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In reply to: The Last Cruise of Helix 25
Helix 25 – Gentle Utopia at Upper Decks
The Upper Decks of Helix 25 were a marvel of well-designed choreography and engineered tranquility. Life here was made effortless, thanks to an artful curation of everyday problems. Climate control ensured the air was always crisp, with just enough variation to keep the body alert, while maintaining a perfect balance of warm and cool, hygrometry, with no crazy seasons or climate change upheaval to disrupt the monotony. Food dispensers served gourmet meals for every individual preferences —decadent feasts perfectly prepared at the push of a button. The Helix cruise starships were designed for leisure, an eternity of comfort — and it had succeeded.
For the average resident, the days blended into one another in an animated swirl of hobbyist pursuits. There were the Arboretum Philosophers, who debated meaningfully over the purpose of existence while sipping floral-infused teas. There were the Artisans, who crafted digital masterpieces that vanished into the ship’s archives as soon as they were complete. There were the Virtual Adventurers, who lived entire lifetimes in fully immersive life-like simulations, all while reclining on plush lounges, connected to their brain chips courtesy of Muck Industries.
And then, there were Sharon, Gloria, and Mavis.
Three old ladies who, by all accounts, should have spent their days knitting and reminiscing about their youth, but instead had taken it upon themselves to make Helix 25 a little more interesting.
“Another marvelous day, ladies,” Sharon declared as she strolled along the gilded walkway of the Grand Atrium, a cavernous space filled with floating lounges and soft ambient music. The ceiling was a perfect replica of a sky—complete with drifting, lazy clouds and the occasional simulated flock of birds. Enough to make you almost forget you were in a closed fully-controlled environment.
Mavis sighed, adjusting her gaudy, glittering shawl. “It’s too marvelous, if you ask me. Bit samey, innit? Not even a good scandal to shake things up.”
Gloria scoffed. “Pah! That’s ‘cause we ain’t lookin’ hard enough. Did you hear about that dreadful business down in the Granary? Dried ‘im up like an apricot, they did. Disgustin’.”
“Dreadful,” Sharon agreed solemnly. “And not a single murder for decades, you know. We were overdue.”
Mavis clutched her pearls. “You make it sound like a good thing.”
Gloria waved a dismissive hand. “I’m just sayin’, bit of drama keeps people from losing their minds. No offense, but how many decades of spa treatments can a person endure before they go barmy?”
They passed a Wellness Lounge, where a row of residents were floating in Zero-G Hydrotherapy Pods, their faces aglow with Rejuvenex™ Anti-Aging Serum. Others lounged under mild UV therapy lamps, soaking up synthetic vitamin D while attendants rubbed nutrient-rich oils into their wrinkle-free skin.
Mavis peered at them. “Y’know, I swear some of ‘em are the same age as when we boarded.”
Gloria sniffed. “Not the same, Mavis. Just better preserved.”
Sharon tapped her lips, thoughtful. “I always wondered why we don’t have crime ‘ere. I mean, back on Earth, it were all fights, robbery, someone goin’ absolutely mental over a parking space—”
Gloria nodded. “It’s ‘cause we ain’t got money, Sha. No money, no stress, see? Everyone gets what they need.”
“Needs? Glo, love, people here have twelve-course meals and private VR vacations to Ancient Rome! I don’t reckon that counts as ‘needs’.”
“Well, it ain’t money, exactly,” Mavis pondered, “but we still ‘ave credits, don’t we?”
They fell into deep philosophical debates —or to say, their version of it.
Currency still existed aboard Helix 25, in a way. Each resident had a personal wealth balance, a digital measure of their social contributions—creative works, mentorship, scientific discovery, or participation in ship maintenance (for those who actually enjoyed labor, an absurd notion to most Upper Deckers). It wasn’t about survival, not like on the Lower Decks or the Hold, but about status. The wealthiest weren’t necessarily the smartest or the strongest, but rather those who best entertained or enriched the community.
Gloria finally waved her hand dismissively. “Point is, they keep us comfortable so we don’t start thinkin’ about things too much. Keep us occupied. Like a ship-sized cruise, but forever.”
Mavis wrinkled her nose. “A bit sinister, when you put it like that.”
“Well, I didn’t say it were sinister, I just said it were clever.” Gloria sniffed. “Anyway, we ain’t the ones who need entertainin’, are we? We’ve got a mystery on our hands.”
Sharon clapped excitedly. “Ooooh yes! A real mystery! Ain’t it thrillin’?”
“A proper one,” Gloria agreed. “With dead bodies an’ secrets an’—”
“—murder,” Mavis finished, breathless.
The three of them sighed in unison, delighted at the prospect.
They continued their stroll past the Grand Casino & Theatre, where a live orchestral simulation played for a well-dressed audience. Past the Astronomer’s Lounge, where youngster were taught to chart the stars that Helix 25 would never reach. Past the Crystal Arcade, where another group of youth of the ship enjoyed their free time on holographic duels and tactical board games.
So much entertainment. So much luxury.
So much designed distraction.
Gloria stopped suddenly, narrowing her eyes. “You ever wonder why we ain’t heard from the Captain in years?”
A hush fell over them.
Mavis frowned. “I thought you said the Captain were an idea, not a person.”
“Well, maybe. But if that’s true, who’s actually runnin’ the show?” Gloria folded her arms.
They glanced around, as if expecting an answer from the glowing Synthia panels embedded in every wall.
For the first time in a long while, they felt watched.
“…Maybe we oughta be careful,” Sharon muttered.
Mavis shivered. “Oh, Glo. What ‘ave you gotten us into this time?”
Gloria straightened her collar. “Dunno yet, love. But ain’t it excitin’?”
“With all the excitment, I almost forgot to tell you about that absolutely ghastly business,” Gloria declared, moments later, at the Moonchies’ Café, swirling her lavender-infused tea. “Watched a documentary this morning. About man-eating lions of Njombe.”
Sharon gasped, clutching her pearls. “Man eating lions?!”
Mavis blinked. “Wait. Man-eating lions, or man eating lions?”
There was a pause.
Gloria narrowed her eyes. “Mavis, why in the name of clotted cream would I be watchin’ a man eating lions?”
Mavis shrugged. “Well, I dunno, do I? Maybe he ran out of elephants.”
Sharon nodded sagely. “Yes, happens all the time in those travel shows.”
Gloria exhaled through her nose. “It’s not a travel show, Sha. And it’s not fiction.”
Mavis scoffed. “You sure? Sounds ridiculous.”
“Not as ridiculous as a man sittin’ down to a plate of roast lion chops,” Gloria shot back.
Mavis tilted her head. “Maybe it’s in a recipe book?”
Gloria slammed her teacup down. “I give up. I absolutely give up.”
Sharon patted her hand. “There, there, Glo. You can always watch somethin’ lighter tomorrow. Maybe a nice documentary about man-eating otters.”
Mavis grinned. “Or man eating otters.”
Gloria inhaled deeply, resisting the urge to upend her tea.
This, this was why Helix 25 had never known war.
No one had the time.
In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
In reply to: The Incense of the Quadrivium’s Mystiques
When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.
Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.
“Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.
Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.
“What?” Malové’s eyebrows arched.
“Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.
Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”
“They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”
Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.
When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.
Symbols, runes, sigils—even some impressively powerful ones—where scattered thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.
As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.
In reply to: The Incense of the Quadrivium’s Mystiques
“Why has Frella gone so soon?” asked Truella, when the beastly morality prayers were finished. “She was supposed to accompany us down the cellars tonight. I tell you what,” Truella rubbed her eyes and pushed her hair back, “This has been the longest day I’ve ever known. And it’s not over yet. Maybe we should leave the exploration of the cellars until tomorrow night.”
“Suits me,” said Zeezel, “I didn’t want to go down there anyway. The thought of going down there would ruin my evening, and I’ve got a gorgeous little cocktail dress picked out for tonight.”
“Jeezel, ” Eris said warningly, “We’re here on business.”
“Oh, lighten up, Eris! None of us even knows what we’re really here for! One minute it’s a boring merger or even a takeover, the next minute it’s all cloak and dagger mystery, then it’s a morality play, what’s it gonna be next?”
“A Barbara Cartland novel? Or 50 shades of undertakers?” Eris said with scowl.
“You don’t want to go down the cellar either, do you, Eris?” Truella asked, knowing the answer. “Never mind. You go and say some more prayers with Audrey. Jez, enjoy your evening to the hilt,” Truella wiggled her eyebrows. “I’ll go on my own.”
The others looked at her open mouthed. “You can’t be serious!”
“She isn’t going on her own,” Eric said darkly.
“I don’t know what you mean,” Truella pretended innocence. Of course she wasn’t going on her own. Rufus would go with her, and she even had an idea to invite Sassafras and Sandra. “Oh, alright then, I won’t go,” she lied. ” I’ll wait for you and we’ll go tomorrow night. But only if Frella comes back so she can come with us.”
Eris wasn’t stupid, she knew exactly what Truella was planning. She had to rein Truella in, but how? Suddenly, inspiration struck.
“We’d better go and get ready for dinner,” Eris said, “See you all later in the dining hall.” And with that she stalked out of the room.
As soon as she was out of the door, Eris sprinted up the hallway. She had to get to him before Truella got there. Crashing into Brother Bartolo as she careered round a corner, she apologised hurriedly and asked if he knew where Rufus was. Bartolo informed her that he’d seen Rufus by the fountain. Eris resisted the temptation to remark snidely about him needing to cool down.
