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In reply to: Circle of Eights, Stories
Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.
Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…
He didn’t really expect Dory would be giving him her two pence on this quaint dream…
—
Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…In reply to: Circle of Eights, Stories
Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.
In her dream she felt a little put out, although resolved to let the power company know later.
The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.
Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.
On the way back home, laden with bags of shopping, Fiona saw Jarrod.
Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.
They just don’t understand reality he was saying vehemently they just don’t get it.
Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.
She turned back.
Hey Jarrod
Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?
Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.
FOOD! Great is that for me Fiona?
In reply to: Circle of Eights, Stories
Dory suddenly saw the funny side, and started to laugh. She sank down onto the curb and laughed until tears rolled down her cheeks. As she fished in her tool kit for a tissue, she noticed her flying sandals and collapsed into another fit of laughter.
Lalalalalala she said and hooted again.
Blowing her nose and still chuckling, Dory stood up and got into the van. Hehehehehehe she sputtered, how easy was that, ahahahaha….
She sank back into the long comfortably cushioned seat, and relaxed.
She closed her eyes and the van set off, the rolling and rocking over the bumpy roads soothing her and sending her into a deep and restful sleep.
In reply to: Circle of Eights, Stories
Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.
Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.
They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.
When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.
But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.
And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.
Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.
When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.
Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.
At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…
In reply to: Circle of Eights, Stories
By the time Illi had finished reading the newspaper article she felt thoroughly confused. Mechanically she folded the newspaper neatly and then lit a cigarette, resting her elbows on the breakfast table and her chin in her hands. She gazed through the ribbons of blue smoke and the dust drifting through the sunbeams, wondering if she was dreaming, dead, or alive. It was becoming so hard to tell the difference.
Oh well, I’ll think about it later, she thought, and mentally popped it into her clue and riddle box. Her mind wandered back to the story she’d just been reading, and the charming illustrations. The drawing of the young man in the white robe had seemed familiar, and she liked his name too…Sanso, The Wanderer.
As she imagined him, she felt herself lurch ever so slightly sideways, and as she did, the image in her mind of Sanso became suddenly life-like…incredibly so! He was looking at her in astonishment, and taking a step backwards, saying Lordy! not another one appearing out of thin air!
Illi looked around and found herself not in the sunny breakfast room but in a sandy cave, with a little girl in a wooly jumper, a young man in a white robe holding a large rusty key, and a parrot.
Suddenly Illi didn’t care anymore whether she was alive or dead, dreaming or awake. This was beginning to look like fun.
In reply to: Circle of Eights, Stories
Fiona had just received another rambling note from Dory, and was feeling rather bemused and perplexed.
Dory’s notes seemed to make less and less sense. The worst thing was that lately Quintin and Yann appeared to be following her lead. Of course she could be mistaken, the difference in language could be confusing things .. and there was all the merging they had been doing lately which meant they usually spoke in riddles. Fiona spoke very little French, just a few handy phrases such as “hello” and “butt”.
But as for Dory …
Fiona was a kindhearted person and tolerant of others. But these tales Dory was spinning appeared to be increasingly bizarre and nonsensical. Endless beginnings which never seemed to lead anywhere.
Am I being too rational? Fiona wondered, always humbly willing to accept her own shortcomings, or “dark corners” as Quintin liked to describe them.
One day, after a particularly outrageous note from Dory about an orgy in her kitchen with 57 Italians she had to cook for, Fiona felt compelled to gently and tactfully question Dory.
You are just out for revenge, Dory had hissed at her. It’s just a dream, I think … hmmmmm or am I a dream … or is it all a dream ….. I will go and ask Archie! and off she had dashed in a flurry of colourful shawls.
Bugger this, thought Fiona. Revenge had been the last thing on her sweet natured mind. With no more housework left to complete, she decided to go for a walk to the nearby cafe to take her mind from all this madness.
In reply to: Circle of Eights, Stories
India Louise had been switching her own book with Cuthbert’s that night. And as she was exploring some of the stories told in his, he was having a peek into hers.
Very quickly, he became aware of a whole new continent, in that World, across the Middle Seas. In that continent far North of the one where Malvina’s was living, lived some intrepid people. They were strong with big voices, and a bit quarrelsome too. Their ways had forgotten lots about Magix and they placed most of the value into tangible items.
The next page, a man was sailing across the Middle Seas with a handful of trusted men. He was a captain pirate, named Båd Al’Guz, which meant, Båd son of Guz. His crew referred to him as Bådul.
