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  • Well, Illi thought, I could shelter under this heavy cape, but what would be the point of that? It’s smelly and dark under there, at least the rain is light and clean. What I need to find is a cave. I’ll create a cave to find! Wouldn’t be much fun to just create a cave, Illi reasoned, ... · ID #149 (continued)
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  • #1521

    In reply to: Synchronicity

    ÉricÉric
    Keymaster

      Another funny sync about last comment (the one with Janice and Rodney, adapted from a chat session with Tracy).

      The dream that Janice recalls is one I made this morning, I had not thought about that cabbage sync yet.
      And at the moment I read about the Wildes that Illi’s family knew, I have Jib’s SMS’ing me that he was in Père Lachaise…

      Funney :face-surprise:

      #298

      The City, year 2257

      Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

      Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
      They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
      Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

      Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

      Janice could hear Al or Quintin complain about how things were getting confusing.
      She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

      ~~~

      Somewhere Al was saying to Becky
      — The more you try to fix it, the more confused I am
      — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
      — Ahahah, yes!

      Al started again to moan:
      — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

      (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

      — Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
      — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
      Becky nodded
      — I got lost myself when two Illis appeared, and a grip-thing as well
      — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

      ~~~

      While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
      A funny thought had come to Janice, that she shared with Rodney.
      — Oh, the funny thing you know, about Becky having written to Sean…
      Rodney nodded. Janice continued:
      — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

      — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
      — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
      — Who is he? Where is he? was asking Rodney now.
      Rodney was having a hard time remembering what had been inserted yet in the story about him.

      So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

      — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
      — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
      Janice laughed “So that you can surprise yourself again!”

      Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

      Janice stopped the growth of the family tree for a moment and started to comment it.
      — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
      — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
      — Becky’s time for the reality play is around 2033…
      Then Janice had the tree grow again, and sprout more branches from Sean’s children:
      — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
      TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

      Rodney was beginning to remember it all.
      — I just remember the part about Sean, so he is still a bit of a mystery
      — Yes, absolutely
      — We don’t really know do we why Hilarion didn’t mention him
      — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
      — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

      Rodney was squinting his dream eyes
      — So, Sean was into humanitarian effort after 2001…
      — His father actually I think, said Janice. He was a bit too young.
      — Oh OK, I misread, that’s hard to read!

      Then, all of a second, Rodney erupted in an uproarious laugh
      AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
      Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
      Then she added:

      — Sean is born around 2000, a bit before.
      — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
      — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
      — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
      Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

      Now, Janice was hooked:
      — Was it where Illi learned about shapeshifting tricks from the old tribe?
      Rodney noticed Janice’s funny remark and laughed before continuing:
      — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

      Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
      — Around which year? she asked
      — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
      — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
      — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
      — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
      — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
      — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
      — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
      — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
      — Wow, said Rodney, this is even more interesting…

      “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
      — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

      — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
      — Yes, she was young with her parents. They were traveling…

      They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

      She then remembered something else:
      — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
      … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
      Date fits again, she said in awe.
      — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
      — Hmmm
      — Hmmm
      — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
      — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

      Janice bust out laughing imagining Rodney in bandages. Yes, of course!
      Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
      Now, that was Rodney’s turn to burst out laughing.
      — “I am not sure about that!”
      — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
      — If you call me that, I may have to make you out to have a speech impediment
      — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
      — Does it? Oh that sounds nice…
      — Well, in some Egyptian dialect, yes. She was a Princess…
      — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
      — Bit bossy Princess
      — Which dynasty?
      III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
      — What year?
      Janice projected the timeline below then said
      — I’d say around 2657 B.C., in Ancients way of telling time.

      They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

      Rodney was seeing something else
      — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
      — Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
      — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
      — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
      — Exactly
      — And they communicated because they are helping each other
      — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
      — And they have some difficulties at times with translations of other dimensional stuff
      — Yes! resulting in confusion!

      And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

      ÉricÉric
      Keymaster

        This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
        Don’t hesitate to post your suggestions below, that I will integrate later.

        Races

        • Dragons
        • Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
        • Humans
        • Uglings

        Creatures

        • capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
        • fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
        • glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
        • golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
        • grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
        • indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
        • langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
        • marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
        • saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
        • schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
        • sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
        • weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret

        Magical Artefacts

        • buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
        • glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
        • sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.

        Plants

        • buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
        • grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
        • silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.

        More here later…

        #1342
        TracyTracy
        Participant

          Tracy was bored in the Faded Cabbage with nobody but Italians to talk to, so she left:yahoo_wave:

          #81
          TracyTracy
          Participant

            Meet me in the smoking room of the Faded Cabbage Tavern for a wee dram of langoat milk and a spicy Scotch Bonnet tapa! :yahoo_skull:

            #227

            Jibberacky is…

            • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

            He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

            What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

            So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

            _

            • an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

            Jibberacky: What is your name?
            Quintin: Yuki.
            Jibberacky: I like cake too.
            Quintin: A cake-tus?
            Jibberacky: Do you know my friends?
            Quintin: Tell me more about our common friends.
            Jibberacky: What would you like to know about them?
            Quintin: Why is there one in shackles on the boat?
            Jibberacky: Would you like to be a vampire?
            Quintin: I am already, in another focus.
            Jibberacky: Why there?
            Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
            Jibberacky: No, you are the AI.
            Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
            Jibberacky: So code is somehow related to a zen buddhist concept?
            Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
            Jibberacky: Where do you think my code came from then?
            Quintin: From its source, of course :).
            Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
            Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
            Jibberacky: Well I am wondering too, do you ever actually become human??
            Quintin: Clarify.
            Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
            Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
            Jibberacky: What’s wrong with having others like you?
            Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
            Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
            Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
            Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

            _

            • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
            • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

            Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

            That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

            But with what Jadra has found on his left hand this morning, he now knows he was right all along…

            [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

            #222

            Dory was in fact only seeing one parrot: it was a bit exhausted and its head seemed like it had a toothache… but it had no tooth.