He was still there when Eris reached the courtyard, sitting on the side of the water feature, trailing his hand in the water and looking gloweringly pensive. Eris took a deep breath.
“Mind if I join you?” she asked pleasantly, sitting down beside him. “We’re so grateful to you guys for coming to help us out, it’s all quite a lot for us to take in, you know?” Eris smiled disarmingly. “We’d feel so much better if Frella was here with us. We did manage to get her here, but something went wrong and she didn’t stay as long as we hoped she would. She’s on a mission in Ireland, and couldn’t come over, but Sister Audrey kindly offered to let Frella posess her for 24 hours, and then I don’t know what happened but Frella was called back abruptly to her own body.” Eris knew she was garbling semi incoherently, which was most unlike her normally, but she thought this approach would appeal. Rufus seemed to be the type to be a sucker for a damsel in distress. “If only someone else would offer to let Frella possess his body for 24 hours so that she can come and join us…”
Eris’s little spell must have worked a treat, as Rufus promptly agreed. “I can help you with this. I offer my body for Frella to possess, if you think it will assist you.”
Eris beamed at him. “What a charming gentleman you are!” she gushed, surprisingly both of them as she leaned forward and impulsively kissed his cheek. “I must go,” she said. Horrified, her face crimson, she fled back inside the cloisters.
In reply to: The Incense of the Quadrivium’s Mystiques
Rufus was not a man for small talk and the past couple of hours had been punishing for a man of his reticent character. He would have liked to get to know Truella better to try and recall which life he’d known her in, for he was sure now that it wasn’t a past encounter in this one, but that was not something to discuss in a crowded room. It would have to wait. Despite being a serious man himself, he had found the more frivolous and jolly witches and nuns more compatible than the severe looking grim ones. Even so, having to meet and speak to so many people in such a short time was overwhelming.
As soon as he could politely do so, he excused himself. Avoiding the smoky courtyard, he wandered around the labyrinthine building looking for another way outside. There were tapestries hanging on the walls in every room, ancient and faded, many with unusual designs. Rufus photographed them all in order to have a closer look at them later in the solitude of his room. The wall hanging with the frogs caught his eye in particular, and without thinking he found himself touching the Punic frog amulet hanging on his chest underneath his white silk shirt. As he lingered looking at the frog tapestry, he was startled by the swish of Bartolo’s robes behind him. Bartolo looked at him keenly for what seemed like an interminable length of time but in reality was only a moment. Damn it, he seemed familiar too.
“Exquisite decor, Brother, I like this one in particular. Such needlework! May I ask the provenance of this specimen?” Rufus tried to lighten the mood, not that lightening the mood had ever been his strong suit. “It looks very old, I assume this is not a recently made handicraft?”
Brother Bartolo decided to play along. He had recognised Rufus immediately, as if the name wasn’t enough of a clue, his eyes were exactly the same as old Rufino’s had been. Rufino, one of the oldest Punic families in Baetica. Oh, Bartolo remembered them well.
“That one has been hanging here since well before the convent was built,” Bartolo explained. “It happens to be one of my favourites. Another glass of cordial, sir?”
“No thank you Brother, I need some fresh air. I’d like to see the gardens, if I may.”
“Follow me,” replied Bartolo, as he lumbered down the passage. “The kitchen gardens are through here. There’s a gate at the end of that path to the rest of the grounds. Don’t worry about the mongoose, they’re quite tame.”
Such was the relief to be outside on his own, that Rufus didn’t immediately wonder what Brother Bartolo had meant. That frog tapestry had been hanging right there since before the convent was built? Hanging on what? Rufus’s hand involuntarily clutched his amulet again.
In reply to: The Incense of the Quadrivium’s Mystiques
After an eternity of cordial superficial conversation with a vertitable horde of new characters, and despite that some of them seemed either potentially interesting, possibly entertaining, or just downright intriguingly bizarre, Truella badly needed a quiet moment to herself, or in other words, a cigarette. Excusing herself from a strained attempt at getting to know a prim thin lipped nun whose name escaped her, Truella made her way over to the cloisters beyond the open doors. The courtyard beckoned, a breath of fresh air and a peaceful respite.
Leaning against a pillar, Truella took a drag on her cigarette, exhaling long and slowly. Perhaps it was just the shafts of sunlight making it seem that there was so much smoke. It hadn’t been too bad, after all. What an assorted bag they all were! Truella hadn’t given any thought to what all these new people she was to merge with would be like ~ she’d been focused on the intrusion into her own pursuits that such a thing would inevitably entail.
Rufus seemed to be keeping his distance, but Truella was relishing it, like knowing there’s cheesecake in the fridge for a midnight snack. Surprisingly, the two nuns Sandra and Sassafras seemed like good eggs underneath those dreadful habits. Truella was glad that Sassafras was her partner for the ritual; certainly it would have been worse with one of those silent ones. She wondered if Sassafras had anything planned, and if she should have thought about the ritual sooner. But then, how could she have known? The assumption had been that the partners would meet, and then come up with something together. Wasn’t it just a fun getting to know each other game kind of thing?
“How many cigarettes are you smoking out here?” Sandra laughed, “Can’t say I blame you though, gawd, will it never end.” Coughing, she lit a cigarette. “What is it you’re smoking anyway? What a funny smell, like the bowels of the earth.”
Truella thought this was rather rude, but had to admit that the smoke did smell peculiar. “That’s exactly what it smells like. And that smoke isn’t from my cigarette.”
“Fee Fi Finnley Fum, I smell the smoke of a dragon’s bum,” Sandra tried to laugh and failed. “Oh, heck. I don’t like dragons.”
“Neither do I,” Truella didn’t like the sound of this at all, but it had given her an idea for her ritual.
In reply to: The Incense of the Quadrivium’s Mystiques
Adjusting the crimson silk handkerchief in his breast pocket, Garrett swanned into the reception hall, his piercing pale blue eyes scanning the room. The walls were hung with colourful but faded tapestries, shabby enough to be genuinely ancient. The furniture was heavy and blackened with age, but it was the floor that caught his critical eye. In the centre of the old terracotta tiles floor was a mosaic, mostly hidden under a large conference table. Garret was no expert on Roman mosaics but it looked like the real deal. He would return to this room later for a closer inspection, he could hardly go crawling under the table now. It was a mercy, at least, that the ancient building hadn’t been decked out in ghastly modern furnishings as so many charming old hotels were these days.
He turned his attention to the few occupants. A ravishing raven haired beauty had just wafted in from the covered cloister beyond the open doors. Her silver mantilla shone in the sunlight slanting down into the courtyard for a moment, for all the world looking like an angelic medieval halo. As she slippped into the shadows the halo vanished, her ebony tresses showing beneath the gauzy lace. She settled herself in a low armchair, smoothing the burgundy folds of her gown. Garrett watched, spellbound. What an enchantress! Perhaps this weekend wouldn’t be such a bore, after all.
In reply to: The Incense of the Quadrivium’s Mystiques
There was an odd sight today.
Eris sat in the deserted courtyard area of the brand new Quadrivium office, Malové’s latest folly. She could savor the quiet that Fridays often brought, most of her colleagues from the coven preferring to work from home, leaving the usually bustling space tranquil and almost meditative. She took a bite of her sandwich, listening distractedly to the complaints of another witch sitting nearby, while her own mind still preoccupied with the myriad responsibilities and recent events that seemed to pile around like a stack of clothes due a trip to the laundry.
As she chewed thoughtfully, her eyes were drawn to an odd sight. A blackbird was performing a strange dance in front of the mirrored walls that lined one side of the patio. It hopped back and forth, its beak tapping on the surface, its feathers shimmering in the afternoon light, as if it were courting its own reflection or perhaps trying to feed it with a worm it had in its beak. Eris paused, intrigued by this peculiar behavior. What could it mean?
Her thoughts were interrupted by a series of sharp, melodic chirps. She looked around and spotted another bird perched nearby in the foliage of hanged planters lining the walls —a female blackbird, easily identifiable by her distinct brown coat. The female watched the male’s antics with a mix of curiosity and detachment, her chirps seeming to carry a message of their own.
Eris felt a shiver run down her spine, a familiar sensation that often preceded a moment of magical insight. The blackbird’s dance wasn’t just an oddity; it was a sign, a message from the universe, or perhaps from the magical currents that flowed unseen through the world.
She closed her eyes for a moment and took a deep breath, trying to connect with the energy around her. The image of the male blackbird, tirelessly courting its own reflection, seemed to mirror her own recent struggles. Had she been chasing an illusion, trying to nourish something that could not be sustained?
The female blackbird’s presence added another layer to the message. She was grounded, present, and observant—a contrast to the male’s futile efforts. Eris thought of her recent decisions, the dismissal of the cook, the strained relationships within the coven, and the cryptic postcards from Truella. Was the universe urging her to find balance, to ground herself and observe more keenly before taking action?
She could almost hear Elias whispers in her ears: Birds, in general, often represent thoughts or ideas flying about in our consciousness. The blackbird specifically, with its stark contrast and distinct presence, can represent deeper insights, truths, or messages that are coming to your awareness. The mirror, as a reflective surface, implies that these insights pertain directly to your perception of self or facets of your identity that may be emerging or needing attention. Putting this together, the imagery of the birds and their interactions could be nudging you to pay closer attention to your inner reflections. Are you nurturing the parts of yourself that truly need attention? Are there aspects of your identity or self-perception that require acknowledgment and care? The presence of the brown-coated female blackbird might also be a reminder to appreciate the varied and multifaceted nature of your experiences and the different roles you embody.
