Search Results for 'explore'

“Speaking of infinite details,” said Björn who was watching a circus program with a muscular looking man who balancing his contortionist partner who was attempting to balance plants on her face.

“What?” said Iris who was already dozing on the couch.

“Sorry dear, I was just talking to myself, have nice dreams”, he said, stroking gently her freckled face.

He continued in his head, slightly dozing off himself.

“One two, one two. Testing the acoustics… Sounds good.”

“Funny how these thoughts come in and out… It occurred to me something funny.”

“Can you add a plush toy in your dream?”
“Oh sure darling. What kind of?”
“A baby aardvark”

Björn wasn’t very comfortable yet, he started to toss and turn until he realized he was seated on Iris’ plush aardvark. He fondly placed the little soft thing in Iris’ arms and returned to his thoughts.

“There, it’s inserted…”
“Now, your reality can be viewed to some extent as the most complex, yet the most simple of assemblage. You may liken it if you will to a room with mirrors (*). Ancient Indian mystics have spoken of Indra’s net where droplets of waters are each reflecting all of the other ones; these are the same images.
It is not new information to you, the fact that you are seeing your reflection in your world, or that it is a sort of illusion reflecting you, but this is not the point we want to highlight here.

Consider that the room in which you are is reflected an infinite amount of times in every direction. In a sense, they are all the same. They are you. Now, we come to the interesting part. You may very well decide to explore the room next to you with its shining details, by going through one of these mirrors. Some individuals quite enjoy such explorations, they call it past or future or even probabilities, other dimensions etc. And by moving into the next room, it becomes their present.

You now realize that you have not really moved, since all rooms reflect only you. And you may want to continue in the direction you are exploring and go into more rooms. It’s alright. But some individuals realize that all rooms are equivalent, and that from where you stand, you can view the point you wish to explore in one part of the mirrors reflections. This is being present. You shift your attention, and expand your vision of the tiny part, rather than moving towards it with great efforts.

Now, when you are dreaming, the very nature of dreams is the same. It gives you a whole fractal hologram to ponder. You may get carried away by wanting to remember all the tiny details, because in doing so, what you are doing is simply opening rooms upon rooms upon rooms. And more details will be created for you! Or you can simply realize that the details are all contained within your feeling of being present, and standing in the middle of one of these rooms, and not one of them is more important than the next.

Connect to your feeling, and all the natural movements of your explorations will be automagically connected. And we bid you a nice fractal dream exploration.”

Naasir then exhaled slowly, until all in the cave was still.
The End

— “What?”
— “That can’t be true?”

The twins were outraged. The book couldn’t stop now, there was so much left they wanted to explore. Watermelons, mummies, secret islands… even aliens would be a fate better than a dreaded “END”!

Lord Wrick smiled at them.
“Dear ones, you knew all along that there was no third book, and that it would end at some point, didn’t you?”

A stubborn silence greeted his deep raspy voice.

He continued unfaltering “Let us see it another way. These stories are like a breath.
You take breath without thinking of it. It feels good to have the air flow into your lungs and make you feel so full of life.
But you know without even thinking when it’s time to release. You can try to hold the air indefinitely in your lungs, but soon it’ll become painful. The air is all around you, you can release the tiny fraction you think you hold without a worry. All you will have to do is breathe again.
These books will change over time, they are not finished. They are only closed. You can open them again anytime, and reinvent them. I trust your imagination on that.”

Leormn was glad to be back in his cave.
The trip with the twins and Irtak had been very interesting for all of them; it had expanded their knowledge of their world, and the young Irtak was allowing his desire to be expressing his playfulness with dragons more and more.

Leormn could foresee he would become a great dragon breeder, and the dragons once again would reappear with times of peace.

For now, he and Malvina were packing again. It was time for them to move the rookery, and find another spot where they could alter the stuck energies by simply being there. They were like roots in the ground, they were unseen to most, but they were moving, and changing the quality of the soil, enriching it, bringing lightness to it.

Irtak and the twins would start their own path, they had learned so much. They were heading to the South deserts, the land of the gripshawks, and other less known creatures. Irtak wanted to see the seal-men, too wherever they were, in between the Icy Lands and the Southern shores. He wanted to explore everythere.

Arona had found her way to the cave, and since Malvina was moving again, she had decided to stay there with her newfound little strange, but delightful family. Ikesy would probably go in a few years to fulfill his own destiny, but for now, the Ugling raised by an Oddling was doing well.
Having seen the interesting properties of her painted door (yes, the “peace off” magic door) she had finally acknowledged her talent, and decided to devote her time to take up her art. Of course, Mandrake was encouraging as ever (refraining to comment at the beginning), but she had no doubt her dedication would conquer his and her own doubts.
After all, her magic was strong; if anything needed to be drawn out of this adventure that was it. And Buckberry her own artist dragon was a remainder of that.

