Search Results for 'fingers'

“Oh My God” exclaimed Bea. “I had a dream about the DOOR!”

“Oh, well done! The question is, did you remember it?” asked Leonora.

“As a matter of fact, Leo, I did!” replied Bea with a happy smile. “As a matter of fact, although I’m not too sure how factual matter really is, but anyway, I did remember the dream, and I wrote it all down.”

“Gosh, up early this morning, weren’t you?” asked Leo, who was sipping coffee at the kitchen table and watching the sun come up over the mountains through the open door.

“Oh I didn’t write it down this morning, silly! I wrote it all down last week.”

Leo placed her cup on the table and rubbed her eyes, frowning. “Wait a minute, let me get this straight…..”

Bea laughed ~ she was in rather a jolly mood, despite the early hour. “I had the dream last week, Leo, but I only just realized this morning that the dream was about THE DOOR”

“So what did you learn about the door, then?”

Bea frowned. “Well I’m not really sure. But it seemed so significant because it was that scary door, you know, the dreams I’ve been having for years about that door in that bedroom that’s too scary to get near, never mind go through….would you like to read it? Maybe you can interpret it for me.”

“If I must” sighed Leonora “You better pour me another cup of coffee then and pass me those cigarettes.”

Leonora read from Bea’s Dream Journal:

I was sorting winter clothes out on an upstairs landing of a cottagey gabled house,
and decided to use the upstairs bedroom instead of the downstairs one.
The bedroom was a recurring dream one, gabled attic with dormer windows kind of room.
Then I saw the door and remembered this was the door I was always too terrified
in dreams to open; it was so scary that I always wanted to use this bedroom
but never could because of that terrifying door and whatever lay beyond it.

“Didn’t you do a waking dream and go through that door?” Leonora asked. “Oh, yes here is is…”

Remembering that I had done a waking dream and gone beyond the door once,
I marched up to the door, flung it open and strode through.
Suddenly an almost overpowering fear and dread stopped me in my tracks
but I carried on anyway.

“Oh, bloody well done, Bea! Good for you, girl!” Leonora could be a bit waspish at times, but she was a kind old soul underneath.

 It was a bit like a old slightly shabby but once grand hotel foyer, high ceilings
(not the same as when I went through in the waking dream, which was then rows
of closed doors on either side).  The foyer opened out on the left into a large old
fashioned restaurant dining room, with one person over on the far side sitting at
a table.  I carried on straight ahead through opaque etched glass double doors
onto an upstairs outdoor terrace.  There was a city scene below.  On the left
was a shallow ornately shaped ornamental pool.

“Reminds me a bit of our trip to Barcelona, this does, eh” Leo commented.

“Yeah, I’m sure that had something to do with the gargoyle imagery” replied Bea.

A woman squeezed past me holding a small thick book and I knew she was
going to jump off the terrace which was several storeys up.  She collapsed into
the pool, writhing backwards, baring a flat white breast and dropping the book.

“Flat breast, hahah Bea, that weren’t you then, obviously, was it!”

Bea chuckled. “Not bloody likely! I reckon that bit slipped in the dream because I can’t find a comfortable bra lately”

“You and me both” replied Leo. She continued reading from the journal.

I picked up the book, and somehow ended up with two books, which seemed like guide books. I couldn’t hold onto the two books with the creature in my hand, which was weird, like a very heavy small furry grey reptile, or gargoyle.

“Maybe it was a baby dragon?”

“Don’t say that!” retorted Bea, who had a horror of dragons. “The thought did cross my mind too, though” she admitted.

I was holding it with one hand round its middle and the fat grey belly of it
was bulging out under my fingers.  It was unbelievably heavy for such a small creature
and I didn't want to hold it, so I passed it to a boy. (Twice I was holding the creature,
and twice I passed it to the boy, but I can't recall the other time)

Back inside the building, I followed the boy down a big wide staircase that
curved round to the right at a landing below.  I started to fall down the stairs and
knew it was because of the book that I was holding that the woman had been holding
when she collapsed into the pool, so I threw the book down the stairs to save myself,
and felt the tumbling down from the books perspective, although I stayed in
the same place, clutching the banister.