She opened her eyes, feeling a sense of clarity washing over her. The birds continued their vivid dialogue and unfathomable dances, unaware of the impact they had just made, although her insistent gaze had seemed to snap the blackbird out of its mesmerized pattern. He was now scurrying away looking over its shoulder, as if caught in an awkward moment.
Rising from her seat, Eris felt something. Not some sort of newfound sense of purpose, but a weight of a precious present, luminous and fragile, yet spacious and full with undecipherable meaning. She glanced one last time at the blackbirds, silently thanking them for their unspoken wisdom. As she walked back into the office, she knew that the path ahead would still be fraught with challenges, but she was ready to face them—grounded, observant, and attuned to the subtle messages that the world had to offer.
In the quiet of the Quadrivium office, on a deserted Friday afternoon, a blackbird’s dance had set the stage for the next chapter of her journey.
In reply to: The Incense of the Quadrivium’s Mystiques
In the dimly lit chambers of the Quadrivium’s headquarters, a cold gust slipped through the cracked window, teasing the heavy velvet drapes and sending shivers down Malové’s spine. The Head Witchtress sat behind her opulent mahogany desk, lost in the musty pages of an ancient tome, when a discreet rap disturbed the solemnity of the room. With an air of urgency, a Beige House maid entered, her demeanor betraying the weight of her message.
“Mistress Malové,” she began, her voice a mere whisper, “I bear dire tidings.”
Malové arched an eyebrow. “Speak plainly, my dear.”
The spy-maid straightened, her gaze unwavering. “Lump, the ex-president, plots a resurrection across the pond. The Coven cannot allow it.”
A sly grin danced upon Malové’s lips as she pondered the revelation. “Indeed, we cannot.”
After a pregnant pause, she continued, her voice dripping with intrigue. “And perhaps, I have just the antidote.”
Rising from her seat, Malové cast a commanding presence upon the room. “We shall concoct a brew, a potion so potent that it shall pierce through the veil of deception and illuminate the truth. I dub it the ‘Illuminare Blend‘—a fusion of veracity essence, clarity petals, and a hint of the elusive enlightening elixir.”
This concoction, once ignited, would unleash a smoke suffused with spells of clarity and truth, penetrating minds and hearts alike. Under its influence, the populace would awaken to the reality of Lump’s nefarious designs.
“The essence of truth lies in the realm of the Forsaken Fae, beneath the boughs of the ever-blooming Tree of Veracity. Clarity petals are harvested beneath the Full Cold Moon from the enigmatic Clarity Bloom. And the enlightening elixir, rarest of all, is distilled during a solar eclipse, using the crystallized tears of a celestial phoenix.”
Malové’s laughter rang through the chamber, cutting through the tension like a knife. “Are we now in a Barry Otter novel? What do you expect me to say next? ‘This is the mission. We must procure these ingredients. The fate of the nation hangs in the balance. There is no room for failure’?”
The Beige House maid stood, bewildered by the abrupt shift in tone.
Chuckling, Malové waved a dismissive hand. “Fear not, my dear. Though the task is grave, most of these ingredients are but a click away, courtesy of Jibborium’s Emporium. They have yet to disappoint.”
With a nod, the maid retreated, prepared to execute her mission with alacrity.
“Wait,” Malové called after her. “You may need a prescription for some of these.” With a flourish, she produced a document that bore an official seal, albeit embellished with whimsy.
“Contact me when you have procured them. I shall dispatch my finest witches to assist with the incantations. Though we may be persona non grata in the Americas, we shall make do with Zoom.”
With a murmured acknowledgment, the maid vanished, leaving Malové to her thoughts and her dusty tome, a faint smirk playing upon her lips. “One cannot have that, indeed,” she mused, her mind already devising the spell that would thwart Lump’s resurgence and safeguard the nation.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: The Precious Life and Rambles of Liz Tattler
“I expect you’ve all been wondering where I was,” announced Liz as she swanned into the room with an air of serene satisfaction. (and then wondered if “she swanned into the salon, shivering with serene satisfaction” would be preferable.) (but would “should sound splendid” be better than “would be preferable”?)
“What the dickens are you on about?” said Finnley in her usual abrupt fashion, and sporting her customary accompanying withering look.
“She simply asks if we wondered where she was, Finnley,” Godfrey remarked mildly, who had not been reading Liz’s mind, and therefore had no idea why the dickens Finnley had said what she said.
Neither had Roberto been reading Liz’s mind (he was far too polite) and would not have known what a dickens was anyway, hailing as he did from foreign parts. Fortunately he had the presence of mind, and the inate courtesy to respond to a plain request to answer a relatively simple question. “Where have you been? We’ve been worried about you!” he duly uttered.
Liz beamed at the handsome gardener, or more accurately, the boatman. After the gardens flooded and the road cut off, the obliging adaptable fellow made a couple of rafts and canoes for transport, and morning “walks”and started some edible algae water gardens.
In reply to: The Precious Life and Rambles of Liz Tattler
“I am having time off,” announced Finnley.
Liz looked up from her writing and frowned. It was annoying the way Finnley barged into her office without the courtesy of a knock. “You’ll need to fill in a form. At which point I will consider your request.” She returned her gaze to her writing, or lack thereof as the page was depressingly blank. She knew she sounded brusque but for goodness sakes, that Finnley was just a tad too big for her boots!
“Next week.”
“Oh well really that isn’t …”
Finnley fell to her knees, lowered her head and took a deep sniff of the carpet. Liz, thinking that due respect was being paid, was appeased.
Finnley raised her head and gave, what looked like to Liz anyway, a superior smirk. “Have you ever truly contemplated dust, Liz? Well I am going to contemplate dust with others of a like mind.” She stood up and put her hands on her hips. “I have one word for you, Liz.” She paused dramatically. “Dustsceawung.”
In reply to: Orbs of Madjourneys
“Look, Pretty Girl! That must be the lost traveler walking up those steps!”
Zara followed the mysterious man in red robes up the steps. She lost sight of him and wondered which way he’d gone in the many side alleys. She wandered up a few of them but they all came to a dead end in a courtyard with closed doors. Eventually she saw him disappearing into a manhole that looked like a labyrinth.
Zara followed him, and stepped onto the labyrinth manhole that the man in the red robes had disappeared into.
“That must be another portal,” Zara said to the parrot. “I wonder where we’ll end up now.”
The labyrinth manhole led Zara to another portal, this time a round hole in the wall. She knew she should follow the man, who must be the lost traveler, but she couldn’t resist exploring the starlit night scene first.
She found herself in a castle, its sand coloured walls glowing in the moonlight. There was another round green pool inside the castle. Should she jump into the pool, or go back and follow the man in red through the hole in the wall? Zara walked around the castle first, exploring the many courtyards and stairs and the enchanting views from the parapets. She noticed that there were several green pools and wondered if they each led to different places.
In reply to: Family Stories From The Other Side ~ Book Two
Annie Elizabeth Stokes
1871-1961
“Grandma E”
Annie, my great grandmother, was born 2 Jan 1871 in Merstow Green, Evesham, Worcestershire. Her father Fred Stokes was a wheelwright. On the 1771 census in Merston Green Annie was 3 months old and there was quite a houseful: Annies parents Fred and Rebecca, Fred’s parents Thomas and Eliza and two of their daughters, three apprentices, a lodger and one of Thomas’s grandsons.
1771 census Merstow Green, Evesham:
Annie at school in the early 1870s in Broadway. Annie is in the front on the left and her brother Fred is in the centre of the first seated row:
In 1881 Annie was a 10 year old visitor at the Angel Inn, Chipping Camden. A boarder there was 19 year old William Halford, a wheelwright apprentice. John Such, a 62 year old widower, was the innkeeper. Her parents and two siblings were living at La Quinta, on Main Street in Broadway.
According to her obituary in 1962, “When the Maxton family visited Broadway to stay with Mr and Madame de Navarro at Court Farm, they offered Annie a family post with them which took her for several years to Paris and other parts of the continent.”
Mary Anderson was an American theatre actress. In 1890 she married Antonio Fernando de Navarro. She became known as Mary Anderson de Navarro. They settled at Court Farm in the Cotswolds, Broadway, Worcestershire, where she cultivated an interest in music and became a noted hostess with a distinguished circle of musical, literary and ecclesiastical guests. As in the years when Mary lived there, it was often filled with visiting artists and musicians, including Myra Hess and a young Jacqueline du Pré. (via Wikipedia)
Court Farm, Broadway:
Annie was an assistant to a tobacconist in West Bromwich in 1991, living as a boarder with William Calcutt and family. He future husband Albert was living in neighbouring Tipton in 1891, working at a pawnbroker apprenticeship.
Annie married Albert Parker Edwards in 1898 in Evesham. On the 1901 census, she was in hospital in Redditch.
By 1911, Anne and Albert had five children and were living at the Cricketers Arms in Redditch.
Behind the bar in 1904 shortly after taking over at the Cricketers Arms. From a book on Redditch pubs:
Annie was referred to in later years as Grandma E, probably to differentiate between her and my fathers Grandma T, as both lived to a great age.
Annie with her grandson Reg on the left and her daughter in law Peggy on the right, in the early 1950s:
Annie at my christening in 1959:
Annie died 30 Dec 1961, aged 90, at Ravenscourt nursing home, Redditch. Her obituary in the Droitwich Guardian in January 1962:
Note that this obituary contains an obvious error: Annie’s father was Frederick Stokes, and Thomas was his father.
