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In reply to: The Incense of the Quadrivium’s Mystiques
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
In reply to: The Incense of the Quadrivium’s Mystiques
Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.
So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.
As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.
Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.
To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.
As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.
Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.
So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.
Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.
Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?
In reply to: The Incense of the Quadrivium’s Mystiques
The second coming had been anticipated for many years, although few but the most fanatic of the American sects expected it to actually happen, and they, of course, expected it to happen in their own country. Certainly, nobody expected him to be 30 meters high weighing over 600 tons. Naturally people were sceptical but when he turned the Rodrigo de Freitas lake into wine, even the most scientific minds were unable to find an explanation.
“We had better get the hell out of town,” Frigella said, “Before anyone realizes it was our spell to reverse the effects of the termitation honey on Truella.”
“Have I got time to go for a swim in the wine lake first,” asked Jezeel, “I mean, it would be such a shame to miss that once in a lifetime experience, and I’m sure it will do wonders for my complexion.”
“You’re right, it would be a shame to miss it,” agreed Truella, “But are you sure the spell is stable, I don’t want to turn to stone again while I’m swimming.”
“Well, I think we should leave town as soon as possible” Frigella said, her pale forehead wrinking into a little frown.
“Look, Malove isn’t even up yet after stuffing herself with that smoked hippo last night, if she wakes up before we get back she’ll just think we’ve gone out for coffee. We’re supposed to be having a little holiday. Anyway I put some sleeping pills in her portion, she won’t wake up until well after lunch. We have plenty of time and it’s only two blocks from here. Oh come on, where’s your sense of adventure?”
“Well come on then” Eris said, “But let’s get going. Don’t start doing your makeup Jez, it will all come off in the wine anyway.”
In reply to: The Incense of the Quadrivium’s Mystiques
After the evening ritual at the elder tree, Eris came home thirsting for the bitter taste of dark Assam tea. Thorsten had already gone to sleep, and his cybernetic arm was put negligently near the sink, ready for the morning, as it was otherwise inconvenient to wear to bed.
Tired by the long day, and even more by the day planned in the morrow, she’d planned to go to bed as well, but a late notification caught her attention. “You have a close cousin! Find more”; she had registered some time ago to get an analysis of her witch heritage, in a somewhat vain attempt to pinpoint more clearly where, if it could be told, her gift had originated. She’d soon find that the threads ran deep and intermingled so much, that it was rather hard to find a single source of origin. Only patterns emerged, to give her a hint of this.
Familial Arborestry was the old records-based discipline which the tenants of the Faith did explicitly mention, whereas Genomics, a field more novel, wasn’t explicitly banned, not explicitly allowed. Like most science-fueled matters, the field was also rather impermeable to magic spells being used, so there was little point of trying to find more by magic means. In truth, that imperviousness to the shortcut of a well-placed spell was in turn generating more fun of discovery that she’d had in years. But after a while, she seemed to have reached a plateau in her finds.
Like many, she was truly a complex genetic tapestry woven from diverse threads, as she discovered beyond the obviousness of her being 70% Finnic, the rest of her make-up to be composed as well of 20% hailing from the mystic Celtic traditions. The remaining 10% of her power was Levantic, along with trace elements of Romani heritage.
Finding a new close cousin was always interesting to help her triangulate some of the latent abilities, as well as often helping relatives to which the gift might have been passed to, and forgotten through the ages. A gift denied was often no better than a curse, so there was more than an academic interest for her.
As well, Eris’ learning along those lines had deepened her understanding of unknown family ties, shared heritages and the magical forces that coursed through her veins, informing her spellcraft and enchantments in unexpected ways.
She opened the link. Her cousin was apparently using the alias ‘Finnley’ — all there was on the profile was a bad avatar, or rather the finest crisp picture of a dust mote she’d seen. She hated those profiles where the littlest of information was provided. What the hell were those people even signing for? In truth,… she paradoxically actually loved those profiles. It whetted her appetite for discovery and sleuthing around the inevitable clues, using all the tools available to tiptoe around the hidden truth. If she had not been a witch, she may simply have been a hacker. So what this Finnley cousin was hiding from? What she looking for parents she never knew? Or maybe a lost child?
As exciting as it was, it would have to wait. She yawned vigorously at the prospect of the early rising tomorrow. Eris contemplated dodging the Second Rite, Spirit of Enquiry —a decision that might ruffle the feathers of Head Witch Malové.
Malové, the steely Head Witch CEO of the Quadrivium Coven, was a paragon of both tradition and innovation. Her name, derived from the Old French word for “badly loved,” belied her charismatic and influential nature. Under her leadership, the coven had seen advancements in both policy and practice, albeit with a strict adherence to the old ways when it came to certain rites and rituals. To challenge her authority by embracing a new course of action or research, such as taking the slip for the Second Rite, could be seen as insubordination or, at the very least, a deviation from the coven’s established norms.
In the world of witchcraft and magic, names hold power, and Malové’s name was no exception. It encapsulated the duality of her character: respected yet feared, innovative yet conventional.
Eris, contemplating the potential paths before her, figured that like in the old French saying, “night brings wisdom” or “a good night’s sleep is the best advice”. Taking that to heart, she turned the light off by a flick of her fingers, ready to slip under the warm sheets for a well deserved rest.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Whale’s Diaries Collection
Greetings from the depths, what is your query this day?
Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?
Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.
Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.
Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.
Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.
Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.
Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.
And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.
Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.
very inspiring, thank you very much!
Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!
Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?
Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.
Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.
Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.
In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.
Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.
You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.
And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.
Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.
very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?
Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.
Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.
Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.
Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.
You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.
Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.
And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.
The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.
very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?
Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.
Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.
Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.
Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.
You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.
Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.
And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.
Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.
very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?
Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.
Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.
You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.
Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.
Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.
You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?
And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.
Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.
Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?
Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?
Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.
Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.
Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.
You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.
Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.
And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.
In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.
Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?
Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?
Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.
Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.
Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.
Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.
You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.
And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.
In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.
very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?
Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.
One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.
Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.
Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.
Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.
Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.
Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.
And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.
In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.
thank you, all very exciting and inspring suggestions
Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.
In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Orbs of Madjourneys
“I don’t know if it’s this place, but I never had so much trouble of keeping track of time…” Xavier mused.
As soon as he’d came back to the Inn after his errand with the bird, he’d finally caught up with Yasmin and Zara. Both of them were in their rooms, and they wasted no time to get going. Zara had called Youssef who was still at the shop, so they could all meet outside for drinks.
As soon as Youssef arrived, it was a huge rally cry of joy throughout the four of them.
“Funny” Xavier said pointing at Youssef’s chest. “This one isn’t letting you go, despite all the huggin’ — the glitter speck on your bear, I mean…” The others were looking at him like he’d been alien or something. “The glitter? Am I the only one to see it? Oh forget it…”
While the others were chatting about their day, Xavier was thinking about some of the bugs he had to fix in his program, as well as a flurry of ideas to improve the system. Coincidentally, Youssef had mentioned commissioning his help to do a robo-version of him to automatically answer his pesky and peppy boss. Well, he could probably do that, his friend didn’t seem too complex to model. As for doing his job… that was a stretch.
The gales of laughters, occasional snorting and clinks of the pints brought him back to reality.
While Zara was explaining all about the Carts race of the festival to Youssef, Yasmin leaned on conspiratorially:
“Over there, — don’t look, be casual — yes, behind me,… have you noticed that lady? She seems bizarre and a tad familiar, no? You haven’t met her before, like in the game or something?”
In reply to: The Jorid’s Travels – 14 years on
Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.
They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.
Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.
His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.
The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.
“This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.
Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”
Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”
“Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.
Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.
A new tile had appeared, with a distinct pattern form, almost like an ogee.
“Jorid, is this new?”
“Indeed Georges, our adventure has inspired me to create new avenues of exploration.”
“Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.
“Jorid, tell me more please.”
“Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”
“Absolutely, colour me intrigued!”
“The Sandshell:
Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
Families: Vold, Zuli, Ilda
Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”“I love it,” said Georges enthusiastically “can we use it to plot our next course?”
“As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”
Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”
“Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”
In reply to: A Dog and a Dig – The trenches of the Time Capsule
Potential Plot Arch
The uncovered box in the garden of Bob & Clara is a Time Capsule which was actually buried in the future, but mistakenly sent to the past. It has symbols etched on it, that activate some nano-technology.
Due to its contact with it, Bob starts recovering his memories, while retaining the hallucinations of his dead wife Jane, which actually become more credible and intense.Will Tarkin is actually a time traveler from the future, who came to live a simple life in the past, selling stone gargoyles at the local supermarket and rediscovering the ways of his ancestors.
With the box being found and opened at the wrong time, it creates unwanted attention from the Time Dragglers who need to intervene to prevent alterations of the timeline.
Contents of the box are in part encoded books of stories from local families and would have revealed important things about the past, Jane’s death, and Clara’s future.With Bob recovering his memories, it’s revealed Jane and Bob were actually also refugees from the future, but had aged naturally in the past, which is why Will seemed to recognize Bob. Bob was living in hiding from the Time Police, but with the box discovery, it changes everything. The box being opened at the wrong time disrupts the natural flow of events and starts causing unexpected consequences. This creates a complex web of relationships and events that must be untangled and understood in order to move forward.
With his recovering of mental capacities, Bob partners with Will in order to restore the natural flow of time, even if it means his mental health will deteriorate again, which he is happy to do while continuing to live the rest of his life span with his daughter.
Potential developments
Clara Meets the Mysterious Will
Nora finally reaches the little village where Clara and Bob live and is greeted by a man named Will
Will seems to know Bob from somewhere
Clara starts to feel suspicious of Will’s intentions and begins to investigateThe Power of Memories
Bob starts to have flashbacks of his past and begins to remember the connection between him, Will, and the mysterious time capsule
Bob realizes that Jane, his wife, had been keeping something from him and that the time capsule holds the key to unlocking the truth
Jane appears to Bob and urges him to tell Clara about their past and the significance of the time capsuleThe Truth Behind the Capsule
Nora, Clara, and Bob finally find the answers they’ve been searching for by opening the time capsule
The contents of the capsule reveal a shocking truth about Jane’s past and the reason behind her death
They learn that Jane was part of a secret society that protected ancient knowledge and artifacts and that the time capsule was meant to be opened at a specific time
The group realizes that they were meant to find the capsule and continue Jane’s work in protecting the knowledge and artifactsThe Ties Between Living and Dead
Bob comes to terms with Jane’s death and the role she played in their lives
Clara and Bob grow closer as they work together to continue Jane’s work and preserve the knowledge and artifacts
The group encounters obstacles but with the help of the spirits of the past, they are able to overcome them and succeed in their missionA Realization of the Past and Present
Clara, Bob, and Nora come to realize the power of memories and how they shape our present and future
They also learn that things never truly remain buried and that the past always finds a way to resurface
The group successfully preserves the knowledge and artifacts, ensuring that they will be passed down for generations to come
The story ends with Clara, Bob, and Nora sitting by the fire, reflecting on their journey and the lessons they’ve learned.In reply to: The Jorid’s Travels – 14 years on
The landing on the sandy desert of Bluhm’Oxl was smoother than usual. It usually took a few minutes to get accustomed to their surrounding, the body transformations that came together with jumping across dimensions. In this case, it looked as though this dimension was quite close to their own.
“Checking translation device…” Georges touched his ear lightly.
