Search Results for 'frozen'

Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.

Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.

She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.

“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”

“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”

And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.

She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”

A broom and a bucket of black soap were floating on her right.

Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

Greetings from the depths, what is your query this day?

Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?

Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.

Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.

Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.

Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.

Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.

Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.

And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.

Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.

very inspiring, thank you very much!

Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!

Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?

Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.

Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.

Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.

In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.

Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.

You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.

And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.

Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.

very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?

Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.

Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.

Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.

Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.

You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.

Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.

And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.

The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.

very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?

Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.

Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.

Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.

Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.

You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.

Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.

And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.

Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.

very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?

Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.

Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.

You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.

Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.

Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.

You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?

And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.

Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.

Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?

Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?

Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.

Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.

Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.

You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.

Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.

And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.

In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.

Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?

Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?

Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.

Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.

Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.

Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.

You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.

And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.

In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.

very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?

Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.

One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.

Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.

Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.

Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.

Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.

Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.

And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.

In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.

thank you, all very exciting and inspring suggestions

Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.

His shoes were much too big but it was better than nothing now that the weather had turned and there was frost on the cobbled streets. He’d stolen them, of course he had, he had no money for shoes.  The shoes had been caked in mud and left on a doorstep. His feet were blue with cold, what was he to do? He grabbed them and ran as fast as he could until he felt he could safely stop and put them on his feet.  He was only twelve years old or thereabouts (who knew for sure?) and stunted from lack of food, and the shoes were an adult size.  But he was happy as a lark to have something to sheild his feet from the frozen street.  Scuffing along until he reached the open market, he sat down on the church steps and begged a ha’penny off a kind looking old woman.  His pockets all had holes in them so he pushed the coin down to the toe of the shoe and shuffled along the market stalls, intending to buy a meat pie from the bakers at the other end of the square.  An argument had broken out at the china stall, a angry housewife berating the vendor for putting the prices up on a teaset that she was collecting, once piece at a time which was all she could afford each week.  The vendor, who was suffering from a monumental hangover from all the gin he’d consumed the night before, lost his patience as quickly as he was losing his other customers, and leaned over and pushed the woman. She lashed back at him, knocking a rickety old mans pipe out of his hand. Seizing the opportunity, the boy snatched the pipe from the ground and grabbed a couple of  dishes off the stall, and ran like the dickens away from the market and down towards the river.   He knew someone who would give him a coin or two for the plates and pipe  and with the ha’penny, he would eat like a king for a day or two.

“Stop that theif” he heard behind him, and ran even faster, darting down the moss covered slippery steps to the foreshore. But alas, the shoes that were too big for him made him fall. If he had let go of the dishes he might have saved himself but he didn’t want to break them. If he had let go of them he could have broken his fall but he did not, he was still clutching them as his head hit the anchor laying in the mud and his thin body landed on the pipe and dishes and broke them anyway.

It was clear that he was dead, but nobody was interested. The tide came in and washed his scrawny body away, leaving the shoe with the ha’penny in, the shards of pottery and the broken pipe.

“I worry about the dreadful limbo, those poor characters! So much going on and there they all are, frozen in time, perched on the edge of all those cliffs, waiting to spring into action, leap across chasms of revelations, lurch into dark mysterious depths…” Liz trailed off, looking pensively out of the window.  “I wonder if the characters will ever forgive me for the jerky spasms of action followed by interminable stretches of oblivion, endlessly repeated…. Oh dear, oh dear! What a terrible torment, taunting them with great unveilings, and then… then, the desertion, forsaken yet again, abandoned …. and for what?”

“Attending to other pressing matters in real life?” offered Finnley. “Entertaining guests? Worrying about aged relatives?” Liz interrupted with a cross between a snort and a harumph.  “Writing shopping lists?” Finnley continued, a fount of gently patient sagacity. Bless that girl, thought Liz, uncharacteristically generous in her assessment of the often difficult maid.  “Do you even know if they’re aware of the dilated gaps in the narrative?”