“Mmm, this temporary mergence with Godfrey/ Orgetak didn’t get so well” Yuki thought.
“It more and more looks like a “Becky/Rafaela — Gayesh/Orgetak become troglodytes on a tropical island” adventure…”

“Now the Vowel Shift seems to have been accomplished, better fragment off this increasing mess and leave it to Ycart /Rafaela… pronto!”

“Luckily, there still remains the untouched ‘Aarth’ alternate Aniverse to explore, where Alizabath Tittler reads Lemane quotes and spaakes funny taa”

When he had been hit by the blow of the watermelbombs and the furious lady he had come to rescue, Akita found himself in a strange peaceful place. He was getting bits of what was happening, but the will to resist and fight seemed vanished in a distant scene he was only distantly aware of.
He was seeing Kay, his spirit dog beside him, beckoning him to another place of white luminous and warm peacefulness.

“Am I dying” he asked, feeling the answer to the question wasn’t very important.
“Don’t be silly” the dog said mentally “Just let go for a moment, it’ll make things easier for you to get out of this place to another one you’d prefer”
“I’m not sure going anywhere is so important, being here reminds me of something long forgotten”
“Yes, you know this place, you’re drawing to you some memories of others of your focuses, explorers from your time and also ancient dwellers, in a very very distant past. These living memories will help you.”
“You were there too, configured differently but I remember you from there”
“Yes” the dog nodded “you had a pack of dogs in one of these explorer focuses. I was the alpha one, see…”

Some scenes moved in the white foam sprinkled with diamond dust like he was seeing through openings in a crystal cave. All was so clear it was elating.

“But we’re never going to get out of this place, not without a boat, a plane, not without a compass… and not without a brain!” he was being drawn back to where his body was, wrapped in the warm snet, jumping on the back of the snow scooter. “These women will lead us to a sure death, and pretty fast!”
“Just relax, even if they don’t give that impression, they know what they are doing. They focus on what they want, and they trust. They can’t see the dead-ends you are seeing. Sometimes you get caught up in those other memories of yours. You’ve read adventures of Antarctica explorers, most of them were drama, but it doesn’t have to be the same broken record now, you’re going to love that time if you choose to…”
“They’re so focused on themselves it’s hard to believe you. They wouldn’t see a leopard seal as a threat even if it was at their throats!”
“But they wouldn’t even draw the predator to them in the first place.” Kay was saying warmly “Have a little faith in them, there is a surprise coming along that’ll show you beyond a shred of doubt that their allowing for miracles is fairly titanic.”
“Titanic, yes… Now tell me I shouldn’t worry with all those icebergs!”
“Indeed” Kay said with a hint of mischief in its ethereal voice “Now, let’s wake up and have some fun!”

Indeed Jib, as usual, as usual:

Follow THE call OF THE WILDE,
THAT WHICH especially ASK YOU TO hold STILL AT home.
YOU KNOW, IT DOESN’T TAKE lots OF walking
TO let YOUR arms HAVE SOME EXERCISING:
SOME WOULD SAY “perhaps”;
BUT NO NEED TO SAY “I knew THAT!”

LET’S EXPLORE A stone idea:
OF dragons starting watermelons story, flying AROUND
AND smiling, DIVING IN THE flove…

The woman’s voice raised softly in the dark, like a velvet caress, or the sound of a purring cat.

Life was long before I met Georges. Not unbearable, but so long and lifeless. Days would pass, and nothing new would happen but the same matter the previous days were made of.
Though I no longer align to these limitations, I was once human, born to Earth, as Georges was, in a not so distant past. Like most of my people, I was not feeling special. But my will was strong and my desire to survive too. I survived poverty, lust and violence. In the crucible of these emotions I’ve melted my fears, and it was there I found Georges too.

A curtain raises in the dark. A palace in an exotic tropical place. Brunei? Al doesn’t know this place…
A young dark haired woman in a small room, around sixteen, perhaps a bit less, disheveled. She looks wildly around her, her rags stained with dust and dirt.

Enters a tall woman. She doesn’t seem local. British perhaps. She’s elegantly dressed, thin mouth, high cheekbones, apparently in charge. A maid follows her. She can speak the girl’s language.

— Where is my mother? Let me out of here! she starts to cry
— I’m afraid this is not possible, Salome. For your safety,…
— What do you care about my safety!
— For your safety, Salome, hear me, try to behave. The Sultan is not a man without a heart. He loves beautiful women, and that is what probably saved your neck, considering what all what your mother did wrong to him refusing to pay taxes and her obstinate and bare-faced smuggling. Listen Salome, this might save you, and might save your mother as well.

The curtain falls on the scene, where Salome hopes to have found a friend of captivity with this woman.

A few years later, still in the golden cage of the harem, occasionally asked to service the lustful and violent Sultan, I start to go explore the depths of my misery. My inner world was a safe sanctuary, a haven from the pit of hell where I was now living, after my childhood years of hard work in the forest. There, where no one was given the key to enter, I became aware of him. I first thought he was an imaginary friend, a messenger from the other world, greeting me to a sure death. But he was real. He started to talk to me. About what I could do, like him, be a Traveler, if I wanted to.