“Well I am amazed that you remembered so much, Bea! Going through the doors and finding the books reminds me of Jane’s Library you know”. Leo was starting to go into an altered state.

“Are you going into an altered state, Leo?” asked Bea. “Are you channeling Juani Ramirez again?”

“The creature, the gargoyle, was representing ‘a different species of awareness, of consciousness’” continued Leonora, as Bea hastily started taking notes. Leo wouldn’t remember what she’d said while she was channeling Juani, so it was essential that Bea record what was said.

“The weight was a marker to help you recall the creature, as well as being symbolic of denseness”

Bea couldn’t help making a snirking noise. Dense eh, she said under her breath.

“The door” continued Leonora “Is a signpost, a marker.”

Just then the phone rang, snapping Leonora out of the trance. Bea picked up the telephone, but there was nobody there.

“Pffft” said Bea.

“More coffee?”

4:21:44 PM 8-8-08 1da Geolocation Time.

sometimes the flow climbs a mountain.

pause. step. quick step. pause again. step. upstream another step. the stones solid, smooth, settled beneath my feet with the timeless passing of water. the path of gravity. the rising of a mountain. a rapid, considered, going on pace. sand between the stones. the moments of time. light on the rippling waters flickering. the air transparent, timeless, crisp, cool.

knowing i’ve passed this way before, i pass again for the first time.

it’s good to be back. returning. beginning.

knowing my destination. the cave far above beneath the ancient pine. the boulder near the rough and gnarled trunk, slick and smooth. so hard the sense is of softness gliding with my fingers over the iridescent surface. soft to sit upon, to watch the valley far below extending forever into the distance. soft to recline upon, arcing my back. the warmth of the day in the stone, lingering far into the night to heat my bones. …knowing my destination, i take the next step into all that is new.

sitting near the water. deep transparent pools of green/blue. the setting red sun. a shelter beneath driftwood high on the bank. a myrtle tree draping a blanket of scent over me, opening my soul. with each breath. i watch the light fading into the words echoing through my skull… life is hard… the song…

Life is hard
Anyway you cut it
Life is sweet,
Like a berry from a tree
Life is temptation, baby,
Every single day
Life is hard

Life is funny,
I dont mean ha-ha
It‘s not always sunny,
When it needs to be
Life is frightening,
Nothing lasts forever
Life is hard

My time
Is next to nothing
My time
Falls on you, yeah
Everything
Is in motion
Life is hard

Life is precious,
No matter how you see it
Life is crazy,
Like yellow fishes in the street
Life is lonely
When you‘re not with me
Life is hard

Gentlemen
Is that you story?
Hanging religion
From a tree, yeah
My time
Is next to nothing
Life is hard

My time
Is next to nothing
My time
Falls on you, yeah
Everything
Is in motion
Life is hard

My time
Falls on you, yeah
Life is hard
Life is hard

– J. Mellencamp – while on the planet earth.

ok. life is also beautiful. – 1da

it’s a cruel crazy beautiful world – J. Clegg – also while on the planet earth.

stars flickering in the fading twilight. the silence of a light breeze as pine boughs begin to whisper. the ache of tall trees swaying in the night with a moan like countless masts on the tall ships of a planet. blink. and i sleep.

Becky started to hear voices babbling, through the swirling colours and fog. She groaned as she became aware of her head ache, and raised her hand feebly to her forehead.

Ah, she’s coming round! she mentally translated the foreign babble that was drifting into her consciousness. Becky’s hand slipped down towards her belly, which was hurting almost as much as her head.

What the f…! she whispered in amazement, as she struggled to sit up.

The babble of voices twittered at her to be still, and bony fingers pushed at her shoulders, encouraging her to lie still.

I’m not fat anymore, Becky whispered incredulously, and began to smile.