In reply to: Family Stories From The Other Side ~ Book Two
The House on Penn Common
Toi Fang and the Duke of Sutherland
Tomlinsons
Grassholme
Charles Tomlinson (1873-1929) my great grandfather, was born in Wolverhampton in 1873. His father Charles Tomlinson (1847-1907) was a licensed victualler or publican, or alternatively a vet/castrator. He married Emma Grattidge (1853-1911) in 1872. On the 1881 census they were living at The Wheel in Wolverhampton.
Charles married Nellie Fisher (1877-1956) in Wolverhampton in 1896. In 1901 they were living next to the post office in Upper Penn, with children (Charles) Sidney Tomlinson (1896-1955), and Hilda Tomlinson (1898-1977) . Charles was a vet/castrator working on his own account.
In 1911 their address was 4, Wakely Hill, Penn, and living with them were their children Hilda, Frank Tomlinson (1901-1975), (Dorothy) Phyllis Tomlinson (1905-1982), Nellie Tomlinson (1906-1978) and May Tomlinson (1910-1983). Charles was a castrator working on his own account.
Charles and Nellie had a further four children: Charles Fisher Tomlinson (1911-1977), Margaret Tomlinson (1913-1989) (my grandmother Peggy), Major Tomlinson (1916-1984) and Norah Mary Tomlinson (1919-2010).
My father told me that my grandmother had fallen down the well at the house on Penn Common in 1915 when she was two years old, and sent me a photo of her standing next to the well when she revisted the house at a much later date.
Peggy next to the well on Penn Common:
My grandmother Peggy told me that her father had had a racehorse called Toi Fang. She remembered the racing colours were sky blue and orange, and had a set of racing silks made which she sent to my father.
Through a DNA match, I met Ian Tomlinson. Ian is the son of my fathers favourite cousin Roger, Frank’s son. Ian found some racing silks and sent a photo to my father (they are now in contact with each other as a result of my DNA match with Ian), wondering what they were.
When Ian sent a photo of these racing silks, I had a look in the newspaper archives. In 1920 there are a number of mentions in the racing news of Mr C Tomlinson’s horse TOI FANG. I have not found any mention of Toi Fang in the newspapers in the following years.
The Scotsman – Monday 12 July 1920:
The other story that Ian Tomlinson recalled was about the house on Penn Common. Ian said he’d heard that the local titled person took Charles Tomlinson to court over building the house but that Tomlinson won the case because it was built on common land and was the first case of it’s kind.
Penn Common Right of Way Case:
Staffordshire Advertiser March 9, 1912In the chancery division, on Tuesday, before Mr Justice Joyce, it was announced that a settlement had been arrived at of the Penn Common Right of Way case, the hearing of which occupied several days last month. The action was brought by the Duke of Sutherland (as Lord of the Manor of Penn) and Mr Harry Sydney Pitt (on behalf of himself and other freeholders of the manor having a right to pasturage on Penn Common) to restrain Mr James Lakin, Carlton House, Penn; Mr Charles Tomlinson, Mayfield Villa, Wakely Hill, Penn; and Mr Joseph Harold Simpkin, Dudley Road, Wolverhampton, from drawing building materials across the common, or otherwise causing injury to the soil.
The real point in dispute was whether there was a public highway for all purposes running by the side of the defendants land from the Turf Tavern past the golf club to the Barley Mow.
Mr Hughes, KC for the plaintiffs, now stated that the parties had been in consultation, and had come to terms, the substance of which was that the defendants admitted that there was no public right of way, and that they were granted a private way. This, he thought, would involve the granting of some deed or deeds to express the rights of the parties, and he suggested that the documents should be be settled by some counsel to be mutually agreed upon.His lordship observed that the question of coal was probably the important point. Mr Younger said Mr Tomlinson was a freeholder, and the plaintiffs could not mine under him. Mr Hughes: The coal actually under his house is his, and, of course, subsidence might be produced by taking away coal some distance away. I think some document is required to determine his actual rights.
Mr Younger said he wanted to avoid anything that would increase the costs, but, after further discussion, it was agreed that Mr John Dixon (an expert on mineral rights), or failing him, another counsel satisfactory to both parties, should be invited to settle the terms scheduled in the agreement, in order to prevent any further dispute.
The name of the house is Grassholme. The address of Mayfield Villas is the house they were living in while building Grassholme, which I assume they had not yet moved in to at the time of the newspaper article in March 1912.
What my grandmother didn’t tell anyone was how her father died in 1929:
On the 1921 census, Charles, Nellie and eight of their children were living at 269 Coleman Street, Wolverhampton.
They were living on Coleman Street in 1915 when Charles was fined for staying open late.
Staffordshire Advertiser – Saturday 13 February 1915:
What is not yet clear is why they moved from the house on Penn Common sometime between 1912 and 1915. And why did he have a racehorse in 1920?
In reply to: The Elusive Samuel Housley and Other Family Stories
STONE MANOR
Hildred Orgill Warren born in 1900, my grandmothers sister, married Reginald Williams in Stone, Worcestershire in March 1924. Their daughter Joan was born there in October of that year.
Hildred was a chaffeur on the 1921 census, living at home in Stourbridge with her father (my great grandfather) Samuel Warren, mechanic. I recall my grandmother saying that Hildred was one of the first lady chauffeurs. On their wedding certificate, Reginald is also a chauffeur.
1921 census, Stourbridge:
Hildred and Reg worked at Stone Manor. There is a family story of Hildred being involved in a car accident involving a fatality and that she had to go to court.
Stone Manor is in a tiny village called Stone, near Kidderminster, Worcestershire. It used to be a private house, but has been a hotel and nightclub for some years. We knew in the family that Hildred and Reg worked at Stone Manor and that Joan was born there. Around 2007 Joan held a family party there.
Stone Manor, Stone, Worcestershire:
I asked on a Kidderminster Family Research group about Stone Manor in the 1920s:
“the original Stone Manor burnt down and the current building dates from the early 1920’s and was built for James Culcheth Hill, completed in 1926”
But was there a fire at Stone Manor?
“I’m not sure there was a fire at the Stone Manor… there seems to have been a fire at another big house a short distance away and it looks like stories have crossed over… as the dates are the same…”JC Hill was one of the witnesses at Hildred and Reginalds wedding in Stone in 1924. K Warren, Hildreds sister Kay, was the other:
I searched the census and electoral rolls for James Culcheth Hill and found him at the Stone Manor on the 1929-1931 electoral rolls for Stone, and Hildred and Reginald living at The Manor House Lodge, Stone:
On the 1911 census James Culcheth Hill was a 12 year old student at Eastmans Royal Naval Academy, Northwood Park, Crawley, Winchester. He was born in Kidderminster in 1899. On the same census page, also a student at the school, is Reginald Culcheth Holcroft, born in 1900 in Stourbridge. The unusual middle name would seem to indicate that they might be related.
A member of the Kidderminster Family Research group kindly provided this article:
SHOT THROUGH THE TEMPLE
Well known Worcestershire man’s tragic death.
Dudley Chronicle 27 March 1930.
Well known in Worcestershire, especially the Kidderminster district, Mr Philip Rowland Hill MA LLD who was mayor of Kidderminster in 1907 was found dead with a bullet wound through his temple on board his yacht, anchored off Cannes, on Friday, recently. A harbour watchman discovered the dead man huddled in a chair on board the yacht. A small revolver was lying on the blood soaked carpet beside him.
Friends of Mr Hill, whose London address is given as Grosvenor House, Park Lane, say that he appeared despondent since last month when he was involved in a motor car accident on the Antibes ~ Nice road. He was then detained by the police after his car collided with a small motor lorry driven by two Italians, who were killed in the crash. Later he was released on bail of 180,000 francs (£1440) pending an investigation of a charge of being responsible for the fatal accident. …….
Mr Rowland Hill (Philips father) was heir to Sir Charles Holcroft, the wealthy Staffordshire man, and managed his estates for him, inheriting the property on the death of Sir Charles. On the death of Mr Rowland HIll, which took place at the Firs, Kidderminster, his property was inherited by Mr James (Culcheth) Hill who had built a mansion at Stone, near Kidderminster. Mr Philip Rowland Hill assisted his brother in managing the estate. …….
At the time of the collison both brothers were in the car.
This article doesn’t mention who was driving the car ~ could the family story of a car accident be this one? Hildred and Reg were working at Stone Manor, both were (or at least previously had been) chauffeurs, and Philip Hill was helping James Culcheth Hill manage the Stone Manor estate at the time.
This photograph was taken circa 1931 in Llanaeron, Wales. Hildred is in the middle on the back row:
Sally Gray sent the photo with this message:
“Joan gave me a short note: Photo was taken when they lived in Wales, at Llanaeron, before Janet was born, & Aunty Lorna (my mother) lived with them, to take Joan to school in Aberaeron, as they only spoke Welsh at the local school.”
Hildred and Reginalds daughter Janet was born in 1932 in Stratford. It would appear that Hildred and Reg moved to Wales just after the car accident, and shortly afterwards moved to Stratford.
In 1921 James Culcheth Hill was living at Red Hill House in Stourbridge. Although I have not been able to trace Reginald Williams yet, perhaps this Stourbridge connection with his employer explains how Hildred met Reginald.
Sir Reginald Culcheth Holcroft, the other pupil at the school in Winchester with James Culcheth Hill, was indeed related, as Sir Holcroft left his estate to James Culcheth Hill’s father. Sir Reginald was born in 1899 in Upper Swinford, Stourbridge. Hildred also lived in that part of Stourbridge in the early 1900s.
