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The Scottish Connection

My grandfather always used to say we had some Scottish blood because his “mother was a Purdy”, and that they were from the low counties of Scotland near to the English border.

My mother had a Scottish hat in among the boxes of souvenirs and old photographs. In one of her recent house moves, she finally threw it away, not knowing why we had it or where it came from, and of course has since regretted it!  It probably came from one of her aunts, either Phyllis or Dorothy. Neither of them had children, and they both died in 1983. My grandfather was executor of the estate in both cases, and it’s assumed that the portraits, the many photographs, the booklet on Primitive Methodists, and the Scottish hat, all relating to his mother’s side of the family, came into his possession then. His sister Phyllis never married and was living in her parents home until she died, and is the likeliest candidate for the keeper of the family souvenirs.

Catherine Housley married George Purdy, and his father was Francis Purdy, the Primitive Methodist preacher.  William Purdy was the father of Francis.

Record searches find William Purdy was born on 16 July 1767 in Carluke, Lanarkshire, near Glasgow in Scotland. He worked for James Watt, the inventor of the steam engine, and moved to Derbyshire for the purpose of installing steam driven pumps to remove the water from the collieries in the area.

Another descendant of Francis Purdy found the following in a book in a library in Eastwood:

William married a local girl, Ruth Clarke, in Duffield in Derbyshire in 1786.  William and Ruth had nine children, and the seventh was Francis who was born at West Hallam in 1795.

Perhaps the Scottish hat came from William Purdy, but there is another story of Scottish connections in Smalley:  Bonnie Prince Charlie and the Jacobite Rebellion of 1745.  Although the Purdy’s were not from Smalley, Catherine Housley was.

From an article on the Heanor and District Local History Society website:

The Jacobites in Smalley

Few people would readily associate the village of Smalley, situated about two miles west of Heanor, with Bonnie Prince Charlie and the Jacobite Rebellion of 1745 – but there is a clear link.

During the winter of 1745, Charles Edward Stuart, the “Bonnie Prince” or “The Young Pretender”, marched south from Scotland. His troops reached Derby on 4 December, and looted the town, staying for two days before they commenced a fateful retreat as the Duke of Cumberland’s army approached.

While staying in Derby, or during the retreat, some of the Jacobites are said to have visited some of the nearby villages, including Smalley.

A history of the local aspects of this escapade was written in 1933 by L. Eardley-Simpson, entitled “Derby and the ‘45,” from which the following is an extract:

“The presence of a party at Smalley is attested by several local traditions and relics. Not long ago there were people living who remember to have seen at least a dozen old pikes in a room adjoining the stables at Smalley Hall, and these were stated to have been left by a party of Highlanders who came to exchange their ponies for horses belonging to the then owner, Mrs Richardson; in 1907, one of these pikes still remained. Another resident of Smalley had a claymore which was alleged to have been found on Drumhill, Breadsall Moor, while the writer of the History of Smalley himself (Reverend C. Kerry) had a magnificent Andrew Ferrara, with a guard of finely wrought iron, engraved with two heads in Tudor helmets, of the same style, he states, as the one left at Wingfield Manor, though why the outlying bands of Army should have gone so far afield, he omits to mention. Smalley is also mentioned in another strange story as to the origin of the family of Woolley of Collingham who attained more wealth and a better position in the world than some of their relatives. The story is to the effect that when the Scots who had visited Mrs Richardson’s stables were returning to Derby, they fell in with one Woolley of Smalley, a coal carrier, and impressed him with horse and cart for the conveyance of certain heavy baggage. On the retreat, the party with Woolley was surprised by some of the Elector’s troopers (the Royal army) who pursued the Scots, leaving Woolley to shift for himself. This he did, and, his suspicion that the baggage he was carrying was part of the Prince’s treasure turning out to be correct, he retired to Collingham, and spent the rest of his life there in the enjoyment of his luckily acquired gains. Another story of a similar sort was designed to explain the rise of the well-known Derbyshire family of Cox of Brailsford, but the dates by no means agree with the family pedigree, and in any event the suggestion – for it is little more – is entirely at variance with the views as to the rights of the Royal House of Stuart which were expressed by certain members of the Cox family who were alive not many years ago.”

A letter from Charles Kerry, dated 30 July 1903, narrates another strange twist to the tale. When the Highlanders turned up in Smalley, a large crowd, mainly women, gathered. “On a command in Gaelic, the regiment stooped, and throwing their kilts over their backs revealed to the astonished ladies and all what modesty is careful to conceal. Father, who told me, said they were not any more troubled with crowds of women.”

Folklore or fact? We are unlikely to know, but the Scottish artefacts in the Smalley area certainly suggest that some of the story is based on fact.