Cuthbert was intrigued by this man, and had begun to discuss with him mentally, asking who he was, who were his people. The same as Cuthbert had been very innocently doing with gentle Malvina.
But Bådul was tricky, and after a bit of a surprise, very soon discovered that the little boy could be a very interesting informant, though an unusual one.
And in fact, his information was much more interesting than that which the shamans of King Wulfrick babbled in the most inspired manner.
Till now, from the mouths of the buck-pelts clothed shamans had only came stupid gibberish that the King and his court gobbled endlessly. Something about “YaWn”, as they said: You animate Worlds neatly .
How stupid was that? Their only answers were useless to him, they were only telling him that he activated and animated the Worlds neatly, and that, in short, nothing was fixed and he could do anything.
Well, with that boy, that was different. He was talking about a cave with gilded dragon eggs, and THAT was of a great value to Bådul.
But of course, he would not frighten the young boy and pretended that his intentions were that of an explorer, trying to discover new shores and new continents, so as to become closer to understand from where he came, and hopefully make people aware of their closeness to each others.
He was such an eloquent actor that he almost shed a tear saying that sentence.
As a matter of fact, for as long as he remembered, he had been wandering in many situations, and lots of them had not been very pleasant. Born from uncaring parents, as lots, if not all, of his people were, working as a janitor in a sordid tavern, then as a warden (if not executioner when requested) in an even more sordid jail… Were the Gods to be blamed for that? Well, according to the shamans, he was the only one to be blamed, because he did not accept his responsibility as a weaver of Worlds.
Idiots.
At least, he had found his passion. He love sailing, and taking riches for his pleasure. Whatever then, he would take his share, and not care about what was next.
At least, if he could coax the boy into revealing more about that cave.
In reply to: Circle of Eights, Stories
Dory dodged in and out of the people crowded in the narrow back street. She needed several meters clear run to activate her special flying sandals, and she had no idea which way to go.
A girl in a dark heavy blue cape was fiddling with a map on a street corner. Dory snatched the map off her as she ran past, shouting over her shoulder ‘thanks awfully, dont mind if I borrow your map do you?’
Glancing down at the map, she found it had morphed into a page torn from the old testament.
In reply to: Circle of Eights, Stories
Jacqueline Bleomelen was a strict yet very affectionate nanny. Her Breton name being barely pronounceable by the English speaking kids she had at her charge, she was most of the time simply called Nanny.
Once, one of the rude kids from a previous home where she had been serving an atrociously callous French Count, had called her an Old Gibbon, referring to her wrinkled face. But she had a very light-hearted nature, and wouldn’t show any hint of taking offense.
Better, she liked the association with the playful and ingenious apes, and kept the moniker as it was more easily pronounced by the English kids she had in charge, and made them laugh that they could be so irreverent without facing punishment.
For special occasions, Jacqueline was wearing a funny costume that made the children often wonder why she had put some funny hat with little moth-feelers loose on her chin, but that, she had explained was a traditional dress from her homeland of Brittany.
Tonight, Jacqueline, or Nanny Gibbon, was having a funny dream, but perhaps that have been because she had been very excited by that excerpt she had read before going to sleep. As she was very pious, every night before going to bed, she would read a random quote of the Bible.
Last night it had been the Old Testament, from the Book of Joshua. It was about the conquest of the Promise Land, and talked about a king from Hazor named Jabin…
And in her dream, Jabin was a strange looking man, lost in the middle of ruins, who wanted to contact a woman about discoveries he had made in the Promise Land. He had found an entrance to a cave that had befuddled him. He hadn’t ventured too far into the cave, but anytime he had, he had found it impossibly deep and wide. So he wanted to share that discovery with that woman, but she was flying around in a parrot-coloured ballet tutu, on top of a three-humped flying camel…
Even the rigorous Jacqueline couldn’t repress a laugh at the unlikely images that her tired mind had produced.
In reply to: Circle of Eights, Stories
The parcel contained two books, one for each of the twins. The books were large and heavy and bound in tooled Moroccan leather. There were blank pages where the illustrations should have been, but the twins had such vivid imaginations that they created the pictures as they heard the story. Sometimes it almost seemed as if they could enter the page, and roam around in it, until Grandad or nanny turned to the next page, and then the wonderful potential of the next blank space beckoned.
In reply to: Circle of Eights, Stories
Yann found that strange article while surfing the internet. It was about a whole bunch of Italian tourists that had disappeared around the Smoo Cave in Scotland… wasn’t that the cave he visited when he was in Scotland?