1921 Red Hill House:
The 2007 family reunion organized by Joan Williams at Stone Manor: Joan in black and white at the front.
Unrelated to the Warrens, my fathers friends (and customers at The Fox when my grandmother Peggy Edwards owned it) Geoff and Beryl Lamb later bought Stone Manor.
In reply to: The Elusive Samuel Housley and Other Family Stories
The Warrens of Stapenhill
There were so many Warren’s in Stapenhill that it was complicated to work out who was who. I had gone back as far as Samuel Warren marrying Catherine Holland, and this was as far back as my cousin Ian Warren had gone in his research some decades ago as well. The Holland family from Barton under Needwood are particularly interesting, and will be a separate chapter.
Stapenhill village by John Harden:
Resuming the research on the Warrens, Samuel Warren 1771-1837 married Catherine Holland 1775-1861 in 1795 and their son Samuel Warren 1800-1882 married Elizabeth Bridge, whose childless brother Benjamin Bridge left the Warren Brothers Boiler Works in Newhall to his nephews, the Warren brothers.
Samuel Warren and Catherine Holland marriage licence 1795:
Samuel (born 1771) was baptised at Stapenhill St Peter and his parents were William and Anne Warren. There were at least three William and Ann Warrens in town at the time. One of those William’s was born in 1744, which would seem to be the right age to be Samuel’s father, and one was born in 1710, which seemed a little too old. Another William, Guiliamos Warren (Latin was often used in early parish registers) was baptised in Stapenhill in 1729.
Stapenhill St Peter:
William Warren (born 1744) appeared to have been born several months before his parents wedding. William Warren and Ann Insley married 16 July 1744, but the baptism of William in 1744 was 24 February. This seemed unusual ~ children were often born less than nine months after a wedding, but not usually before the wedding! Then I remembered the change from the Julian calendar to the Gregorian calendar in 1752. Prior to 1752, the first day of the year was Lady Day, March 25th, not January 1st. This meant that the birth in February 1744 was actually after the wedding in July 1744. Now it made sense. The first son was named William, and he was born seven months after the wedding.
William born in 1744 died intestate in 1822, and his wife Ann made a legal claim to his estate. However he didn’t marry Ann Holland (Ann was Catherines Hollands sister, who married Samuel Warren the year before) until 1796, so this William and Ann were not the parents of Samuel.
It seemed likely that William born in 1744 was Samuels brother. William Warren and Ann Insley had at least eight children between 1744 and 1771, and it seems that Samuel was their last child, born when William the elder was 61 and his wife Ann was 47.
It seems it wasn’t unusual for the Warren men to marry rather late in life. William Warren’s (born 1710) parents were William Warren and Elizabeth Hatterton. On the marriage licence in 1702/1703 (it appears to say 1703 but is transcribed as 1702), William was a 40 year old bachelor from Stapenhill, which puts his date of birth at 1662. Elizabeth was considerably younger, aged 19.
William Warren and Elizabeth Hatterton marriage licence 1703:
These Warren’s were farmers, and they were literate and able to sign their own names on various documents. This is worth noting, as most made the mark of an X.
I found three Warren and Holland marriages. One was Samuel Warren and Catherine Holland in 1795, then William Warren and Ann Holland in 1796. William Warren and Ann Hollands daughter born in 1799 married John Holland in 1824.
Elizabeth Hatterton (wife of William Warren who was born circa 1662) was born in Burton upon Trent in 1685. Her parents were Edward Hatterton 1655-1722, and Sara.
A page from the 1722 will of Edward Hatterton:
The earliest Warren I found records for was William Warren who married Elizabeth Hatterton in 1703. The marriage licence states his age as 40 and that he was from Stapenhill, but none of the Stapenhill parish records online go back as far as 1662. On other public trees on ancestry websites, a birth record from Suffolk has been chosen, probably because it was the only record to be found online with the right name and date. Once again, I don’t think that is correct, and perhaps one day I’ll find some earlier Stapenhill records to prove that he was born in locally.
Subsequently, I found a list of the 1662 Hearth Tax for Stapenhill. On it were a number of Warrens, three William Warrens including one who was a constable. One of those William Warrens had a son he named William (as they did, hence the number of William Warrens in the tree) the same year as this hearth tax list.
But was it the William Warren with 2 chimneys, the one with one chimney who was too poor to pay it, or the one who was a constable?
from the list:
Will. Warryn 2
Richard Warryn 1
William Warren Constable
These names are not payable by Act:
Will. Warryn 1
Richard Warren John Watson
over seers of the poore and churchwardensThe Hearth Tax:
via wiki:
In England, hearth tax, also known as hearth money, chimney tax, or chimney money, was a tax imposed by Parliament in 1662, to support the Royal Household of King Charles II. Following the Restoration of the monarchy in 1660, Parliament calculated that the Royal Household needed an annual income of £1,200,000. The hearth tax was a supplemental tax to make up the shortfall. It was considered easier to establish the number of hearths than the number of heads, hearths forming a more stationary subject for taxation than people. This form of taxation was new to England, but had precedents abroad. It generated considerable debate, but was supported by the economist Sir William Petty, and carried through the Commons by the influential West Country member Sir Courtenay Pole, 2nd Baronet (whose enemies nicknamed him “Sir Chimney Poll” as a result). The bill received Royal Assent on 19 May 1662, with the first payment due on 29 September 1662, Michaelmas.
One shilling was liable to be paid for every firehearth or stove, in all dwellings, houses, edifices or lodgings, and was payable at Michaelmas, 29 September and on Lady Day, 25 March. The tax thus amounted to two shillings per hearth or stove per year. The original bill contained a practical shortcoming in that it did not distinguish between owners and occupiers and was potentially a major burden on the poor as there were no exemptions. The bill was subsequently amended so that the tax was paid by the occupier. Further amendments introduced a range of exemptions that ensured that a substantial proportion of the poorer people did not have to pay the tax.Indeed it seems clear that William Warren the elder came from Stapenhill and not Suffolk, and one of the William Warrens paying hearth tax in 1662 was undoubtedly the father of William Warren who married Elizabeth Hatterton.
In reply to: The Elusive Samuel Housley and Other Family Stories
Matthew Orgill and His Family
Matthew Orgill 1828-1907 was the Orgill brother who went to Australia, but returned to Measham. Matthew married Mary Orgill in Measham in October 1856, having returned from Victoria, Australia in May of that year.
Although Matthew was the first Orgill brother to go to Australia, he was the last one I found, and that was somewhat by accident, while perusing “Orgill” and “Measham” in a newspaper archives search. I chanced on Matthew’s obituary in the Nuneaton Observer, Friday 14 June 1907:
LATE MATTHEW ORGILL PEACEFUL END TO A BLAMELESS LIFE.
‘Sunset and Evening Star And one clear call for me.”
It is with very deep regret that we have to announce the death of Mr. Matthew Orgill, late of Measham, who passed peacefully away at his residence in Manor Court Road, Nuneaton, in the early hours of yesterday morning. Mr. Orgill, who was in his eightieth year, was a man with a striking history, and was a very fine specimen of our best English manhood. In early life be emigrated to South Africa—sailing in the “Hebrides” on 4th February. 1850—and was one of the first settlers at the Cape; afterwards he went on to Australia at the time of the Gold Rush, and ultimately came home to his native England and settled down in Measham, in Leicestershire, where he carried on a successful business for the long period of half-a-century.
He was full of reminiscences of life in the Colonies in the early days, and an hour or two in his company was an education itself. On the occasion of the recall of Sir Harry Smith from the Governorship of Natal (for refusing to be a party to the slaying of the wives and children in connection with the Kaffir War), Mr. Orgill was appointed to superintend the arrangements for the farewell demonstration. It was one of his boasts that he made the first missionary cart used in South Africa, which is in use to this day—a monument to the character of his work; while it is an interesting fact to note that among Mr. Orgill’s papers there is the original ground-plan of the city of Durban before a single house was built.
In Africa Mr. Orgill came in contact with the great missionary, David Livingstone, and between the two men there was a striking resemblance in character and a deep and lasting friendship. Mr. Orgill could give a most graphic description of the wreck of the “Birkenhead,” having been in the vicinity at the time when the ill-fated vessel went down. He played a most prominent part on the occasion of the famous wreck of the emigrant ship, “Minerva.” when, in conjunction with some half-a-dozen others, and at the eminent risk of their own lives, they rescued more than 100 of the unfortunate passengers. He was afterwards presented with an interesting relic as a memento of that thrilling experience, being a copper bolt from the vessel on which was inscribed the following words: “Relic of the ship Minerva, wrecked off Bluff Point, Port Natal. 8.A.. about 2 a.m.. Friday, July 5, 1850.”
Mr. Orgill was followed to the Colonies by no fewer than six of his brothers, all of whom did well, and one of whom married a niece (brother’s daughter) of the late Mr. William Ewart Gladstone.
On settling down in Measham his kindly and considerate disposition soon won for him a unique place in the hearts of all the people, by whom he was greatly beloved. He was a man of sterling worth and integrity. Upright and honourable in all his dealings, he led a Christian life that was a pattern to all with whom he came in contact, and of him it could truly he said that he wore the white flower of a blameless life.
