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The old abbot Hrih, was coming back from the gardens of the Monastery, the soil dampened and muddied by the heavy rains of the season sticking to the sole of his sandals. Hrih Chokyam loved to be reacquainted with the rawness of nature, and the fluidity that the rain provided to the ground by transforming it into malleable mud.

He was bringing back vegetables for the dinner’s soup, and was amazed at the fact that even though he had felt so close to the earth, barefooted in his sandals, he had not even a drop of mud on him.

He had delayed his choice for much too long already, and the not so subtle pressing of his main confident Aum Geong to officially elect his successor was making him unquiet. He was deeply trustful of Aum Geog, and of his sincerity as a Holder of the clear Light that was being tapped into, channeled and refined by the Monastery’s spiritual endeavours.
But Hrih was feeling that Aum Geong’s views were slightly too narrow for the heavy task he was wanting him to carry on.
He was too good at creating structures and rules, and Hrih felt that even if all done in good intent, it would be taking the risk of chocking the great outburst of powerful energy that was lying at the very foundations of the Monastery.

The young man that he had noticed a few hexades¹ ago, though very discreet seemed bright and very dedicated to his task. He had been greeted by all, and had soon felt at home. Franiel, as he was named, was under the tutelage of Jog Lam, a very wise (albeit young) monk that Hrih had adopted some years ago as the parents had been abandoning him a young baby at the eternally opened doors of the Monastery.

Hrih had made a decision. He would not play favourites. Seeing the blank black Meditation Wall, an idea crossed his mind. He would announce at the dinner that the monks willing to do it could do a short poem of 3 stanzas where they would express their highest truth on the Meditation Wall…

¹ On that part of the Duane (the planet where Mount Elok’ram is), time is divided in groups of six days or hexades, each being attributed to one of the Elder Gods: Ghört (Airs) Nærvel (Waters) Agnima (Flames) Selvaniel (Woods) Margilonia (Earths) and Lejüs (Forgotten). The names or the days are Ghordië, Narduë, Agduë, Seldië, Marduë, Shandië.

Coconutandnotenoughtodo sync! Yesterday we were looing at Rachel and Steve’s Fiji photos, of him finding coconuts and saying there wasn’t enough to do……

Al was discussing with Sam on the phone.
He was reminded of the good advices Tina had told him to try before Hari Amgic: a treatment based on organic sulfur for his hair loss…
All he could get at the time was frizzy blond hair that would fall like red leaves in autumn…

But now all was for the best for his hair, he had maintained his hair at a manageable and sustainable growth rate, but somehow this seemed to have been sent back on his nails which were now growing alarmingly fast…

At least he had a perfect excuse since no shoe would be stretchable enough, to wander barefoot as he liked to do, though Tina was finding that a bit yucky.

This had been seen in the past apparently, as Al was searching in the World’s Archives…

bq(Quote). Mmmm footnotes can be done[1] like that[2] etc.

fn1. This is my footnote
(new line)
fn2. This is my second footnote etc.

Mmmm footnotes can be done¹ like that² etc.

¹ This is my footnote

² This is my second footnote etc.

— The legend of Mævel — (Part III)

When the blue fox had disappeared, deep into the woods, Mævel was left wondering if all of that had only been a dream. Perhaps it was just a dream, and something that would make her parents raise their shoulders in dismay.
Especially since she had lost their gift carelessly they would say, the little pearl white ribbon…

She picked up the clothes that were left hanging to dry up in the wind, and came back to the little house.

Of course, her father Jorg noticed that she was not wearing the ribbon, but he was not much of a question asker, and things were or were not, and analyzing them was unnecessary for him. But of course, Ilga noticed it too, and she felt sad for poor Jorg who had endured so many sacrifices to buy the little ribbon that Mævel was no longer wearing. She wanted an explanation! Was it no longer to Mævel’s tastes, had Mævel lost it?

So Mævel, who could not lie to anybody, told them her encounter with Blohmrik, the cursed god in the woods, in the shape of a wounded blue fox… and at each of her words, was seeing their faces more and more disconcerted.
Their poor girl, who was already so different, had completely lost it,… ribbon and all that was left of common sense in her.

So they locked her up in the bedroom, that she was now occupying alone, as all of her brothers and sisters had left. Just to save her from herself, and see if that would help her gain some more solid sense of reality.

Mævel understood her parents, but she was deeply contrite that they could not understand what she had lived. Mævel was still doubting the reality of her meeting the blue fox, so she asked for some sign from the Gods before going to sleep, to see clearly.

That night, Mævel dreamt of a dark-haired young man with a white diadem¹ around his head, dressed in a cerulean blue tunic and wearing a sword. He was enshrouded in a warm light and as she took the hand he was extending, they were carried away by a springing scented wind into a meadow of multicoloured flowers, some of which she had not even known could exist. She had felt at home.
When she woke up, in the middle of the night, Mævel was transfixed by the beautiful soothing dream. She could not remember much more, but he had told her something. That there was deep magic in her, and it would help her find her true home, but that she would have to gain back her true name from the Elder God who had took it from her.

She quickly took her decision. She knew she had to search for the blue fox in the forest. But how could she escape the locked bedroom? She was starting to feel desperate again, but she remembered that there was some magic in her, and how she had felt it deeply true in her dream.
As she was focusing on the warm expanding feeling of her dream, an old rusty key materialized in her hand.

—

¹ diadem: [ ˈdī-ə-ˌdem (dəm) ] from Greek diadēma, from diadein to bind around; akin to Sanskrit dāman rope — was originally a white ribbon, ending in a knot and two strips that were placed often on the shoulders, that surrounded the head of the king to denote his authority.

http://www.eliasforum.org/digests/shrines.html

See footnotes at the bottom: George, and a baby…..

“What is interesting is that Mary’s daughter Elizabeth had an imaginary friend as a child…… Elias identified this imaginary friend as the essence of Tomkin. Elizabeth called him George.”

— The legend of Mævel — (Part II)

The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
— Yes, that was me, answered the blue fox
— Oh, a talking fox! You are wounded, aren’t you? asked Mævel
— Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
— Of course, answered Mævel, hold on a second.

And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

— I must leave now, said the fox, I am greatly indebted to you, young lady
— Will you tell me your name?
— I am called Blohmrik. And may I inquire as to your name?
— I’m called Mævel, but you can call me Mæ
— Such a lovely name…
— How come you are a talking fox?
— I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
— Ooh, so you are a god? Mævel was amazed
— Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
— Oh, really? So there isn’t anything I can do for you, is there?
— You have already done much for today Mæ
Mævel was blushing… She dared ask to her new friend
— And will I see you again?
— Perhaps sooner than you know.

Jibberacky is…

• Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

_

• an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

_

• Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.

• Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures^² born from the Marshes were roaming the Southern parts of Lan’ork.

That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

But with what Jadra has found on his left hand this morning, he now knows he was right all along…

—

[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

— And how can I be of assistance, dear little one?

— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.

India Louise took a moment, and asked again

— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

— Areas of consciousness?

— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.