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In reply to: Circle of Eights, Stories
Elvira eventually reached the 25th bush on the left at Nutley Park with a bag of assorted garments for the near naked Becky, but there was no sign of her. Elvira investigated the rain drenched foliage, and deduced correctly that the bush had recently been used as some kind of camoflage cover by a taller than average person, mixed race and probably naked.
Elvira chortled with delight; she had loved her days as a private investigator, all those years ago. Well, she said to herself, With a combination of forensic and physical clues, and telepathic and remote viewing skills, I’ll have Becky into some dry – and decent! – clothes in no time at all. Elvira stood quite still (in the torrential rain, which drew a few puzzled glances from the people rushing past), with her eyes closed and a happy contented smile hovering about her lips.
Elvira was connecting to Becky, but she was picking up diverse and nonsensical impressions. A moose running up a flight of stairs, a monk sitting in the road talking about a cup……
Pffft, said Elvira, no point in pushing it. Let’s have a look at the physical clues.
There was an obvious trail of flattened wet grass footprints which meandered, at an incongrously liesurely pace, Elvira noted, in a random higgledy-piggledly fashion between the bushes, and occasionally in circles.
Elvira set off along the trail with a spring in her sprightly old step and an aura of pleasant anticipation. She loved following a trail of clues! My, my, she said to herself, this is what I’ve been missing. Hhhmmm…..
In reply to: Circle of Eights, Stories
Franiel awoke, it took him a few moments to get his bearings. He stretched, and slowly adjusted to his waking state. He wondered how long he had slept, it was quiet and dark. Although he couldn’t see much, he could feel that dawn was not far away. The ghost hour.
He must have slept for hours.
Remembering Leonard he looked around and softly called out. There was no reply, and unless Leonard was sleeping, Franiel was alone. “Aye” he sighed, and finding the blanket from his pack, fashioned it into a tent over his head and took shelter in it. It was nearly day, another day.
Thinking of his encounter with Leonard, the strange dancing and especially the sweet taste of the nectar, Franiel reached into his pack again to retrieve the chalice.
It is no longer there
Franiel was not quite sure if he heard a voice utter these words, or if it was just a strange sense of knowing. He still felt around, taking out each item carefully and methodically, emptying the pack, not really wanting to believe the chalice has gone, nor to consider what the implications of this loss might be.
Perhaps he did not put the chalice back in the pack after all? He crawled around his surrounds, squinting into the half light of the morning, feeling the dew damp ground. Deciding to trust what he knew in his heart already he sat back and quietly watched as the sky eventually flushed brilliant crimson.
Red sky in the morning. A warning ….it is only weather words but ….
Reluctant to consider his options, he instead considered some dandelions, how luminous they looked in the morning light.
In reply to: Circle of Eights, Stories
I take it from that you don’t know where the wedding dress is currently. Well if you do come across it would you mind letting Felicity know. said Tina haughtily, switching the phone off abruptly.
Al’s words running through her head she started walking quickly nowhere in particular.
Tina, what’s the point of these experiments we have been doing with Becky and Sam if you are going to keep relying on the phone all the time? And why are you trying to sort out the dress for Felicity, it isn’t your problem.
It wasn’t the so much the words which had stung, after all he was right, it was the annoyance she thought she had heard in his voice.
She felt him making contact, quickly blocked, feeling too hurt to be open.
She knew he was tired, god knows he had put so much into the wedding preparations, as he did with all his projects. He was fast building a reputation for his ground breaking experiments with body processes. Tina loved Al whatever he looked like, which was just as well really considering some of the rather bizarre effects he managed to produce.
Becky had been a bit irritated with her as well, Tina you are so last decade, nay century even! she would say, rolling her large eyes dramatically. Becky too was racing confidently and exuberantly ahead. Her intriguing contributions to the reality play never failed to amaze Tina. Her own contributions felt stolid, words trapped in a big gluggy ball of last century energy, she had to work hard to extricate each one.
It was nearly dark, raining harder now, wind-driven rain. Tina liked it, the rain complemented her mood and disguised the self-pitying tears streaming down her face. There were very few people in the street. Just the long line of shop windows, glass faces warmly lit, overhangs offering some shelter from the rain, though it wasn’t shelter Tina was looking for.
Her long hair whipped around her face, wet blue satin clung to her slim frame.
Sam had taken off unexpectedly and suddenly to Australia. He had been gone only a few days and she missed him. Dear Sam, his wicked and irrepressible sense of humour could make her laugh even in the blackest of moods. He too was playing with new potentials, forging new and exciting paths.
The others are probably all communicating with their advanced telepathic skills right now, laughing at dumb old last century Tina, she thought morosely. In fact even last century I would have been so last century, judging by my spectacular lack of success at anything I have undertaken recently. A vision of her recent humiliation in the ballet dancing class sprang to mind. She winced and quickly blocked the distressing image of the dance teacher drawing her aside after class and gently suggesting she might try the Ancient Kuzhebar Motional Practices beginner’s class, to get some basic rhythm, before attempting the ballet. ….