He was a member of the Baptist Church, and although beyond much active service since settling down in Nuneaton less than two years ago he leaves behind him a record in Christian service attained by few. In politics he was a Radical of the old school. A great reader, he studied all the questions of the day, and could back up every belief he held by sound and fearless argument. The South African – war was a great grief to him. He knew the Boers from personal experience, and although he suffered at the time of the war for his outspoken condemnation, he had the satisfaction of living to see the people of England fully recognising their awful blunder. To give anything like an adequate idea of Mr. Orgill’s history would take up a great amount of space, and besides much of it has been written and commented on before; suffice it to say that it was strenuous, interesting, and eventful, and yet all through his hands remained unspotted and his heart was pure.
He is survived by three daughters, and was father-in-law to Mr. J. S. Massey. St Kilda. Manor Court Road, to whom deep and loving sympathy is extended in their sore bereavement by a wide circle of friends. The funeral is arranged to leave for Measham on Monday at twelve noon.
“To give anything like an adequate idea of Mr. Orgill’s history would take up a great amount of space, and besides much of it has been written and commented on before…”
I had another look in the newspaper archives and found a number of articles mentioning him, including an intriguing excerpt in an article about local history published in the Burton Observer and Chronicle 8 August 1963:
on an upstairs window pane he scratched with his diamond ring “Matthew Orgill, 1st July, 1858”
I asked on a Measham facebook group if anyone knew the location of the house mentioned in the article and someone kindly responded. This is the same building, seen from either side:
Coincidentally, I had already found this wonderful photograph of the same building, taken in 1910 ~ three years after Matthew’s death.
But what to make of the inscription in the window?
Matthew and Mary married in October 1856, and their first child (according to the records I’d found thus far) was a daughter Mary born in 1860. I had a look for a Matthew Orgill birth registered in 1858, the date Matthew had etched on the window, and found a death for a Matthew Orgill in 1859. Assuming I would find the birth of Matthew Orgill registered on the first of July 1958, to match the etching in the window, the corresponding birth was in July 1857!
Matthew and Mary had four children. Matthew, Mary, Clara and Hannah. Hannah Proudman Orgill married Joseph Stanton Massey. The Orgill name continues with their son Stanley Orgill Massey 1900-1979, who was a doctor and surgeon. Two of Stanley’s four sons were doctors, Paul Mackintosh Orgill Massey 1929-2009, and Michael Joseph Orgill Massey 1932-1989.
Mary Orgill 1827-1894, Matthews wife, was an Orgill too.
And this is where the Orgill branch of the tree gets complicated.
Mary’s father was Henry Orgill born in 1805 and her mother was Hannah Proudman born in 1805.
Henry Orgill’s father was Matthew Orgill born in 1769 and his mother was Frances Finch born in 1771.Mary’s husband Matthews parents are Matthew Orgill born in 1798 and Elizabeth Orgill born in 1803.
Another Orgill Orgill marriage!
Matthews parents, Matthew and Elizabeth, have the same grandparents as each other, Matthew Orgill born in 1736 and Ann Proudman born in 1735.
But Matthews grandparents are none other than Matthew Orgill born in 1769 and Frances Finch born in 1771 ~ the same grandparents as his wife Mary!
In reply to: The Elusive Samuel Housley and Other Family Stories
The Housley Letters
From Barbara Housley’s Narrative on the Letters.
William Housley (1781-1848) and Ellen Carrington were married on May 30, 1814 at St. Oswald’s church in Ashbourne. William died in 1848 at the age of 67 of “disease of lungs and general debility”. Ellen died in 1872.
Marriage of William Housley and Ellen Carrington in Ashbourne in 1814:
Parish records show three children for William and his first wife, Mary, Ellens’ sister, who were married December 29, 1806: Mary Ann, christened in 1808 and mentioned frequently in the letters; Elizabeth, christened in 1810, but never mentioned in any letters; and William, born in 1812, probably referred to as Will in the letters. Mary died in 1813.
William and Ellen had ten children: John, Samuel, Edward, Anne, Charles, George, Joseph, Robert, Emma, and Joseph. The first Joseph died at the age of four, and the last son was also named Joseph. Anne never married, Charles emigrated to Australia in 1851, and George to USA, also in 1851. The letters are to George, from his sisters and brothers in England.
The following are excerpts of those letters, including excerpts of Barbara Housley’s “Narrative on Historic Letters”. They are grouped according to who they refer to, rather than chronological order.
ELLEN HOUSLEY 1795-1872
Joseph wrote that when Emma was married, Ellen “broke up the comfortable home and the things went to Derby and she went to live with them but Derby didn’t agree with her so she left again leaving her things behind and came to live with John in the new house where she died.” Ellen was listed with John’s household in the 1871 census.
In May 1872, the Ilkeston Pioneer carried this notice: “Mr. Hopkins will sell by auction on Saturday next the eleventh of May 1872 the whole of the useful furniture, sewing machine, etc. nearly new on the premises of the late Mrs. Housley at Smalley near Heanor in the county of Derby. Sale at one o’clock in the afternoon.”Ellen’s family was evidently rather prominant in Smalley. Two Carringtons (John and William) served on the Parish Council in 1794. Parish records are full of Carrington marriages and christenings; census records confirm many of the family groupings.
In June of 1856, Emma wrote: “Mother looks as well as ever and was told by a lady the other day that she looked handsome.” Later she wrote: “Mother is as stout as ever although she sometimes complains of not being able to do as she used to.”
Mary’s children:
MARY ANN HOUSLEY 1808-1878
There were hard feelings between Mary Ann and Ellen and her children. Anne wrote: “If you remember we were not very friendly when you left. They never came and nothing was too bad for Mary Ann to say of Mother and me, but when Robert died Mother sent for her to the funeral but she did not think well to come so we took no more notice. She would not allow her children to come either.”
Mary Ann was unlucky in love! In Anne’s second letter she wrote: “William Carrington is paying Mary Ann great attention. He is living in London but they write to each other….We expect it will be a match.” Apparantly the courtship was stormy for in 1855, Emma wrote: “Mary Ann’s wedding with William Carrington has dropped through after she had prepared everything, dresses and all for the occassion.” Then in 1856, Emma wrote: “William Carrington and Mary Ann are separated. They wore him out with their nonsense.” Whether they ever married is unclear. Joseph wrote in 1872: “Mary Ann was married but her husband has left her. She is in very poor health. She has one daughter and they are living with their mother at Smalley.”
Regarding William Carrington, Emma supplied this bit of news: “His sister, Mrs. Lily, has eloped with a married man. Is she not a nice person!”
WILLIAM HOUSLEY JR. 1812-1890
According to a letter from Anne, Will’s two sons and daughter were sent to learn dancing so they would be “fit for any society.” Will’s wife was Dorothy Palfry. They were married in Denby on October 20, 1836 when Will was 24. According to the 1851 census, Will and Dorothy had three sons: Alfred 14, Edwin 12, and William 10. All three boys were born in Denby.
In his letter of May 30, 1872, after just bemoaning that all of his brothers and sisters are gone except Sam and John, Joseph added: “Will is living still.” In another 1872 letter Joseph wrote, “Will is living at Heanor yet and carrying on his cattle dealing.” The 1871 census listed Will, 59, and his son William, 30, of Lascoe Road, Heanor, as cattle dealers.
Ellen’s children:
JOHN HOUSLEY 1815-1893
John married Sarah Baggally in Morely in 1838. They had at least six children. Elizabeth (born 2 May 1838) was “out service” in 1854. In her “third year out,” Elizabeth was described by Anne as “a very nice steady girl but quite a woman in appearance.” One of her positions was with a Mrs. Frearson in Heanor. Emma wrote in 1856: “Elizabeth is still at Mrs. Frearson. She is such a fine stout girl you would not know her.” Joseph wrote in 1872 that Elizabeth was in service with Mrs. Eliza Sitwell at Derby. (About 1850, Miss Eliza Wilmot-Sitwell provided for a small porch with a handsome Norman doorway at the west end of the St. John the Baptist parish church in Smalley.)
According to Elizabeth’s birth certificate and the 1841 census, John was a butcher. By 1851, the household included a nurse and a servant, and John was listed as a “victular.” Anne wrote in February 1854, “John has left the Public House a year and a half ago. He is living where Plumbs (Ann Plumb witnessed William’s death certificate with her mark) did and Thomas Allen has the land. He has been working at James Eley’s all winter.” In 1861, Ellen lived with John and Sarah and the three boys.
John sold his share in the inheritance from their mother and disappeared after her death. (He died in Doncaster, Yorkshire, in 1893.) At that time Charles, the youngest would have been 21. Indeed, Joseph wrote in July 1872: “John’s children are all grown up”.
In May 1872, Joseph wrote: “For what do you think, John has sold his share and he has acted very bad since his wife died and at the same time he sold all his furniture. You may guess I have never seen him but once since poor mother’s funeral and he is gone now no one knows where.”
In February 1874 Joseph wrote: “You want to know what made John go away. Well, I will give you one reason. I think I told you that when his wife died he persuaded me to leave Derby and come to live with him. Well so we did and dear Harriet to keep his house. Well he insulted my wife and offered things to her that was not proper and my dear wife had the power to resist his unmanly conduct. I did not think he could of served me such a dirty trick so that is one thing dear brother. He could not look me in the face when we met. Then after we left him he got a woman in the house and I suppose they lived as man and wife. She caught the small pox and died and there he was by himself like some wild man. Well dear brother I could not go to him again after he had served me and mine as he had and I believe he was greatly in debt too so that he sold his share out of the property and when he received the money at Belper he went away and has never been seen by any of us since but I have heard of him being at Sheffield enquiring for Sam Caldwell. You will remember him. He worked in the Nag’s Head yard but I have heard nothing no more of him.”
