Search Results for 'direct'

looking text wondered blubbit (usually blubbits)
gone…
random…
far…. mention? sighed shar “direction peasland”

“It is merely a matter of being aware of yourself and your direction and what you want and what shall serve you most efficiently in your exploration within your focus. Which fork at your table shall be the most efficient to consume certain cuisines? Which utensil? Shall you eat Peaslanders with a knife or shall it be more expedient to incorporate a spoon? The knife is not bad, but it may be more difficult to consume your Peaslanders. And what is it that you want? To consume the Peaslanders.”

“HE PUT A BLUBBIT DOWN MY KNICKERS!” sobbed Lilli, loudly.

Unfortunately Lilli too had inherited the Stoll family curse, and her voice raised to such a level caused poor Fwick to cover his ears in horror. Being no fool, and quickly realising that without a head this ear protecting action would do no good at all, he instead decided he must evict these raucous Peaslanders from his abode, poste haste.

“Yes, indeed, Mewrich Peamon is the man you want to see. A strange fellow, lacking sense some may say, but very good with birds notwithstanding. Now, please, don’t thank me again. I mean really, don’t …. “ he muttered, ushering the guests in the direction of where he hoped the door was.

There was trouble in New Peasland. A plague of hungry blubbits had wiped out the pea crops. Peas being the main staple in New Peasland, usually mixed with marmite and made into a tasty sauce, meant that the future looked grim for the increasingly hungry New Peaslanders.

In desperation it was decided to send a volunteer through the portal to the Eigth dimension, where it was rumoured that the inhabitants were kind hearted but rather directionless and random, and would no doubt be happy to be given some pea producing purpose.

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

Arona had no idea what dimension she was in. Or indeed, whether she was where she was at all. Oddly enough, and it was not often now that Arona found anything odd, she was finding the experience rather freeing.

“Weeeeeeeeeeeeeeeee Hoooooooooooooooooo” she shouted, and holding her arms wide open, began to whirl joyously around, till dizziness overcame her and she landed in a heap on the ground. She expected to land in a heap on the ground in a soft meadow with pretty spring flowers, but to her consternation realised that she had landed on what felt like polished concrete. She was even more concerned when she realised that she had a large audience watching her with interest, although at that stage all she really took in was a sea of feet around her. On further inspection she appeared to be in what looked like an enormous building full of shops, and, shoppers.

“Are you okay?” A kindly gentleman asked her in a concerned voice. At least that is what Arona thought he said. Although the words were familiar, the accent was strange, and not one she had heard before.

“I am fine, thank you,” replied Arona, trying her best to appear composed and rise gracefully from her sprawled position all at the same time. She must have looked convincing because, after a few more curious looks in her direction, the crowd began to disperse.

Good Grief, where am I now? she wondered. Determined not to be alarmed and to go with the flow, however rapid that flow may be, the intrepid Arona set off to explore her new surroundings.

“Wait!”

Arona looked around. It was the strangely spoken gentleman who had first offered assistance. He was brandishing a book towards her.

“Take this book. It is no good for me.”

Arona hesitated. The last time she had heard those words she had ended up with a funny little baby to look after. The man was insistent though, so, thanking him politely Arona accepted the gift.

“Hmmmm, How to Write Fiction, how very peculiar!” Flipping it open randomly she read:

[Random Words Epigraph] Step One: Randomly choose 5 entries from your dictionary. Just flip through the pages, close your eyes, and put your finger down on the page. Copy down the word that is closest to your finger. If your finger lands on a word that you don’t know, you can choose the word just above or just below it. For the purposes of this assignment, count paired words as a single entry (for instance, “melting pot” is listed as a single entry). Step Two: Shape your list of dictionary entries into a poem or story, using all of the entries.

“bugger that,” snorted Arona.

“Any idea what this is all about?” Beattie asked, to nobody in particular. A crowd was gathering at the crossroad.

The crossroad reminded Bea of a movie she’d watched some years previously, called, coincidentally enough, Crossroads. A symbolic sort of place, although real enough, a junction seemingly in the middle of nowhere. There was a large oak tree looming above the intersection, but nothing else could be seen in any direction but endless expanses of fields. There was a wooden signpost, the old fashioned kind, with two slats of wood pinned crosswise in the middle to a leaning post, but the place names had long since weathered away.

It was an odd sort of place and not much traffic passed by. In fact, the only traffic to pass by the crossroad stopped and disengorged itself of passengers..

“Is that a word, Bea?” asked Leonora. “Disengorged?”

“Don’t butt in to the narrative part Leo, or the story won’t make any sense.” hisssed Beattie, “Wait until you’re supposed to speak as one of the characters.”

“Well alright, but I don’t suppose it will have much effect on the making sense aspect, either way. Do continue.”

To say it was a motley crew gathering would be an understatement.

“You got that right,” Leonora said, sotto voce, surupticiously scanning the assortment of individuals alighting from the rather nautical looking yellow cab. Bea glared at Leo. “I suppose I’ll have to include your interrupions as a part of the story now.”

“Good thinking, Batman!”

“Oh for Pete’s sake, Leo, don’t go mad with endless pointless remarks then, ok? Or I will delete you altogether, and that will be the end of it.”

“You can’t delete me. I exist as a character, therefore I am.”

“You might have a nasty accident though and slide off the page,” Bea replied warningly.

“Why don’t you just get on with it, Bea? Might shut me up, you never know…”. Leo smirked and put her ridiculously large sunglasses on, despite the swirling fog..

“Oh I thought it was sunny” said Leonora, taking her sunglasses back off again. “You hadn’t mentioned weather.” She put her sunglasses back on again anyway, the better to secretly examine the others assembled at the crossroads.

“Why don’t you go and introduce yourself to them and see if anyone knows why we’re here, Leo, while I get on with the story.”

“Who will write what they say, though?”

“I’ll add it later, just bugger off and see if anyone knows who sent us that mysterious invitation.”

“Right Ho, sport, I’m on the bobbins and lace case” replied Leo. Bea shuddered a bit at the mixture of identities bleeding through Leonora’s persona. “Och aye the noo!”

Dear god, thought Beattie, I wish I’d never started this.

interesting thread ~
direction deep!
tina sound, seeing otherwise…
once yoland thought,
room wish ~ usual odd dogs
beginning order knew dear
already