Liz was momentarily nonplussed.   This was something she had heretofore not considered.  “You mean they might not be waiting?”

“That’s right”, Finnley replied, warming to the idea that she hadn’t given much thought to, and had just thrown into the conversation to mollify Liz, who was in danger of droning on depressingly for the rest of the evening.  “They probably don’t even notice, a bit like blinking out, and then springing back into animation.  I wouldn’t worry if I were you.  Why don’t you ask them and see what they say?”

“Ask them?” repeated Liz stupidly.  I really am getting dull in the head, she thought to  herself and wondered why Finnley was smirking and nodding. Was the dratted girl reading her mind again? “Fetch me something to buck me up, Finnley.  And fetch Roberto and Godfrey in here. Oh and bring a tray of whatever you’re bringing me, to buck us all up.”  Liz looked up and smiled magnanimously into Finnley’s face.  “And one for yourself, dear.”

Tidying the stack of papers on her desk into a neat pile and blowing the ash and crumbs off, Liz felt a plan forming.  They would have a meeting with the characters and discuss their feelings, their hopes and ambitions, work it all out together. Why didn’t I think of this before? she wondered, quite forgetting that it was Finnley’s idea.

On her way back to her room Zara picked up a leaflet off the hall table about the upcoming lager and cart race. Before starting the game she had a look through it.

The leaflet also mentioned the competition  held annually each January in Port Lincoln. The Tunarama Festival was a competition to determine just how far a person could chuck a frozen tuna. A full-fledged celebration was centered around the event, complete with a wide array of arts and cultural displays, other participation events, local market stalls, and some of the freshest seafood in the world.

There was unlikely to be any fresh seafood at the local lager and cart races, but judging from the photos of previous events, it looked colourful and well worth sticking around for, just for the photo opportunities.

 

Apparently the lager and cart races had started during the early days of the settler mining, and most of the carts used were relics from that era.  Competitors dressed up in costumes and colourful wigs, many of which were found in the abandoned houses of the local area.

“The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.  After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Strange though it may seem, the town had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.”

The idea was to fill as many different receptacles with lager as possible, piling them onto the gaily decorated carts pulled by the costume clad participants.  As the carts were raced along the track, onlookers ran alongside to catch any jars or bottles that fell off the carts before they hit the ground. Many crashed to the ground and were broken, but if anyone caught one, they were obliged to drink the contents there and then before running after the carts to catch another one.

Members of the public were encouraged to attend in fancy dress costumes and wigs.  There were plenty of stationary food vendors carts at the lager and cart races as well, and stalls and tents set up to sell trinkets.

Today the planets are aligned, thought Liz as she looked at the blue sky out the French door. The frills of her glitter pink Charnel bathing suit wiggled with excitement.

It was one of those rare days of this summer where rain wasn’t pouring somewhere in the garden. Every single day: clouds, clouds, clouds. If they weren’t above the mansion, they were above the pool. If they weren’t above the pool, they were flooding the lawn in between the mansion and the pool.

But today, the sun had risen in a sky free of clouds and Liz was determined to have that dip in the newly repaired swimming pool with a watermelon mojito served by Roberto in his shiny leather speedo. The pool had been half frozen half boiling for so long that they had forgotten the swimming part. Once fixed, the summer had turned into a mid season rainy weather.

‘I don’t want to get wet before I get into the pool’, Liz had said to Finnley.

Liz looked at her pink notebook lying on the coffee table. Resisting the temptation to fill in the empty pages with gripping stories, she hopped on the patio, flounces bouncing and her goocci flip-flops clacking. With a sparkling foot, Liz tested the grass. It was dry enough, which meant she would not inadvertently walk on a slug or a snail. She particularly hated the cracking noise and the wetness afterward under her feet.

Roberto was bent forward. Liz frowned. He was not wearing his leather speedo. And his hands and pants were covered in green goo.

‘What happened?’ she asked in front of the disaster.

Roberto shrugged, obviously overwhelmed by the goo.