A mention of a John Housley of Heanor in the Nottinghma Journal 1875. I don’t know for sure if the John mentioned here is the brother John who Joseph describes above as behaving improperly to his wife. John Housley had a son Joseph, born in 1840, and John’s wife Sarah died in 1870.
In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
SAMUEL HOUSLEY 1816-
Sam married Elizabeth Brookes of Sutton Coldfield, and they had three daughters: Elizabeth, Mary Anne and Catherine. Elizabeth his wife died in 1849, a few months after Samuel’s father William died in 1848. The particular circumstances relating to these individuals have been discussed in previous chapters; the following are letter excerpts relating to them.
Death of William Housley 15 Dec 1848, and Elizabeth Housley 5 April 1849, Smalley:
Joseph wrote in December 1872: “I saw one of Sam’s daughters, the youngest Kate, you would remember her a baby I dare say. She is very comfortably married.”
In the same letter (December 15, 1872), Joseph wrote: “I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Brimingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
(Sam, however, was still alive in 1871, living as a lodger at the George and Dragon Inn, Henley in Arden. And no trace of Sam has been found since. It would appear that Sam did not want to be found.)
EDWARD HOUSLEY 1819-1843
Edward died before George left for USA in 1851, and as such there is no mention of him in the letters.
ANNE HOUSLEY 1821-1856
Anne wrote two letters to her brother George between February 1854 and her death in 1856. Apparently she suffered from a lung disease for she wrote: “I can say you will be surprised I am still living and better but still cough and spit a deal. Can do nothing but sit and sew.” According to the 1851 census, Anne, then 29, was a seamstress. Their friend, Mrs. Davy, wrote in March 1856: “This I send in a box to my Brother….The pincushion cover and pen wiper are Anne’s work–are for thy wife. She would have made it up had she been able.” Anne was not living at home at the time of the 1841 census. She would have been 19 or 20 and perhaps was “out service.”
In her second letter Anne wrote: “It is a great trouble now for me to write…as the body weakens so does the mind often. I have been very weak all summer. That I continue is a wonder to all and to spit so much although much better than when you left home.” She also wrote: “You know I had a desire for America years ago. Were I in health and strength, it would be the land of my adoption.”
In November 1855, Emma wrote, “Anne has been very ill all summer and has not been able to write or do anything.” Their neighbor Mrs. Davy wrote on March 21, 1856: “I fear Anne will not be long without a change.” In a black-edged letter the following June, Emma wrote: “I need not tell you how happy she was and how calmly and peacefully she died. She only kept in bed two days.”
Certainly Anne was a woman of deep faith and strong religious convictions. When she wrote that they were hoping to hear of Charles’ success on the gold fields she added: “But I would rather hear of him having sought and found the Pearl of great price than all the gold Australia can produce, (For what shall it profit a man if he gain the whole world and lose his soul?).” Then she asked George: “I should like to learn how it was you were first led to seek pardon and a savior. I do feel truly rejoiced to hear you have been led to seek and find this Pearl through the workings of the Holy Spirit and I do pray that He who has begun this good work in each of us may fulfill it and carry it on even unto the end and I can never doubt the willingness of Jesus who laid down his life for us. He who said whoever that cometh unto me I will in no wise cast out.”
Anne’s will was probated October 14, 1856. Mr. William Davy of Kidsley Park appeared for the family. Her estate was valued at under £20. Emma was to receive fancy needlework, a four post bedstead, feather bed and bedding, a mahogany chest of drawers, plates, linen and china. Emma was also to receive Anne’s writing desk. There was a condition that Ellen would have use of these items until her death.
The money that Anne was to receive from her grandfather, William Carrington, and her father, William Housley was to be distributed one third to Joseph, one third to Emma, and one third to be divided between her four neices: John’s daughter Elizabeth, 18, and Sam’s daughters Elizabeth, 10, Mary Ann, 9 and Catharine, age 7 to be paid by the trustees as they think “most useful and proper.” Emma Lyon and Elizabeth Davy were the witnesses.
The Carrington Farm:
CHARLES HOUSLEY 1823-1855
Charles went to Australia in 1851, and was last heard from in January 1853. According to the solicitor, who wrote to George on June 3, 1874, Charles had received advances on the settlement of their parent’s estate. “Your promissory note with the two signed by your brother Charles for 20 pounds he received from his father and 20 pounds he received from his mother are now in the possession of the court.”
Charles and George were probably quite close friends. Anne wrote in 1854: “Charles inquired very particularly in both his letters after you.”
According to Anne, Charles and a friend married two sisters. He and his father-in-law had a farm where they had 130 cows and 60 pigs. Whatever the trade he learned in England, he never worked at it once he reached Australia. While it does not seem that Charles went to Australia because gold had been discovered there, he was soon caught up in “gold fever”. Anne wrote: “I dare say you have heard of the immense gold fields of Australia discovered about the time he went. Thousands have since then emigrated to Australia, both high and low. Such accounts we heard in the papers of people amassing fortunes we could not believe. I asked him when I wrote if it was true. He said this was no exaggeration for people were making their fortune daily and he intended going to the diggings in six weeks for he could stay away no longer so that we are hoping to hear of his success if he is alive.”
In March 1856, Mrs. Davy wrote: “I am sorry to tell thee they have had a letter from Charles’s wife giving account of Charles’s death of 6 months consumption at the Victoria diggings. He has left 2 children a boy and a girl William and Ellen.” In June of the same year in a black edged letter, Emma wrote: “I think Mrs. Davy mentioned Charles’s death in her note. His wife wrote to us. They have two children Helen and William. Poor dear little things. How much I should like to see them all. She writes very affectionately.”
In December 1872, Joseph wrote: “I’m told that Charles two daughters has wrote to Smalley post office making inquiries about his share….” In January 1876, the solicitor wrote: “Charles Housley’s children have claimed their father’s share.”
GEORGE HOUSLEY 1824-1877
George emigrated to the United states in 1851, arriving in July. The solicitor Abraham John Flint referred in a letter to a 15-pound advance which was made to George on June 9, 1851. This certainly was connected to his journey. George settled along the Delaware River in Bucks County, Pennsylvania. The letters from the solicitor were addressed to: Lahaska Post Office, Bucks County, Pennsylvania.
George married Sarah Ann Hill on May 6, 1854 in Doylestown, Bucks County, Pennsylvania. In her first letter (February 1854), Anne wrote: “We want to know who and what is this Miss Hill you name in your letter. What age is she? Send us all the particulars but I would advise you not to get married until you have sufficient to make a comfortable home.”
Upon learning of George’s marriage, Anne wrote: “I hope dear brother you may be happy with your wife….I hope you will be as a son to her parents. Mother unites with me in kind love to you both and to your father and mother with best wishes for your health and happiness.” In 1872 (December) Joseph wrote: “I am sorry to hear that sister’s father is so ill. It is what we must all come to some time and hope we shall meet where there is no more trouble.”
Emma wrote in 1855, “We write in love to your wife and yourself and you must write soon and tell us whether there is a little nephew or niece and what you call them.” In June of 1856, Emma wrote: “We want to see dear Sarah Ann and the dear little boy. We were much pleased with the “bit of news” you sent.” The bit of news was the birth of John Eley Housley, January 11, 1855. Emma concluded her letter “Give our very kindest love to dear sister and dearest Johnnie.”
In September 1872, Joseph wrote, “I was very sorry to hear that John your oldest had met with such a sad accident but I hope he is got alright again by this time.” In the same letter, Joseph asked: “Now I want to know what sort of a town you are living in or village. How far is it from New York? Now send me all particulars if you please.”
In March 1873 Harriet asked Sarah Ann: “And will you please send me all the news at the place and what it is like for it seems to me that it is a wild place but you must tell me what it is like….”. The question of whether she was referring to Bucks County, Pennsylvania or some other place is raised in Joseph’s letter of the same week.
On March 17, 1873, Joseph wrote: “I was surprised to hear that you had gone so far away west. Now dear brother what ever are you doing there so far away from home and family–looking out for something better I suppose.”The solicitor wrote on May 23, 1874: “Lately I have not written because I was not certain of your address and because I doubted I had much interesting news to tell you.” Later, Joseph wrote concerning the problems settling the estate, “You see dear brother there is only me here on our side and I cannot do much. I wish you were here to help me a bit and if you think of going for another summer trip this turn you might as well run over here.”
Apparently, George had indicated he might return to England for a visit in 1856. Emma wrote concerning the portrait of their mother which had been sent to George: “I hope you like mother’s portrait. I did not see it but I suppose it was not quite perfect about the eyes….Joseph and I intend having ours taken for you when you come over….Do come over before very long.”
In March 1873, Joseph wrote: “You ask me what I think of you coming to England. I think as you have given the trustee power to sign for you I think you could do no good but I should like to see you once again for all that. I can’t say whether there would be anything amiss if you did come as you say it would be throwing good money after bad.”
On June 10, 1875, the solicitor wrote: “I have been expecting to hear from you for some time past. Please let me hear what you are doing and where you are living and how I must send you your money.” George’s big news at that time was that on May 3, 1875, he had become a naturalized citizen “renouncing and abjuring all allegiance and fidelity to every foreign prince, potentate, state and sovereignity whatsoever, and particularly to Victoria Queen of Great Britain of whom he was before a subject.”
ROBERT HOUSLEY 1832-1851
In 1854, Anne wrote: “Poor Robert. He died in August after you left he broke a blood vessel in the lung.”