An elderly woman who had disembarked at the nearby gondola stop splashed by her, and, illuminated momentarily by the street lamp, Tina felt a flash of recognition. The woman turned suddenly towards her, smiled, gesticulated with her free hand, the other was clutching a large bag, towards some distant bushes. She mouthed some words at Tina, but these were lost in the wind. Tina waved and managed a reciprocal smile.
She noticed a Positivity Robot parked in front of Samantha Lingerie, and found herself drawn towards it, 3D images of models wearing the latest in underwear fashions rotated in the shop’s window, their faces beaming irritatingly at her. These Positivity Robots had been all the rage in the early 2020’s, you did not see as many of them now. On impulse she stood in front of the robot, touched the screen, allowing it to read her energy. “negative 21” its glass face discreetly informed her. The words “I AM PERFECT” flashed up on the screen as a suggested thought pattern to implement. Tina grimaced. I wonder how low I can make this damn thing go. The idea made her giggle and to her alarm shot the meter up to a positive 12. Bugger, a bad start!
What am I going to do with myself, Mr PR, if you are so positively smart?
I AM PERFECT…. I AM PERFECT …. I AM PERFECT ….
perfectly grumpy, perfectly insecure, perfectly last decade, perfectly soaked to the skin, Tina watched as the meter climbed all the way up to 55.
She glanced at the shop window, just as a smiling model wearing a minuscule open net dress and nun’s habit rotated by. She felt an inexplicable burst of amusement as the meter climbed to 57.
In reply to: Circle of Eights, Stories
The Sharple girls were arguing again. Shelly Sharples, two years older than Sherry, was inclined to be a bossy girl. They were playing ‘Let’s Pretend’, an old fashioned childrens game that was making a come-back. Feathered hats and musty velvet cloaks were strewn across the floor; silver lame ballet tutus, and voluminous flamenco dresses. Shelly found the disco dress first, and insisted that Sherry dress up as a man, and dance in front of the webcam. Sherry wasn’t pleased.
In reply to: Circle of Eights, Stories
When Al met the others, he was rather nonplussed by the profusion of capillar effects. Hairs colours were now a bit out of fashion, but he had to admit that Sam’s colours were radiant… Well, had it been for himself, he would have preferred something a tad bluer.
When Becky had made her appearance, he was really impressed. He found Becky had made a “bald” move that was suiting her dark complexion to a T.
(Becky was indeed sporting her African ancestry, coming from her mother Sabine Baina N’Diaye, with as much pride as her expensive boots).As for himself, Al was not displeased that he had followed the good-hearted advice of sweet Tina about his hair loss. But, as he had discovered along with Hari Amgic, it all boiled down to the fact that was he was finding the tonsure rather elegantly distinguished, and giving him the looks of a wise old monk.
That had made Tina laugh of course, as she was finding him looking more like a monkey
than anything else. Well, fine then, a Capuchin and that’ll make us agree on something at least, he had retorted a bit vexed.
The truth was that now, with the help of Hari, he was growing hair so fast that he had to shave them in the morning, and they would be knee-long and thick in the evening… But that was fun.
He was laughing now; he couldn’t have the monk look, but at least he had the sadhu look.He said to Tina with a mischievous wink that he really loved her hot pink dress with the little white kitty cats patterns on it. Perfect Goldilocks look.
In reply to: Circle of Eights, Stories
When Dory finally woke up from her coleslaw induced stupour, she felt quite befuddled. What a peculiar trip it had been! I’ve taken some recreational drugs in my time, Dory thought, but I’ve never had a trip quite like that one. She wondered what on earth George had drugged the coleslaw with. Dory closed her eyes again, recalling snatches of the hallucinations.
Being chased by bandits on hairpin mountain roads with a small baby girl in the car; being held at gunpoint by Idi Amin in an Afrian court; running, running, gasping with terror, chased by old fashioned Bobbies on pushbikes, and dough faced bowler hatted debt collectors…..
Dory’s heart was pounding again as she recalled the images that rolled along like a crazy movie montage, a psycho thriller, a horror movie…..
……being held down under the bathwater as a baby with a vicious scowling face looming above her; fighting with a witch in the garden shed for tense petrifying hours; monstrous demons snaking blacky out of ouija boards, and madness and asylums; a man lying in a double bed dying from self inflicted stab wounds and she was shouting and calling and nobody hearing; running, running and gasping, shouting for help and no-one was there…..
Well, Dory pulled herself together, No point in dwelling on it, it was just a freaky bad trip.
Coffee? George asked.
Dory’s head snapped round. Huh? Oh! Gosh, YES please! You’re still here are you? Dory rubbed her eyes and shook herself a bit. Just the mention of coffee had already started to snap her out of her unpleasant reverie.
Of course I’m still here, Dory, George said kindly. I am always here. I was with you during you trip, every step of the way, but you were not focused on me.
You WERE? Dory was momentarily non-plussed. And then, Well why did you let all that awful stuff happen then? Why didn’t you help me? You just stood there and watched?
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
