Search Results for 'brought'

Five months.
If he recalled well, it was barely five months (five months and five days perhaps) he’d had that dream… Yurick was thinking distractedly, while munching on his toast of vegemoth, crumbs falling in his cup of lotus flavoured tuo-cha.
Only five months! It had felt like ages had passed, lifetimes even…
Energy realisations went really fast these days, once the prime idea was here. And for sure it had been floating around for quite some time, but truly it had been a quick birthing, and rather painless too.

He was suddenly brought to his sense —and a certain idea of reality— when he saw Dory’s chat window flicker. He almost spluttered his tea on the screen as he saw the egg pictures she had just posted on her new social playground. A dark website of kinky appearance, where her new friends would probably guess eggs where her fetish and fifty-seven an exotic tantric position they’d be blissfully whipped with a wisp of fresh nettles to get taught.
Well energy could take many shapes and forms, and for sure, five months ago, he wouldn’t have guessed one of these forms would be vegemoth and oval-shaped sex-toys.

Speaking of vegemoth, he smiled as he saw the level of the dark brown salty paste noticeably diminishing in the small jar. Since he and Yann had been initiated by Dory to that strange Australian shamanic drug, and the unknown pleasures and twisted dream and trance induction it provides, they had been surprised to find it legally displayed for sell on their usual store at the exotic-mysterious-and-potentially-lethal-Eastern-products shelf. Along with an even stronger version of it, they’d been told… MARMOTH that Yann had consented they would get after the vegemoth would be eaten.

Ahahaha… At that rate, that would happen before they know it!

Within dark laughing, light smiled
Wondering synchs gibbon
Others behind walk
Mind moment wondered
connection stopped?
Although
Brought hand friends free.

As the bride and groom were exchanging the rings, Al was brought back a few weeks earlier, when Becky had announced the little group she and Sean would get married. The initial excitement gone, Tina, Sam and Al had been given the honor to organize that very special day, while Becky surely wouldn’t care to be bothered by such petty things.

I think she’s already getting that distinguished snobbish style of the Wricks muttered Tina who was not so fond of being handed down these kinds of unprompted crottes.
Al, who was probably thinking as much managed a Don’t be so hard on her, that’ll be a mighty fine wedding, after all, marrying a Wrick has its advantages, we don’t have to be measly on the expenditures
Sam, a bit lost in circles, had acknowledged.

Well, that had been fun after all, at least Al was thinking, he had not needed to deal with Becky’s own mood fluctuations. As the only Sumafi of the group, he had willingly taken care of the list of the guests, and all the catering orders, while Tina was taking care of the decoration (bride included), and Sam was arranging for the organization and rental of the places and hotels for the wedding and its slew of guests.

Of course, as intimate Becky had first required the wedding to be, she had soon changed her mind, and had not resisted long the temptation to gather lots of people she had almost forgotten over the years.
Al could almost see clear as day — now the weather had brighten up a bit — in his mind his notepad full of Becky’s recommendations:

— Becky’s family and friends
Sam, Tina & Al (of course)
Sabine Baina (mother) and Patel Mahapushtra, her new husband (a child’s toys mogul)
Dan (father) and Dory (step-mother; might fear a trip to New Venice, you’ll have to use some extra coaxing with her)

[long list of friends, snipped for reader’s comfort]

— Sean’s family and friends
(mother deceased, father unwilling to come, pretexting his rheumatisms and not being able travel so far, but most likely unwilling to see Sean)
Sean’s children, Perry and Guiny
(aunt and cousin, Deirdre and Dorean Wrick) — Al’s update: they have unexpected guests coming back from Russia at their home, wonder if they could come? Becky: Sure!… Mmmm, Russia you said?

Now, finding some great gift for someone as easily distracted as Becky, and as spoiled as Sean was another ball of wax…

A hotel room in New Venice, January 2034

Sean had agreed reluctantly.
As his father Lord Wrick had been aware for some time, Sean had been heavily drinking following the death of Margaret, and though he could still speak with her, he had a hard time not to take her as an illusion from his guilty mind.
So, wary of the impacts on his grand-children, Guinevere and Peregrine, Hilarion Wrick had demanded him to personally take care of their education, and have them move with him. The year before, he had acquired an old mansion in the Orkney Islands, in a healthy location far from the buzz of towns, and was in the process of having it restored. Its previous owner, Baron O’Dolly seemed to have disappeared and Lord Wrick had seized the occasion, as there was a nice big area of land around the place. Restoration would soon be over, he’d said, and he was wishing the children would move in the next spring.

Of course, Sean had known that his father’s proposal was no mere proposal. With the wealth and lawyers he had at his disposal, even if he would have to wait years, he could get what he was wanting. Even if he was to crush everything in the process. So he had agreed.

— Why do you feel sorry? You are no fit to raise children, and Becky is certainly no better than you… the ghost of Margaret was saying
— You know what it is, I feel so inadequate… What will my children remember of me?
— Don’t be stupid, they love you… And I’ll talk to them… On the contrary, loving the old bat won’t be as easy for them

This almost brought up a smile on Sean’s face.

— Yes, you’re right, and you are right for Becky and I… Perhaps we’ll have children, but for now, I suppose we want to enjoy being together, and take a deep bracing breath.
— Then stop being so gloomy and go call her. Perhaps you even want to start looking for an apartment in New Venice for both of you, to make her a big nice surprise for your wedding. She didn’t seem so fond of the idea of staying in Dublin for extended periods of time.
— Yes! And I’ll book our honey moon too… She wants to see so many places I suppose I’ll have to book a cruise over the world. And perhaps get tickets for the first trip in the cross-oceanic tunnel… Thank you Margaret, I’m so full of projects…
— Why, thank YOU, she said with a bwink (a simultaneous blinking and winking, in ghost’s jargon).