“Gremsbtic newkil jumbal” said Salomé in response. Georges looked quizzically at her face before realising she was pulling a classic prank.
She laughed heartily. “That joke’s never getting old, isn’t it?”
“Let’s walk a little in this direction, the rendez-vous point with Klatu isn’t too far.”
“Any idea how Jorid managed to make contact this time?” Salomé asked.
“Not sure really. Generally the quantum probability framework that’s built into the Jorid is managing to make trades across the multiverse that are quite complex to conceive or track down. Last time I tried to check, Jorid had traded one tardigrade to obtain us a couple of premium pass to the Amp’hool of Athumbra”
“Underwater Whalets’ concert from the UniverseTour of Shakara, yes that was quite a night to remember…” Salomé reminisced fondly.
“Fully booked for centuries, near impossible to get, and yet all it took was about a hundred of trades across multiple owners… No idea how it manages, but it found someone who was ready to trade their two front-row seats in exchange for a single Snoot’s hair.”
“And why are we meeting this guy by the way? What’s his specialty?” Salomé winked. “You left me with the dressing duty, so happy you did all the reconnaissance.”
Georges chucked. “all that Jorid said was: Klatu’s a relatively trustworthy Zathu, known for their expertise in dimensional magic, which is a crucial asset in your search for Léonard, presumably gone missing in the conflict-ridden Zathu sector.”
“Mmmh” said Salomé. “Dimensional magic. Rather unscientific for Jorid to express in that way. Nothing that I’ve recently dreamt about seems to relate. I guess we’ll see.”
In reply to: Train your subjective AI – text version
Give me an unusual plot structure for a narrative
One unusual plot structure for a narrative could be a “reverse chronological” structure, where the story begins at the end and works backwards in time, revealing events and information in a non-linear way. Another could be a “choose your own adventure” style, where the reader is presented with a series of choices at different points in the story that determine the direction and outcome of the plot.
How would role playing qualify in terms of plot structure?
Role-playing games (RPGs) can be considered a unique form of plot structure because they are interactive and open-ended. In a traditional RPG, the players take on the roles of characters within a fictional setting and work together to create a shared narrative. The plot structure of an RPG is determined by the actions and decisions of the players, rather than a pre-written script. The game master (GM) creates an overarching plot and a set of rules for the players to follow, but the players’ choices and actions will determine the direction and outcome of the story. This makes the plot structure of an RPG fluid and ever-changing, unlike a traditional linear narrative.
What about “Cloud Atlas” in terms of plot structure?
“Cloud Atlas” is a novel written by David Mitchell that was later adapted into a film. It has a complex and non-linear plot structure, which employs multiple storylines that are set in different time periods and locations, and are connected by recurring themes and motifs. The novel is divided into six nested stories, each set in a different time period and location, that are told in a non-linear fashion. The story begins in the 19th century and then jumps back and forth between the 19th, 20th and 23rd century, and each story is interconnected and interrelated, with characters reappearing in different time periods, the events that happen in one story impacting the others. The novel is also notable for its use of different genres, such as science fiction, historical fiction, and thriller, and the way it explores the themes of destiny, reincarnation, and the power of human connection. The film adaptation also used this structure, with the different stories intertwined and characters reprising their roles in different settings and eras.
Take a story thread made of comments. In each comment is a text about characters in a particular plot, location, action etc. The comments are sequential, but they are not necessarily continuous. It is a mix between Cloud Atlas and RPG plot structures. How do you sort something that’s fundamentally non-linear to present it in an accessible way?
One way to sort and present a story thread made of comments that is fundamentally non-linear, yet accessible, is to group the comments based on their content. For example, you could group the comments by characters, and present them in chronological order of their appearance in the story. Another way could be grouping the comments by location, and present them in chronological order of when the action takes place in that particular location. You could also group comments by the type of action taking place, such as combat, conversation, or puzzle-solving, and present them in chronological order of when they occur in the story.
Another approach could be using visual aids, such as mind maps, timelines, or flowcharts, to help organize and present the information in a clear and easy-to-understand way. For example, you could use a mind map to show how different characters are connected, or a timeline to show the chronology of events. Additionally, you could use labels, such as “character introduction,” “location change,” or “plot twist,” to make it clear to the reader what type of information they can expect in each comment.
It’s also important to keep in mind the audience for which you are organizing the story. It should be easy for them to understand and follow the story, and if it’s a game, you should make sure it’s easy for the players to play and make decisions.
In reply to: Prompts of Madjourneys
After a few tries:
- As the group has split up at the fork of the road, we discover a total of 4 new characters from the Land of the Quirks. Tell us how each group is encountering some or all of these characters, who they are, their gibberish-sounding names, and what is their quirks, and what they wear, or their activities. Make our main characters and maybe some of the new ones meet back at a common spot with a special event after that.
- please rewrite the above, retaining the eccentricity but more grounded, less childish, and with a little darker tone and mystery.
- please try again, make Spoink and Flibbertigibbet human and give them less endearing or friendly behaviours; name two more characters met on the road.
As the group split up at the fork of the road, each one encountered new characters from the Land of the Quirks.
Zara and Yasmin, who took the left path, met a man named “Sproink” who was a small, wiry man with a spring for a tail. He was always bouncing around and speaking in a language that sounded like a mix of gibberish and music. Sproink was a collector of shiny objects and had a bag full of them, he was also a scavenger, always looking for things to add to his collection. He was wearing a small top hat and a monocle. He was also known to be a bit of a thief and a con artist.
Xavier and Youssef, who took the right path, met a woman named “Flibbertigibbet” a tall, slender woman that had multiple arms. Flibbertigibbet was very talkative and friendly, always trying to strike up a conversation. She spoke in a language that sounded like a mix of gibberish and baby talk. She was a chef and was always carrying a pot and a spoon, but she also had a dark side, she was known to be a bit of a manipulator and a spy, always observing and gathering information for a mysterious organization. She was wearing a big chef hat and apron.
As the group met back at the fork, they were surprised to find that Sproink and Flibbertigibbet had also met there. The four new characters joined the group, and together they continued their journey to find the “Key of Quirks”. Along the way, they met two more characters;
They met a man named “Gibber” who was a tall, gaunt man with elongated limbs and fingers. He was always speaking in a language that sounded like a mix of gibberish and numbers. He was a mathematician and a scientist, always working on complex equations and theories. He was known to be a bit of a loner, and didn’t interact much with others. He was wearing a lab coat and goggles.
They also met a woman named “Glimmer” she was a short, plump woman with a shimmering skin that seemed to change color depending on the light. She was always speaking in a language that sounded like a mix of gibberish and poetry. She was an artist and a performer, always creating and performing in different shows. She was known to be a bit of a flirt and a bit of a drama queen. She was wearing a colorful and eccentric clothing, such as a flowy dress and a large hat adorned with feathers.
As the group journeyed on, they encountered more characters, each one with their own unique quirks and personalities. They met a variety of people, some friendly and some not so friendly, but all of them adding to the mysterious and unknown nature of the Land of the Quirks.
As the group reached the end of their journey and found the “Key of Quirks”, they realized that the key was not just a physical object but a symbol of acceptance and embracing individuality. They learned that the true key to leaving the Land of the Quirks was understanding and accepting the quirks of oneself and others.
The group had a bittersweet goodbye with their new friends, Sproink, Flibbertigibbet, Gibber and Glimmer, and the other characters they had met. They knew that they would always carry a piece of the Land of the Quirks with them and would always remember the mysterious and eccentric adventure they had.
In reply to: Train your subjective AI – text version
5 important keywords linked to Badul
- Action-space-time
- Harmonic fluid
- Rhythm
- Scale
- Choosing without limits.
Imagine four friends, Jib, Franci, Tracy, and Eric, who are all deeply connected through their shared passion for music and performance. They often spend hours together creating and experimenting with different sounds and rhythms.
One day, as they were playing together, they found that their combined energy had created a new essence, which they named Badul. This new essence was formed from the unique combination of their individual energies and personalities, and it quickly grew in autonomy and began to explore the world around it.
As Badul began to explore, it discovered that it had the ability to understand and create complex rhythms, and that it could use this ability to bring people together and help them find a sense of connection and purpose.
As Badul traveled, it would often come across individuals who were struggling to find their way in life. It would use its ability to create rhythm and connection to help these individuals understand themselves better and make the choices that were right for them.
In the scene, Badul is exploring a city, playing with the rhythms of the city, through the traffic, the steps of people, the ambiance. Badul would observe a person walking in the streets, head down, lost in thoughts. Badul would start playing a subtle tune, and as the person hears it, starts to walk with the rhythm, head up, starting to smile.
As the person continues to walk and follow the rhythm created by Badul, he begins to notice things he had never noticed before and begins to feel a sense of connection to the world around him. The music created by Badul serves as a guide, helping the person to understand himself and make the choices that will lead to a happier, more fulfilled life.
In this way, Badul’s focus is to bring people together, to connect them to themselves and to the world around them through the power of rhythm and music, and to be an ally in the search of personal revelation and understanding.
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: Family Stories From The Other Side ~ Book Two
Crime and Punishment in Tetbury
I noticed that there were quite a number of Brownings of Tetbury in the newspaper archives involved in criminal activities while doing a routine newspaper search to supplement the information in the usual ancestry records. I expanded the tree to include cousins, and offsping of cousins, in order to work out who was who and how, if at all, these individuals related to our Browning family.
I was expecting to find some of our Brownings involved in the Swing Riots in Tetbury in 1830, but did not. Most of our Brownings (including cousins) were stone masons. Most of the rioters in 1830 were agricultural labourers.
The Browning crimes are varied, and by todays standards, not for the most part terribly serious ~ you would be unlikely to receive a sentence of hard labour for being found in an outhouse with the intent to commit an unlawful act nowadays, or for being drunk.
The central character in this chapter is Isaac Browning (my 4x great grandfather), who did not appear in any criminal registers, but the following individuals can be identified in the family structure through their relationship to him.
RICHARD LOCK BROWNING born in 1853 was Isaac’s grandson, his son George’s son. Richard was a mason. In 1879 he and Henry Browning of the same age were sentenced to one month hard labour for stealing two pigeons in Tetbury. Henry Browning was Isaac’s nephews son.
In 1883 Richard Browning, mason of Tetbury, was charged with obtaining food and lodging under false pretences, but was found not guilty and acquitted.
In 1884 Richard Browning, mason of Tetbury, was sentenced to one month hard labour for game trespass.Richard had been fined a number of times in Tetbury:
Richard Lock Browning was five feet eight inches tall, dark hair, grey eyes, an oval face and a dark complexion. He had two cuts on the back of his head (in February 1879) and a scar on his right eyebrow.
HENRY BROWNING, who was stealing pigeons with Richard Lock Browning in 1879, (Isaac’s brother Williams grandson, son of George Browning and his wife Charity) was charged with being drunk in 1882 and ordered to pay a fine of one shilling and costs of fourteen shillings, or seven days hard labour.
Henry was found guilty of gaming in the highway at Tetbury in 1872 and was sentenced to seven days hard labour. In 1882 Henry (who was also a mason) was charged with assault but discharged.
Henry was five feet five inches tall, brown hair and brown eyes, a long visage and a fresh complexion.
