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  • #214

    Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.

    Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…

    He didn’t really expect Dory would be giving him her two pence on this quaint dream…



    Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…

    #212
    F LoveF Love
    Participant

      Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.

      In her dream she felt a little put out, although resolved to let the power company know later.

      The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.

      Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.

      On the way back home, laden with bags of shopping, Fiona saw Jarrod.

      Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.

      They just don’t understand reality he was saying vehemently they just don’t get it.

      Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.

      FIONA!

      She turned back.

      Hey Jarrod

      Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?

      Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.

      FOOD! Great is that for me Fiona?

      #189

      The feelings of the eggs was increasing, Írtak was close now. He could feel the pulse and where he thought it was only one egg, he could feel now that there were two of them, though the vibrations were so close to each other that he had been “fooled” in a way.

      He smiled, happy that he could bring back two eggs.

      When he entered the room where they had been layed, there was that sparkling green glowing all around, the waves or energy coming from the eggs were very lively and joyful. The communication between them was so strong and loving that he was almost overwhelmed by the feelings.

      They were aware of his presence and they greeted him. No words needed to feel they were eggstremely eager to live…

      They were still soft and smooth, the shell had not hardened yet. They were quite big actually and he wondered a moment how he would bring them back. His concern surely was transparent and he could feel the reassuring energy of Malvina.

      He felt a surge of energy and knew she would open a gate between the room he was in and the rookery… she connected and created a connection between the two spaces and he saw the entry of the room blurred somewhat and soon he heard the sound of the waterfall of the rookery… new flowery scents came into the room and as he was picking up the first egg he found out that they were welded together… dragon twins. He felt awed for a few seconds as the energy ripples from the eggs were increasing since his realization.

      They would help him in his task. Humming silently and quite directively.

      The eggs seemed so light with that eggstra energy.

      He could bring them in the moistly and warm rookery. He laid them down near the waterfall but not too close so they wouldn’t be bothered by the rippling sounds. And close enough so that they would be warmed up by the heat of the spring.

      He felt Malvina’s smile, and Leörmn acknowledgment of what happened there. He felt an intense bond between them.

      The baby dragons were not to be born yet, but they each already knew who would be their dragon rider.

      One last stroke on the shells.

      One last glance on the emerald green glowing eggs.

      He shivered with anticipation.

      He would be back soon for the hatching…

      #188

      This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

      Quintin: Your story was great!

      Fiona: Thank you :) So was yours.

      Have you written any more since I last looked at the story?

      Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

      Fiona: no, wrap it up if you feel.

      I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

      Quintin: Ahahaha! Don’t restrict yourself ;)

      Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

      Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

      Fiona: The endearing dragons…

      Quintin: Yeah…

      But I had strictly no idea about the rest. It was just a bet, on luck…

      That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

      Fiona: And did she have any impression of what form that could take? Like books, or games or what…

      Quintin: No, it was much more “real” in fact…

      Fiona: you know like the card-captor game which I suppose is interactive, so real

      Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

      Fiona: So a little bit like I have done with the story, to resolve something

      Quintin: yeah, exactly, or with your paintings

      Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

      Quintin: Yeah, people can unleash their imagination.

      And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

      Fiona: such as? eggsamples?

      Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

      Fiona: Yeah, I told you I did, but you just said some riddle!

      Quintin: Did I? That’s not like me ;)

      Fiona: Ahahhaha! It is you to the core

      Quintin: LOL, damn me!

      Fiona: Well, that is a bit strong, but …

      Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

      Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

      Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

      Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

      Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

      Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

      Quintin: Ahahaha, the story has a willing of its own too…

      Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

      Quintin: And actually, I don’t think everyone will be interested in dragons…

      Fiona: How does a dragon help one learn magic powers?

      Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

      Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

      Fiona: And how having a baby dragon could help unleash our magic powers then?

      Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

      Fiona: I am not sure if i have dark corners ;)

      Quintin: it was a metaphor :D

      Fiona: ahahahhahahahahahah

      Fiona: I know, so was mine :D

      Quintin: ahahahahah

      Fiona: I was thinking I feel really accepting of myself

      Quintin: Yeah, that’s the point in the little adventure before you meet it.

      You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

      Fiona: Well I think it sounds scarey now, what if no dragon picked me…

      Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

      Fiona: True.

      Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

      Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

      Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

      Fiona: Ahahahaha yes

      Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

      Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

      Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

      Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

      Quintin: Of course, you know :)

      Fiona: That I related most to the figure of blue hat… and big feet

      Quintin: Ahahaha, stomping on the poor key-fish

      Fiona: Nearly…

      Quintin: Have to go now, thank you for this enjoyable conversation

      Fiona: See you! :)

      #186
      F LoveF Love
      Participant

        Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

        She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

        She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

        Use your magic, she had said.

        When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

        Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

        :fleuron: :fleuron: :fleuron:

        The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

        Thank you for having me room, she said as she left.

        No, thank YOU, replied the sleepy glukenitch.

        :fleuron: :fleuron: :fleuron:

        The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

        Why sad?

        I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

        You always know, just feel it

        So Arona closed her eyes tightly and allowed herself to feel the answer.

        Because you know who you are, and it made me realise I have no idea who I am.

        Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

        Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

        The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
        The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

        Arona, who had felt immediately connected with the young child frowned.

        Doesn’t the little girl feel left out?

        Go in, said the woman, Go inside the picture and feel the answer.

        Oh, and you might want to leave your cloak behind.

        So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
        I remember feeling like that, thought Arona, before the magic went.
        She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
        As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

        :fleuron: :fleuron: :fleuron:

        Arona returned to the cave.

        You look troubled

        Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

        On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

        Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

        Arona shuddered a little. I might not jump into that one .

        The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

        Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

        Well I gave her the same advice, years ago.

        More damn riddles, Arona thought to herself, and the woman laughed.

        One final painting of yours I would like to show you. It is beautiful is it not?

        Arona stared mesmerised for a moment, and then leapt right in.

        She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

        Dance Arona, she heard the woman’s voice

        I can’t dance like that, I’m not good enough.

        It doesn’t matter

        And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

        :fleuron: :fleuron: :fleuron:

        Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

        Things are shifting she said

        Oh lordy, are they said Arona, What should I do now?

        Feel the answer

        Arona felt. I am very hungry, eggceptionally so.

        #175

        Malvina looked for a moment at the movements of the strings of her enchanted harp before beginning to play herself. The strings were moved very beautifully, and reproduced her own graceful movements, when she played that lovely tune from her homeland .

        The sounds were carried down through the many tunnels, and resounded in all the cave, in soothing drops of music. When she observed the creatures through her mind connection with her dragon companion Leörmn, she knew they were loving the sound of it.

        And all very naturally, she began to wrap her alabaster hands around the instrument, and as if she was consoling it, inclined her head towards it, and started to move her fingers along the strings, beginning to enhance the previous melody, blending her new sounds into it, until the strings felt so at ease that they let themselves vibrate with the sound, without need to stir more than what Malvina’s fingers was gently asking.

        The sound enveloped the cave, and the delightful music even drew some glukenitches closer, even though she was in the plain light falling from the hole at the top of the cave hall, down to the wooden platform where she was seated.

        In the silgreen tree which was blooming sparkling flowers of emerald and silver once every moon, that she had planted here when she had first come to the cave, she saw a couple of flying sparflies settle down. These were usually very discreet birds, and their song was one of the treasures of the Worlds. And their accompanying her music was for Malvina a joy beyond compare.

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