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There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

Ed Steam’s brilliant plan was simple enough. He had dreamt about it a while ago and the idea had grown on him ever since. Now, he had all he needed to make it happen. The land, the materials, and the artefacts and rotes needed to manipulate the bulk of it around.

It was simple, actually and yet every detail had to be perfect. There were matters of perspective and proportions that were delicate to manage.
And of course he had to be careful using the artefacts with finesse, to be undetected by the Surge team’s monitoring systems. He had designed most of them, so he wasn’t too concerned, although Cornella’s upgrades may be more efficient.
He had calculated the project would probably take him years to complete, but he was fine with it, it was a fun adventure, creating your own palace so to speak.

First, the grounds. That of a glorious castle, with French gardens on a large lightly sloped tumulus. His armoured bears could stay in the surrounding forest where beehives were strategically placed.
On top of the tumulus, instead of a castle, there was a large mill, a cross between a windmill, castle and lighthouse maybe, with walls white and round, many entrances, rooms and stairs leading to the upper levels. That was where most of the work was to be organized. The whole roof was actually like a city, with narrow streets even.
Except the buildings where made from entire stacks of full-sized caravans, making living units, each with its own interior and decoration.

He didn’t know why the stacks of caravans were so appealing to him. Frankly, said like this it could seem like a hill of rubbish dump. However, he had visited this dream place when it was full of people, a fellowship of people living in the caravans and enjoying this particular place. He’d figured, this seems so great and I have the means to create it, so if not me, who else?

While stroking his mustache fondly, Ed Steam had the clearest realization that although he’d done that quite a few times in the past mostly to his advantage, it was a lot of work to rewrite timelines and figure out the hows and whens of everyone in his team.
Maybe it was actually time for him to restore the original timeline while disappearing — by faking his own death to be certain nobody would thwart his carefully thought retirement plan. Then, he could also stop dyeing his mustache he figured… So many things to take care of, retirement would be so sweet.
Although the Egyptian timeturner gave him all the time in the world, he actually felt like he’d lost already a great deal too much of it, and started to enact his plan without further ado.

Procuring a body double was actually not so hard. The last surge had brought a few of them in Thrifteen’s Alley in their Moreguest Facility. A switch and a twist of the pocket portal and a zap and a blink of the miniaturizer was enough to get there and come back in seconds with a frozen pocket-size life-suspended body from the testing stock, with convincing enough miniaturized slim lips, safely put in a test tube in his waistcoat pocket.
A six-shot cudgel from his artefact war trove was all he needed to make sure the amateur assassin in red robes they’d hired would be taken care of easily.
Then, an enscombulator bedazzler ray spray would be enough to convince Mari Fe she’d managed to hit him, buying him time enough to then deminiaturize the thawed slim-lipped body double, to slip in his stead.
Last, but not least, he would then have a few seconds to discombobulize Mari Fe while disappearing with a backup transportable portal. The plan was perfect. The original timeline restored in pristine conditions.
Only for a few minor details of course. He’d almost forgotten to reprogram the mini-man in his pocket with enough memories for him to be a convincing Ed-himself sans la moustache of course. At least, for the short time he would survive (surge victims discovered still alive were placed in life suspension by the team, but this was mostly for medical analysis as they usually wouldn’t survive their conditions).
Oh, and the bloody mustache of course… A squeeze of foolicle solventilator would be enough to make it temporarily invisible.

Simple enough… Well, sandbagging Mari Fe would have probably conveyed similar results with minimal efforts, although the elegance of his plan, as well as the fact that he was loath to hit ladies did unmistakably weight in favour of it.

And with that, he would be back in time for dinner.
In fact, he already was.

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

Grandpa Wrick interrupted “did I mention that your first story needs a beginning and an end, of course? The snowflake must be complete so that others can expand on it.”

Take an example: Alice in Wonderland. You could start with : “A young girl follows a rabbit, falls down the rabbit hole, meets all sorts of strange people and in the end she wakes up to find out it was probably only a dream”. Then built up from that. Ideally to create something like a book-length worth of clues and details and all… For instance, you could detail the rabbit’s habits, or the strange people, putting it in perspective of the initial blurb or following developments. It would be like re-re-rewatching a beloved movie, only to pay attention to the finer details in the background…

nonsense help remembered creating
fellowship yurick worry prof class obvious
create details wanted mention stay
assignment moment family god giving
somewhat

New Venice, October 2117

Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.

Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.

So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.

Let me see… there were a few threads going on there, and all we need is untangle some of them…

She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.

Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.

So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.

She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?

whatever characters
thanks bloody
somewhat hit thread
everyone school
girl continuity
dead facts
start details
glor mad
give professor
wondering moment