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The following stories started with a single question.
Who was Catherine Housley’s mother?
But one question leads to another, and another, and so this book will never be finished. This is the first in a collection of stories of a family history research project, not a complete family history. There will always be more questions and more searches, and each new find presents more questions.
A list of names and dates is only moderately interesting, and doesn’t mean much unless you get to know the characters along the way. For example, a cousin on my fathers side has already done a great deal of thorough and accurate family research. I copied one branch of the family onto my tree, going back to the 1500’s, but lost interest in it after about an hour or so, because I didn’t feel I knew any of the individuals.
Parish registers, the census every ten years, birth, death and marriage certificates can tell you so much, but they can’t tell you why. They don’t tell you why parents chose the names they did for their children, or why they moved, or why they married in another town. They don’t tell you why a person lived in another household, or for how long. The census every ten years doesn’t tell you what people were doing in the intervening years, and in the case of the UK and the hundred year privacy rule, we can’t even use those for the past century. The first census was in 1831 in England, prior to that all we have are parish registers. An astonishing amount of them have survived and have been transcribed and are one way or another available to see, both transcriptions and microfiche images. Not all of them survived, however. Sometimes the writing has faded to white, sometimes pages are missing, and in some case the entire register is lost or damaged.
Sometimes if you are lucky, you may find mention of an ancestor in an obscure little local history book or a journal or diary. Wills, court cases, and newspaper archives often provide interesting information. Town memories and history groups on social media are another excellent source of information, from old photographs of the area, old maps, local history, and of course, distantly related relatives still living in the area. Local history societies can be useful, and some if not all are very helpful.
If you’re very lucky indeed, you might find a distant relative in another country whose grandparents saved and transcribed bundles of old letters found in the attic, from the family in England to the brother who emigrated, written in the 1800s. More on this later, as it merits its own chapter as the most exciting find so far.
The social history of the time and place is important and provides many clues as to why people moved and why the family professions and occupations changed over generations. The Enclosures Act and the Industrial Revolution in England created difficulties for rural farmers, factories replaced cottage industries, and the sons of land owning farmers became shop keepers and miners in the local towns. For the most part (at least in my own research) people didn’t move around much unless there was a reason. There are no reasons mentioned in the various registers, records and documents, but with a little reading of social history you can sometimes make a good guess. Samuel Housley, for example, a plumber, probably moved from rural Derbyshire to urban Wolverhampton, when there was a big project to install indoor plumbing to areas of the city in the early 1800s. Derbyshire nailmakers were offered a job and a house if they moved to Wolverhampton a generation earlier.
Occasionally a couple would marry in another parish, although usually they married in their own. Again, there was often a reason. William Housley and Ellen Carrington married in Ashbourne, not in Smalley. In this case, William’s first wife was Mary Carrington, Ellen’s sister. It was not uncommon for a man to marry a deceased wife’s sister, but it wasn’t strictly speaking legal. This caused some problems later when William died, as the children of the first wife contested the will, on the grounds of the second marriage being illegal.
Needless to say, there are always questions remaining, and often a fresh pair of eyes can help find a vital piece of information that has escaped you. In one case, I’d been looking for the death of a widow, Mary Anne Gilman, and had failed to notice that she remarried at a late age. Her death was easy to find, once I searched for it with her second husbands name.
This brings me to the topic of maternal family lines. One tends to think of their lineage with the focus on paternal surnames, but very quickly the number of surnames increases, and all of the maternal lines are directly related as much as the paternal name. This is of course obvious, if you start from the beginning with yourself and work back. In other words, there is not much point in simply looking for your fathers name hundreds of years ago because there are hundreds of other names that are equally your own family ancestors. And in my case, although not intentionally, I’ve investigated far more maternal lines than paternal.
This book, which I hope will be the first of several, will concentrate on my mothers family: The story so far that started with the portrait of Catherine Housley’s mother.
This painting, now in my mothers house, used to hang over the piano in the home of her grandparents. It says on the back “Catherine Housley’s mother, Smalley”.
The portrait of Catherine Housley’s mother can be seen above the piano. Back row Ronald Marshall, my grandfathers brother, William Marshall, my great grandfather, Mary Ann Gilman Purdy Marshall in the middle, my great grandmother, with her daughters Dorothy on the left and Phyllis on the right, at the Marshall’s house on Love Lane in Stourbridge.