We are unlikely to know where that Scottish hat came from, but we did find the Scottish connection.  William Purdy’s mother was Grizel Gibson, and her mother was Grizel Murray, both of Lanarkshire in Scotland.  The name Grizel is a Scottish form of the name Griselda, and means “grey battle maiden”.  But with the exception of the name Murray, The Purdy and Gibson names are not traditionally Scottish, so there is not much of a Scottish connection after all.  But the mystery of the Scottish hat remains unsolved.

William Marshall’s Parents

William Marshall  1876-1968, my great grandfather, married Mary Ann Gilman Purdy in Buxton. We assumed that both their families came from Buxton, but this was not the case.  The Marshall’s came from Elton, near Matlock; the Purdy’s from Eastwood, Nottinghamshire.

William Marshall, seated in centre, with colleagues from the insurance company:

William and all his siblings were born in Fairfield in Buxton. But both Emma Featherstone 1847-1928, his mother, and John Marshall 1842-1930, his father, came from rural Derbyshire. Emma from Ashbourne (or Biggin, Newhaven, or Hartington, depending on what she chose to put on the census, which are all tiny rural places in the same area).

Emma and John Marshall in the middle, photo says “William Marshall’s parents” on the back:

John Marshall was a carter, later a coal carter, and was born in Elton, Derbyshire. Elton is a rural village near to Matlock. He was unable to write (at least at the time of his wedding) but Emma signed her own name.

In 1851 Emma is 3 or 4 years old living with family at the Jug and Glass Inn, Hartington. In 1861 Emma was a 14 year old servant at a 112 acre farm, Heathcote, but her parents were still living at the Jug and Glass. Emma Featherstone’s parents both died when she was 18, in 1865.
In 1871 she was a servant at Old House Farm, Nether Hartington Quarter, Ashborne.

On the census, a female apprentice was listed as a servant, a boy as an apprentice. It seems to have been quite normal, at least that’s what I’ve found so far,  for all teenagers to go and live in another household to learn a trade, to be independent from the parents, and so doesn’t necessarily mean a servant as we would think of it. Often they stayed with family friends, and usually married in their early twenties and had their own household ~ often with a “servant” or teenager from someone else’s family.

The only marriage I could find for Emma and John was in Manchester in 1873, which didn’t make much sense. If Emma was single on the 1871 census, and her first child James was born in 1873, her marriage had to be between those dates. But the marriage register in Manchester appears to be correct, John was a carter, Emma’s father was Francis Featherstone. But why Manchester?

I noticed that the witnesses to the marriage were Francis and Elizabeth Featherstone. He father was Francis, but who was Elizabeth? Emma’s mother was Sarah. Then I found that Emma’s brother Francis married Elizabeth, and they lived in Manchester on the 1871 census. Henry Street, Ardwick. Emma and John’s address on the marriage register is Emily Street, Ardwick. Both of them at the same address.

The marriage was in February 1873, and James, the first child was born in July, 1873, in Buxton.

It would seem that Emma and John had to get married, hence the move to Manchester where her brother was, and then quickly moved to Buxton for the birth of the child.  It was far from uncommon, I’ve found while making notes of dates in registers, for a first child to be born six or 7 months after the wedding.

Emma died in 1928 at the age of 80, two years before her husband John. She left him a little money in her will! This seems unusual so perhaps she had her own money, possibly from the death of her parents before she married, and perhaps from the sale of the Jug and Glass.

I found a photo of the Jug and Glass online.  It looks just like the pub I’d seen in my family history meditations on a number of occasions:

It all started to feel insanely crowded and agitated in the Inn, it took me a while to check whether I was tripping on some illegal substance.

Truth was, the funny chicken was doing alright until Finly and Idle came back in a hurry, tried to make me puke and feed me charcoals, as if I’d been poisoned or something.
I overheard Aunt Dodo when she shouted at poor Finly “why would you put my stash with the lizard leftovers! It’s me-di-cine you old cow, not some bloody herb seasoning!”
Finly looked indignant, but she knew better than to argue. Besides, I’m sure her face was speaking volumes, something in the tune of “with the bloody mess of your stuff all over the place, why do you think?” Sure, there was some other profanities hidden in the wrinkles of her sweet face, but she would leave that to Mater to spell them out.

Anyways, I just maybe feeling juuust a little funny, but with years of bush food regimen behind me, my liver is surely strong as an ox and pumping all the stuff out of my system like a workhorse.

So, yeah, I was maybe tripping a little. So many new people came in at the same time, it felt like a flashmob. They were probably real and not just hallucinations, since Dido dashed out to greet some of them.

I went upstairs and spied on them from there. I’m making also a list, mostly for Aunt Dodo, because if her heart is in the right place, her brain probably isn’t (or it’s a tight one).