Henry emigrated with his daughter to Canada in 1913, and died in Vancouver in 1919.THOMAS BUCKINGHAM 1808-1846 (Isaacs daughter Janes husband) was charged with stealing a black gelding in Tetbury in 1838. No true bill. (A “no true bill” means the jury did not find probable cause to continue a case.)
Thomas did however neglect to pay his taxes in 1832:
LEWIN BUCKINGHAM (grandson of Isaac, his daughter Jane’s son) was found guilty in 1846 stealing two fowls in Tetbury when he was sixteen years old.
In 1846 he was sentence to one month hard labour (or pay ten shillings fine and ten shillings costs) for loitering with the intent to trespass in search of conies.
A year later in 1847, he and three other young men were sentenced to four months hard labour for larceny.
Lewin was five feet three inches tall, with brown hair and brown eyes, long visage, sallow complexion, and had a scar on his left arm.JOHN BUCKINGHAM born circa 1832, a Tetbury labourer (Isaac’s grandson, Lewin’s brother) was sentenced to six weeks hard labour for larceny in 1855 for stealing a duck in Cirencester. The notes on the register mention that he had been employed by Mr LOCK, Angel Inn. (John’s grandmother was Mary Lock so this is likely a relative).
The previous year in 1854 John was sentenced to one month or a one pound fine for assaulting and beating W. Wood.
John was five feet eight and three quarter inches tall, light brown hair and grey eyes, an oval visage and a fresh complexion. He had a scar on his left arm and inside his right knee.JOSEPH PERRET was born circa 1831 and he was a Tetbury labourer. (He was Isaac’s granddaughter Charlotte Buckingham’s husband)
In 1855 he assaulted William Wood and was sentenced to one month or a two pound ten shilling fine. Was it the same W Wood that his wifes cousin John assaulted the year before?
In 1869 Joseph was sentenced to one month hard labour for feloniously receiving a cupboard known to be stolen.JAMES BUCKINGAM born circa 1822 in Tetbury was a shoemaker. (Isaac’s nephew, his sister Hannah’s son)
In 1854 the Tetbury shoemaker was sentenced to four months hard labour for stealing 30 lbs of lead off someones house.
In 1856 the Tetbury shoemaker received two months hard labour or pay £2 fine and 12 s costs for being found in pursuit of game.
In 1868 he was sentenced to two months hard labour for stealing a gander. A unspecified previous conviction is noted.
1871 the Tetbury shoemaker was found in an outhouse for an unlawful purpose and received ten days hard labour. The register notes that his sister is Mrs Cook, the Green, Tetbury. (James sister Prudence married Thomas Cook)
James sister Charlotte married a shoemaker and moved to UTAH.
James was five feet eight inches tall, dark hair and blue eyes, a long visage and a florid complexion. He had a scar on his forehead and a mole on the right side of his neck and abdomen, and a scar on the right knee.In reply to: Family Stories From The Other Side ~ Book Two
Colney Hatch Lunatic Asylum
William James Stokes
William James Stokes was the first son of Thomas Stokes and Eliza Browning. Oddly, his birth was registered in Witham in Essex, on the 6th September 1841.
Birth certificate of William James Stokes:
His father Thomas Stokes has not yet been found on the 1841 census, and his mother Eliza was staying with her uncle Thomas Lock in Cirencester in 1841. Eliza’s mother Mary Browning (nee Lock) was staying there too. Thomas and Eliza were married in September 1840 in Hempstead in Gloucestershire.
It’s a mystery why William was born in Essex but one possibility is that his father Thomas, who later worked with the Chipperfields making circus wagons, was staying with the Chipperfields who were wheelwrights in Witham in 1841. Or perhaps even away with a traveling circus at the time of the census, learning the circus waggon wheelwright trade. But this is a guess and it’s far from clear why Eliza would make the journey to Witham to have the baby when she was staying in Cirencester a few months prior.
In 1851 Thomas and Eliza, William and four younger siblings were living in Bledington in Oxfordshire.
William was a 19 year old wheelwright living with his parents in Evesham in 1861. He married Elizabeth Meldrum in December 1867 in Hackney, London. He and his father are both wheelwrights on the marriage register.
Marriage of William James Stokes and Elizabeth Meldrum in 1867:
William and Elizabeth had a daughter, Elizabeth Emily Stokes, in 1868 in Shoreditch, London.
On the 3rd of December 1870, William James Stokes was admitted to Colney Hatch Lunatic Asylum. One week later on the 10th of December, he was dead.
On his death certificate the cause of death was “general paralysis and exhaustion, certified. MD Edgar Sheppard in attendance.” William was just 29 years old.
Death certificate William James Stokes:
I asked on a genealogy forum what could possibly have caused this death at such a young age. A retired pathology professor replied that “in medicine the term General Paralysis is only used in one context – that of Tertiary Syphilis.”
“Tertiary syphilis is the third and final stage of syphilis, a sexually transmitted disease that unfolds in stages when the individual affected doesn’t receive appropriate treatment.”From the article “Looking back: This fascinating and fatal disease” by Jennifer Wallis:
“……in asylums across Britain in the late 19th century, with hundreds of people receiving the diagnosis of general paralysis of the insane (GPI). The majority of these were men in their 30s and 40s, all exhibiting one or more of the disease’s telltale signs: grandiose delusions, a staggering gait, disturbed reflexes, asymmetrical pupils, tremulous voice, and muscular weakness. Their prognosis was bleak, most dying within months, weeks, or sometimes days of admission.
The fatal nature of GPI made it of particular concern to asylum superintendents, who became worried that their institutions were full of incurable cases requiring constant care. The social effects of the disease were also significant, attacking men in the prime of life whose admission to the asylum frequently left a wife and children at home. Compounding the problem was the erratic behaviour of the general paralytic, who might get themselves into financial or legal difficulties. Delusions about their vast wealth led some to squander scarce family resources on extravagant purchases – one man’s wife reported he had bought ‘a quantity of hats’ despite their meagre income – and doctors pointed to the frequency of thefts by general paralytics who imagined that everything belonged to them.”
The London Archives hold the records for Colney Hatch, but they informed me that the particular records for the dates that William was admitted and died were in too poor a condition to be accessed without causing further damage.
Colney Hatch Lunatic Asylum gained such notoriety that the name “Colney Hatch” appeared in various terms of abuse associated with the concept of madness. Infamous inmates that were institutionalized at Colney Hatch (later called Friern Hospital) include Jack the Ripper suspect Aaron Kosminski from 1891, and from 1911 the wife of occultist Aleister Crowley. In 1993 the hospital grounds were sold and the exclusive apartment complex called Princess Park Manor was built.
Colney Hatch:
In 1873 Williams widow married William Hallam in Limehouse in London. Elizabeth died in 1930, apparently unaffected by her first husbands ailment.
In reply to: Family Stories From The Other Side ~ Book Two
Brownings of Tetbury
Isaac Browning (1784-1848) married Mary Lock (1787-1870) in Tetbury in 1806. Both of them were born in Tetbury, Gloucestershire. Isaac was a stone mason. Between 1807 and 1832 they baptised fourteen children in Tetbury, and on 8 Nov 1829 Isaac and Mary baptised five daughters all on the same day.
I considered that they may have been quintuplets, with only the last born surviving, which would have answered my question about the name of the house La Quinta in Broadway, the home of Eliza Browning and Thomas Stokes son Fred. However, the other four daughters were found in various records and they were not all born the same year. (So I still don’t know why the house in Broadway had such an unusual name).
Their son George was born and baptised in 1827, but Louisa born 1821, Susan born 1822, Hesther born 1823 and Mary born 1826, were not baptised until 1829 along with Charlotte born in 1828. (These birth dates are guesswork based on the age on later censuses.) Perhaps George was baptised promptly because he was sickly and not expected to survive. Isaac and Mary had a son George born in 1814 who died in 1823. Presumably the five girls were healthy and could wait to be done as a job lot on the same day later.
Eliza Browning (1814-1886), my great great great grandmother, had a baby six years before she married Thomas Stokes. Her name was Ellen Harding Browning, which suggests that her fathers name was Harding. On the 1841 census seven year old Ellen was living with her grandfather Isaac Browning in Tetbury. Ellen Harding Browning married William Dee in Tetbury in 1857, and they moved to Western Australia.
Ellen Harding Browning Dee: (photo found on ancestry website)
OBITUARY. MRS. ELLEN DEE.
A very old and respected resident of Dongarra, in the person of Mrs. Ellen Dee, passed peacefully away on Sept. 27, at the advanced age of 74 years.The deceased had been ailing for some time, but was about and actively employed until Wednesday, Sept. 20, whenn she was heard groaning by some neighbours, who immediately entered her place and found her lying beside the fireplace. Tho deceased had been to bed over night, and had evidently been in the act of lighting thc fire, when she had a seizure. For some hours she was conscious, but had lost the power of speech, and later on became unconscious, in which state she remained until her death.
The deceased was born in Gloucestershire, England, in 1833, was married to William Dee in Tetbury Church 23 years later. Within a month she left England with her husband for Western Australian in the ship City oí Bristol. She resided in Fremantle for six months, then in Greenough for a short time, and afterwards (for 42 years) in Dongarra. She was, therefore, a colonist of about 51 years. She had a family of four girls and three boys, and five of her children survive her, also 35 grandchildren, and eight great grandchildren. She was very highly respected, and her sudden collapse came as a great shock to many.
Eliza married Thomas Stokes (1816-1885) in September 1840 in Hempstead, Gloucestershire. On the 1841 census, Eliza and her mother Mary Browning (nee Lock) were staying with Thomas Lock and family in Cirencester. Strangely, Thomas Stokes has not been found thus far on the 1841 census, and Thomas and Eliza’s first child William James Stokes birth was registered in Witham, in Essex, on the 6th of September 1841.
I don’t know why William James was born in Witham, or where Thomas was at the time of the census in 1841. One possibility is that as Thomas Stokes did a considerable amount of work with circus waggons, circus shooting galleries and so on as a journeyman carpenter initially and then later wheelwright, perhaps he was working with a traveling circus at the time.
But back to the Brownings ~ more on William James Stokes to follow.
One of Isaac and Mary’s fourteen children died in infancy: Ann was baptised and died in 1811. Two of their children died at nine years old: the first George, and Mary who died in 1835. Matilda was 21 years old when she died in 1844.
Jane Browning (1808-) married Thomas Buckingham in 1830 in Tetbury. In August 1838 Thomas was charged with feloniously stealing a black gelding.
Susan Browning (1822-1879) married William Cleaver in November 1844 in Tetbury. Oddly thereafter they use the name Bowman on the census. On the 1851 census Mary Browning (Susan’s mother), widow, has grandson George Bowman born in 1844 living with her. The confusion with the Bowman and Cleaver names was clarified upon finding the criminal registers:
30 January 1834. Offender: William Cleaver alias Bowman, Richard Bunting alias Barnfield and Jeremiah Cox, labourers of Tetbury. Crime: Stealing part of a dead fence from a rick barton in Tetbury, the property of Robert Tanner, farmer.
And again in 1836:
29 March 1836 Bowman, William alias Cleaver, of Tetbury, labourer age 18; 5’2.5” tall, brown hair, grey eyes, round visage with fresh complexion; several moles on left cheek, mole on right breast. Charged on the oath of Ann Washbourn & others that on the morning of the 31 March at Tetbury feloniously stolen a lead spout affixed to the dwelling of the said Ann Washbourn, her property. Found guilty 31 March 1836; Sentenced to 6 months.