‘Green algae’, said Godfrey popping up out of nowhere with a handful of cashews. ‘The ice and fire had kept it at bay for some time. But once it was back to normal the pool was a perfect environment for their development. I already called the maintenance company. They come next week.’

‘What? Next week?’

‘Yes. That’s sad. It’s the season. We are not the only ones to have that problem.’

That said he threw a cashew in his mouth and popped back to nowhere he came from.

“Let’s begin,” said the teacher. She was short and seemed around sixty seven. She walked around the room like a tamer surrounded by wild beasts in a circus. Her dark hair was tied into a long braid falling on her straight back like an I. She wore a sari wrapped around her neatly. “I’m Ms Anika Koskinen, your cryogurt teacher today. You’ve got the recipe in front of you on the benches right with the glass and a bottle of water. The ingredients will be in the cabinets on your left and everything is referenced and written big enough for everyone to see.”

“Those benches look like the ones in chemistry class when I was in college,” said Glo. “I have bad memories of thoses.”

“You have bad memories, that’s all,” said Sha making them both laugh.

“But where’s Mavis?” whispered Glo after looking around the room at the other participants. A majority of women,  wrapped in colourful sarongs and a few older men.

“How do you want me to know? I was with you since we left the bungalow,” said Sharon who was trying to decipher the blurry letters on the recipe. “Their printer must be malfunctioning, it’s unreadable.”

“You should try putting on your glasses.”

“I didn’t bring’em, didn’t think we’d need to see anything.”

“Oh! There she is,” said Glo as Mavis just entered the room with her beach bag. “Mav! Weehoo! We’re here!”

“I saw you! no need to shout,” whispered Mavis loudly. She muttered some excuse to the teacher who had been giving them a stern look.

“I’m afraid you’ll have to go with your friends,” said Ms Koskinen, “We don’t have enough material for everyone.”

“Oh! That’ll be perfect,” said Mavis with a broad smile. “Hi girls,” she said while installing herself near Sha and Glo.

The teacher resumed her explanations of the procedure of making frozen yogurt, checking regularly if everyone had understood. She took everyone bobbing their head as a yes.

“Is he good looking?” asked Sha, showing one of the men who had been looking at them since Mavis arrival.

“You shouldn’t ask us,” said Glo, “our eyes are like wrinkles remover apps.”

“I think he looks better without glasses,” said Mavis.

After Ms Koskinen had finished giving them instructions, she told everyone to go take the ingredients and bring them back to their benches.

“I’m going,” said Sha who wanted to have a better look at the man.

“Don’t forget the recipe with the list of ingredients,” said Mavis waving the paper at her.

“Oh! Yes.”

She came back with the man helping her carry the tray of ingredients.

“Thank you Andrew,” said Sha when he put the tray on their bench.

“Oh you’re welcome. And those are your friend you told me about?”

“Yes! This is Gloria and this is Mavis.”

“Pleased to meet you,” said Andrew. “I’m Andrew Anderson. I suggested Sharon we could have lunch together after the workshop. I’d like you to meet my friends.”

“Of course!” said Sha. She winked at her friends who were too flabbergasted to speak.

“That’s settled then. We’ll meet at 1pm at my bungalow.”

“See you later,” said Sharon with a dulcet voice.

“What the butt was that all about?” asked Glo.

“Oh! You’ll thank me. I pretexted not to be able to find everything on the list and Andrew was very helpful. The man is charming, and his yacht makes you forget about his Australian accent. We’re going to have lunch on a yacht girls! That means we’re not stuck on the beach and can have some fun exploring around.”

Sha looked quite pleased with herself. She put a bottle of orange powder among the ingredients and said :”Now! Let’s make some wrinkle flattener ice cream, ladies. I took some extra tightener.”

The sun was high in the sky and birds were chirping in the trees by the pool. Roberto was facing a conundrum as the biseasonal pool had started acting strangely. Well even more strangely than one part being frozen in winter and one part stuck in the dog days of who knew what year.