A well meaning voice was comforting her, telling her not to worry, that the three babies were fine, though tiny, and had been rushed to a special facility in the mountains to be placed in an incubator.

Oh, cool, said Becky vaguely, not really listening. She stroked her smooth flat belly and sighed happily, and drifted off once more into the delightful oblivion of unconsciousness.

Adorning the enormous wooden door of Chesterhope Mansion was a heavy bronze knocker in the shape of an ornate dragon. The door stood slightly open.

Hello! Anyone there! Franiel called out several times, each time pushing the door open wider.

Only an echoey silence responded.

Franiel mindfully removed his boots. With a growing sense of excitement, as well as some slight trepidation if the truth be told, he entered the massive entrance hall. A black marble statue of a tiger reminded him curiously of his dream. To the left and right were doors, but after knocking gently, he found these to be locked.

In the distance someone began to play the piano, a slow and simple melody. Franiel followed the faint sound to the door at the end of the hallway. He entered a massive dining room, in the center of which stood a very long table with 12 highbacked chairs. The furniture was heavy and dark, but sunlight streaming in through the window mercifully lightened the atmosphere.

Crossing the room he entered the rear parlour from whence came the music. A woman sat with her back to him playing an upright piano. She had long grey hair, worn loose down her back. Franiel noticed how thin she was, and how straight she sat as her long fingers delicately caressed the keys.

Hesitantly he knocked, not wishing to startle her. She stopped playing and turned towards him. Her face was gaunt, and such a pale colour, he found himself wondering if it had been a long time since she had seen the light of day. But her eyes were alive, bright and intense, and she did not seem awfully surprised to see him there.

Hello she said, Who are you? I don’t think I have seen you here before.

I am Franiel. I am sorry to arrive so unexpectedly … he began

Oh no! you mustn’t be sorry, the woman interrupted, jumping up with a speed and agility which surprised Franiel given her otherwise frail appearance. She rushed over to him and then reached out and lightly touched his cheek. A look of wonder crossed her face and she stepped back.

Oh my goodness! You are real! she exclaimed in astonishment. I thought you were one of the others.

So then, said Franiel sitting down beside a small mound of earth, what now?

The top of the mound of earth was smoothed flat, and with a twig Franiel began to form small spiral patterns abstractedly in the earth. He felt no desire to go back to the monastery and face Aum Geog with the news of the loss.

He held the twig high, and then released it to fall to the ground. It fell without sound, landed unharmed on the mound of earth. He closed his eyes and in the dark at the back of his mind, he heard the voice of his grandmother whisper; Spirals make more sense than crosses Franiel my boy, joys more than sorrows.

Spirals make more sense than crosses….

None of it made much sense to Franiel. The feeling of freedom he felt momentarily slipped away. He was left looking at the space where it had been, feeling empty. The task given him by Aum Geog had given him a feeling of purpose, for a short time had allowed him to forget how lost he felt. Yet now the task had been taken from him, and he was in no hurry to retrieve it, he saw it for the illusion it had been.

What would it feel like to want to go somewhere? Or to want to be something, to want to be a monk, to want to be a teacher, to want to be the father of a family? To be able to arrange oneself neatly in a box and say I belong here?

Spirals make more sense than crosses …. day becomes night becomes day, lives come into being, and go out of being … there is always new life coming into being …… around and around

He began to walk along the path, away from where he had already been …. towards something new? He caught sight of a dead blackbird lying in the long grass to the side of the track and knelt down to look at it.

It is quiet and still.

He dug a hole, scraping in the dirt with his fingers and then using a stone to lever the lifeless body into the hole. The bird’s brown eyes are still open. Franiel covered it with dirt, looking deep into it’s eyes, until there is no sign of it, just a mound of earth.

He traced a spiral in the dirt.

Joys more than sorrows…

He sat back on his heels, and keeping his mind empty, he sang to the dead bird.

Elizabeth Tattler stared morosely at her screen. Her long hair, formerly her crowning glory was wild and matted, small bald patches had formed where she had begun to habitually pull at it. Her beautiful violet eyes for which she was famous were bloodshot from weariness.