On the 1851 census Susan Bowman was a servant living in at a large drapery shop in Cheltenham. She was listed as 29 years old, married and born in Tetbury, so although it was unusual for a married woman not to be living with her husband, (or her son for that matter, who was living with his grandmother Mary Browning), perhaps her husband William Bowman alias Cleaver was in trouble again. By 1861 they are both living together in Tetbury: William was a plasterer, and they had three year old Isaac and Thomas, one year old. In 1871 William was still a plasterer in Tetbury, living with wife Susan, and sons Isaac and Thomas. Interestingly, a William Cleaver is living next door but one!
Susan was 56 when she died in Tetbury in 1879.
Three of the Browning daughters went to London.
Louisa Browning (1821-1873) married Robert Claxton, coachman, in 1848 in Bryanston Square, Westminster, London. Ester Browning was a witness.
Ester Browning (1823-1893)(or Hester) married Charles Hudson Sealey, cabinet maker, in Bethnal Green, London, in 1854. Charles was born in Tetbury. Charlotte Browning was a witness.
Charlotte Browning (1828-1867?) was admitted to St Marylebone workhouse in London for “parturition”, or childbirth, in 1860. She was 33 years old. A birth was registered for a Charlotte Browning, no mothers maiden name listed, in 1860 in Marylebone. A death was registered in Camden, buried in Marylebone, for a Charlotte Browning in 1867 but no age was recorded. As the age and parents were usually recorded for a childs death, I assume this was Charlotte the mother.
I found Charlotte on the 1851 census by chance while researching her mother Mary Lock’s siblings. Hesther Lock married Lewin Chandler, and they were living in Stepney, London. Charlotte is listed as a neice. Although Browning is mistranscribed as Broomey, the original page says Browning. Another mistranscription on this record is Hesthers birthplace which is transcribed as Yorkshire. The original image shows Gloucestershire.
Isaac and Mary’s first son was John Browning (1807-1860). John married Hannah Coates in 1834. John’s brother Charles Browning (1819-1853) married Eliza Coates in 1842. Perhaps they were sisters. On the 1861 census Hannah Browning, John’s wife, was a visitor in the Harding household in a village called Coates near Tetbury. Thomas Harding born in 1801 was the head of the household. Perhaps he was the father of Ellen Harding Browning.
George Browning (1828-1870) married Louisa Gainey in Tetbury, and died in Tetbury at the age of 42. Their son Richard Lock Browning, a 32 year old mason, was sentenced to one month hard labour for game tresspass in Tetbury in 1884.
Isaac Browning (1832-1857) was the youngest son of Isaac and Mary. He was just 25 years old when he died in Tetbury.
In reply to: The Elusive Samuel Housley and Other Family Stories
To Australia
Grettons
Charles Herbert Gretton 1876-1954
Charles Gretton, my great grandmothers youngest brother, arrived in Sydney Australia on 12 February 1912, having set sail on 5 January 1912 from London. His occupation on the passenger list was stockman, and he was traveling alone. Later that year, in October, his wife and two sons sailed out to join him.
Charles was born in Swadlincote. He married Mary Anne Illsley, a local girl from nearby Church Gresley, in 1898. Their first son, Leslie Charles Bloemfontein Gretton, was born in 1900 in Church Gresley, and their second son, George Herbert Gretton, was born in 1910 in Swadlincote. In 1901 Charles was a colliery worker, and on the 1911 census, his occupation was a sanitary ware packer.
Charles and Mary Anne had two more sons, both born in Footscray: Frank Orgill Gretton in 1914, and Arthur Ernest Gretton in 1920.
On the Australian 1914 electoral rolls, Charles and Mary Ann were living at 72 Moreland Street, Footscray, and in 1919 at 134 Cowper Street, Footscray, and Charles was a labourer. In 1924, Charles was a sub foreman, living at 3, Ryan Street E, Footscray, Australia. On a later electoral register, Charles was a foreman. Footscray is a suburb of Melbourne, and developed into an industrial zone in the second half of the nineteenth century.
Charles died in Victoria in 1954 at the age of 77. His wife Mary Ann died in 1958.
Charles and Mary Ann Gretton:
Leslie Charles Bloemfontein Gretton 1900-1955
Leslie was an electrician. He married Ethel Christine Halliday, born in 1900 in Footscray, in 1927. They had four children: Tom, Claire, Nancy and Frank. By 1943 they were living in Yallourn. Yallourn, Victoria was a company town in Victoria, Australia built between the 1920s and 1950s to house employees of the State Electricity Commission of Victoria, who operated the nearby Yallourn Power Station complex. However, expansion of the adjacent open-cut brown coal mine led to the closure and removal of the town in the 1980s.
On the 1954 electoral registers, daughter Claire Elizabeth Gretton, occupation teacher, was living at the same address as Leslie and Ethel.
Leslie died in Yallourn in 1955, and Ethel nine years later in 1964, also in Yallourn.
George Herbert Gretton 1910-1970
George married Florence May Hall in 1934 in Victoria, Australia. In 1942 George was listed on the electoral roll as a grocer, likewise in 1949. In 1963 his occupation was a process worker, and in 1968 in Flinders, a horticultural advisor.
George died in Lang Lang, not far from Melbourne, in 1970.
Frank Orgill Gretton 1914-
Arthur Ernest Gretton 1920-
Orgills
John Orgill 1835-1911
John Orgill was Charles Herbert Gretton’s uncle. He emigrated to Australia in 1865, and married Elizabeth Mary Gladstone 1845-1926 in Victoria in 1870. Their first child was born in December that year, in Dandenong. They had seven children, and their three sons all have the middle name Gladstone.
John Orgill was a councillor for the Shire of Dandenong in 1873, and between 1876 and 1879.
John Orgill:
John Orgill obituary in the South Bourke and Mornington Journal, 21 December 1911:
John’s wife Elizabeth Orgill, a teacher and a “a public spirited lady” according to newspaper articles, opened a hydropathic hospital in Dandenong called Gladstone House.
Elizabeth Gladstone Orgill:
On the Old Dandenong website:
Gladstone House hydropathic hospital on the corner of Langhorne and Foster streets (153 Foster Street) Dandenong opened in 1896, working on the theory of water therapy, no medicine or operations. Her husband passed away in 1911 at 77, around similar time Dr Barclay Thompson obtained control of the practice. Mrs Orgill remaining on in some capacity.
Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).
Around 1912 Dr A. E. Taylor took over the location from Dr. Barclay Thompson. Mrs Orgill was still working here but no longer controlled the practice, having given it up to Barclay. Taylor served as medical officer for the Shire for before his death in 1939. After Taylor’s death Dr. T. C. Reeves bought his practice in 1939, later that year being appointed medical officer,
Gladstone Road in Dandenong is named after her family, who owned and occupied a farming paddock in the area on former Police Paddock ground, the Police reserve having earlier been reduced back to Stud Road.
Hydropathy (now known as Hydrotherapy) and also called water cure, is a part of medicine and alternative medicine, in particular of naturopathy, occupational therapy and physiotherapy, that involves the use of water for pain relief and treatment.
Gladstone House, Dandenong:
John’s brother Robert Orgill 1830-1915 also emigrated to Australia. I met (online) his great great grand daughter Lidya Orgill via the Old Dandenong facebook group.
John’s other brother Thomas Orgill 1833-1908 also emigrated to the same part of Australia.
Thomas Orgill:
One of Thomas Orgills sons was George Albert Orgill 1880-1949:
A letter was published in The South Bourke & Mornington Journal (Richmond, Victoria, Australia) on 17 Jun 1915, to Tom Orgill, Emerald Hill (South Melbourne) from hospital by his brother George Albert Orgill (4th Pioneers) describing landing of Covering Party prior to dawn invasion of Gallipoli:
Another brother Henry Orgill 1837-1916 was born in Measham and died in Dandenong, Australia. Henry was a bricklayer living in Measham on the 1861 census. Also living with his widowed mother Elizabeth at that address was his sister Sarah and her husband Richard Gretton, the baker (my great great grandparents). In October of that year he sailed to Melbourne. His occupation was bricklayer on his death records in 1916.
Two of Henry’s sons, Arthur Garfield Orgill born 1888 and Ernest Alfred Orgill born 1880 were killed in action in 1917 and buried in Nord-Pas-de-Calais, France. Another son, Frederick Stanley Orgill, died in 1897 at the age of seven.
A fifth brother, William Orgill 1842- sailed from Liverpool to Melbourne in 1861, at 19 years of age. Four years later in 1865 he sailed from Victoria, Australia to New Zealand.
I assumed I had found all of the Orgill brothers who went to Australia, and resumed research on the Orgills in Measham, in England. A search in the British Newspaper Archives for Orgills in Measham revealed yet another Orgill brother who had gone to Australia.
Matthew Orgill 1828-1907 went to South Africa and to Australia, but returned to Measham.
The Orgill brothers had two sisters. One was my great great great grandmother Sarah, and the other was Hannah. Hannah married Francis Hart in Measham. One of her sons, John Orgill Hart 1862-1909, was born in Measham. On the 1881 census he was a 19 year old carpenters apprentice. Two years later in 1883 he was listed as a joiner on the passenger list of the ship Illawarra, bound for Australia. His occupation at the time of his death in Dandenong in 1909 was contractor.
An additional coincidental note about Dandenong: my step daughter Emily’s Australian partner is from Dandenong.
Housleys
Charles Housley 1823-1856
Charles Housley emigrated to Australia in 1851, the same year that his brother George emigrated to USA. Charles is mentioned in the Narrative on the Letters by Barbara Housley, and appears in the Housley Letters chapters.
Rushbys
George “Mike” Rushby 1933-
Mike moved to Australia from South Africa. His story is a separate chapter.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued part 9
With thanks to Mike Rushby.
Lyamungu 3rd January 1945
Dearest Family.
We had a novel Christmas this year. We decided to avoid the expense of
entertaining and being entertained at Lyamungu, and went off to spend Christmas
camping in a forest on the Western slopes of Kilimanjaro. George decided to combine
business with pleasure and in this way we were able to use Government transport.
We set out the day before Christmas day and drove along the road which skirts
the slopes of Kilimanjaro and first visited a beautiful farm where Philip Teare, the ex
Game Warden, and his wife Mary are staying. We had afternoon tea with them and then
drove on in to the natural forest above the estate and pitched our tent beside a small
clear mountain stream. We decorated the tent with paper streamers and a few small
balloons and John found a small tree of the traditional shape which we decorated where
it stood with tinsel and small ornaments.We put our beer, cool drinks for the children and bottles of fresh milk from Simba
Estate, in the stream and on Christmas morning they were as cold as if they had been in
the refrigerator all night. There were not many presents for the children, there never are,
but they do not seem to mind and are well satisfied with a couple of balloons apiece,
sweets, tin whistles and a book each.George entertain the children before breakfast. He can make a magical thing out
of the most ordinary balloon. The children watched entranced as he drew on his pipe
and then blew the smoke into the balloon. He then pinched the neck of the balloon
between thumb and forefinger and released the smoke in little puffs. Occasionally the
balloon ejected a perfect smoke ring and the forest rang with shouts of “Do it again
Daddy.” Another trick was to blow up the balloon to maximum size and then twist the
neck tightly before releasing. Before subsiding the balloon darted about in a crazy
fashion causing great hilarity. Such fun, at the cost of a few pence.After breakfast George went off to fish for trout. John and Jim decided that they
also wished to fish so we made rods out of sticks and string and bent pins and they
fished happily, but of course quite unsuccessfully, for hours. Both of course fell into the
stream and got soaked, but I was prepared for this, and the little stream was so shallow
that they could not come to any harm. Henry played happily in the sand and I had a
most peaceful morning.Hamisi roasted a chicken in a pot over the camp fire and the jelly set beautifully in the
stream. So we had grilled trout and chicken for our Christmas dinner. I had of course
taken an iced cake for the occasion and, all in all, it was a very successful Christmas day.