It had already been hard to manage an even level between the iced layer, which tended to get brittle near the seasonal line, and the warm waters evaporating too quickly. When it first happened the water pump had been stuck in winter and they had to break some ice to move it to the summer part. Everything had been fine until the last Roman party and they could enjoy ice skating and warm spring like pool in any season. Roberto especially liked the winter season when the steam would create a nice and cozy mist, conducive to some intimate bathing together.

Now, after that party, something weird…er was happening. The line between winter and summer had started to shift around the center of the pool. -ish. And now the pump was stuck in ice again and the summer pool was being evaporated too quickly. Roberto had to save two mandarin ducks who had their legs caught in by the ice while bathing in the warm pool. Breaking the ice layer without hurting the tiny bird legs had been quite a challenge, but Roberto was proud to say that they were now safe and sound. One of the unforeseen consequences was that they had been following him everywhere ever since and he had to install two boxes for them to sleep near his bed.

Roberto and the ducks were looking at the summer half-pool. It was half empty, even if Ma’am Liz would certainly entertain the idea that it was half full, it was certainly not going stay that way very long if nothing was done.

What had happened was some mystery and Roberto was not very good at solving mysteries. He wished that that inspector with the melon hat had not left in such a hurry during the party, he could have asked him some advice.

“You want some French pastries?” It was the new French maid, Mirabelle. Roberto had been calling her Marbella and she seemed to like it. She held a silver plate of what she called creamy nuns and chocolate eclairs.
“Thanks,” he said.

“Oooh, isn’t that a funny place” Granola was surprised to have jumped in the odd unexplored corners of the story.
“No wait, that’s just a rambling thread, not even a story… No matter.”

While the paint was drying on the fresh developments, she had found herself slowed down and frozen in still frames while she was waiting for her friends to move the characters along. It was a rather unpleasant situation —granted, it was still a nice change from the erratic jumps from mental spaces to mental spaces.
But, now it was getting boring, and when her monkey mind was getting bored, she started to shift again.
She blinked back a few times; it was like hitting a refresh button to see if the characters had moved while she was gone, after all, her focus Tiku has her own agency. But since all time was now, it was really just a matter of tuning to the right frequency and follow the mood. Gosh, she started to think like Ailil; it wasn’t a comforting thought.

“What is there to learn here? I’m obviously getting lost in sideway explorations.”

She was familiar with the theory of the Hero’s Journey (or Heroine, thank you), and she found that progress and fun was often found in the most chaotic of places, exploring and transcending the unknown. Even if the natural tendency was to draw back to the known. But known is boring and stale, right?

The Man in Pistachio was still somewhere around, with the Teleporter in Pink, and the Telepath in Teal. That much was known, but not much else.
It was tempting to add more things to the known, like their names, and garments and things. How long before these known would lead to more forgotten things?

Would she dare? After all, nobody was here to see and judge. And what’s more, it would beat the waiting for another plot advancement.

She decided to be the Grinner in Bordeaux. Wait, that was too poetic, and too confusing… and too French.
So, let us be the Red Woman in Grin.

And she would be called Josette.

A deep guttural roar echoed through the mountains, ferocious and hungry.
Fox’s hairs stood on his arms and neck as a wave of panic rolled through his body. He looked at the other his eyes wide open.
Olliver had teleported closer to Rukshan whose face seemed pale despite the warmth of the fire, and Lhamom’s jaw had dropped open. Their eyes met and they swallowed in unison.
“Is that…” asked Fox. His voice had been so low that he wasn’t sure someone had heard him.
Rukshan nodded.

