Before leaving the castle, the fake Viscountess needed to check something on the skull…
Was it a genuine one? She had almost trusted the so-called experts of the auction room, while she knew perfectly well that they only could see what they knew. And they didn’t know as much as her.

To her knowledge, there was only a handful of genuine old crystal skulls. But counterfeits were legions and a plague for such a skillful cat burglar as she was. Well, cat-burglar,… perhaps not as acrobatically as she used to… As a matter of fact, her life-long search for these skulls had suffered the competition of a little embonpoint… — the good thing being that those few sticky superfluous pounds had been perfect to impersonate the Viscountess.
In the past, she had come across a few of these fake skulls and most of them bore very similar indications leaving her to think stakes were high that they were coming from the same con-artist.

She methodically drew a little dagger from a scabbard at her belt. Going to one of the window, she drew one of the curtains a few inches to reveal the pale sun of Shropshire which was already fading.
Then, she turned the jeweled hilt in such a special manner that a soft clicking sound was heard, and a beam of light started to converge from the sun rays into the dagger. She directed the ray coming from the tip of the dagger’s blade into the bottom of the skull, and hold her breath in expectation.

Soon the skull started to glow a bluish light, and light poured out of the skull onto the walls in dancing symbols, while a soft buzzing sound was being heard around, started to drown her in a slightly dissociated state.
She cut the dagger’s beam very quickly, her heart pounding at the validation. It was a genuine skull. One of the six.

She had to hurry, she needed to proceed on her investigations to find the missing ones.

The trunk was there. She took another key that she had around her neck, leaving the first one on the cupboard’s lock for the Viscountess to be freed as soon as she would be out.
With the key, she proceeded to open the high-tech lock of the armored trunk which opened with a blow of air.

Her jumpsuit was here, along with the two turbo-reactor powered condor-wings that she strapped on her jumpsuit in very professional movements.

A few moments later, with her big dark sunglasses that gave her the appearance of an obese fly, Carla was flying high over the countryside of England, enjoying the soft gliding on the slightly damp air.

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

“Hang on a minute” he shouted to his friends as soon as they were out of the grocery store, burden with the loads of the bags.
Molly, Harvey and Francis looked puzzled at their foreign friend.
Then with a shrug, Harvey sat on a pile of snow that had fallen from the roof, and leaned against one of the pillars of the square place dimly lit by a buzzing orange light.

He run to the chalet on the left, which was apparently closed, but he knew there would probably be someone in there.
He opened the creaking door, not startled by the bells tinkling at his left ear, and went straight to the counter, as though he had always known the place. A young man with a goatee was there, busy sorting old papers for the annual closing of the hostel.

— Do you have a glass of water please? the stranger asked
— Oh yes, sure… And with that?

The man seemed to expect an answer… The stranger felt as if he knew that answer…

— Yes… one of your… you know… chocolate things, with the wolf on it.
— Exactly! the tenant was smiling.

The stranger fumbled in his pocket, not having thought of requiring any money for a glass of water. But now…
Phew, there was a coin in his left pocket. He drew it out, looked at it… A 3 euros coin? He didn’t know such a currency existed…

— Oh, I won’t have the change I fear, the man answered… But I can make you a credit memo.

He had no idea he would come back here soon, but the familiar place as much as the obliging man made him think that anything would be okay. At worse, he would have lost a few euros, which was no big loss.

— Sure.

The man showed him a red ticket, and leaning on the counter, proceeded with some explanations.

— This is your credit memo. Additionally, as the hostel won’t be fully rented, you can use this as a reservation for next week. It’s for Mr Arkandin. You will be able to enter the special exhibit and join the guided tour. It’s a laying down travel. People are expected to go nowhere, yet they will travel. Pillows and blankets will be provided.

He had a strange image in his mind of people laying on their backs and gliding on the floor in patterns leaving some tracks on the ground with various colours.

— It is supposed to show people some beliefs about monogamy. And keeping track of their own travels…

That was most puzzling… He wasn’t sure he would still be here next week, but that sounded intriguing enough to not be thrown in the bin right away…
He thanked the man after having had his glass of water and putting the wolf-brand candy and red square of paper in his pocket.

— There you are, sighed Molly, and what have taken you so long?

Linda and Peregrine’s portrait had taken a little longer than expected to realize. Quite abruptly after India’s encounter with the old wrinkled mummy, Bill Jobsworth had fallen ill. An abrupt cold he said he’d caught, that had left him stuck in his bed for a few weeks.
He’d thought that after the stone heads and the mummy, that was good he didn’t believe in maledictions, because he would have been dead by now. India Louise had been taking care of him, to the surprise of the old Lord who, however, barely expressed more than a raised eyebrow at her incongruous request.