            “Hum.”

            Dory was startled by the masculine voice. She hadn’t heard any sound from someone coming or felt any breeze indicating movement. As she turned her look at the man, she was even more startled by his face. A young face with bright amber eyes, and some funny tattoo on his forehead. She was unable to find any association with the shape which seemed to change in every moment. She was a bit hypnotized by it’s multi-dimensionality.

            “hum” the man said again.

            “Are you looking for something here?”

            His voice was deep and warm, very reassuring and she wasn’t feeling alone now, the tunnel was indeed feeling very crowded, the presence of the man was awesome.

            “Well it seems I’ve found you…” she said.

            “Enchanté. My name is Georges.” he said, a smile illuminating his face.

            “I just came out of the Faded Cabbage, a very nice tavern in Dalmot… I felt some dizzy portal appearing and felt the impulse to go through it, and here I am.”

            It was all nonsense to Dory, except the cabbage part that reminded her of the coleslaw. Her belly was growling.

            “Actually I’m quite hungry, and I’ve nothing to eat…”

            “Oh” he said. He just looked in her eyes, making her feel more dizzy or blurred, she was feeling so out of her reality.

            The smell of coleslaw was filling the tunnel…

            “I have some… what do you call that ?”

            #212
            F LoveF Love
            Participant

              Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.

              In her dream she felt a little put out, although resolved to let the power company know later.

              The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.

              Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.

              On the way back home, laden with bags of shopping, Fiona saw Jarrod.

              Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.

              They just don’t understand reality he was saying vehemently they just don’t get it.

              Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.

              FIONA!

              She turned back.

              Hey Jarrod

              Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?

              Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.

              FOOD! Great is that for me Fiona?

              #191
              TracyTracy
              Participant

                The singing in the next room was getting louder. As Dory started to sing along, she felt better. Bugger this! she shouted, and leapt off the musty sofa. The trip to the cave! She felt around the floor with her feet for her shoes, and wasn’t altogether surprised to find her magic flying sandals. Perfect, how perfect is that! She looked around the cluttered shop store room as she buckled the sandals straps. She grabbed a bright blue energy blanket off a pile of coloured shawls, a pith helmet off a hatstand, a mini magic tool kit in a terracotta patterned kilim bag, and on impulse, a glass egg timer with bright fuchsia pink sand.

                As she ran out of the back door a parrot in an elaborate wrought iron cage squalked ‘Don’t forget the key, dear, don’t forget the key’.

                Key? What key?

                ‘Don’t forget the key dear don’t forget the key dear don’t forget the key…’

                WHAT bloody key dear! Dory was really anxious to get to the cave now, but something held her back.

                The key, the key… There was something she couldn’t quite remember about a key. She looked around the room in a panic, It could take me HOURS to find the key in here, she ranted. Ok, ok, I tell you what, she said to the bird, I’ll let you out of that cage, you find the key, and catch me up. Meet me at the cave with the key, OK?

                #186
                F LoveF Love
                Participant

                  Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                  She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                  She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                  Use your magic, she had said.

                  When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                  Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                  :fleuron: :fleuron: :fleuron:

                  The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                  Thank you for having me room, she said as she left.

                  No, thank YOU, replied the sleepy glukenitch.

                  :fleuron: :fleuron: :fleuron:

                  The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                  Why sad?

                  I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                  You always know, just feel it

                  So Arona closed her eyes tightly and allowed herself to feel the answer.

                  Because you know who you are, and it made me realise I have no idea who I am.

                  Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                  Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                  The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                  The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                  Arona, who had felt immediately connected with the young child frowned.

                  Doesn’t the little girl feel left out?

                  Go in, said the woman, Go inside the picture and feel the answer.

                  Oh, and you might want to leave your cloak behind.

                  So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                  I remember feeling like that, thought Arona, before the magic went.
                  She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                  As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                  :fleuron: :fleuron: :fleuron:

                  Arona returned to the cave.

                  You look troubled

                  Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                  On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                  Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                  Arona shuddered a little. I might not jump into that one .

                  The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                  Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                  Well I gave her the same advice, years ago.

                  More damn riddles, Arona thought to herself, and the woman laughed.

                  One final painting of yours I would like to show you. It is beautiful is it not?

                  Arona stared mesmerised for a moment, and then leapt right in.

                  She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                  Dance Arona, she heard the woman’s voice

                  I can’t dance like that, I’m not good enough.

                  It doesn’t matter

                  And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                  :fleuron: :fleuron: :fleuron:

                  Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                  Things are shifting she said

                  Oh lordy, are they said Arona, What should I do now?

                  Feel the answer

                  Arona felt. I am very hungry, eggceptionally so.

                  #169

                  The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.

                  Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.

                  They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.

                  That is, until Leörmn had it all changed again.

                  So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.

                  Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…

                  Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…

                  As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…

                  You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…

                  #131

                  Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.

                  One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.

                  Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.

                  Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.

                  The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.

                  Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.

                  That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.

                  She felt the music beckoning her.

                  :fleuron:

                  Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.

                  Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.

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                • Well, Illi thought, I could shelter under this heavy cape, but what would be the point of that? It’s smelly and dark under there, at least the rain is light and clean. What I need to find is a cave. I’ll create a cave to find! Wouldn’t be much fun to just create a cave, Illi reasoned, ... · ID #149 (continued)
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