Search Results for 'era'

Finding a time smuggler on such short notice was near impossible, Linda Paul soon found out when she hit the web. There were sure long lists of pages offering the services at seemingly attractive prices, but then never covering all the highly recommended options, such as the time collision waiver, and collateral time damage waiver.
She had a pretty good idea of what she needed to smuggle back and when, but all the time pathways simulations seemed to run into a dead-end.
After a stroke of genius, realizing that the one-timeway drop-off prohibitive surcharge may be the reason why she couldn’t get decent tariffs, she changed her simulation for a return.

“Time and item of origin/return…” she muttered as she typed “Queen Anne’s crocheted ferrets, 1625, Louvres Palace”.

Of course, going forward in time was easy, so she would simply need to give specific instructions to the time smuggler to pass on those bloody ferrets along the timeline.

A click here, accepting the long conditions with hardly a glance, “blabla, not covering extra temporal charge… blabla… ensured discretion, yes, yes, service cannot be used to leave historical artifacts protected by the amendment on the … or any incongruent item blabla… smuggling service comes with no obligation of results…”
The rest was piece of cake.

She already had the perfect time mule in mind for the delicate mission of reintroducing the crocheted ferrets where her dragqueen competition was now held.

When Nicole du Hausset, widow of a poor noble man, one of the two femmes de chambre of Madame de Pompadour, first hear Madame talk about her first encounter with the Count in 1749, she remembered immediately about her mother, and grand-mother’s secret instructions.
A few nights later, she wrote down in her diary “‘A man who was as amazing as a witch came often to see Madame de Pompadour. This was the Comte de Saint-Germain, who wished to make people believe that he had lived for several centuries.”

For some reason, she was to find a way to give him two scrawny century-old (and quite frankly smelly) crocheted ferrets, as a token for the Queen.
She still had seven years or so to make it happen, that was time ample enough to do the deed, if the Good Lord would grant her enough life, or else she would need to pass the burden to the next of kin.
She’d never known exactly why this was significant, but she’d been told that her family’s past riches were due to the success of this task, passed on to the next generation until 1757.

It didn’t take very long. An elaborate and convincing lie did come easier to her than she would have known, and the Count swallowed it hook and sinker. Next thing she knew, she’d glimpsed the plush beasts in the midst of the menagerie of the Queen, and felt relieved of a life and generation-long burden.
She could now return to a simple and uncomplicated life, although she would sometimes wake up at night in cold sweat, having had dreadful nightmares that the ferrets had disappeared before the date.

They did only realize they got out of the tunnel when the dimmed blue lights faded completely. It was almost pitch black apart from a few braziers in a narrowing vaulted tunnel paved in the manner of a future metro line.
The passengers had noticed the transition from the smooth gliding gait of the zebras to the clopping of the hooves on the cobblestones. Sadie peaked outside of the carriage
“Have we arrived? Where are we?”
“Rightly so, darling. We’re under the grotto. Technically, it’s a chapel now. I did some adjustments underground.”
“Mmm…” Sadie nodded indecisively. She couldn’t find the least rude way to nod without letting her thinking it was utter rubbish show through. So she kept quiet for a moment and even refrained rolling her eyes. “So, we’re….?”
“We’re at the North Wing of the Palace, darling. It’s just nearby the Royal Opera House of the Palace, where your show will be held tonight, your e-flapper should have told you that. Don’t mind the construction work, it will give a steampunk feel to your show before it’s even invented.”
“Of course.” she said evenly. “The North Wing. Well, we all in need of sleep and refreshing before tonight’s show, so…?” trying to worm out meaningful words from Sanso seemed a futile attempt.
“Fancy that, darling, I have another delicate extraction of time stranders to go to,” checking a greasy paper from his shirt pocket,… “in last century or so, I can’t afford to be late. Let me help you lots out of here, leave it to Chair to take back those zebras to the Royal zoo and deliver that barrel of fine champagne, and you’re on your own.”

Before Sadie could tell the word rude, Sanso had folded the carriage back unto itself, pocketed it and disappeared in a wallmhole —leaving only beside herself, the mute Chair on top of a barrel of vintage champagne, four exhausted and pawing zebras, and three sleep-deprieved disheveled divas.

At least, the secrete cave of a Chapel is not overly conspicuous she said, trying to cheer herself up, remembering her training that light would prevail.

The e-zapper’s signal was dropping until it was gone, while there were eerie hoots and echoes in the tunnels.
Sadie’s report to Linda Paul would wait till a few hours. The broadcast wouldn’t start until the afternoon anyway, so they had time to relax. The carriage wasn’t so comfortable, but the blue lights provided a smooth reassurance, and the zebras were now trotting at a regular pace.

Sadie looked with fondness at the boys in drags. A fondness which even surprised her. They were starting to reveal more of their true self as they were lulled to sleep in the carriage. How funny she thought, how a few drags and accessories can both hide and reveal parts of your personality.
Cedric, was a white guy from uptown actually quite challenged to grow a real beard, and he was playing that sassy bearded lady queen Consuela.
Amar the second-generation North African guy was raised in the suburbs before he chose to become the shiny Terry Bubble, while Reginald from the same neighbourhood was playing Maurana the big burly black queen,…

The more Sadie spent time with them, the more which labels they chose to be called with started to become inconsequential.
She was actually more and more confident they would do a great job at blending by simply hiding in broad daylight. Their eccentricities would be a rousing success at the royal fête, they just had to hone their alibis a bit, and align on their story. As soon as they would be in Versailles, with the Russians from the competing cable network in toe, they had to be at the top of their games.

It should now be possible to attach some files to your comments.
Use with moderation (don’t teaf other’s art or pics to upload them, prefer a !http://link_to.img! if you can instead).