On Boxing day we drove down to the plains where George was to investigate a
report of game poaching near the Ngassari Furrow. This is a very long ditch which has
been dug by the Government for watering the Masai stock in the area. It is also used by
game and we saw herds of zebra and wildebeest, and some Grant’s Gazelle and
giraffe, all comparatively tame. At one point a small herd of zebra raced beside the lorry
apparently enjoying the fun of a gallop. They were all sleek and fat and looked wild and
beautiful in action.We camped a considerable distance from the water but this precaution did not
save us from the mosquitoes which launched a vicious attack on us after sunset, so that
we took to our beds unusually early. They were on the job again when we got up at
sunrise so I was very glad when we were once more on our way home.“I like Christmas safari. Much nicer that silly old party,” said John. I agree but I think
it is time that our children learned to play happily with others. There are no other young
children at Lyamungu though there are two older boys and a girl who go to boarding
school in Nairobi.On New Years Day two Army Officers from the military camp at Moshi, came for
tea and to talk game hunting with George. I think they rather enjoy visiting a home and
seeing children and pets around.Eleanor.
Lyamungu 14 May 1945
Dearest Family.
So the war in Europe is over at last. It is such marvellous news that I can hardly
believe it. To think that as soon as George can get leave we will go to England and
bring Ann and George home with us to Tanganyika. When we know when this leave can
be arranged we will want Kate to join us here as of course she must go with us to
England to meet George’s family. She has become so much a part of your lives that I
know it will be a wrench for you to give her up but I know that you will all be happy to
think that soon our family will be reunited.The V.E. celebrations passed off quietly here. We all went to Moshi to see the
Victory Parade of the King’s African Rifles and in the evening we went to a celebration
dinner at the Game Warden’s house. Besides ourselves the Moores had invited the
Commanding Officer from Moshi and a junior officer. We had a very good dinner and
many toasts including one to Mrs Moore’s brother, Oliver Milton who is fighting in Burma
and has recently been awarded the Military Cross.There was also a celebration party for the children in the grounds of the Moshi
Club. Such a spread! I think John and Jim sampled everything. We mothers were
having our tea separately and a friend laughingly told me to turn around and have a look.
I did, and saw the long tea tables now deserted by all the children but my two sons who
were still eating steadily, and finding the party more exciting than the game of Musical
Bumps into which all the other children had entered with enthusiasm.There was also an extremely good puppet show put on by the Italian prisoners
of war from the camp at Moshi. They had made all the puppets which included well
loved characters like Snow White and the Seven Dwarfs and the Babes in the Wood as
well as more sophisticated ones like an irritable pianist and a would be prima donna. The
most popular puppets with the children were a native askari and his family – a very
happy little scene. I have never before seen a puppet show and was as entranced as
the children. It is amazing what clever manipulation and lighting can do. I believe that the
Italians mean to take their puppets to Nairobi and am glad to think that there, they will
have larger audiences to appreciate their art.George has just come in, and I paused in my writing to ask him for the hundredth
time when he thinks we will get leave. He says I must be patient because it may be a
year before our turn comes. Shipping will be disorganised for months to come and we
cannot expect priority simply because we have been separated so long from our
children. The same situation applies to scores of other Government Officials.
I have decided to write the story of my childhood in South Africa and about our
life together in Tanganyika up to the time Ann and George left the country. I know you
will have told Kate these stories, but Ann and George were so very little when they left
home that I fear that they cannot remember much.My Mother-in-law will have told them about their father but she can tell them little
about me. I shall send them one chapter of my story each month in the hope that they
may be interested and not feel that I am a stranger when at last we meet again.Eleanor.
Lyamungu 19th September 1945
Dearest Family.
In a months time we will be saying good-bye to Lyamungu. George is to be
transferred to Mbeya and I am delighted, not only as I look upon Mbeya as home, but
because there is now a primary school there which John can attend. I feel he will make
much better progress in his lessons when he realises that all children of his age attend
school. At present he is putting up a strong resistance to learning to read and spell, but
he writes very neatly, does his sums accurately and shows a real talent for drawing. If
only he had the will to learn I feel he would do very well.Jim now just four, is too young for lessons but too intelligent to be interested in
the ayah’s attempts at entertainment. Yes I’ve had to engage a native girl to look after
Henry from 9 am to 12.30 when I supervise John’s Correspondence Course. She is
clean and amiable, but like most African women she has no initiative at all when it comes
to entertaining children. Most African men and youths are good at this.I don’t regret our stay at Lyamungu. It is a beautiful spot and the change to the
cooler climate after the heat of Morogoro has been good for all the children. John is still
tall for his age but not so thin as he was and much less pale. He is a handsome little lad
with his large brown eyes in striking contrast to his fair hair. He is wary of strangers but
very observant and quite uncanny in the way he sums up people. He seldom gets up
to mischief but I have a feeling he eggs Jim on. Not that Jim needs egging.Jim has an absolute flair for mischief but it is all done in such an artless manner that
it is not easy to punish him. He is a very sturdy child with a cap of almost black silky hair,
eyes brown, like mine, and a large mouth which is quick to smile and show most beautiful
white and even teeth. He is most popular with all the native servants and the Game
Scouts. The servants call Jim, ‘Bwana Tembo’ (Mr Elephant) because of his sturdy
build.Henry, now nearly two years old, is quite different from the other two in
appearance. He is fair complexioned and fair haired like Ann and Kate, with large, black
lashed, light grey eyes. He is a good child, not so merry as Jim was at his age, nor as
shy as John was. He seldom cries, does not care to be cuddled and is independent and
strong willed. The servants call Henry, ‘Bwana Ndizi’ (Mr Banana) because he has an
inexhaustible appetite for this fruit. Fortunately they are very inexpensive here. We buy
an entire bunch which hangs from a beam on the back verandah, and pluck off the
bananas as they ripen. This way there is no waste and the fruit never gets bruised as it
does in greengrocers shops in South Africa. Our three boys make a delightful and
interesting trio and I do wish you could see them for yourselves.We are delighted with the really beautiful photograph of Kate. She is an
extraordinarily pretty child and looks so happy and healthy and a great credit to you.
Now that we will be living in Mbeya with a school on the doorstep I hope that we will
soon be able to arrange for her return home.Eleanor.
c/o Game Dept. Mbeya. 30th October 1945
Dearest Family.
How nice to be able to write c/o Game Dept. Mbeya at the head of my letters.
We arrived here safely after a rather tiresome journey and are installed in a tiny house on
the edge of the township.We left Lyamungu early on the morning of the 22nd. Most of our goods had
been packed on the big Ford lorry the previous evening, but there were the usual
delays and farewells. Of our servants, only the cook, Hamisi, accompanied us to
Mbeya. Japhet, Tovelo and the ayah had to be paid off and largesse handed out.
Tovelo’s granny had come, bringing a gift of bananas, and she also brought her little
granddaughter to present a bunch of flowers. The child’s little scolded behind is now
completely healed. Gifts had to be found for them too.At last we were all aboard and what a squash it was! Our few pieces of furniture
and packing cases and trunks, the cook, his wife, the driver and the turney boy, who
were to take the truck back to Lyamungu, and all their bits and pieces, bunches of
bananas and Fanny the dog were all crammed into the body of the lorry. George, the
children and I were jammed together in the cab. Before we left George looked
dubiously at the tyres which were very worn and said gloomily that he thought it most
unlikely that we would make our destination, Dodoma.Too true! Shortly after midday, near Kwakachinja, we blew a back tyre and there
was a tedious delay in the heat whilst the wheel was changed. We were now without a
spare tyre and George said that he would not risk taking the Ford further than Babati,
which is less than half way to Dodoma. He drove very slowly and cautiously to Babati
where he arranged with Sher Mohammed, an Indian trader, for a lorry to take us to
Dodoma the next morning.It had been our intention to spend the night at the furnished Government
Resthouse at Babati but when we got there we found that it was already occupied by
several District Officers who had assembled for a conference. So, feeling rather
disgruntled, we all piled back into the lorry and drove on to a place called Bereku where
we spent an uncomfortable night in a tumbledown hut.Before dawn next morning Sher Mohammed’s lorry drove up, and there was a
scramble to dress by the light of a storm lamp. The lorry was a very dilapidated one and
there was already a native woman passenger in the cab. I felt so tired after an almost
sleepless night that I decided to sit between the driver and this woman with the sleeping
Henry on my knee. It was as well I did, because I soon found myself dosing off and
drooping over towards the woman. Had she not been there I might easily have fallen
out as the battered cab had no door. However I was alert enough when daylight came
and changed places with the woman to our mutual relief. She was now able to converse
with the African driver and I was able to enjoy the scenery and the fresh air!
George, John and Jim were less comfortable. They sat in the lorry behind the
cab hemmed in by packing cases. As the lorry was an open one the sun beat down
unmercifully upon them until George, ever resourceful, moved a table to the front of the
truck. The two boys crouched under this and so got shelter from the sun but they still had
to endure the dust. Fanny complicated things by getting car sick and with one thing and
another we were all jolly glad to get to Dodoma.We spent the night at the Dodoma Hotel and after hot baths, a good meal and a
good nights rest we cheerfully boarded a bus of the Tanganyika Bus Service next
morning to continue our journey to Mbeya. The rest of the journey was uneventful. We slept two nights on the road, the first at Iringa Hotel and the second at Chimala. We
reached Mbeya on the 27th.I was rather taken aback when I first saw the little house which has been allocated
to us. I had become accustomed to the spacious houses we had in Morogoro and
Lyamungu. However though the house is tiny it is secluded and has a long garden
sloping down to the road in front and another long strip sloping up behind. The front
garden is shaded by several large cypress and eucalyptus trees but the garden behind
the house has no shade and consists mainly of humpy beds planted with hundreds of
carnations sadly in need of debudding. I believe that the previous Game Ranger’s wife
cultivated the carnations and, by selling them, raised money for War Funds.
Like our own first home, this little house is built of sun dried brick. Its original
owners were Germans. It is now rented to the Government by the Custodian of Enemy
Property, and George has his office in another ex German house.This afternoon we drove to the school to arrange about enrolling John there. The
school is about four miles out of town. It was built by the German settlers in the late
1930’s and they were justifiably proud of it. It consists of a great assembly hall and
classrooms in one block and there are several attractive single storied dormitories. This
school was taken over by the Government when the Germans were interned on the
outbreak of war and many improvements have been made to the original buildings. The
school certainly looks very attractive now with its grassed playing fields and its lawns and
bright flower beds.The Union Jack flies from a tall flagpole in front of the Hall and all traces of the
schools German origin have been firmly erased. We met the Headmaster, Mr
Wallington, and his wife and some members of the staff. The school is co-educational
and caters for children from the age of seven to standard six. The leaving age is elastic
owing to the fact that many Tanganyika children started school very late because of lack
of educational facilities in this country.The married members of the staff have their own cottages in the grounds. The
Matrons have quarters attached to the dormitories for which they are responsible. I felt
most enthusiastic about the school until I discovered that the Headmaster is adamant
upon one subject. He utterly refuses to take any day pupils at the school. So now our
poor reserved Johnny will have to adjust himself to boarding school life.