The Search for Samuel Housley
As soon as the search for Catherine Housley’s mother was resolved, achieved by ordering a paper copy of her birth certificate, the search for Catherine Housley’s father commenced. We know he was born in Smalley in 1816, son of William Housley and Ellen Carrington, and that he married Elizabeth Brookes in Wolverhampton in 1844. He was a plumber and glazier. His three daughters born between 1845 and 1849 were born in Smalley. Elizabeth died in 1849 of consumption, but Samuel didn’t register her death. A 20 year old neighbour called Aaron Wadkinson did.
Where was Samuel?
On the 1851 census, two of Samuel’s daughters were listed as inmates in the Belper Workhouse, and the third, 2 year old Catherine, was listed as living with John Benniston and his family in nearby Heanor. Benniston was a framework knitter.
Where was Samuel?
A long search through the microfiche workhouse registers provided an answer. The reason for Elizabeth and Mary Anne’s admission in June 1850 was given as “father in prison”. In May 1850, Samuel Housley was sentenced to one month hard labour at Derby Gaol for failing to maintain his three children. What happened to those little girls in the year after their mothers death, before their father was sentenced, and they entered the workhouse? Where did Catherine go, a six week old baby? We have yet to find out.
And where was Samuel Housley in 1851? He hasn’t appeared on any census.
According to the Belper workhouse registers, Mary Anne was discharged on trial as a servant February 1860. She was readmitted a month later in March 1860, the reason given: unwell.
Belper Workhouse:
Eventually, Mary Anne and Elizabeth were discharged, in April 1860, with an aunt and uncle. The workhouse register doesn’t name the aunt and uncle. One can only wonder why it took them so long.
On the 1861 census, Elizabeth, 16 years old, is a servant in St Peters, Derby, and Mary Anne, 15 years old, is a servant in St Werburghs, Derby.But where was Samuel?
After some considerable searching, we found him, despite a mistranscription of his name, on the 1861 census, living as a lodger and plumber in Darlaston, Walsall.
Eventually we found him on a 1871 census living as a lodger at the George and Dragon in Henley in Arden. The age is not exactly right, but close enough, he is listed as an unmarried painter, also close enough, and his birth is listed as Kidsley, Derbyshire. He was born at Kidsley Grange Farm. We can assume that he was probably alive in 1872, the year his mother died, and the following year, 1873, during the Kerry vs Housley court case.
I found some living Housley descendants in USA. Samuel Housley’s brother George emigrated there in 1851. The Housley’s in USA found letters in the attic, from the family in Smalley ~ written between 1851 and 1870s. They sent me a “Narrative on the Letters” with many letter excerpts.
The Housley family were embroiled in a complicated will and court case in the early 1870s. In December 15, 1872, Joseph (Samuel’s brother) wrote to George:
“I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Birmingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
No record of Samuel Housley’s death can be found for the Birmingham Union in 1869 or thereabouts.
But if he was alive in 1871 in Henley In Arden…..
Did Samuel tell his wife’s brother to tell them he was dead? Or did the brothers say he was dead so they could have his share?We still haven’t found a death for Samuel Housley.
In reply to: The Precious Life and Rambles of Liz Tattler
Liz was lying on the living room couch in a very roman pose and admiring the shiny glaze of her canines in the pocket mirror she now carried with her at all time. The couch was layered with fabrics and cushions that made it look like a giant rose in which Liz, still wearing her pink satin night gown, was like a fresh baby girl who just saw her first dawn…
ehm, thought Finnley, eyeing Liz’s face, Maybe not her first. But to the famous author of so many unpublished books’s defence, since the unfortunate ageing spell it was hard to tell Liz’s true age.
Finnley looked suspiciously at the fluffy cushions surrounding Liz. Where do they come from. I don’t recall seeing them before. I don’t even recall the couch had that rosy pink cover on it. She snorted. It sure looks like bad taste, she thought. She looked around and details that she hadn’t seen before seemed to pop in to her attention. A small doll with only one button eye. Reupholstered chairs with green pattern fabrics, a tablecloth with white and black stripes, and a table runner in jute linen… Something was off. Not even Godfrey would dare do such an affront to aesthetic, even to make her cringe.