Queen Marie, Our Good Queen, as the little gents liked to call her, had not been as excited at the prospect of the salon since a long time.
She ringed the bell for the servant girl to bring more wood, as drafts of chilly air were coming from outside. Although quite modern and shiny, the palace was not as equipped for the cold season as the old castles from her mother land. Worse, with age and soft weather, she’d grown accustomed to being warm, and couldn’t bear the cold any longer.

The crackling sound of the pine wood inside the small chimney was comforting and brought her back to her thoughts. A salon, full of delightful witty people, with laughters and costumes, entertainment and champagne wine. She’d heard a special batch of barrels from la Maison Ruinart would be brought especially for the Royalties. Of course, she knew most of those were small favors for the King’s mistress, Reinette, but she didn’t care. Oddly enough, she didn’t mind the woman, who had been always very delicate and considerate towards her, almost affectionate. To be honest, she was a blessing, as the inextinguishable appetite of the King for the flesh and woman beauty was now too hard to bear.

But a party like this, ah… She reveled in the thought of seeing again monsieur de St Galle and the mysterious Comte de St Germain who always was the light of the party with his extravagant stories.

The servant had finished to dress her for the night, putting her new powdered wig on the parakeet shaped wig-holder. She’d bought the wig with its lacquered holder in the morning from a small shop in Paris, which was had quite an aura of mystery she’d heard. Naturally she’d wanted to see for herself.
The wigmaker was a gaunt and unassuming young man who notwithstanding made an impression on her. Jean-Baptiste’s wigs were simple and elegant, albeit not terribly inspired. His eyes, on the other hand, had a piercing yet soft gaze about them, and didn’t seem embarrassed to look at her, almost through her, as if she were a person, instead of the Queen surrounded by a retinue of bland people eager to please.
“Let me draw you some fingers” he’d said to her, changing abruptly the topic from his rambling about books he was inspired to write about symbols. He’d forgotten the traditional address of “Your Majesty”, yet wouldn’t be stopped —regardless of the shocked expressions on the people’s faces.
“You see, I love symbols, and when I draw people’s fingers, I can foretell events to come”.
So that was it, she’d thought, the reason why everyone was ranting about him. He’d better be more inspired at that than wigs, as her patience was wearing thin.
She’d had fortune tellers draw her cards a few times, but the fingers drawing part was curious enough to entice her into removing the glove off her eburnated fingers and letting him do his trick.
An eldritch feeling crept though her spine as he was uttering words for each of the fingers he drew on with a slight pull of his hand, just enough not to crack the joints.

In the bed warmed to a delightful temperature by the bouillotte, she began sliding into deep sleep, while a mixture of words half-forgotten or half-remembered danced around in her mind like the swirls of snowflakes dying on the warm window of her chamber: “funny moment, cold diversion, dream parade, house moustache pink, blue wonder carpets, possible king turned, green mirror travel, understand whole large parade”…

“And now there’s that cycle of energy that goes into the other realms and comes full circle, cascading down like watermelons crashing down from a fountain back into this reality….”
The random daily quote syncs again ~ Trove had an impulse to get a petunia from the garden centre, and an image popped in her mind of the nice indoor fountain in there with aquatic plants all around it. She took her camera inside, and the fountain had vanished. It had been there for as long as she could remember.

Thank Flove for the daily random quote, that was a life saver. The deFørmiñG mirror to the rescue, coming hot on the heels of The Formula: (note the word form appears twice, just like with a mirror, but unlike a mirror reflection, is not an exact replication):
“The formula for creating your reality is: You project energy. You reflect that projection. And you either react or engage choices in relation to the reflection. Generally speaking, if you are not aware of what you’re doing you project energy, you reflect energy and you react to the reflection. When you are aware of what you are doing you incorporate choice rather than reaction. In this, what you have presented to yourself is a significant step. This is the beginning step in the movement into genuine recognition of your genuine self and in that the beginnings of genuine recognition from genuine self of how you create your reality; therefore the formula. This formula can be called a sort of deFørmiñG mirror…”

You may well ask how a large and solid standing stone broke in two. (The same stone, coincidentally, that fell over a couple of days ago). There is no mystery here, or supernatural phenomena, no extreme weather event or geological catastrophe. The stone was merely thrown over a fence, because the person throwing it attached no particular importance or significance to it; to him, it was “just another rock”. The person to whom the stone had importance and significance quickly decided there was an important significance to the stone splitting into two incident, although she had not yet deciphered what it was. The idea of “nothing being cast in stone” held considerable appeal, as did the simple idea of a stone circle relocating. It was unusual, unexpected, magical even ~ although not impossible, not often considered as a possibility, and rarely if ever considered as an idea worth pursuing. Perhaps that was because there was a strong belief of certain places in space having intrinsic related values, even if those values were not clear. Values based on the assumption that anything that has been in place for a very long time must be there for good reasons that we may not understand, but that we should respect them and revere them notwithstandingstone.

Stonehenge had moved. Standing stone circles don’t usually move, but this one did. For the reason that nothing is cast in stone, I suppose. Not quite sure yet where to reposition it. There are four standing stones, now, and not five. Or you could say there are now six instead of five, but two are quite short now. After the branch pruning days (some pruned by the wind and some pruned by chainsaw) (when is a fig branch not a fig? when it’s a prune), today was a digging and planting day in the less shady garden. A previously unusable area was now liberated from permanent shade, and a particularly good crop of seedlings meant that it was immediately usable. Hence, the unceremonious removal of the ceremonial stones. The stone circle was now a pile of stones, a stone heap without a plan ~ but with endless possibilities.

Deep crimson wild sweet peas reaching up on slender tendrils, rising above the dense profusion of clamouring growth……ants farming aphids in a bounteous cooperation (unlike the battle with ants farming aphids in my own garden)