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The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

But Bådul knew better.
He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

A few months earlier, Northern Åsgurdy

A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

He knew that such a shelter wouldn’t be far away now.
That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
He had felt he could trust that man known to him only by a strange name, something like Gheorg.
There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
She needed to move on.

When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

Austor did not believe his eyes…
They had crossed the Rift, all three of the ships.
And it was nothing like the dark void they had nearly expected behind.

It was an open sea, glistening in the sun, and all hope had come back through them all.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

It said:

I’ve been wandering through the valleys of death
Where time knows no ending and all is gray
And shadows seek nothing but oblivion itself
In mazes of mist, minds’ errands led astray…

Perhaps it was time to let go of useless things, Bill thought to himself.

He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

She had giggled at his surprise, telling him that yes, she was catching up with him…

The City, year 2255

Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

Then she opened her eyes.

She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

— Good morning!
— Good morning Cyprus, you wanted to say something to me?
— In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
— Yes, I thought so. Is it about what I am choosing to do as an activity?
— Correct.
— You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
— Yes, I am aware. And you wanted me to highlight some misconceptions about that.
— Oh, misconceptions?
— Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
— It feels like a tremendous responsibility.
— It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
— OK, I will do that…
— Ahaha, there is another thing, my dear.
— Oooh…
— You also wanted me to make sure you understood what I meant.
— Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
— Nothing is hidden from you, as always.

So Janice took a look at the sheet of paper on top of her own school desk.

— I’ll be around if you need me, reassured Cyprus.
— Thank you, said Janice

The paper was like a spot test, with a few questions on it.

Study on a Few Contradictory Beliefs

1. GUILT

a. An old lord has lost contact with his son, because of harsh things said in the past.

Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

b. Detail the main beliefs you can see associated with this action of guilt.

2. FEAR

a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

DUPLICITY

In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

New York, October, 4 ^th 2033

Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

(click for article)

Dublin, October 5 ^th 2033

Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

He was pleased to read from her, and wanted to enjoy it fully.

So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

Dear Sean, Becky was writing

I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

Love,

Becky.

Orkney Islands, October 4 ^th, 2057

This year again, Sean Doran had not answered his father’s calls.

This September 23 ^th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

« Suffering is not good for the soul, unless it teaches you to stop suffering. »

He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

— Oh… said Bill who did not expect them to come back so quickly.

Appendix: The Wrick family tree