So there, I wrote on a yellow sticky note:

Dido, if you're paying attention, here are the guests at this moment:
- Not counting PRUNE, and DEVAN who just texted me he's coming!!
- A jeep-full of loonies: A GIRL with red and white track pants and a
hijjab, a black CAT and a GECKO (wait, you can forget about the gecko),
a weirdo GUY in a fancy ruffle shirt and a little redhair BOY.
TIKU is here too, helping FINLY in the kitchen.
- Your old friend HILDA, and her colleague CONNIE
- Two townfolks Canadian tourists who argue like an old couple, but I don't
think they are, MAYV(?) and SANPELL(?) (sorry, couldn't catch their names
with their funny accent)

I guess breakfast is going to be lively tomorrow…

Aunt Idle has again tried to do us some fancy French dessert but ended up again burning it all.
Didn’t help that she used old Bert’s welding tools to caramelize the top.
Now the whole inn, including the fish is smelling of smoked charcoal.
It even brought Mater out of her room, where she’s been in a sort of retreat the past days.

When one is so desperately bad at something, is it a proof of character to do it over and over until some miracle happens?

You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can’t be sure…
Josephinella, the train station cleaning lady, was on night duty. And she was tired of waiting for that damned train with that irritating French accent in her ears, her lungs filled with the engines’ fine coal dust and her nostrils irritated by the pigeons’ smell.
But tonight was going to be her night, she would get drunk on fresh air, her hair whipping her face, bugs biting her eyes, while she would sing elated woohoos launched at full speed on the last commuter train left unattended by drunk Freddie. That was such a beautiful plan.

“ Another Dreamliner scare… and a train crash coming your way!”
“Sounds like a transportation surge to me!” Björk replied on the internal chatting system to her African Twa colleague Kiki Razwa. Björk was not her real name though —it was just a moniker given to her because she liked eccentric costumes. Her real name was Mæja Valbjörnsdóttir,… so ‘Björk’ was better for everyone in that international team, she’d tried to convince herself.
“Doesn’t internal policy says two makes a clue, three makes a surge ?”
“Oh, who cares… For me it smells dreamception transportation surge.”
“Better that than this Mercury retrograde crap, at least that’s more fun to hunt.” Kiki’s reply came up on the screen.
Björk had come to realize that she would probably have to cover for Mari Fe who was elsewhere but at her post. The last surge being in Europe, so she was in for a trip at the taxpayers’ expense… Not so bad actually, since nothing ever happened on her faraway island.

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

— The legend of Mævel — (Part IV)

Mævel’s mind was made up, she was leaving tonight. She took a few of her belongings in a little bundle, and all very silently, moved to the door, the bundle in one hand, and the key in the other.

But when she tried to put the key into the lock, she noticed something was wrong. The key was way too big for the small lock. What was the purpose of materializing a big key unfit to the locks that were in front of us? she wondered.
Perhaps the key will have another use, she said to herself, and she put it into her bundle, and wondered whether she could find another way to get out of the bedroom.

« Use your magic,… you don’t need to play by the rules » a tiny voice whispered in her ear.
« What does that mean? » she asked, befuddled, as perhaps her parents where right after all, she was becoming nuts… Well, that might attract squirrels and have them gnaw a hole in that wall, she said giggling to herself.
« You don’t need draw squirrels,… you can draw a door directly »

What a strange idea, Mævel thought, drawing a door… It sounded so funny at the moment, that she could feel her heart lift and her spirits as well. What could she use to draw that door… Her gaze ran quickly through the bedroom, looking for a bit of chalk, or charcoal, or whatever else. What a terrible thing that she was so obsessed by dusting, as there wasn’t even a single dust bunny left to draw that door.

« Now, will you pay attention? »
« I beg your pardon? »
« What did I told you? »
« Mmmm, let me think… Oh! I don’t have to play by the rules… »

So, in a bout of genius, Mævel ran her finger on the wall, starting from the floor, straight upwards, then to the right, and straight down again, until… well, nothing happened.

« That wall hasn’t budged any! »
« Are you sure?… Look closer »

And Mævel saw that the wall had become like a shiny surface of water, right inside where she had drawn the limits of that imaginary door. And when she pressed her finger, it was simply going through it, as though the surface had just been an illusion.

With a thank for the helpful voice in her head, she was about to cross the surface, but was stopped in her track by a moment of hesitation. Could she change the destination behind the wall as well?
Why not, after all, she didn’t have to play by the rules.

« To the forest! » Mævel ordered intently to the wall before jumping in.

The voice smiled to her fondly.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.

Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.

They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.

That is, until Leörmn had it all changed again.

So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.

Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…

Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…

As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…

You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…