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  • #519

    Claudio pulled himself together and bent over the dusty trunk. Of course it hadn’t opened on its own, he was imagining things. The contents were wrapped in an indigo shawl. Claudio peeled back the cloth, sneezed, and pulled out a jewelled dagger.

    #508

    Ted always felt the cold, and the saloon was freezing. He clenched his chattering teeth for as long as he could, and then could stand it no longer. He dashed outside to grab a sweater out of his saddlebag, grimacing with cold.

    The Sheriff, trembling with cold, tugged at the sleeve of his sweater, and inadvertently pulled a small canvas bag out, spilling the contents all over the side of Dervish, his horse.

    Hallucinogenic green frogs boinged and scattered all over the place.

    Yikes! shouted Ted. This is gonna be one helluva f’kin trip now!

    #495

    Narani was waiting patiently for her sisters to unfold their own desire. She had multiplexed their personal threads of desire for a new game to generate the magnetic field that was attracting the machinery of the 2 lEGGed creatures. She knew them well, as the oldest sister of her tribe, she was linked to all her “sisters”. And actually there were none of them that wouldn’t be a relative of sort. She had managed to maintain her own children on the island.

    Her cousin Ararog had also managed her own nest in England. She was connected to her through a strange egg, white with threads of pistachio in it. She could speak from very long distance with that object, that was merely helping her to focus her energy in the most probable direction. She was doing well and there had been lots of movements for her too.

    :fleuron:

    :mummy: smelled some chocolate cake in the distance… it seemed delicious and she was so hungry… :mummy: needed chocolate

    :fleuron:

    Aldous Mc Gaughran farted contentedly, causing some disgusted glances from the other customers, he smurggled puffing on his cigar. He was feeling aroused by that beautiful blond chick dancing on the stage of the saloon and was making his decision about their family.

    He :yahoo_pig: would have her.

    #1397
    ÉricÉric
    Keymaster

      You’ll notice that it works better when there is interesting content. Like on Armelle’s thread of meditation, dreams, syncs and thoughts , there are advertisements on how to get abundant, and on philosophy, and reality creation and such… It’s quite impressive.
      Guess we will be bound to Guinness advertisements here ;))

      #391
      F LoveF Love
      Participant

        Tina was so happy Becky had sorted her hair problems so creatively. She wondered if she should tell her she had missed a bit at the back of her head. Yes of course she must.

        She also wondered if she should get changed before she met the others. Al had said he liked her new dress and then winked at her. What did that mean? Winks always made her a bit uneasy. They were so ambiguous.

        Oh that’s right, she could configure it anyway she chose she remembered. So she spent a few happy minutes remembering how fantastic she looked, like a supermodel actually.

        She would give the gift voucher to Sam for his birthday now Becky didn’t need it, she decided. No matter his birthday was months ago, she was always late with birthday gifts and preferred to do things on impluse. Not that Sam had any hair issues that she knew of, she just thought he would enjoy meeting Hari. :face-wink:

        She thought how great life was. Really it was all just about having fun. She felt so much easier with the play they were writing too, no longer concerned she could not follow the plots, plots? what a funny word to use, of the others, content just to follow her own unique path.

        #287
        TracyTracy
        Participant

          India Louise and Eugenia momentarily forgot about the gold locket and walked over to the exceptionally long trunk. India dropped the locket into her pocket as she investigated the exterior of the trunk, which didn’t appear to have an opening. It seemed to have been made around whatever it housed, and permanently.

          ‘How strange’, mused India, ‘it must not be intended to open, ever!’

          ‘That makes me want to open it’, said Eugenia. ‘Let’s! Let’s open it!’

          Eugenia was rummaging in the desk drawers for a suitable tool.

          ‘Wow, look at this, Indy’. She held a heavy black letter opener up to show India, with an elaborate carved dragon on the handle. The dragon had glittering amethyst eyes, and a serpentine line of coloured stones along its back.

          India shivered involuntarily at the sight of the dragon. Horrid nasty creatures, dragons, she muttered, resisting an urge to cross herself. ‘Peace be with you, now bugger off’ she whispered the spell under her breath so Eugenia wouldn’t hear her and think she was a silly goose. Horrid scaley slimy stinky reptiles.

          ‘You go first, Genie, try and prise the trunk open.’ India didn’t want to touch the letter opener, but she was rather curious about the contents of the trunk.

