Search Results for 'civilization'

Becky was moaning: “Frankly, do you have to send me to the coldest places every winter when I have the flu Al, its a pattern!”

Al realized that with the Russian adventure, Becky was right. “Wow,” he thought “the dramatic effect of being present that illness gave to Becky. She could even remember a year back from now!”

“Well,” he said “I think the girls will soon find a timely escape… And the good news is that… I don’t think there is any place colder that we know of for the time being…”

Becky surely was in poor condition, but her creativity still showed no boundaries “Maybe I can create super rapid global warming that reveals the hidden ruins of civilizations beneath the ice”

Given the cold outside, Al’s mind was appreciative of the sudden overheat such a brazen thought produced in his mind…

And another snippet about crystal skulls…..

“….if you wish to project
your mentality and blend your consciousness with the idea of the
consciousness of the civilization that has created it, so that you may
in a sense, follow them, you will have to form a blending with all of
yourself. That is, let us say, the safeguard, the lock and the key. In
that an individual who cannot come to terms with the blending of all
portions of their personality will not be able to enter the door.”

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

As soon as she’d come back from her trip, Dory had planned to travel again very soon.
Of course, she had enjoyed tremendously being home, being with Dan and young Becky… yes, she had… the first day for sure…
Well… She was a born wanderer, she couldn’t do against her own nature, no need to beat herself for that, and feel guilty for leaving Dan and Becky periodically. Hopefully, Becky was very understanding, and perhaps that the fact that Dory was her stepmother made things easier for them both, without burdening their relationship with useless obligations towards one another.

On the other side, many exciting destinations were on her list, and she barely knew where to start. One that had attracted her curiosity was the site of Jiroft in Iran, where the famed lost Kingdom of Aratta had been supposedly found very recently. Artifacts had been discovered on this site, predating our commonly supposed invention date of written language, which had fascinated Dory for a while, before she got lost amidst the wide spectrum of her other interests.

Well, all of this was of frenzying interest, but there were dogs and back issues…
Somehow, Dory had been struggling with lots of tensions in her back, and the more she forced herself moving, the worse the pain was. Finally beaten by herself, when no one else, friend, family or doctor could accomplish such a feat, she was stuck to a cushioned armchair for most of the day holding to her pain as to a stuck parasitic hated friend.
And then, there was the dogs.
As she was barely able to move, Dan had renounced to have her come with him and Becky to see Sabine, Becky’s mother, in Mallorca, where she had invited them for the Epiphany.
Secretly, Dory was happy to have to stay at home, and not to have to make pleasing faces to the horrid obsessive woman she could only stand a few minutes without having to go out and empty a whole pack of cigarettes to calm her down.
The only little drawback was that she had to take care of the dogs… And she was running short of dog’s food…

Before leaving, Dan had left her a phone number of their new neighbours, a batty couple of Brits who had just rented the farm nearby, and with whom Dan was occasionally playing golf and lending a hand in small DIY work.
Reluctantly, Dory took the post-it and smiled at the familiar handwriting of Dan…

BEATTIE & LEONORA FLETCHER : 933-157-821

She composed the number in a deliberate slow motion, which strangely felt very empowering.

— Hello! a quavering male voice answered
— Err… Mr Fletcher?
— Ms Fletcher,… herself, what can I do for you?
— I’m Dorothy Mc Leane, one of your neighbour, you probably know my…
— Oh, yes! Dorothy, may I call you Dorothy, Dan spoke of you so much that we were very eager to meet you, weren’t we Leo?

A ruffling sound behind Beattie Fletcher seemed to approve.

— And is there anything we could do for you?
— Well, I’m awfully embarrassed to have to ask you, but I’m stuck at home, and my dogs don’t have much food left…
— Oh my dear! You did so very well to call us, didn’t she Leo? We’ll be at your home in a few minutes!
— But…
— Oh, no need to thank us for that, it’s all natural, after all that your delightful husband did for us! We see you in a moment…

And with that the line was cut. Dory was a bit disconcerted by the strange couple, but decided to dance with what was coming to her doorstep (wishing it would not be flamenco), seeing that having placed these quaint people in her reality could not entirely be a stroke of wild madness… If only…

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…