She had felt it.
When the old man had left his body behind, she had felt it.

Oorlaith had foreseen that he would decide to leave this World, and thus was not affected too much. However, she was not sure that Leonard, who she had sent to the highs of Mount Elok’ram had had time to retrieve the cup of Margilonia.

Oorlaith had already collected the wand of Selvaniel, which Leonard had brought back to her, thanks to her indications, from the Forest bordering the Marshes. Now, she hoped he had time enough to get to the old Abbot.
Otherwise, it might be more delicate…
Much more delicate…

Hopefully, she had made contact with Roselyn, who had been settling in another part of Asgurdy, on one of the numerous rocky islands bordering the South-western coasts, where life was scarce and the soil barren, but where it was safe enough to do magic in this superstitious land, as not much people ventured to these places.
Her spiked dragon had helped her carve out her new residency and she was quite well installed now.
Before moving from the deserts of Asgurdy, she had managed to get the sunstone of Agnima.

Madame Butterbutt, the saloon landlady and iconic colourful figure, came back to her room in a fury.
She was living above the saloon, in a large room tastefully furnished, with some exuberant objects that she had gathered from her many commercial acquaintances.

She took one of her favourite cigarillos to calm her down.
That Mc Gaughran was such a… she wasn’t at loss for words. But none of them would have been strong or decent enough for the dork that he was. Ooops she smiled, this last one had almost slipped out unnoticed.

Unlike many people in that small town of San Demangelo, she wasn’t fearful of the man. Not of the man himself (she was almost a giantess compared to many women), and certainly not of his threats either, even though she knew what the man was capable of.
She knew well many of his shady tricks, but she also knew things about him that most of the time sufficed to keep him quiet and docile.

Today, she would have almost laughed at him when he had tried to pressure her by threatening to reveal to sheriff Ted Marshall her little trafficking of hallucinogenic toads. Pathetic of him.
That was really nothing, a little commerce she had with some remote part of her family in Guatemala, especially the voodoo witch Nana Del Conda. These were regularly brought to her by the old ambulant quack Myrlin who was selling all sorts of hocus pocus remedies, keeping the potent ones for Madame Butterbutt.

So nothing extraordinary about that… No,… what had brought her in that terrible mood was when the hoity-toity, pompous, arrogant, full of himself f*ckhead, oops she bit her lip again… When that jelly belly mugger had tried to coerce her into pushing the little Twi into his bed.
Repugnant.

When that foolhardy brother El Disperso is storming again into the bar to try to find quarrel and provoke the jelly pig into a brawl, she would perhaps let him have it his own way after all.
Last time her loath of firearms had been directed strongly against the young boy, perhaps also to protect him too… Anyway, he was perhaps right, allowing himself to “float downstream”, from the hate to the anger… and perhaps to hope and joy again.
She started to sound like dear ol’ Abe…

November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

Al was concerned about Tina. He wondered why at times it was like their moods were at the antipodes of each other. Like one was in summer when the other one was in winter. Of course, seasons had gone awfully awry in the past (well, in people’s perception at least), and cherry trees were at times blooming in the late autumn, so that was hardly a good metaphore. Enfin bref…
Sometimes he wished they could move to a part of the Earth were the differences were leveled or not so dramatic, but of course, that would be focusing unduly on what seems awry, and not appreciating the differences for what they brought in understanding for each other.

Like most people now, Tina and him were living in a free relationship, not bonded by written contracts, just by a mutual wish to be experiencing a common exploration. But lately, especially with the play writing, deep issues had surfaced between them, and he was no longer sure of what they were exploring, as it was like shifting sands. Of course, now, most people were shifted themselves, thanks to the new generations of children who were exceptionally gifted in accessing their own essence. But for them, in their mid-30s, there were still issues linked to their old patterns of thoughts, many deeply ingrained ways of thinking, coming from many generations before them.
That T.R.A.P. attraction thing was a good example of the differences. It was mostly an attraction park for his generation, not really for children, as they were greatly able of doing these kinds of inner-travels without the aid of technology —not that they didn’t enjoy it either.

Al was thinking of a gift for Tina. He wanted to show her that she had really transformed Jadra, or that they had come a long way since the wandering in the cave tunnels, or that everything started to make sense, even the invisible friend Blohmul…
Well, there were still mysteries around him, (not mysteries really, but things yet at the state of seeds, or potentials) but he was no longer a hair on the soup they cooked. He was the blue fox of Mævel, and more interestingly, that cursed god was the son of Mirÿnda, the Goddess of Mirth —but that, Tina had not realized yet…

Actually, now that he was looking at the entry, Al noticed that Jadra was last seen with Mirÿnda, and that struck him as something more than a coincidence…

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

But Bådul knew better.
He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

A few months earlier, Northern Åsgurdy

A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

He knew that such a shelter wouldn’t be far away now.
That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
He had felt he could trust that man known to him only by a strange name, something like Gheorg.
There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
She needed to move on.

When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

Austor did not believe his eyes…
They had crossed the Rift, all three of the ships.
And it was nothing like the dark void they had nearly expected behind.

It was an open sea, glistening in the sun, and all hope had come back through them all.

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You can have more details in the Textile help file for other more complex designs…

Searching

I tried in both the search tab, and the “quicksearch”, and it seems OK.

Only trick is in the search tab, when you look up, say… “Arona”… you have to click on the highlighted extract, and not on the title, if you want to be brought directly to the one of the many comments where Arona appears

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Bådul was pondering at the bow of his boat.

His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!”