hunts.

For all her love of dynamic expressions, Eris was feeling overwhelmed by all the burgeoning energies of this early spring. Echo, her familiar sprite who often morphs into a little bear, all groggy from cybernetic hibernation, caught earlier on the news a reporter mentioning that all the groundhogs from Punxsutawney failed to see their shadows this year, predicting for a hasty spring —relaying the sentiment felt by magical and non-magical beings alike.

Eris’ current disquiet stems not from conflict, but more from the recent explosive surge of potentials, changes and sudden demands, leaving in its wake a trail of unrealised promises that unless tapped in, would surely dissipate in a graveyard of unrealised dreams.

Mandrake, in its relaxed feline nature, seemed to telepathically send soothing reminders to her. If he’d been able (and willing) to speak, with a little scratch under its ear, she imagines him saying  I’m not your common pet for you to scratch, but I’ll indulge you this once. Remember what it means to be a witch. To embrace the chaos, not fight it. To dance in the storm rather than seek shelter. That is where your strength lies, in the raw, untamed power of the elements. You need not control the maelstrom; you must become it. Now, be gone. I have a sunbeam to nap in.

With a smile, she clears mental space for her thoughts to swirl, and display the patterns they hid.

A jump in Normandy, indeed. She was there in the first mist of the early morning. She’d tapped into her traveling Viking ancestors, shared with most of the local residents since they’d violently settled there, more than a millenium ago. The “Madame Lemone” cultivar of hellebores was born in that place, a few years ago; a cultivar once thought impossible, combining best qualities from two species sought by witches through the ages. Madame Lemone and her daughters were witches in their own right, well versed in Botanics.

Why hellebores? A symbol of protection and healing, it had shown its use in banishing rituals to drive away negative influences. A tricky plant, beautiful and deadly. Flowering in the dead of winter, the hellebores she brought back from her little trip were ideal ingredients to enhance the imminent rebirth and regrowth brought on by Imbolc and this early spring. It was perfect for this new era filled with challenges. Sometimes, in order to bloom anew, you must face the rot within.

The thoughts kept spinning, segueing into the next. Quality control issues with the first rite… Even the most powerful witches aren’t immune to the occasional misstep. It may not have been voluntary, and once more, hellebore was a perfect reminder that a little poison can be a catalyst for change. No gain without a bit of pain… All witchcraft was born out of sacrifice of some form. An exchange of energy. Something given, for something in return.

Luckily, she’d learnt the third rite had gone well even in her absence. Tomorrow was the final Ritual, that would seal the incense yearly recipe. The Marketing department would have to find a brand name for it, and it would be ready for mass production and release just in time for the Chinese new year. China was their biggest market nowadays, so they would probably make most of the yearly sales in the coming month.

As she muses, Thorsten, her biohacking boyfriend, is coming back now the sun is getting down. A rugged contradiction of man and machine.

“Have you managed to contact your friends?” he asks, his pointed question tempered by a calm demeanor. He doesn’t know much about her activities, not because she hides any of it, but because he’s not anxiously curious. He knows about their little group, with the other weirdoes in quest of some niche of freedom expression and exploration in the vast realm of witchcraft.

“Yes, I did. We had a nice chat with Jeezel and she sends her regards…”

“She bloody always do that, doesn’t she.” They had never met in actuality, but she would never fail to send her regards (or worse if crossed) even if she didn’t know the person.

Eris laughed. “Well, Frigella was going to bed…”

“If I didn’t know better, one could think she does it on purpose.”

Eris continued. “Well, and get that; Tru was busy making some French fries.”

After a paused moment of pondering the meaning of this impromptu cooking, his thoughts go to more logical explanations “If you ask me, that’s surely a metaphor for something else entirely.”

“Meat and potatoes… And sometimes,… just potatoes.”

“Or in this case, possibility for a hearty gratin.”

They share a delightful laughter.

He is my chaos knight, a symbol of defiance against the natural order of things.

A quality she adores.

🐳

Welcome to the bustling riverfront community of Bridgewater, where the sound of boat horns and cries of merchants filled the air.

Bridgewater was a town of hardworking people, all striving to make a living in this busy trading port. One such person was Anne, a middle-aged woman who owned a small pottery shop by the river. Her days were filled with the clanging of clay and the whirring of her pottery wheel. She took great pride in her work, creating beautiful plates and tea bowls that were highly sought after by the locals.

Another memorable character was Jack, the town cobbler whose small shop was always busy with customers. He was known for his kind heart and his willingness to help anyone in need, often giving away shoes to those who couldn’t afford them. As the days passed, life in Bridgewater had its ups and downs.

The lost halfpenny spoke of a hard day’s work, but also of the generosity of the community. The broken pipes spoke of moments of relaxation, but also of the struggles of daily life. And the smashed plates and tea bowls spoke of hurried meals, but also of the occasional argument or disagreement.

Despite the challenges, the people of Bridgewater found small joys in life. Children played by the river, skipping stones and chasing each other. Couples walked hand in hand along the promenade, watching the boats come and go. And on warm summer evenings, the town square was filled with music and laughter as locals gathered for impromptu dance parties. But as with any community, there were also tensions and conflicts.

The town council was often at odds with the merchants, who felt that their needs were being overlooked. And there were whispers of a rival trading port that threatened to take away business from Bridgewater. One day, a fire broke out in the warehouse district, destroying several buildings and leaving many homeless. The community rallied together to help those in need, with Anne donating plates and bowls for makeshift kitchens and Jack offering his shop as a temporary shelter. As the smoke cleared and the ashes settled, the people of Bridgewater were left to rebuild their town. Through hard work and perseverance, they overcame the challenges and emerged even stronger than before. The lost halfpenny, broken pipes, and smashed plates were all reminders of the struggles they had faced, but they also spoke of the resilience and strength of the human spirit. And so, life in Bridgewater continued, a vibrant and bustling riverfront community where goods were traded and daily life was filled with both hardships and small joys.