The curtain raises again. Young Salome is lying on her straw mat, in a seeming delirium. She moans, whispers, weeps, laughs. No one in the harem seem to care any longer. She is probably possessed, but the Sultan still find her suitable, she can’t be touched.

A roar can be heard in the palace. The big black-bearded Sultan Ojylam the Second, ogre look on his face, summons his guard.

— Don’t worry Salome, the voice of Georges whispers in the dark. The Sultan is mad at Madame Chesterhope. She has just fled with his precious crystal skull, but he won’t find her. She’s a skilled Traveler too, as soon you will be dear Salome, once you have learnt my last tricks, and we soon will be united.
— Why that stupid crystal skull?
— Don’t worry about it… This one is the Birds Skull. It carries lots of information and magic in relation to the Birds Realm, but it should be the least of your concerns. We’ll find Madame Chesterhope even if she’s clever at hiding between dimensions. Only concern for you must be to get out of here.
— The Sultan will know I told her about it… I should have known, he was so proud of this object, and so protective too… And she was so curious…
— That’s why we must hurry now.

And so we were united for the first time. Lots of other lives have occurred afterwards, different paths at times, but always we have found each other again. Eternally bound, in a most sacred bound…

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

I googled Circle of Eights

Give pairs seven post-its and ask the children to write down the main scenes. Take feedback and allow children to adjust/add to their post-its. Pairs then work on listing the scenes and sticking them in order. They should disregard any scenes that are not crucial, and just keep the key events.

Agree with the class the basic key scenes. Demonstrate how to make a few notes about each scene to help with a retelling.

In pairs, children make notes about each scene to help with retelling the tale. These should be kept to the barebones. In pairs, practice retelling the story, taking it in turns. Then put pairs together to retell their versions to another pair.

If time allows, build this up to circles of eight.

End the session by hearing several retellings. Encourage the children to evaluate between tellings, refining and improving their version.

Explore ways of altering the retellings. Children decide to alter one aspect. They then retell the tale, with the alteration. Pairs should then move into fours
and retell their new versions.

Build up to circles of eight if time allows.

The children recommend a version they have heard that is really effective. Listen to these, and as a class evaluate what makes an effective retelling. This enables more in-depth evaluation, especially by the storytellers themselves.

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

The Jorid has spotted what will be the destination for our first joined adventure.
It’s a dimension which seems unexplored yet, and rather fascinating. Georges, as he is, would already have jumped right in, but I preferred to get a little more background information before moving into it. It’s still a little awkward to move into these realms where the laws of physics as we’ve known them are different, sometimes dramatically so. These would not be too much of a difficulty as the adaptation of the physical body usually goes quite fast, as Georges has shown me when we trained in more familiar dimensions, but the most delicate part is when we barely know the relationships at play.
Georges will laugh because he’s more confident that everything is perfect, but somehow, I tend to believe that things can be a little more perfect when we know how to avoid making faux-pas.
So we’ve spent a few days gathering some basic informations on this dimension we call Alienor. The most part of the activity seems to revolve around a cluster of planetoids. At this moment, it’s forming a system of three planets revolving on the same orbit around their sun. We call them Duane, Murtuane, and Phrëal.
They seem to form a complex web of relationships, and cover such a wide range of aspects that we have decided on a mutual agreement to split our exploration to cover more ground for a beginning.
Georges is exploring the Duane, and I took the Murtuane, both planetoids seeming to come from the same core of matter, in a manner of speaking. The feeling around the Phrëal is more ambivalent, as though it is undergoing some deep change, not unlike to the Shift that will be (or has been) occurring on our Earth. So, we’ve decided not to interfere with it right now. It may take a dozen of years (as we understand them) for them to undergo that process, but it’s not like we care of time issues in any case.

Here are my first observations concerning the Murtuane. Obviously, it ties into the Duane, but I am not completely aware of all of these ties yet.
The first connection I had to the Murtuane was with some ancient beings living here. I saw myself riding one of these sentient beings, gliding through the sky in a mountainous land. The colours are vivid, even if the atmosphere seems very light, and filtering the sun’s ray in a spectrum slightly more indigo than our sky on Earth. These beings, whose name I can’t yet translate accurately (it’s something close to Nirgual) are powerful winged focuses of essence, though I suspect this to be a mere convenient form that they use. They somewhat remind me of the Rokhs (or Rocs) that the sultan’s wifes were telling us about in their legends. Apparently, they are respected, perhaps feared by the people inhabiting the lands, though I can feel they are for the most part benevolent.
These people, those that I could spot, seem to have a slightly green skin, but overall humanoid form (within my translation of them).

I will probably have more to connections once we gather our impressions with Georges.