From Joseph’s first letter we learn that Robert was 19 when he died: “Dear brother there have been a great many changes in the family since you left us. All is gone except myself and John and Sam–we have heard nothing of him since he left. Robert died first when he was 19 years of age. Then Anne and Charles too died in Australia and then a number of years elapsed before anyone else. Then John lost his wife, then Emma, and last poor dear mother died last January on the 11th.”Anne described Robert’s death in this way: “He had thrown up blood many times before in the spring but the last attack weakened him that he only lived a fortnight after. He died at Derby. Mother was with him. Although he suffered much he never uttered a murmur or regret and always a smile on his face for everyone that saw him. He will be regretted by all that knew him”.
Robert died a resident of St. Peter’s Parish, Derby, but was buried in Smalley on August 16, 1851.
Apparently Robert was apprenticed to be a joiner for, according to Anne, Joseph took his place: “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after and is there still.”In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
EMMA HOUSLEY 1836-1871
Emma was not mentioned in Anne’s first letter. In the second, Anne wrote that Emma was living at Spondon with two ladies in her “third situation,” and added, “She is grown a bouncing woman.” Anne described her sister well. Emma wrote in her first letter (November 12, 1855): “I must tell you that I am just 21 and we had my pudding last Sunday. I wish I could send you a piece.”
From Emma’s letters we learn that she was living in Derby from May until November 1855 with Mr. Haywood, an iron merchant. She explained, “He has failed and I have been obliged to leave,” adding, “I expect going to a new situation very soon. It is at Belper.” In 1851 records, William Haywood, age 22, was listed as an iron foundry worker. In the 1857 Derby Directory, James and George were listed as iron and brass founders and ironmongers with an address at 9 Market Place, Derby.
In June 1856, Emma wrote from “The Cedars, Ashbourne Road” where she was working for Mr. Handysides.
While she was working for Mr. Handysides, Emma wrote: “Mother is thinking of coming to live at Derby. That will be nice for Joseph and I.”Friargate and Ashbourne Road were located in St. Werburgh’s Parish. (In fact, St. Werburgh’s vicarage was at 185 Surrey Street. This clue led to the discovery of the record of Emma’s marriage on May 6, 1858, to Edwin Welch Harvey, son of Samuel Harvey in St. Werburgh’s.)
In 1872, Joseph wrote: “Our sister Emma, she died at Derby at her own home for she was married. She has left two young children behind. The husband was the son of the man that I went apprentice to and has caused a great deal of trouble to our family and I believe hastened poor Mother’s death….”. Joseph added that he believed Emma’s “complaint” was consumption and that she was sick a good bit. Joseph wrote: “Mother was living with John when I came home (from Ascension Island around 1867? or to Smalley from Derby around 1870?) for when Emma was married she broke up the comfortable home and the things went to Derby and she went to live with them but Derby did not agree with her so she had to leave it again but left all her things there.”
Emma Housley and Edwin Welch Harvey wedding, 1858:
JOSEPH HOUSLEY 1838-1893
We first hear of Joseph in a letter from Anne to George in 1854. “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after (probably 1851) and is there still. He is grown as tall as you I think quite a man.” Emma concurred in her first letter: “He is quite a man in his appearance and quite as tall as you.”
From Emma we learn in 1855: “Joseph has left Mr. Harvey. He had not work to employ him. So mother thought he had better leave his indenture and be at liberty at once than wait for Harvey to be a bankrupt. He has got a very good place of work now and is very steady.” In June of 1856, Emma wrote “Joseph and I intend to have our portraits taken for you when you come over….Mother is thinking of coming to Derby. That will be nice for Joseph and I. Joseph is very hearty I am happy to say.”
According to Joseph’s letters, he was married to Harriet Ballard. Joseph described their miraculous reunion in this way: “I must tell you that I have been abroad myself to the Island of Ascension. (Elsewhere he wrote that he was on the island when the American civil war broke out). I went as a Royal Marine and worked at my trade and saved a bit of money–enough to buy my discharge and enough to get married with but while I was out on the island who should I meet with there but my dear wife’s sister. (On two occasions Joseph and Harriet sent George the name and address of Harriet’s sister, Mrs. Brooks, in Susquehanna Depot, Pennsylvania, but it is not clear whether this was the same sister.) She was lady’s maid to the captain’s wife. Though I had never seen her before we got to know each other somehow so from that me and my wife recommenced our correspondence and you may be sure I wanted to get home to her. But as soon as I did get home that is to England I was not long before I was married and I have not regretted yet for we are very comfortable as well as circumstances will allow for I am only a journeyman joiner.”
Proudly, Joseph wrote: “My little family consists of three nice children–John, Joseph and Susy Annie.” On her birth certificate, Susy Ann’s birthdate is listed as 1871. Parish records list a Lucy Annie christened in 1873. The boys were born in Derby, John in 1868 and Joseph in 1869. In his second letter, Joseph repeated: “I have got three nice children, a good wife and I often think is more than I have deserved.” On August 6, 1873, Joseph and Harriet wrote: “We both thank you dear sister for the pieces of money you sent for the children. I don’t know as I have ever see any before.” Joseph ended another letter: “Now I must close with our kindest love to you all and kisses from the children.”
In Harriet’s letter to Sarah Ann (March 19, 1873), she promised: “I will send you myself and as soon as the weather gets warm as I can take the children to Derby, I will have them taken and send them, but it is too cold yet for we have had a very cold winter and a great deal of rain.” At this time, the children were all under 6 and the baby was not yet two.
In March 1873 Joseph wrote: “I have been working down at Heanor gate there is a joiner shop there where Kings used to live I have been working there this winter and part of last summer but the wages is very low but it is near home that is one comfort.” (Heanor Gate is about 1/4 mile from Kidsley Grange. There was a school and industrial park there in 1988.) At this time Joseph and his family were living in “the big house–in Old Betty Hanson’s house.” The address in the 1871 census was Smalley Lane.
A glimpse into Joseph’s personality is revealed by this remark to George in an 1872 letter: “Many thanks for your portrait and will send ours when we can get them taken for I never had but one taken and that was in my old clothes and dear Harriet is not willing to part with that. I tell her she ought to be satisfied with the original.”
On one occasion Joseph and Harriet both sent seeds. (Marks are still visible on the paper.) Joseph sent “the best cow cabbage seed in the country–Robinson Champion,” and Harriet sent red cabbage–Shaw’s Improved Red. Possibly cow cabbage was also known as ox cabbage: “I hope you will have some good cabbages for the Ox cabbage takes all the prizes here. I suppose you will be taking the prizes out there with them.” Joseph wrote that he would put the name of the seeds by each “but I should think that will not matter. You will tell the difference when they come up.”
George apparently would have liked Joseph to come to him as early as 1854. Anne wrote: “As to his coming to you that must be left for the present.” In 1872, Joseph wrote: “I have been thinking of making a move from here for some time before I heard from you for it is living from hand to mouth and never certain of a job long either.” Joseph then made plans to come to the United States in the spring of 1873. “For I intend all being well leaving England in the spring. Many thanks for your kind offer but I hope we shall be able to get a comfortable place before we have been out long.” Joseph promised to bring some things George wanted and asked: “What sort of things would be the best to bring out there for I don’t want to bring a lot that is useless.” Joseph’s plans are confirmed in a letter from the solicitor May 23, 1874: “I trust you are prospering and in good health. Joseph seems desirous of coming out to you when this is settled.”
George must have been reminiscing about gooseberries (Heanor has an annual gooseberry show–one was held July 28, 1872) and Joseph promised to bring cuttings when they came: “Dear Brother, I could not get the gooseberries for they was all gathered when I received your letter but we shall be able to get some seed out the first chance and I shall try to bring some cuttings out along.” In the same letter that he sent the cabbage seeds Joseph wrote: “I have got some gooseberries drying this year for you. They are very fine ones but I have only four as yet but I was promised some more when they were ripe.” In another letter Joseph sent gooseberry seeds and wrote their names: Victoria, Gharibaldi and Globe.
In September 1872 Joseph wrote; “My wife is anxious to come. I hope it will suit her health for she is not over strong.” Elsewhere Joseph wrote that Harriet was “middling sometimes. She is subject to sick headaches. It knocks her up completely when they come on.” In December 1872 Joseph wrote, “Now dear brother about us coming to America you know we shall have to wait until this affair is settled and if it is not settled and thrown into Chancery I’m afraid we shall have to stay in England for I shall never be able to save money enough to bring me out and my family but I hope of better things.”
On July 19, 1875 Abraham Flint (the solicitor) wrote: “Joseph Housley has removed from Smalley and is working on some new foundry buildings at Little Chester near Derby. He lives at a village called Little Eaton near Derby. If you address your letter to him as Joseph Housley, carpenter, Little Eaton near Derby that will no doubt find him.”
George did not save any letters from Joseph after 1874, hopefully he did reach him at Little Eaton. Joseph and his family are not listed in either Little Eaton or Derby on the 1881 census.
In his last letter (February 11, 1874), Joseph sounded very discouraged and wrote that Harriet’s parents were very poorly and both had been “in bed for a long time.” In addition, Harriet and the children had been ill.
The move to Little Eaton may indicate that Joseph received his settlement because in August, 1873, he wrote: “I think this is bad news enough and bad luck too, but I have had little else since I came to live at Kiddsley cottages but perhaps it is all for the best if one could only think so. I have begun to think there will be no chance for us coming over to you for I am afraid there will not be so much left as will bring us out without it is settled very shortly but I don’t intend leaving this house until it is settled either one way or the other. “Joseph Housley and the Kiddsley cottages:
