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Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

The Chinese secretary who had Sanso interrogated didn’t show any emotion at the news of his escape. Showing emotion was a weakness, and at all layers of the organisation, the lower rank was kept in the dark and given information only when necessary.
The higher the rank, the better they were at compartimentalising, and at shunning emotion altogether. Some even murmured that the topmost executives were robots posing as humans. Notwithstanding, they would have made great poker player, but the Corporations’ goals were much more important than a simple gamble.

Despite showing any sign of it, Cheung Lok was pleased to see that Sanso had taken their bait. With a bit of luck, he would drive them straight to Irina, the socialite thief who had mysteriously disappeared with the aid of the mysterious organisation they only knew as “The Management”. The Management had accomplished the exceptional feat of eluding any of their attempts at gaining intelligence and leverage on them, and to this date, their motives were completely opaque and seemingly random to them.
However, they always seemed to know beforehand what was to happen, so playing against them was particularly tricky.

Cheung Lok, internally smiled to himself. The chopsticks were his idea, and purposefully planted as an aid for his escape. Rightly used, they allowed to create a temporary shield from the antiportation device. That was a loophole they’d hoped Sanso would know about, and indeed he didn’t disappoint. Or maybe he did all by luck, given the personage, that bit was expected, but all the same, the goal was accomplished.

A robot carried a briefcase to his desk, and left the room silently.
Cheung Lok opened the case, and on the screen, the figures and points on the worlds times maps started to flicker erratically.

A long deck was stretching and unfolding from the shore into the ocean, passing above the shallow plateau of sand bathed in aquamarine waters, and the coral reef.
After stretching for about five miles and six feet, it was seemingly above open waters where schools of colourful fishes and placid turtles where swimming blissfully.

The submarine broke the surface of the waters on the evening of January 18th, at precisely 17:56 HST, Hawaii local time, a handful of seconds too early (or a minute too late) for fetching a prized synchronicity.

Jonbert soon realized that, as usual, it could only mean one thing: others were late, synchronistic timing notwithstanding.
Of course, other being late meant timing couldn’t be synchrone, and all figures couldn’t align properly.
The first mate robot reported back to him on the top deck where he was sipping his scotch and enjoying the late sun after months spent underwater.

— “Dear sir…”
— “Oh forget about the blasted dear, I’m nothing dear to you, you ingrate piece of rubbish”
— “Of course sir. If I may”
— “Blurt it out, goddammit! Where are they?”
— “Their signal doesn’t register at the resort we have booked for them.”
— “What?! And where is it now?”
— “The ezapper have been geolocalized at 5.56 miles inland, sir”

That darned missed synch again

— “Then, bloody go fetch them!”

The leaves were dry. They’d started to change to a brownish hue at the tip, then rapidly withered. They’d hoped it wouldn’t affect the whole crop, and when the first tea bush went down, they quickly uprooted it, for fear it would spread to the whole hill.
But despite their best efforts, the tea bushes went down, one by one, as though engulfed by a deadly plague. He and she were worried for their next year income, as their tea field was their main source of revenue. The highlands had always been favourable to them, and it seemed such an unlikely and truly unfair event given that the beginning of the year had brought an unexpected bounty of huge tea leaves.
What had happened? He was quite the pragmatic about it: disease, pests, too much sun, over-watering, over-pruning… nothing extending outside the visible, the measurable. She was the mystical: core beliefs, did she worry too much about that sudden wealth and made it disappear, the evil eye, greed and covetousness, celestial punishment.

It never occurred to her she could reverse it as easily once she understood what it was all about.
Well, she almost started to get an inkling of that thinking about warts. How efficiently she got those growths when she was so troubled about them, and how they all disappeared when she forgot about them. How not to think about something that’s already in your head? In that case, distraction never worked; it was a rubber band that would be stretched then snapped back at the initial core issue.
Snap back at yourself.
>STOP< – She stopped. Time to read that telegram delivered to oneself.
Everything still, for a moment. Dashed.
She started to look around.
The air was still, hot and full of expectation.
Almost twinkling in potentials.
Like a providential blank page, in the middle of a heap of administrative papers full of uninteresting chatty figures.
The pages are put aside, only the blank page is here.
She can start to populate it with colours, sounds and life, anytime. Lavender maybe. Soon.
But not yet now.
She wants to breathe in the calmness, the comfort of the silence. Even the crickets seem to be far away.
She was alone, and impoverished…
She is alone, and empowered, … in power.

[link:leaves]

“Believe it or not, it suddenly seems like the shifting symphony makes more sense than the ninth (and Beethoven doesn’t make you dumb), if you see my drift…”
“I could, if you’d stop talking in riddles” Lavender told Harvey with but the slightest hint of exasperation in her otherwise perfectly adorable soft and beautiful voice.

“I don’t even know what I’m talking about actually, it’s like I’m channeling some deranged poet”
“Yeah, that or being taken over by aliens …” 

“You know, I miss a sense of continuity… When I can’t follow the leaping frog in at least a pattern that makes sense, I gradually loose all interest. At least if I know the frog is going that way to look for tasty maggots, or that other way to lay a few eggs, or that other way to mate with psychotropic toads, I can hop or fly along… “
Lavender smiled a lovely smile.

“There it’s like a frog without purpose; it’s running in all directions, keep changing colours like a chameleon, and no matter how I try, I can’t figure the simplest pattern.”
“Maybe you should ask your super computer floogle ?”
“Yeah… it would tell me that figures without a pattern are called irrational or even transcendent… Not that it would help me in the least. Usually, when you can’t find a pattern, it’s because you don’t use the proper decomposition.”
“You want to dissect the poor frog?”
“No… Not even sure why I bother with the frog at all… It can do what it wants in the pond after all…”