“It seems you are leaving the mountains sooner than you expected,” said Kumihimo with a jolly smile as she dismounted Ronaldo.
She plucked her icy lyre from which loud and rich harmonics bounced. The wind carried them along and they echoed back in defiance to the Shadow. It hissed and hurled back, clearly pissed off. The dogs howled and Kumihimo started to play a wild and powerful rhythm on her instrument.
It shook the group awake from their trance of terror. Everobody stood and ran in chaos.
Someone tried to cover the fire.
“Don’t bother, we’re leaving,” said Rukshan, and he himself rushed toward the multicolour sand mandala he had made earlier that day. Accompanied by the witche’s mad arpeggios, he began chanting. The sand glowed faintly. It needed something more for the magic to take the relay. Something resisted. There was a strong gush of wind and Rukshan bent forward just in time as the screen and bamboo poles flew above his head. His chanting held the sands together, but they needed to act quickly.

Lhamom told the others to jump on the hellishcopter whose carpet was slowly turning in a clockwise direction. Fox didn’t wait to be told twice but Olliver stood his ground.
“But I want to help,” he said.
“You’ll help best by being ready to leave as soon as the portal opens,” said Lhamom. Not checking if the boy was following her order, she went to her messenger bag and foraged for the bottle of holy snot. On her way to the mandala, she picked the magic spoon from the steaming cauldron of stew, leaving a path of thick dark stains in the snow.

Lhamom stopped beside Rukshan who had rivulets of sweat flowing on his face and his coat fluttering wildly in the angry wind. He’s barely holding the sands together, she thought. She didn’t like being rushed, it made her act mindlessly. She opened the holy snot bottle and was about to pour it in the spoon covered in sauce, but she saw Rukshan’s frown of horror. She realised the red sauce might have unforgivable influence on the portal spell. She felt a nudge on her right arm, it was Ronaldo. Lhamom didn’t think twice and held the spoon for him to lick.
“Enjoy yourself!” she said. If the sauce’s not good, what about donkey saliva? she wondered, her inner voice sounding a tad hysterical. But it was not a time for meditation. She poured the holy snot in the relatively clean spoon, pronounced the spell the Lama had told her in the ancient tongue and prayed it all worked out as she poured it in the center of the mandala.
As soon as it touched the sand, they combined together in a glossy resin. The texture spread quickly to all the mandala and a dark line appeared above it. The portal teared open. Rukshan continued to chant until it was big enough to allow the hellishcopter through.

“COME NOW!” shouted Fox.
Rukshan and Lhamom looked at the hellishcopter, behind it an immense shadow had engulfed the night. It was different from the darkness of the portal that was full of potential and probabilities and energy. The Shadow was chaotic and mad and light was absent from it. It was spreading fast and Lhamom felt panic overwhelm her.

They ran. Jumped on the carpet. Kumihimo threw an ice flute to them and Fox caught it not knowing what to do with it.
“You’ll have one note!” the shaman shouted. “One note to destroy the Shadow when you arrive!”
Fox nodded unable to speak. His heart was frozen by the dark presence.
Kumihimo hit the hellishcopter as if it were a horse, and it bounced forward. The shaman looked at them disappear through the tear, soon followed by the shadow.
The wind stopped. Kumihimo heard the dogs approaching. They too wanted to go through. But before they could do so, Kumihimo closed the portal with a last chord that made her lyre explode.

The dogs growled menacingly, frustrated they had been denied their hunt.
They closed in slowly on Kumihimo and Ronaldo who licked a drop of sauce from his lips.

Fox’s stomach growled and resonated on the cave’s walls. He feared it would awaken the others. It was cold and he curled up inside his ten blankets made of yak wool, tempted to turn into a fox to get extra fur.

After being caught in a snowstorm, they had found a cave with a frozen toothless body. Rukshan had used incense and chanting to perform a commummycation spell, and to everyone’s surprise, Lhamom’s voice came out of the toothless frozen mouth. It was feeble and was full of sharp crystalline harmonics that made Fox’s grind his teeth. Because the commummycation was bad, Rukshan had to lean closer, almost touching its face. Fox shivered incontrollably, unable to know if it was of disgust or of cold.
Rukshan told them that Lhamom had been rescued by a hellishcopter from the underworld and was on her way to extract them from the ice. He seemed as puzzled as Fox, but their guide seemed to know the strange beast and assumed their friend was blessed because hellishcopters were not known to help strangers.

