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Ibn al’ Gruk was weary.
That lone grake he had seen flying over the desert settlement this morning had baffled him.
Usually, such creatures where not migrating at this season, and this one was lone too, which was all the more baffling.

The old gripshawk had seen many things in his life, but this was surely a presage of importance. In the myths of his people, the big colourful birds were once thriving in the desert oasis, where they were thought to have appeared in the Old Times. But having been extensively hunted down as food for the gripshawk tribes, they had moved away, and the balance had been broken.
It had prompted lots of the tribes to move apart, in search of food and exchanges, and few of them were now still living in the deserts as they did in the old ways. Many of them, for many generations now, had been creating cities on the coast, and the most flourishing one was Chafik’ An, where a traveling portal had been erected by the humans from Lan’Ork to facilitate exchanges and trades.

All of that, despite his old age (that his long mop of white angora hair under his chin could account for), Ibn al’ Gruk had only heard all of this through the lineage of his ancestors, but he had seen some of the conflicts that had been created, and he understood that change again was in the air.

He felt like he could weave a new tale to entertain the settlement tonight, and perhaps give them inkling as to the new changes to come.
For he felt changes were coming, and that they had been in motion already.

The night was clear, and lots of people had gathered around the big bonfire. They all loved these regular meetings where everyone would meet and share food, drinks and over all, gaiety.

He started to drum low deep sounds and cleared his throat.
A fit of cough got him by surprise, but it was just a hairball that he spat in the fire, which set ablaze immediately, providing some dramatic effect that hushed everyone down.

“In a mysterious land far far away,” started Ibn al’ Gruk, with a growling voice…

Egypt, 2657 B.C.

Lekshen had dreamt of Set that night. The god had appeared to him in one of his familiar forms, that of a long snouted animal .
Lekhsen was wondering why the god had requested such a task for him to do, but he was certainly in the perfect position to accomplish such a task.
Like Set, Lekhsen came from Upper Egypt, the arid land, and he had managed to get a high-ranking responsibility in fertile Lower Egypt as a scribe thanks to the unification efforts of Pharaoh.

But Pharaoh’s daughter had just died… right after her 10 year old brother, and Pharaoh’s himself felt He would not live much longer.
Which would mean that the closest male in the family would be likely to get on the throne of Egypt. And that would be bad news for people like him, as the brothers and brothers-in-law of Pharaoh did not appreciate much His policy.

In the dream, the strange creature had asked him to hide something with the mummy of Pharaoh’s daughter. It had told him people would forget about how Set was fighting for Ra, the Sun, each night that the bark was traveling on the dangerous underworld waters. They would forget, and would demonise him and his people, and he, Lekhsen would have to write the story, and bury it with the Princess. His status would allow him to do it unscathed.

“Would people ever remember they once were One?” had asked Lekshen to the god.
“Only you can tell” had the creature answered.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.

But that was perhaps too early, because she could feel them close enough, but not focused yet.
Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.

Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…

A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
Images flying again, she tried to concentrate on Roselÿn.

But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…

Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

— Well, I’m sorry to have to tell you Becky Pooh, but your script is getting awfully confusing… Al was saying swaying his head in dismay.
— What?! Becky nearly spluttered her cappuccino on Tina who was munching marshmallows at the cafeteria of the rehearsal room.
— Yes, you see… Al was once again lost in his thoughts… This Illi is driving me crazy, once she’s here, then she’s elsewhere. At one moment you said she was dead, and I went to great extents to try to clarify…
— Muddle, interrupted Becky Pooh, Muddle…
— … the whole thing, Al continued imperturbably, and made clear, or so I thought, that the Illi cat was alive, and the Illi human was indeed dead, but now Tina makes the Illi in the dream of little Chiara the cat again… Could you both explain what happens. I’m completely lost.
— AHAHAH, LOST! cried Becky so insanely, so that all of the others looked at her with eyes wide as saucers.
— Well, there could be lots of explanations of course, interjected Sam, whose energy was always soothing to incorporate in the midst of heated discussions on the reality play they were all writing.
— Yes, of course there are! It all makes perfect sense, said Becky.
— Oh sure, said Tina, except that you don’t really make Illi do anything…
— Do I?
— Well, they were near the cave, but you won’t face the scaly stinky dragons anyway, said Al a bit disappointed.
— Why can’t you imagine them all fluffy and pink if it’s easier for you? said Sam. Like Chinese dragons, why not? A bit dog-headed, wouldn’t that be easier for you?
— Mmmm. Becky was pondering.

