Search Results for 'drawn'

Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt

Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.

GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.

He felt he was not far from the cave now.

Illi was getting bored waiting for Dory under the door on the cave ceiling with this motley crew. Sanso was looking slightly bemused, but smiling happily, as if he was enjoying the company after years of travelling alone. India Louise was yawning and fading in and out, there one minute and gone the next, and then back again. The parrot had flown off to look for Dory.

Watching India Louise drift in and out was making Illi fuzzy. She started to drift in and out as well. She started to piece together the out-bits until they all stuck together and formed a picture.

She was squatting next to a hole, a dry hole in the desert with the hot dry wind flapping her shawls. A boy, her son she thought, was leaning towards her, earnestly talking, and then a decision was reached…..

Then the scene changed and she was in a swirling mist, a pea souper, must be London. Illi’s thought intruded slightly into the scene, making it wobble and the images jumble up. Illi saw a tuppence on a grey pavement and as her eyes rose she could just make out through the mist a sign for an exhibition of artifacts. Illi felt herself drawn to the picture on the sign and felt the hot dry wind and the flapping of the shawls in the wind on her face again. The flapping was getting louder and louder and Illi opened her eyes.

The parrot was back, and Dory was with him.

After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

She found this quite irritating. They are really bit rude around here, she muttered.

Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

All I have done is wander around dark passageways really.

And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

AND if one more person tells me to use my magic I will probably scream or something!

Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

Oh cute, said Arona, a talking cat.

Cute yourself, responded Mandrake, love your cape by the way.

(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

Mandrake sighed in an impatiently eggsagerated sort of a way.

Heavens to murgatroyd^¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

—

[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .

Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

Use your magic, she had said.

When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 ^st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

Thank you for having me room, she said as she left.

No, thank YOU, replied the sleepy glukenitch.

The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

Why sad?

I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

You always know, just feel it

So Arona closed her eyes tightly and allowed herself to feel the answer.

Because you know who you are, and it made me realise I have no idea who I am.

Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

Arona, who had felt immediately connected with the young child frowned.

Doesn’t the little girl feel left out?

Go in, said the woman, Go inside the picture and feel the answer.

Oh, and you might want to leave your cloak behind.

So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

Arona returned to the cave.

You look troubled

Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

Arona shuddered a little. I might not jump into that one .

The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

Well I gave her the same advice, years ago.

More damn riddles, Arona thought to herself, and the woman laughed.

One final painting of yours I would like to show you. It is beautiful is it not?

Arona stared mesmerised for a moment, and then leapt right in.

She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

Dance Arona, she heard the woman’s voice

I can’t dance like that, I’m not good enough.

It doesn’t matter

And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

Things are shifting she said

Oh lordy, are they said Arona, What should I do now?

Feel the answer

Arona felt. I am very hungry, eggceptionally so.

Yann had been having these strange dreams and impressions since he’d been in that cave during his last trip to Scotland. In the cave he had that strange impression of a dragon roaring, but he’d rationalized that with the noise of the falls, it was quite deafening. It’d been raining for so much time that the amount of water streaming through that cave was amazing… the visits had been suspended because they feared floods and they couldn’t really explore the cave then. All he could do then was picking up a pebble for Fiona, a pebble he had still to send her

After that, he’d had the weirdest impression to be observed by dragons… they felt quite big, and event though he tried to tell himself it was some effect of his imagination, he was still uneasy about that.

The imagery of dragons had continued with his discussion with Quintin, who told him he had drawn that very cave… in which there were dragon eggs and their keeper. A strange harper woman. When he’d been shown the painting, Yann had that feeling of déjà vu, and the kid attending the newborn dragon on the upper right of the picture had aroused an intense desire to do that very action.

“The tunnels had been changed again”, he thought first.

That weird thought made him laugh and he couldn’t tell to Quintin why… yet.

And last week there was his friend Anastasia who was coming back from a trip to Budapest where she had seen so many dragons in the hotel, in the museums, and there was that parade, they were calling that the dragon’s parade, and it was music and parties all the Saturday night. She enjoyed that tremendously. She even told him she had the impression of being a dragon when looking in the mirror right after that night.