Dogs barked in the distance. Fox winced and wondered why he came to the mountain. He wished he could be back to simple cottage life in the enchanted forest. Then he recalled it was not that simple at the moment and he wondered how their friends were dealing with their own problems.

He couldn’t sleep, like the previous nights and he didn’t dare go to far from the camp to relieve his bowels by fear of the hungry dogs.
He also had had dreams. Strange dreams of master Gibbon’s home in the forest threatened by dozens of bulls with bright red eyes running angrily toward his unaware master. Each time Fox woke up when the bulls were about to crush the hut and master Gibbons opened his eyes, his face hurling towards Fox. Afterwards he never could go back to sleep. So he waited. He waited for their friend Lhamom to arrive as she promised.

Fox sat back on the wooden chair in Margoritt’s kitchen, and crossed his arms, a little unnerved by the heat and his growing desire to go out in the woods and let go of all restraints. He had been struggling daily to control it and he had noticed it was particularly difficult during the new moon.

“If we have to do it in the house,” said Fox, “Can’t we at least open the windows? It’ll let in some fresh air.” He wrinkled his nose at the heavy scents of sweat mingled with that of fermented goat milk, irritating his delicate sense of smell. Rukshan had gathered their little group and they were waiting for Gorrash to wake up.

“The purpose of meeting here is that nobody can hear what we are saying,” said Rukshan with a hint of exasperation in his tone. “If we open the windows it’ll just…”

“Isn’t it rather because of the mosquitos?” started Fox feeling a little argumentative.

Glynis cleared her throat and got up, mumbling that she might have a solution. She came back a few moment later carrying a big bottle with a big sticker. Rukshan and Mr Minn helped her lift it while Eleri and Margoritt cleared a space on the table where they put the bottle.

The sticker had something written on it : AIR CONDITIONED, winter quality. Handle with caution.

Glynis turned the cap a few turns and a wooshing sound escaped from the neck of the bottle, followed by a gentle and continuous breeze of fresh air which provoked a murmur of appreciation from everyone.

“What’s this?” asked Gorrash who had just woken up.

“It’s what the sticker says. Cooling the atmosphere is just one way to use it. One has to be careful not to turn the wheel too much though or you could get frost bite.”

The fae looked at the bottle appreciatively, impressed at Glynis’ many talents. He was already thinking about a few other ways to put this frozen air bottle to use when Glynis cleared her throat again.

“It’s not infinite content and I only get a few of them, so if we could start the meeting.”

“Of course. I’ve received words from Lhamom. Her father has passed away and they are sending him to the sea during the week-end.” He allowed a moment of silence, sending a silent prayer toward their dear friend. Then he continued : “That means she’ll be able to join us for our trip in the mountains. We only have to decide who’s going and who’s staying to help Margoritt.”

Rukshan looked at each of them intently and Fox felt uneasy when his friend’s eyes fall upon him.

It had been three days. Fox wasn’t sure of what to do next. The witch was gone, the manor was empty, and she wasn’t coming back. For a moment he felt like the small fox he was before his master found him, feeling abandoned by his mother. She had been killed after hiding him from the hunters. But he didn’t know it at the time. Fox sighed. How was he supposed to find the lost piece of soul now? It was easier when he was in his animal form, he wouldn’t think so much about what to do next, he would just be doing, anything that fit the moment. But his master had warned him not to revert back to his animal form, that he was not yet free. Fox wasn’t sure if it was true, but he trusted his master, and despite the strong desire to turn back, each moment he was making the decision to keep his human form.