          Eugenia was a strong and capable lass, with a practical methodical mind ~ unlike India Louise ~ and before long the first piece of wood came splintering off.

          ‘Nice one, Genie, well done.’ India said as Eugenia wrenched off another few planks.

          ‘Oh MY GOD!’ ‘Jumping Jehosophat!’ ‘What the……’ ‘Holy Moly, Genie, what the….’. After a few initial exclamations, the girls were silent, the hair standing up on their arms.

          They were looking down at the shrivelled features of a dried up body, covered in bits of disintegrating faded fabric.

          ‘A mummy! It’s a friggen mummy!’

          #80
          ÉricÉric
          Keymaster

            Here you will find the picture pool for the story
            Don’t hesitate to join in, and add your submissions…

            NB please don’t use copyrighted material, unless you hold the rights or the permission to reproduce

            #79
            ÉricÉric
            Keymaster

              These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

              Note: for the reader not familiar with all the names here is a quick reminder:

              • Araili > Yann, Írtak, Sam, Jacob …
              • Armelle > Fiona, Arona, Tina, Qixi …
              • Rafaela > Dory, Illi, Becky, Rodney …
              • Yuki > Quintin, Al, Janice …

              September 12 th, 2007

              Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
              Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

              Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

              I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

              September 13 th

              Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
              This first comment seems very promising.

              Right now, it feels easy and fun.

              Quintin seems to think that everything is very straightforward.
              The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
              The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

              But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
              That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
              But the thing is, that he missed the point in thinking one World is more “real” than the other.
              We’ll be having some fun soon…

              First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
              We will appeal to his imagination.
              It seems he has heard the suggestion.

              September 14 th

              For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

              But as I expected, some challenges seem to appear already.
              Is it raining or not in that world?
              The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

              He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
              At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
              How will it unfold?
              Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

              September 15 th

              Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

              Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

              Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

              September 16 th

              Halcyons days…
              My dear friend Archie is answering some of Quintin and Yann’s questions.
              Something starts to dawn on Quintin. But his mind is on other matters.

              He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

              September 18 th

              Quintin has been drawing some of the characters of the story. It’s interesting.
              He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

              Characters drawn:

              • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
              • Malika, Quintin, Yann, Fiona and Dory

              Interestingly, Fiona resolves her issues in her cave.
              Dory too, but she did not need the cave to do this.

              September 21 st

              For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
              And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
              Quintin will soon realize that he himself is doing this constantly, though he does not register it.

              But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

              Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
              There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

              Of course, some things still matter, and one of the point of the story is also to discover these.

              September 22 nd

              Quintin has been drawing new characters.

              Characters drawn:

              • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
              • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
              • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

              A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
              She had at first thought they were whiskers, which was not Quintin’s intent…

              September 23 rd

              Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

              Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

              Up to now, here are the names he could find:

              • North: the Icy Lands, and Dragon Cemeteries
              • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
              • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
              • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

              When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

              #186
              F LoveF Love
              Participant

                Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                Use your magic, she had said.

                When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                :fleuron: :fleuron: :fleuron:

                The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                Thank you for having me room, she said as she left.

                No, thank YOU, replied the sleepy glukenitch.

                :fleuron: :fleuron: :fleuron:

                The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                Why sad?

                I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                You always know, just feel it

                So Arona closed her eyes tightly and allowed herself to feel the answer.

                Because you know who you are, and it made me realise I have no idea who I am.

                Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                Arona, who had felt immediately connected with the young child frowned.

                Doesn’t the little girl feel left out?

                Go in, said the woman, Go inside the picture and feel the answer.

                Oh, and you might want to leave your cloak behind.

                So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                I remember feeling like that, thought Arona, before the magic went.
                She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                :fleuron: :fleuron: :fleuron:

                Arona returned to the cave.

                You look troubled

                Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                Arona shuddered a little. I might not jump into that one .

                The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                Well I gave her the same advice, years ago.

                More damn riddles, Arona thought to herself, and the woman laughed.

                One final painting of yours I would like to show you. It is beautiful is it not?

                Arona stared mesmerised for a moment, and then leapt right in.

                She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                Dance Arona, she heard the woman’s voice

                I can’t dance like that, I’m not good enough.

                It doesn’t matter

                And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                :fleuron: :fleuron: :fleuron:

                Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                Things are shifting she said

                Oh lordy, are they said Arona, What should I do now?

                Feel the answer

                Arona felt. I am very hungry, eggceptionally so.

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