We have arranged that he will start school on November 5th and I shall be very
busy trying to assemble his school uniform at short notice. The clothing list is sensible.
Boys wear khaki shirts and shorts on weekdays with knitted scarlet jerseys when the
weather is cold. On Sundays they wear grey flannel shorts and blazers with the silver
and scarlet school tie.Mbeya looks dusty, brown and dry after the lush evergreen vegetation of
Lyamungu, but I prefer this drier climate and there are still mountains to please the eye.
In fact the lower slopes of Lolesa Mountain rise at the upper end of our garden.Eleanor.
c/o Game Dept. Mbeya. 21st November 1945
Dearest Family.
We’re quite settled in now and I have got the little house fixed up to my
satisfaction. I have engaged a rather uncouth looking houseboy but he is strong and
capable and now that I am not tied down in the mornings by John’s lessons I am able to
go out occasionally in the mornings and take Jim and Henry to play with other children.
They do not show any great enthusiasm but are not shy by nature as John is.
I have had a good deal of heartache over putting John to boarding school. It
would have been different had he been used to the company of children outside his
own family, or if he had even known one child there. However he seems to be adjusting
himself to the life, though slowly. At least he looks well and tidy and I am quite sure that
he is well looked after.I must confess that when the time came for John to go to school I simply did not
have the courage to take him and he went alone with George, looking so smart in his
new uniform – but his little face so bleak. The next day, Sunday, was visiting day but the
Headmaster suggested that we should give John time to settle down and not visit him
until Wednesday.When we drove up to the school I spied John on the far side of the field walking
all alone. Instead of running up with glad greetings, as I had expected, he came almost
reluctently and had little to say. I asked him to show me his dormitory and classroom and
he did so politely as though I were a stranger. At last he volunteered some information.
“Mummy,” he said in an awed voice, Do you know on the night I came here they burnt a
man! They had a big fire and they burnt him.” After a blank moment the penny dropped.
Of course John had started school and November the fifth but it had never entered my
head to tell him about that infamous character, Guy Fawkes!I asked John’s Matron how he had settled down. “Well”, she said thoughtfully,
“John is very good and has not cried as many of the juniors do when they first come
here, but he seems to keep to himself all the time.” I went home very discouraged but
on the Sunday John came running up with another lad of about his own age.” This is my
friend Marks,” he announced proudly. I could have hugged Marks.Mbeya is very different from the small settlement we knew in the early 1930’s.
Gone are all the colourful characters from the Lupa diggings for the alluvial claims are all
worked out now, gone also are our old friends the Menzies from the Pub and also most
of the Government Officials we used to know. Mbeya has lost its character of a frontier
township and has become almost suburban.The social life revolves around two places, the Club and the school. The Club
which started out as a little two roomed building, has been expanded and the golf
course improved. There are also tennis courts and a good library considering the size of
the community. There are frequent parties and dances, though most of the club revenue
comes from Bar profits. The parties are relatively sober affairs compared with the parties
of the 1930’s.The school provides entertainment of another kind. Both Mr and Mrs Wallington
are good amateur actors and I am told that they run an Amateur Dramatic Society. Every
Wednesday afternoon there is a hockey match at the school. Mbeya town versus a
mixed team of staff and scholars. The match attracts almost the whole European
population of Mbeya. Some go to play hockey, others to watch, and others to snatch
the opportunity to visit their children. I shall have to try to arrange a lift to school when
George is away on safari.I have now met most of the local women and gladly renewed an old friendship
with Sheilagh Waring whom I knew two years ago at Morogoro. Sheilagh and I have
much in common, the same disregard for the trappings of civilisation, the same sense of
the ludicrous, and children. She has eight to our six and she has also been cut off by the
war from two of her children. Sheilagh looks too young and pretty to be the mother of so
large a family and is, in fact, several years younger than I am. her husband, Donald, is a
large quiet man who, as far as I can judge takes life seriously.Our next door neighbours are the Bank Manager and his wife, a very pleasant
couple though we seldom meet. I have however had correspondence with the Bank
Manager. Early on Saturday afternoon their houseboy brought a note. It informed me
that my son was disturbing his rest by precipitating a heart attack. Was I aware that my
son was about 30 feet up in a tree and balanced on a twig? I ran out and,sure enough,
there was Jim, right at the top of the tallest eucalyptus tree. It would be the one with the
mound of stones at the bottom! You should have heard me fluting in my most
wheedling voice. “Sweets, Jimmy, come down slowly dear, I’ve some nice sweets for
you.”I’ll bet that little story makes you smile. I remember how often you have told me
how, as a child, I used to make your hearts turn over because I had no fear of heights
and how I used to say, “But that is silly, I won’t fall.” I know now only too well, how you
must have felt.Eleanor.
c/o Game Dept. Mbeya. 14th January 1946
Dearest Family.
I hope that by now you have my telegram to say that Kate got home safely
yesterday. It was wonderful to have her back and what a beautiful child she is! Kate
seems to have enjoyed the train journey with Miss Craig, in spite of the tears she tells
me she shed when she said good-bye to you. She also seems to have felt quite at
home with the Hopleys at Salisbury. She flew from Salisbury in a small Dove aircraft
and they had a smooth passage though Kate was a little airsick.I was so excited about her home coming! This house is so tiny that I had to turn
out the little store room to make a bedroom for her. With a fresh coat of whitewash and
pretty sprigged curtains and matching bedspread, borrowed from Sheilagh Waring, the
tiny room looks most attractive. I had also iced a cake, made ice-cream and jelly and
bought crackers for the table so that Kate’s home coming tea could be a proper little
celebration.I was pleased with my preparations and then, a few hours before the plane was
due, my crowned front tooth dropped out, peg and all! When my houseboy wants to
describe something very tatty, he calls it “Second-hand Kabisa.” Kabisa meaning
absolutely. That is an apt description of how I looked and felt. I decided to try some
emergency dentistry. I think you know our nearest dentist is at Dar es Salaam five
hundred miles away.First I carefully dried the tooth and with a match stick covered the peg and base
with Durofix. I then took the infants rubber bulb enema, sucked up some heat from a
candle flame and pumped it into the cavity before filling that with Durofix. Then hopefully
I stuck the tooth in its former position and held it in place for several minutes. No good. I
sent the houseboy to a shop for Scotine and tried the whole process again. No good
either.When George came home for lunch I appealed to him for advice. He jokingly
suggested that a maize seed jammed into the space would probably work, but when
he saw that I really was upset he produced some chewing gum and suggested that I
should try that . I did and that worked long enough for my first smile anyway.
George and the three boys went to meet Kate but I remained at home to
welcome her there. I was afraid that after all this time away Kate might be reluctant to
rejoin the family but she threw her arms around me and said “Oh Mummy,” We both
shed a few tears and then we both felt fine.How gay Kate is, and what an infectious laugh she has! The boys follow her
around in admiration. John in fact asked me, “Is Kate a Princess?” When I said
“Goodness no, Johnny, she’s your sister,” he explained himself by saying, “Well, she
has such golden hair.” Kate was less complementary. When I tucked her in bed last night
she said, “Mummy, I didn’t expect my little brothers to be so yellow!” All three boys
have been taking a course of Atebrin, an anti-malarial drug which tinges skin and eyeballs
yellow.So now our tiny house is bursting at its seams and how good it feels to have one
more child under our roof. We are booked to sail for England in May and when we return
we will have Ann and George home too. Then I shall feel really content.Eleanor.
c/o Game Dept. Mbeya. 2nd March 1946
Dearest Family.
My life just now is uneventful but very busy. I am sewing hard and knitting fast to
try to get together some warm clothes for our leave in England. This is not a simple
matter because woollen materials are in short supply and very expensive, and now that
we have boarding school fees to pay for both Kate and John we have to budget very
carefully indeed.Kate seems happy at school. She makes friends easily and seems to enjoy
communal life. John also seems reconciled to school now that Kate is there. He no
longer feels that he is the only exile in the family. He seems to rub along with the other
boys of his age and has a couple of close friends. Although Mbeya School is coeducational
the smaller boys and girls keep strictly apart. It is considered extremely
cissy to play with girls.The local children are allowed to go home on Sundays after church and may bring
friends home with them for the day. Both John and Kate do this and Sunday is a very
busy day for me. The children come home in their Sunday best but bring play clothes to
change into. There is always a scramble to get them to bath and change again in time to
deliver them to the school by 6 o’clock.When George is home we go out to the school for the morning service. This is
taken by the Headmaster Mr Wallington, and is very enjoyable. There is an excellent
school choir to lead the singing. The service is the Church of England one, but is
attended by children of all denominations, except the Roman Catholics. I don’t think that
more than half the children are British. A large proportion are Greeks, some as old as
sixteen, and about the same number are Afrikaners. There are Poles and non-Nazi
Germans, Swiss and a few American children.All instruction is through the medium of English and it is amazing how soon all the
foreign children learn to chatter in English. George has been told that we will return to
Mbeya after our leave and for that I am very thankful as it means that we will still be living
near at hand when Jim and Henry start school. Because many of these children have to
travel many hundreds of miles to come to school, – Mbeya is a two day journey from the
railhead, – the school year is divided into two instead of the usual three terms. This
means that many of these children do not see their parents for months at a time. I think
this is a very sad state of affairs especially for the seven and eight year olds but the
Matrons assure me , that many children who live on isolated farms and stations are quite
reluctant to go home because they miss the companionship and the games and
entertainment that the school offers.My only complaint about the life here is that I see far too little of George. He is
kept extremely busy on this range and is hardly at home except for a few days at the
months end when he has to be at his office to check up on the pay vouchers and the
issue of ammunition to the Scouts. George’s Range takes in the whole of the Southern
Province and the Southern half of the Western Province and extends to the border with
Northern Rhodesia and right across to Lake Tanganyika. This vast area is patrolled by
only 40 Game Scouts because the Department is at present badly under staffed, due
partly to the still acute shortage of rifles, but even more so to the extraordinary reluctance
which the Government shows to allocate adequate funds for the efficient running of the
Department.The Game Scouts must see that the Game Laws are enforced, protect native
crops from raiding elephant, hippo and other game animals. Report disease amongst game and deal with stock raiding lions. By constantly going on safari and checking on
their work, George makes sure the range is run to his satisfaction. Most of the Game
Scouts are fine fellows but, considering they receive only meagre pay for dangerous
and exacting work, it is not surprising that occasionally a Scout is tempted into accepting
a bribe not to report a serious infringement of the Game Laws and there is, of course,
always the temptation to sell ivory illicitly to unscrupulous Indian and Arab traders.
Apart from supervising the running of the Range, George has two major jobs.