The article was continuing with the number of tourists : 57!!!! all they had found until now were their 16 vans. Apparently some people said the cave was haunted and that at times they see the bushes around move in weird ways or some green glowing energy during storms.
Yann wondered about the tourists… where could they have possibly gone?
In reply to: Circle of Eights, Stories
Everything started to happen at once. As Sanso sat up, craning his neck looking at the door in the ceiling, a terrific flapping and squalking noise approached from behind him, starting as a distant vibration and rising in an unbearable crescendo as it rounded the last bend in the tunnel. Suddenly the noise stopped as Sanso felt a weight on his shoulder, and then a thud on the sandy floor. Bugger this, the parrot screeched in his ear. Bugger this bugger this bugger bugger bugger…
Sanso was momentarily speechless, as his eye fell on the key. He picked it up and turned it over in his hand, feeling the rusty weight of it. He turned to look at the parrot on his shoulder, who thankfully had stopped his shrill squalking.
This must be the key to that door, he whispered to the parrot. Let’s try it and see.
Wait for Dory dear Wait for Dory!
Bugger this, sighed the parrot, Here I am bringing the key, remembering everything everyone else forgets, running the show here and I don’t even have a name in this silly story.
In reply to: Circle of Eights, Stories
Illi felt much better, and was sitting at the breakfast table, basking in the warm shafts of sunlight filtering in through the window, and listening to the birds singing in the lemon tree outside.
BelleDora came in from the kitchen bearing a large tray with freshly squeezed buckberry juice, soft boiled eggs in pistachio green eggcups and bread and butter soldiers, and The Reality Times newspaper.
Illi wasn’t in the habit of reading the news, but occasionally found an article of interest. Todays headlines looked intriguing: Fiona’s Diary: never before published excerpts of the Malvina Dragon saga.
In reply to: Circle of Eights, Stories
Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.
She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.
Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.
This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.
That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.
Thus has begun the trail of rumours saying that the cave was haunted.
All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.
Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.
He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…
After all, it was not necessary, though dragons could draw a lot from such a partnership.
Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.
In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.
When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.
In reply to: Circle of Eights, Stories
In reply to: Circle of Eights, Stories
The singing in the next room was getting louder. As Dory started to sing along, she felt better. Bugger this! she shouted, and leapt off the musty sofa. The trip to the cave! She felt around the floor with her feet for her shoes, and wasn’t altogether surprised to find her magic flying sandals. Perfect, how perfect is that! She looked around the cluttered shop store room as she buckled the sandals straps. She grabbed a bright blue energy blanket off a pile of coloured shawls, a pith helmet off a hatstand, a mini magic tool kit in a terracotta patterned kilim bag, and on impulse, a glass egg timer with bright fuchsia pink sand.
As she ran out of the back door a parrot in an elaborate wrought iron cage squalked ‘Don’t forget the key, dear, don’t forget the key’.
Key? What key?
‘Don’t forget the key dear don’t forget the key dear don’t forget the key…’
WHAT bloody key dear! Dory was really anxious to get to the cave now, but something held her back.
The key, the key… There was something she couldn’t quite remember about a key. She looked around the room in a panic, It could take me HOURS to find the key in here, she ranted. Ok, ok, I tell you what, she said to the bird, I’ll let you out of that cage, you find the key, and catch me up. Meet me at the cave with the key, OK?
In reply to: Circle of Eights, Stories
The feelings of the eggs was increasing, Írtak was close now. He could feel the pulse and where he thought it was only one egg, he could feel now that there were two of them, though the vibrations were so close to each other that he had been “fooled” in a way.
He smiled, happy that he could bring back two eggs.
When he entered the room where they had been layed, there was that sparkling green glowing all around, the waves or energy coming from the eggs were very lively and joyful. The communication between them was so strong and loving that he was almost overwhelmed by the feelings.
They were aware of his presence and they greeted him. No words needed to feel they were eggstremely eager to live…
They were still soft and smooth, the shell had not hardened yet. They were quite big actually and he wondered a moment how he would bring them back. His concern surely was transparent and he could feel the reassuring energy of Malvina.
He felt a surge of energy and knew she would open a gate between the room he was in and the rookery… she connected and created a connection between the two spaces and he saw the entry of the room blurred somewhat and soon he heard the sound of the waterfall of the rookery… new flowery scents came into the room and as he was picking up the first egg he found out that they were welded together… dragon twins. He felt awed for a few seconds as the energy ripples from the eggs were increasing since his realization.
They would help him in his task. Humming silently and quite directively.
The eggs seemed so light with that eggstra energy.