That little retardation was in fact the perfect pretext for the young couple of globe-trotters to settle down in the castle, and prepare a little photographic exposition on their last trip in Eastern Africa. Though in 2057, photographic cameras were by far outdated, Linda was very fond of these old contraptions that she could use to render some of their trips with a certain kind of focus.
She’d a custom set of specially adapted cameras that she’d enhanced with devices to free her of the burdens of storage mostly. However, they could function most like the ancient ones. Capturing light through a single lens, in a very focused time and space framework.

She was very proud of the pictures she had taken of the Dragon’s Blood Trees in Socotra Island and the natural lighting of the scene gave a surreal feeling to it as though an actual iridescent dragon had been hovering on clouds above them.
When she saw them, India Louise had been gaping, telling they looked exactly like what delirious Bill had depicted of his visions …
Linda was moved beyond words at how amazingly complex and delicately beautiful this reality was…

December 3 ^rd

^{( Hey, that’s 12.3, might be a hint for growth… Yurick)}

A communication about coordinate points, and how to travel between idea clusters

As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
But that would be far less familiar, as you identify quite strongly with that construct of time.

As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.

Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

Captain Bone had laughed.

— Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
— So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
— Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

Tomkin laid down on the warm sand, looking at the clear starry night.

— The legend of Mævel — (Part VI)

Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
He could chose any of them… But, would that make the story the same?
Then he recalled that it was his own story… So why make it difficult then…

The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

— Oh, really? Mævel was saying
— Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
— I want to help you.
— Fine. You know about Shaint Lejüs Festival?
— Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
— and of the Accursed Ones.
— Oh…
— That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
— Every year? Why then aren’t all of them Remembered?
— Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
— Yes, I remember now…
— There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
— And Accursed Ones?
— For them to be Graced, they need to do one pure act of altruism.
— A simple act?
— Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
— How so? You probably saved her life?
— Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
— I understand. And how can I help?
— One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
— Shaint Lejüs Festival is tomorrow…
— Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

The legend of The Weaving Princess

Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

The day of Her 20 ^th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 ^th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

Though, two were missing. The Assassin, and the Yellow Princess.

Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

(to be continued)

— The legend of Mævel — (Part III)

When the blue fox had disappeared, deep into the woods, Mævel was left wondering if all of that had only been a dream. Perhaps it was just a dream, and something that would make her parents raise their shoulders in dismay.
Especially since she had lost their gift carelessly they would say, the little pearl white ribbon…

She picked up the clothes that were left hanging to dry up in the wind, and came back to the little house.

Of course, her father Jorg noticed that she was not wearing the ribbon, but he was not much of a question asker, and things were or were not, and analyzing them was unnecessary for him. But of course, Ilga noticed it too, and she felt sad for poor Jorg who had endured so many sacrifices to buy the little ribbon that Mævel was no longer wearing. She wanted an explanation! Was it no longer to Mævel’s tastes, had Mævel lost it?

So Mævel, who could not lie to anybody, told them her encounter with Blohmrik, the cursed god in the woods, in the shape of a wounded blue fox… and at each of her words, was seeing their faces more and more disconcerted.
Their poor girl, who was already so different, had completely lost it,… ribbon and all that was left of common sense in her.

So they locked her up in the bedroom, that she was now occupying alone, as all of her brothers and sisters had left. Just to save her from herself, and see if that would help her gain some more solid sense of reality.

Mævel understood her parents, but she was deeply contrite that they could not understand what she had lived. Mævel was still doubting the reality of her meeting the blue fox, so she asked for some sign from the Gods before going to sleep, to see clearly.

That night, Mævel dreamt of a dark-haired young man with a white diadem¹ around his head, dressed in a cerulean blue tunic and wearing a sword. He was enshrouded in a warm light and as she took the hand he was extending, they were carried away by a springing scented wind into a meadow of multicoloured flowers, some of which she had not even known could exist. She had felt at home.
When she woke up, in the middle of the night, Mævel was transfixed by the beautiful soothing dream. She could not remember much more, but he had told her something. That there was deep magic in her, and it would help her find her true home, but that she would have to gain back her true name from the Elder God who had took it from her.

She quickly took her decision. She knew she had to search for the blue fox in the forest. But how could she escape the locked bedroom? She was starting to feel desperate again, but she remembered that there was some magic in her, and how she had felt it deeply true in her dream.
As she was focusing on the warm expanding feeling of her dream, an old rusty key materialized in her hand.

—

¹ diadem: [ ˈdī-ə-ˌdem (dəm) ] from Greek diadēma, from diadein to bind around; akin to Sanskrit dāman rope — was originally a white ribbon, ending in a knot and two strips that were placed often on the shoulders, that surrounded the head of the king to denote his authority.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.

She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.

Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.

This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.

That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.

Thus has begun the trail of rumours saying that the cave was haunted.

All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.

Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.

He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…

After all, it was not necessary, though dragons could draw a lot from such a partnership.

Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.

In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.

When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.