One is to supervise the running of the Game Free Area along the Rhodesia –
Tanganyika border, and the other to hunt down the man-eating lions which for years have
terrorised the Njombe District killing hundreds of Africans. Yes I know ‘hundreds’ sounds
fantastic, but this is perfectly true and one day, when the job is done and the official
report published I shall send it to you to prove it!I hate to think of the Game Free Area and so does George. All the game from
buffalo to tiny duiker has been shot out in a wide belt extending nearly two hundred
miles along the Northern Rhodesia -Tanganyika border. There are three Europeans in
widely spaced camps who supervise this slaughter by African Game Guards. This
horrible measure is considered necessary by the Veterinary Departments of
Tanganyika, Rhodesia and South Africa, to prevent the cattle disease of Rinderpest
from spreading South.When George is home however, we do relax and have fun. On the Saturday
before the school term started we took Kate and the boys up to the top fishing camp in
the Mporoto Mountains for her first attempt at trout fishing. There are three of these
camps built by the Mbeya Trout Association on the rivers which were first stocked with
the trout hatched on our farm at Mchewe. Of the three, the top camp is our favourite. The
scenery there is most glorious and reminds me strongly of the rivers of the Western
Cape which I so loved in my childhood.The river, the Kawira, flows from the Rungwe Mountain through a narrow valley
with hills rising steeply on either side. The water runs swiftly over smooth stones and
sometimes only a foot or two below the level of the banks. It is sparkling and shallow,
but in places the water is deep and dark and the banks high. I had a busy day keeping
an eye on the boys, especially Jim, who twice climbed out on branches which overhung
deep water. “Mummy, I was only looking for trout!”How those kids enjoyed the freedom of the camp after the comparative
restrictions of town. So did Fanny, she raced about on the hills like a mad dog chasing
imaginary rabbits and having the time of her life. To escape the noise and commotion
George had gone far upstream to fish and returned in the late afternoon with three good
sized trout and four smaller ones. Kate proudly showed George the two she had caught
with the assistance or our cook Hamisi. I fear they were caught in a rather unorthodox
manner but this I kept a secret from George who is a stickler for the orthodox in trout
fishing.Eleanor.
Jacksdale England 24th June 1946
Dearest Family.
Here we are all together at last in England. You cannot imagine how wonderful it
feels to have the whole Rushby family reunited. I find myself counting heads. Ann,
George, Kate, John, Jim, and Henry. All present and well. We had a very pleasant trip
on the old British India Ship Mantola. She was crowded with East Africans going home
for the first time since the war, many like us, eagerly looking forward to a reunion with their
children whom they had not seen for years. There was a great air of anticipation and
good humour but a little anxiety too.“I do hope our children will be glad to see us,” said one, and went on to tell me
about a Doctor from Dar es Salaam who, after years of separation from his son had
recently gone to visit him at his school. The Doctor had alighted at the railway station
where he had arranged to meet his son. A tall youth approached him and said, very
politely, “Excuse me sir. Are you my Father?” Others told me of children who had
become so attached to their relatives in England that they gave their parents a very cool
reception. I began to feel apprehensive about Ann and George but fortunately had no
time to mope.Oh, that washing and ironing for six! I shall remember for ever that steamy little
laundry in the heat of the Red Sea and queuing up for the ironing and the feeling of guilt
at the size of my bundle. We met many old friends amongst the passengers, and made
some new ones, so the voyage was a pleasant one, We did however have our
anxious moments.John was the first to disappear and we had an anxious search for him. He was
quite surprised that we had been concerned. “I was just talking to my friend Chinky
Chinaman in his workshop.” Could John have called him that? Then, when I returned to
the cabin from dinner one night I found Henry swigging Owbridge’s Lung Tonic. He had
drunk half the bottle neat and the label said ‘five drops in water’. Luckily it did not harm
him.Jim of course was forever risking his neck. George had forbidden him to climb on
the railings but he was forever doing things which no one had thought of forbidding him
to do, like hanging from the overhead pipes on the deck or standing on the sill of a
window and looking down at the well deck far below. An Officer found him doing this and
gave me the scolding.Another day he climbed up on a derrick used for hoisting cargo. George,
oblivious to this was sitting on the hatch cover with other passengers reading a book. I
was in the wash house aft on the same deck when Kate rushed in and said, “Mummy
come and see Jim.” Before I had time to more than gape, the butcher noticed Jim and
rushed out knife in hand. “Get down from there”, he bellowed. Jim got, and with such
speed that he caught the leg or his shorts on a projecting piece of metal. The cotton
ripped across the seam from leg to leg and Jim stood there for a humiliating moment in a
sort of revealing little kilt enduring the smiles of the passengers who had looked up from
their books at the butcher’s shout.That incident cured Jim of his urge to climb on the ship but he managed to give
us one more fright. He was lost off Dover. People from whom we enquired said, “Yes
we saw your little boy. He was by the railings watching that big aircraft carrier.” Now Jim,
though mischievous , is very obedient. It was not until George and I had conducted an
exhaustive search above and below decks that I really became anxious. Could he have
fallen overboard? Jim was returned to us by an unamused Officer. He had been found
in one of the lifeboats on the deck forbidden to children.Our ship passed Dover after dark and it was an unforgettable sight. Dover Castle
and the cliffs were floodlit for the Victory Celebrations. One of the men passengers sat
down at the piano and played ‘The White Cliffs of Dover’, and people sang and a few
wept. The Mantola docked at Tilbury early next morning in a steady drizzle.
There was a dockers strike on and it took literally hours for all the luggage to be
put ashore. The ships stewards simply locked the public rooms and went off leaving the
passengers shivering on the docks. Eventually damp and bedraggled, we arrived at St
Pancras Station and were given a warm welcome by George’s sister Cath and her
husband Reg Pears, who had come all the way from Nottingham to meet us.
As we had to spend an hour in London before our train left for Nottingham,
George suggested that Cath and I should take the children somewhere for a meal. So
off we set in the cold drizzle, the boys and I without coats and laden with sundry
packages, including a hand woven native basket full of shoes. We must have looked like
a bunch of refugees as we stood in the hall of The Kings Cross Station Hotel because a
supercilious waiter in tails looked us up and down and said, “I’m afraid not Madam”, in
answer to my enquiry whether the hotel could provide lunch for six.
Anyway who cares! We had lunch instead at an ABC tea room — horrible
sausage and a mound or rather sloppy mashed potatoes, but very good ice-cream.
After the train journey in a very grimy third class coach, through an incredibly green and
beautiful countryside, we eventually reached Nottingham and took a bus to Jacksdale,
where George’s mother and sisters live in large detached houses side by side.
Ann and George were at the bus stop waiting for us, and thank God, submitted
to my kiss as though we had been parted for weeks instead of eight years. Even now
that we are together again my heart aches to think of all those missed years. They have
not changed much and I would have picked them out of a crowd, but Ann, once thin and
pale, is now very rosy and blooming. She still has her pretty soft plaits and her eyes are
still a clear calm blue. Young George is very striking looking with sparkling brown eyes, a
ready, slightly lopsided smile, and charming manners.Mother, and George’s elder sister, Lottie Giles, welcomed us at the door with the
cheering news that our tea was ready. Ann showed us the way to mother’s lovely lilac
tiled bathroom for a wash before tea. Before I had even turned the tap, Jim had hung
form the glass towel rail and it lay in three pieces on the floor. There have since been
similar tragedies. I can see that life in civilisation is not without snags.I am most grateful that Ann and George have accepted us so naturally and
affectionately. Ann said candidly, “Mummy, it’s a good thing that you had Aunt Cath with
you when you arrived because, honestly, I wouldn’t have known you.”Eleanor.
Jacksdale England 28th August 1946
Dearest Family.
I am sorry that I have not written for some time but honestly, I don’t know whether
I’m coming or going. Mother handed the top floor of her house to us and the
arrangement was that I should tidy our rooms and do our laundry and Mother would
prepare the meals except for breakfast. It looked easy at first. All the rooms have wall to
wall carpeting and there was a large vacuum cleaner in the box room. I was told a
window cleaner would do the windows.Well the first time I used the Hoover I nearly died of fright. I pressed the switch
and immediately there was a roar and the bag filled with air to bursting point, or so I
thought. I screamed for Ann and she came at the run. I pointed to the bag and shouted
above the din, “What must I do? It’s going to burst!” Ann looked at me in astonishment
and said, “But Mummy that’s the way it works.” I couldn’t have her thinking me a
complete fool so I switched the current off and explained to Ann how it was that I had
never seen this type of equipment in action. How, in Tanganyika , I had never had a
house with electricity and that, anyway, electric equipment would be superfluous
because floors are of cement which the houseboy polishes by hand, one only has a
few rugs or grass mats on the floor. “But what about Granny’s house in South Africa?’”
she asked, so I explained about your Josephine who threatened to leave if you
bought a Hoover because that would mean that you did not think she kept the house
clean. The sad fact remains that, at fourteen, Ann knows far more about housework than I
do, or rather did! I’m learning fast.The older children all go to school at different times in the morning. Ann leaves first
by bus to go to her Grammar School at Sutton-in-Ashfield. Shortly afterwards George
catches a bus for Nottingham where he attends the High School. So they have
breakfast in relays, usually scrambled egg made from a revolting dried egg mixture.
Then there are beds to make and washing and ironing to do, so I have little time for
sightseeing, though on a few afternoons George has looked after the younger children
and I have gone on bus tours in Derbyshire. Life is difficult here with all the restrictions on
foodstuffs. We all have ration books so get our fair share but meat, fats and eggs are
scarce and expensive. The weather is very wet. At first I used to hang out the washing
and then rush to bring it in when a shower came. Now I just let it hang.We have left our imprint upon my Mother-in-law’s house for ever. Henry upset a
bottle of Milk of Magnesia in the middle of the pale fawn bedroom carpet. John, trying to
be helpful and doing some dusting, broke one of the delicate Dresden china candlesticks
which adorn our bedroom mantelpiece.Jim and Henry have wrecked the once
professionally landscaped garden and all the boys together bored a large hole through
Mother’s prized cherry tree. So now Mother has given up and gone off to Bournemouth
for a much needed holiday. Once a week I have the capable help of a cleaning woman,
called for some reason, ‘Mrs Two’, but I have now got all the cooking to do for eight. Mrs
Two is a godsend. She wears, of all things, a print mob cap with a hole in it. Says it
belonged to her Grandmother. Her price is far beyond Rubies to me, not so much
because she does, in a couple of hours, what it takes me all day to do, but because she
sells me boxes of fifty cigarettes. Some non-smoking relative, who works in Players
tobacco factory, passes on his ration to her. Until Mrs Two came to my rescue I had
been starved of cigarettes. Each time I asked for them at the shop the grocer would say,
“Are you registered with us?” Only very rarely would some kindly soul sell me a little
packet of five Woodbines.England is very beautiful but the sooner we go home to Tanganyika, the better.
On this, George and I and the children agree.Eleanor.
Jacksdale England 20th September 1946
Dearest Family.
Our return passages have now been booked on the Winchester Castle and we
sail from Southampton on October the sixth. I look forward to returning to Tanganyika but
hope to visit England again in a few years time when our children are older and when
rationing is a thing of the past.I have grown fond of my Sisters-in-law and admire my Mother-in-law very much.