There was another who was not yet free, Fox thought. He looked at the cold stone face of his new friend. They had talked every night since his arrival and as usual they hadn’t seen the daylight coming. This time, Gorrash had been frozen laughing, and Fox thought it was the liveliest statue he had ever seen. They had gotten along quite easily, especially after Fox had given the dwarf some medicine to help with the nausea after his incursion underground. Afterward, Gorrash had been an endless source of questions about the world. Fox thought the dwarf was an interesting character. He looked old with his long beard and the wrinkles around his eyes, but he had not been around very long. Grey during the day, he was very colourful once the daylight had gone; he wore red hat and pants, green jacket, and brown crakows and belt. His voice had the sound of a grinding stone, with a hint of melancholy as he talked about his maker. But for the moment, despite his expressive outburst, he was cast in silence.

Fox shook himself and decided it was time to make some plans about where to go next. He would try to catch up with the witch, he might be able to find her before she went to far away from the forest. The woman looked old and she couldn’t have gone far, especially as she seemed to avoid human contact, she wouldn’t have found a carriage. Fox remembered his master warning him about hope, that it was one of the cause of suffering in the world. Nonetheless, roaming randomly into the enchanted forest could take him years to find the lost piece of soul. Hope or no hope, he had spent enough time waiting in his life. He had a quest now.

Fox wouldn’t have admitted aloud, but his new friendship brought in some complication. Fox had tried to lift him, but despite its rather small size the statue was quite heavy. He would have to find something to carry it during the day as they couldn’t just walk at night time.
Fox looked at the garden for a moment, the frozen pond, the yellow grass, some old abandoned furniture. Then he looked at the closed door of the house, and wondered why he hadn’t thought of it before. There might be something useful inside. And if the witch was gone, she wouldn’t mind, would she?

Fox used a pair of pins to open the door. The smell of herbs, spices and a few other things he didn’t want to know about, brushed past his nose as he entered the dark house.

The grass was covered with frost. Fox growled, curled up in his clothes. He put his tail on his nose to protect it from the cold morning air. He sneezed. The city clock chimed the eighth hour. His fine ear alerted him that the sound was still a tad out of phase, but it seemed better than the day before. It took a moment to his brain to understand what that meant.

Rats! I fell asleep, Fox yelped. He tried to stood up on his four legs, only to get tangled in his pants and shirt. He growled again, unnerved at the poking of the branches of the bush under which he had waited… slept.

He froze, alerted by noises from the house. He turned his ears straight toward the building in an attempt to pick up any useful information. His heart was beating fast. With each breath steam was escaping from his mouth. Someone unlatched the door. They were going out.

Fox panicked at the idea of being seen that way. Agitation was not the best ingredient to facilitate shapeshifting, it could result in unfortunate entanglements of body parts. He breathed deeply and realized he had chosen his hideout not to be seen. He was out of sight. His heart still beating fast, but not quite as fast as before. Fox resumed his watch.

A woman under a tattered burka got out of the house. She was holding a basket covered by a red gingham cloth. From the tinkling sound, Fox concluded she was carrying small glass bottles among other things. He wondered if that could be the potions that gnome and his strange creature talked about last night. His stomach growled, reminding him he hadn’t eaten in a day. The garden seemed a small and empty place to find food. He didn’t like shrews for breakfast. Furthermore, his previous targets certainly had time to get far away. There was no trace of them in the air or on the ground.

Never mind. His curiosity picked, Fox decided to follow the woman. He considered his clothes on the ground for a moment. There was no way he could shapeshift all dressed up, and he didn’t want to get his butt frozen in that cold. Human form would have to wait. Still, he adjusted the color of his fur from fox orange to a darker tone before leaving the cover of his bush. He reminded himself to be careful, city people were not known to be fond of his kind except dead on their back.

The woman was already outside the stonewall surrounding the garden. He caught her scent in the crisp morning air. The cold made him sneeze again. But he would not lose her and could follow from a distance. He went past a small statue before going out of the garden. It looked oddly familiar.