— And what were your suggestions to explain that insane dream? asked Al to Sam.
— Mmm, let me see… Perhaps it’s from another timeline. No one has said when that dream has occurred, so it may be before, or after the events happening right now.
— And for the cat seen by Chiara, said Tina gently, that could just be her seeing the essence of Illi, and seeing other of her personalities…
— Well, seems to make sense… acknowledged Al and Sam, all turning to Becky to see if she agreed.

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

Yoohoo! the drinks are on me!:weather-showers-scattered:Nice and cosy inside today….

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Malvina had been busy opening doors for herself, and thus, for the All.

Creating the sabulmantium with Leörmn had revealed new potentials to her. And just before putting the final touch to the device, she had felt engulfed in a huge wave and before she knew it, she was talking with someone. A great creative power, which was stemming from herself, and also from which she stemmed too.

It had named itself Naasir.

It had revealed to her, in the form of a dark abyss, myriads of unknown potentials waiting for her to leap in faith into them. It had gently requested that she release her hold on the caves openings, so that she could explore more, and also bring more to herself.

Then Naasir took the form of a great dragon in that abyss, from which roots were growing and pushing their way, slowly and surely, into the rich soil towards the light of their fullness.

She had then seen the dragon’s arched back and tail shift into a chain of spiked rocks, separating the worlds seas in two. Three of the scales on the right of the dragon’s skin were glimmering, and she could see they were looking for a passage.

Would she allow that to happen? Yes, she wanted to. Open the doorways, and reunite what was separate, but gently, one at a time.

Slowly, the kite-shaped rocky plates on the back of the dragon moved apart, to open a slight, safe passage for the glimmering scales. They were caught in the eddies that surged from the opening, but Malvina’s focus helped them to float and cross safely, as they wanted to.

She then came back to herself, seated in front of the glass-shell dragon egg filled with coloured sand, awed with that power she had just felt through her. She knew it was her own power, and that the device had only allowed it to be expressed, but she had felt wary of how the sabulmantium could be used by others.

At the same time, Leörmn who was once again the tiny weaszchilla trotting on the wooden table in front of her had laughed squeakingly. And looking at the toy in front of her, she had understood how it could only be used by those who would see beyond the thinly veiled surface. For the uncaring eye, this would only be a toy, mundane and without interest, but for the pure of heart, its help could be harnessed.

That’s how she’d knew she did not need it any longer, and could release it.

So, the doors had been opened, and people were feeling the new jewels sparkling behind the dark passages. And gifts from friends could now come across the veils.

Malvina saw that during the last transmugrification, Leörmn had created an entrance near her laboratory, and it was as if it beckoned her now.

When she entered, she saw a guéridon table in the middle of a moistly pungent room. On the table, a polished egg was here. She recognized it at once. It had an azure blue glow to it, and fond memories came back to her.

Back then, she was a young Sorceress in training on the Island of Mörk, in the middle of the Icy Lands, the birth and dying place of the dragons.

This egg was one from a set of three. It was the first glubolín she’d ever made, along with her two companions. They had kept it to communicate with each other when they parted.

Malvina, the youngest of the three, had kept the azure blue, and chose to go to the Dragon Head Peninsula.

Oörlaith had kept the mauve, and went near the town of Kapalÿka, on the Snimeÿa River delta bordering the Marshes of Doom.

As for Roselÿn, the eldest of the three, she had taken the amber one, and had went as far as anyone would have dared go, flying on her spiked dragon Rëgkvist, past the Great Rift.

They had kept in touch, but contacts had been more and more sporadic as each were discovering their own new environments, and had ceased altogether, almost at the same time.

As far as she knew, Roselÿn had been starting her own rookery in the sandy ice deserts of Åsgurdy, mostly hiding there from the superstitious people of that land. And Oörlaith, whom she was closest to, had been devising another funny way to keep people away from her rookery. Her own dragon, the playful Andarión, was shape-shifting as a huge shrimp to pretend that the surroundings were haunted.

Recalling all these moment, Malvina laughed at how silly they all were, and felt a long to be connecting again with her friends. Would anyone of them be around their own glubolíns?