Ms Tattler was known planet wide for her series of children’s books “The Fickle Four”. The exploits of Almad, Tinigrump, Samnuf and Bekipo were beloved by children of all ages and planetary connections, although perhaps most endearing to those of the Fumari dimension who had a natural disposition for exploits of such fickleness. The catchprase “Bit rude Tinigrump”, and “Madder than Almad” had become part of the national vocabulary in recent years.

Formerly Ms Tattler had written, with limited success, novels of a more adult nature, drawing on her numerous marriages for creative inspiration. However her publisher had asked her to create a series about four friends who were on a mission to create other worlds, the focus being on “providing positive and fun role models” for children growing up in these difficult times of planetary upheaval. The works were in the science freakshow genre of writing and the popularity of the original novel had been unprecedented, taking Elizabeth and her publisher by surprise and leading for the demand for many more.

Ah, she sighed, and then spluttered as she inhaled the dusty, smoky air, but what a noose this has created. Her yellow nicobeck stained fingers touched her neck and then ran agitatedly through her hair. For at some point, when did it start? the story had begun to take a life of its own. She no longer felt in control as plots became more and more bizarre. She felt unable to follow anything through, creating endless threads which seemed to lead nowhere. She looked around her small office, everywhere was the evidence of stories started and discarded, screwed up pieces of paper covered in frenetic doodles littering the floor.

The telepooh began to buzz. She knew it was Bronkel her publisher before his face came up on the screen.

I know you are there Elizabeth. Will you pick up please!

In a fit of rage Elizabeth picked up the telepooh and threw it across the room, where it narrowly missed Lana, one of her 20 fainting Mongoats she kept as pets. Lana fainted for a few seconds in fear and Robert X, her pet Magpie, hopped around delightedly, Bugger the telepooh, Bugger the telepooh! he screeched. Poke its eyes out! Poke its eyes out.

Vincentius wanted to know where Arona had been heading.

She rummaged in her bag and pulled out her map to show him. Then her honestly got the better of her. No idea really, she confessed. How about you?

No idea either, said Vincentius.

Arona tried to look serious, then cracked up laughing and after a moment Vincentius joined in. Arona could not help but note what a lovely musical laugh he had. Definitely no snorting, and for a moment she thought fondly of dear wandering Sanso. I Wonder where he is now?

While they were busy laughing, they did not notice the woman arrive, but all of a sudden there she was, an old, bent, withered crone. An apparition of pure ugliness. Their laughter stopped abruptly.

Laughing my little lovelies were you, please don’t stop on my account said the crone. What a perfectly delightful sound. Music to my poor old ears. And she cackled gleefully.

oh Lordy, muttered Mandrake, his patience wearing thin with all the, what he considered, unwarranted and unnecessary joyfulness.

and what a cute little pussy cat, said the old woman, her long gnarly fingers gently resting on Mandrake for a moment. Mandrake snarled.

and a baby, said the old woman, reaching out to Yikesy who was cradled in Arona’s arms.

The arrival of the noisy pink fairy was the last straw for Illi. She imagined her deserted island again and made sure she paid attention to imagining it completely deserted this time. No more fat nuns appearing from the heavens or squalking fairies!

Illi made the new island a paradise….she magicked up staff when she wanted food or a massage, a gaggle of party people for when she felt like dancing, and blithely disappeared them when she was done. Mostly Illi slept. Her favourite spot was near the lagoon on the sand under the coconut trees. She lay and dozed and drifted and dreamed and imagined and dozed some more, trailing her fingers through the sand, pushing little heaps of sand here and there, pulling them back, making channels and watching the sand sift back in and disappear them. She dreamed of sand sculptures, an astonishing variety and all made from…sand! Tiny grains of sand, made into anything at all…..every tiny grain of conscious energy…made into anything at all…..and in comes the tide and washes and ripples a clean new beach….to make anything at all……

Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

Sanso didn’t hesitate for a single moment. SAND!

Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

HHMM, I’m not so clever after all……