He could bring them in the moistly and warm rookery. He laid them down near the waterfall but not too close so they wouldn’t be bothered by the rippling sounds. And close enough so that they would be warmed up by the heat of the spring.
He felt Malvina’s smile, and Leörmn acknowledgment of what happened there. He felt an intense bond between them.
The baby dragons were not to be born yet, but they each already knew who would be their dragon rider.
One last stroke on the shells.
One last glance on the emerald green glowing eggs.
He shivered with anticipation.
He would be back soon for the hatching…
In reply to: Circle of Eights, Stories
This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…
Quintin: Your story was great!
Fiona: Thank you
So was yours.Have you written any more since I last looked at the story?
Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…
Fiona: no, wrap it up if you feel.
I have drawn what I wanted. I will go and blow up the cave if we don’t finish it
Quintin: Ahahaha! Don’t restrict yourself
Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?
Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture
Fiona: The endearing dragons…
Quintin: Yeah…
But I had strictly no idea about the rest. It was just a bet, on luck…
That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…
Fiona: And did she have any impression of what form that could take? Like books, or games or what…
Quintin: No, it was much more “real” in fact…
Fiona: you know like the card-captor game which I suppose is interactive, so real
Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”
Fiona: So a little bit like I have done with the story, to resolve something
Quintin: yeah, exactly, or with your paintings
Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…
Quintin: Yeah, people can unleash their imagination.
And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…
Fiona: such as? eggsamples?
Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?
Fiona: Yeah, I told you I did, but you just said some riddle!
Quintin: Did I? That’s not like me
Fiona: Ahahhaha! It is you to the core
Quintin: LOL, damn me!
Fiona: Well, that is a bit strong, but …
Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)
Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate
Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…
Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there
Quintin: Ahahah, no, they will not be allocated, they will choose their own partners
Fiona: Ahahaha, one minute you say it is my story! And now you are back in control
Quintin: Ahahaha, the story has a willing of its own too…
Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…
Quintin: And actually, I don’t think everyone will be interested in dragons…
Fiona: How does a dragon help one learn magic powers?
Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.
Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.
Fiona: And how having a baby dragon could help unleash our magic powers then?
Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…
Fiona: I am not sure if i have dark corners
Quintin: it was a metaphor
Fiona: ahahahhahahahahahah
Fiona: I know, so was mine
Quintin: ahahahahah
Fiona: I was thinking I feel really accepting of myself
Quintin: Yeah, that’s the point in the little adventure before you meet it.
You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.
Fiona: Well I think it sounds scarey now, what if no dragon picked me…
Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…
Fiona: True.
Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.
Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture
Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!
Fiona: Ahahahaha yes
Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way
Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.
Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture
Fiona: Yeah, I know… That’s what I said to you with the playfulness picture
Quintin: Of course, you know
Fiona: That I related most to the figure of blue hat… and big feet
Quintin: Ahahaha, stomping on the poor key-fish
Fiona: Nearly…
Quintin: Have to go now, thank you for this enjoyable conversation
Fiona: See you!
In reply to: Circle of Eights, Stories
Sanso was very hungry. He’d been living on the fungus that grew inside the dampest parts of the cave, but the recent stretches of tunnel had been much drier, sandy even. He hadn’t found a cave entrance for days and longed to step out of the cave into air and sunlight and green things, and find something fresh and juicy to eat.
Beginning to feel quite despondent, and with the hunger and thirst making his body ache terribly, he sat down, crumpled into a heap on the sandy floor. He lay back, stretching out flat and slept for what seemed like days.
He woke up mumbling the name Eggleton, which reminded him of a dish he’d encountered at one of the cave entrance worlds. He’d wandered into a beautiful strange green and rainy land, and followed the delicious aroma of something that seemed so delightfully familiar, that he couldn’t quite place, something that reminded him of mornings. Coffee! He remembered now. The smell of coffee had led him to a door with big brass numbers on it: 57. He opened the door and peered round it, wondering if he’d be welcome. It had seemed as though nobody was there, but a table was laid for one, with scrambled eggs on toast (freshly cooked as if whoever had prepared it had known eggsactly when he would arrive) and a steaming pot of black coffee.
Sanso stretched and realized his many aches and pains had been eased by the sleep on the soft sand on the cave floor, and the dry atmosphere, and slowly opened his eyes. Lying flat on his back, he was looking directly up at the tunnel ceiling. There was a door in the ceiling, strangely parrallel to the floor, an odd position for a door, he thought. His heart lurched and his stomach growled again with hunger as he noticed the large brass numbers on the door: 57.
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