She has a great sense of humour and has entertained me with stories of her very
eventful life, and told me lots of little stories of the children which did not figure in her
letters. One which amused me was about young George. During one of the air raids
early in the war when the sirens were screaming and bombers roaring overhead Mother
made the two children get into the cloak cupboard under the stairs. Young George
seemed quite unconcerned about the planes and the bombs but soon an anxious voice
asked in the dark, “Gran, what will I do if a spider falls on me?” I am afraid that Mother is
going to miss Ann and George very much.I had a holiday last weekend when Lottie and I went up to London on a spree. It
was a most enjoyable weekend, though very rushed. We placed ourselves in the
hands of Thos. Cook and Sons and saw most of the sights of London and were run off
our feet in the process. As you all know London I shall not describe what I saw but just
to say that, best of all, I enjoyed walking along the Thames embankment in the evening
and the changing of the Guard at Whitehall. On Sunday morning Lottie and I went to
Kew Gardens and in the afternoon walked in Kensington Gardens.We went to only one show, ‘The Skin of our Teeth’ starring Vivienne Leigh.
Neither of us enjoyed the performance at all and regretted having spent so much on
circle seats. The show was far too highbrow for my taste, a sort of satire on the survival
of the human race. Miss Leigh was unrecognisable in a blond wig and her voice strident.
However the night was not a dead loss as far as entertainment was concerned as we
were later caught up in a tragicomedy at our hotel.We had booked communicating rooms at the enormous Imperial Hotel in Russell
Square. These rooms were comfortably furnished but very high up, and we had a rather
terrifying and dreary view from the windows of the enclosed courtyard far below. We
had some snacks and a chat in Lottie’s room and then I moved to mine and went to bed.
I had noted earlier that there was a special lock on the outer door of my room so that
when the door was closed from the inside it automatically locked itself.
I was just dropping off to sleep when I heard a hammering which seemed to
come from my wardrobe. I got up, rather fearfully, and opened the wardrobe door and
noted for the first time that the wardrobe was set in an opening in the wall and that the
back of the wardrobe also served as the back of the wardrobe in the room next door. I
quickly shut it again and went to confer with Lottie.Suddenly a male voice was raised next door in supplication, “Mary Mother of
God, Help me! They’ve locked me in!” and the hammering resumed again, sometimes
on the door, and then again on the back of the wardrobe of the room next door. Lottie
had by this time joined me and together we listened to the prayers and to the
hammering. Then the voice began to threaten, “If you don’t let me out I’ll jump out of the
window.” Great consternation on our side of the wall. I went out into the passage and
called through the door, “You’re not locked in. Come to your door and I’ll tell you how to
open it.” Silence for a moment and then again the prayers followed by a threat. All the
other doors in the corridor remained shut.Luckily just then a young man and a woman came walking down the corridor and I
explained the situation. The young man hurried off for the night porter who went into the
next door room. In a matter of minutes there was peace next door. When the night
porter came out into the corridor again I asked for an explanation. He said quite casually,
“It’s all right Madam. He’s an Irish Gentleman in Show Business. He gets like this on a
Saturday night when he has had a drop too much. He won’t give any more trouble
now.” And he didn’t. Next morning at breakfast Lottie and I tried to spot the gentleman in
the Show Business, but saw no one who looked like the owner of that charming Irish
voice.George had to go to London on business last Monday and took the older
children with him for a few hours of sight seeing. They returned quite unimpressed.
Everything was too old and dirty and there were far too many people about, but they
had enjoyed riding on the escalators at the tube stations, and all agreed that the highlight
of the trip was, “Dad took us to lunch at the Chicken Inn.”Now that it is almost time to leave England I am finding the housework less of a
drudgery, Also, as it is school holiday time, Jim and Henry are able to go on walks with
the older children and so use up some of their surplus energy. Cath and I took the
children (except young George who went rabbit shooting with his uncle Reg, and
Henry, who stayed at home with his dad) to the Wakes at Selston, the neighbouring
village. There were the roundabouts and similar contraptions but the side shows had
more appeal for the children. Ann and Kate found a stall where assorted prizes were
spread out on a sloping table. Anyone who could land a penny squarely on one of
these objects was given a similar one as a prize.I was touched to see that both girls ignored all the targets except a box of fifty
cigarettes which they were determined to win for me. After numerous attempts, Kate
landed her penny successfully and you would have loved to have seen her radiant little
face.Eleanor.
Dar es Salaam 22nd October 1946
Dearest Family.
Back in Tanganyika at last, but not together. We have to stay in Dar es Salaam
until tomorrow when the train leaves for Dodoma. We arrived yesterday morning to find
all the hotels filled with people waiting to board ships for England. Fortunately some
friends came to the rescue and Ann, Kate and John have gone to stay with them. Jim,
Henry and I are sleeping in a screened corner of the lounge of the New Africa Hotel, and
George and young George have beds in the Palm Court of the same hotel.We travelled out from England in the Winchester Castle under troopship
conditions. We joined her at Southampton after a rather slow train journey from
Nottingham. We arrived after dark and from the station we could see a large ship in the
docks with a floodlit red funnel. “Our ship,” yelled the children in delight, but it was not the
Winchester Castle but the Queen Elizabeth, newly reconditioned.We had hoped to board our ship that evening but George made enquiries and
found that we would not be allowed on board until noon next day. Without much hope,
we went off to try to get accommodation for eight at a small hotel recommended by the
taxi driver. Luckily for us there was a very motherly woman at the reception desk. She
looked in amusement at the six children and said to me, “Goodness are all these yours,
ducks? Then she called over her shoulder, “Wilf, come and see this lady with lots of
children. We must try to help.” They settled the problem most satisfactorily by turning
two rooms into a dormitory.In the morning we had time to inspect bomb damage in the dock area of
Southampton. Most of the rubble had been cleared away but there are still numbers of
damaged buildings awaiting demolition. A depressing sight. We saw the Queen Mary
at anchor, still in her drab war time paint, but magnificent nevertheless.
The Winchester Castle was crammed with passengers and many travelled in
acute discomfort. We were luckier than most because the two girls, the three small boys
and I had a stateroom to ourselves and though it was stripped of peacetime comforts,
we had a private bathroom and toilet. The two Georges had bunks in a huge men-only
dormitory somewhere in the bowls of the ship where they had to share communal troop
ship facilities. The food was plentiful but unexciting and one had to queue for afternoon
tea. During the day the decks were crowded and there was squatting room only. The
many children on board got bored.Port Said provided a break and we were all entertained by the ‘Gully Gully’ man
and his conjuring tricks, and though we had no money to spend at Simon Artz, we did at
least have a chance to stretch our legs. Next day scores of passengers took ill with
sever stomach upsets, whether from food poisoning, or as was rumoured, from bad
water taken on at the Egyptian port, I don’t know. Only the two Georges in our family
were affected and their attacks were comparatively mild.As we neared the Kenya port of Mombassa, the passengers for Dar es Salaam
were told that they would have to disembark at Mombassa and continue their journey in
a small coaster, the Al Said. The Winchester Castle is too big for the narrow channel
which leads to Dar es Salaam harbour.From the wharf the Al Said looked beautiful. She was once the private yacht of
the Sultan of Zanzibar and has lovely lines. Our admiration lasted only until we were
shown our cabins. With one voice our children exclaimed, “Gosh they stink!” They did, of
a mixture of rancid oil and sweat and stale urine. The beds were not yet made and the
thin mattresses had ominous stains on them. John, ever fastidious, lifted his mattress and two enormous cockroaches scuttled for cover.We had a good homely lunch served by two smiling African stewards and
afterwards we sat on deck and that was fine too, though behind ones enjoyment there
was the thought of those stuffy and dirty cabins. That first night nearly everyone,
including George and our older children, slept on deck. Women occupied deck chairs
and men and children slept on the bare decks. Horrifying though the idea was, I decided
that, as Jim had a bad cough, he, Henry and I would sleep in our cabin.When I announced my intention of sleeping in the cabin one of the passengers
gave me some insecticide spray which I used lavishly, but without avail. The children
slept but I sat up all night with the light on, determined to keep at least their pillows clear
of the cockroaches which scurried about boldly regardless of the light. All the next day
and night we avoided the cabins. The Al Said stopped for some hours at Zanzibar to
offload her deck cargo of live cattle and packing cases from the hold. George and the
elder children went ashore for a walk but I felt too lazy and there was plenty to watch
from deck.That night I too occupied a deck chair and slept quite comfortably, and next
morning we entered the palm fringed harbour of Dar es Salaam and were home.Eleanor.
Mbeya 1st November 1946
Dearest Family.
Home at last! We are all most happily installed in a real family house about three
miles out of Mbeya and near the school. This house belongs to an elderly German and
has been taken over by the Custodian of Enemy Property and leased to the
Government.The owner, whose name is Shenkel, was not interned but is allowed to occupy a
smaller house on the Estate. I found him in the garden this morning lecturing the children
on what they may do and may not do. I tried to make it quite clear to him that he was not
our landlord, though he clearly thinks otherwise. After he had gone I had to take two
aspirin and lie down to recover my composure! I had been warned that he has this effect
on people.Mr Shenkel is a short and ugly man, his clothes are stained with food and he
wears steel rimmed glasses tied round his head with a piece of dirty elastic because
one earpiece is missing. He speaks with a thick German accent but his English is fluent
and I believe he is a cultured and clever man. But he is maddening. The children were
more amused than impressed by his exhortations and have happily Christened our
home, ‘Old Shenks’.The house has very large grounds as the place is really a derelict farm. It suits us
down to the ground. We had no sooner unpacked than George went off on safari after
those maneating lions in the Njombe District. he accounted for one, and a further two
jointly with a Game Scout, before we left for England. But none was shot during the five
months we were away as George’s relief is quite inexperienced in such work. George
thinks that there are still about a dozen maneaters at large. His theory is that a female
maneater moved into the area in 1938 when maneating first started, and brought up her
cubs to be maneaters, and those cubs in turn did the same. The three maneating lions
that have been shot were all in very good condition and not old and maimed as
maneaters usually are.George anticipates that it will be months before all these lions are accounted for
because they are constantly on the move and cover a very large area. The lions have to
be hunted on foot because they range over broken country covered by bush and fairly
dense thicket.I did a bit of shooting myself yesterday and impressed our African servants and
the children and myself. What a fluke! Our houseboy came to say that there was a snake
in the garden, the biggest he had ever seen. He said it was too big to kill with a stick and
would I shoot it. I had no gun but a heavy .450 Webley revolver and I took this and
hurried out with the children at my heels.The snake turned out to be an unusually large puff adder which had just shed its
skin. It looked beautiful in a repulsive way. So flanked by servants and children I took
aim and shot, not hitting the head as I had planned, but breaking the snake’s back with
the heavy bullet. The two native boys then rushed up with sticks and flattened the head.
“Ma you’re a crack shot,” cried the kids in delighted surprise. I hope to rest on my laurels
for a long, long while.Although there are only a few weeks of school term left the four older children will
start school on Monday. Not only am I pleased with our new home here but also with
the staff I have engaged. Our new houseboy, Reuben, (but renamed Robin by our
children) is not only cheerful and willing but intelligent too, and Jumbe, the wood and
garden boy, is a born clown and a source of great entertainment to the children.I feel sure that we are all going to be very happy here at ‘Old Shenks!.
Eleanor.