Finnley went into the kitchen, where she rarely set foot in normal circumstance, and found a fowl pattern fabric stapled on one wall, a new set of… No, she thought, I can not in the name of good taste call those tea towels. They look more like… rubbish towels.
“Oh, my!” she almost signed herself when she saw an ugly wine cover. Her mind was unable to find a reference for it.
“Do you like it?” asked Roberto.
Finnley started. She hadn’t heard him come. She looked at him, and back at the wine cover. She found herself at a loss for words, which in itself made her at loss for words.
“It’s a little duckling wine cover,” said Roberto. “I made it myself with my new sewing machine. I found the model on Pintearest.” saying so, he stuck his chest out as if he was the proud duck father of that little ugly ducklin. Finnley suddenly recovered her ability to talk.
“You certainly nailed it,” she said. In an attempt to hold back the cackle that threatens to degenerate in an incontrollable laugh, it came out like a quack. She heard her grandmother’s voice in her head: “You can not hold energy inside forever, my little ducky, it has to be expressed.”Uncomfortably self conscious, Finnley looked up at Roberto with round eyes.
“I…”
“Oh you cheeky chick,” said the gardener with a broad smile. He pinched her cheek between his warm fingers and for a moment she felt even more like a child. “I didn’t know you are so playful.”Somewhere in the part of her mind that could still work a voice thought it had to give him points for having rendered her speechless twice.
In reply to: Seven Twines and the Dragon Heartwoods
Eleri’s eyes began to feel heavy and she blinked, trying to resist the increasingly strong urge to nod off to sleep, as a gust of wind rustled the branches overhead allowing the moonlight to illuminate something that looked very much like dragon scales. Eleri blinked again and shook her head slightly to shake the illusion back into some kind of realistic image. The sudden wind had dropped and the trees were motionless, the path below them dark. It was impossible now to even see what had looked like dragon scales in the brief flash of moonlight. All was still and silent.
With nothing to see in the darkness and nothing to entertain her, Eleri’s mind started to wander, wondering if her grandmother being a dragon (as her father had often said) meant that she was one quarter dragon herself. It occurred to her that she very rarely thought of the dragon that was her grandmother, and wondered why she was thinking of her now. She had been a strong woman, who would fight tooth and nail to get what she wanted, always on the move wanting to get her teeth into a new project, leaving discarded suitors along the wayside as she swept along, grandly announcing to all and sundry, “Do you know who I am?”
Formidable armed with a rigid crocodile (possibly baby dragon skin) handbag and matching shoes, stately and considerably girthy notwithstanding the stiff corset, her grandmother was not one to easily ignore. Dressed in dragon scale twinsets, in no nonsense crimplene navy blue and white, many were quite charmed by her forthright manner and the spirited ~ some would say arrogant ~ toss of her peroxide lacquered waves. Others were not so enchanted, and found her imperious manner unpleasant.
It was a simple matter of teeth, when it came to disabling her. The difference was remarkable. There was no actual reason why her lack of teeth should change her so ~ she still had the matching shoes and handbags, but the regal stance and the arrogant tilt of her chin was gone. Not having any teeth made her seem shy and evasive, and she mumbled, saying as little as possible. She lost the power of manipulation along with her teeth, and although nobody really understood why, many wished they had thought of hiding her teeth years ago. It was such a simple solution, in the scale of things.
And the moral of that story is, Eleri concluded with a wry but not too dentally challenged smile, Toothless Dragons Don’t Bite.
In reply to: The Precious Life and Rambles of Liz Tattler
“Jingle has always been very precocious” her proud grandmother, Mrs Bell told Liz and Godfrey over nougat and peanut cakes. “She has read all your books so many times, and really was ecstatic that you agreed to have her for a couple of weeks.”
Ms Bell smiled at Godfrey “Obviously, it has nothing to do with it, but here is a generous donation that should more than cover the meals and lodging.”“As well as a score of bills fallen behind, I reckon” thought Godfrey while smiling at the oddly bespectacled and bejewelled woman, while grasping the edge of his seat in case Liz’ would realize it would mean to have a moody teenager over the manoir for the next days.
“It is our dear pleasure to have this darling child,” Liz’ spontaneous answer astonished Godfrey by her graciousness. “Our Finnley will take care of her, she knows the ropes of writing better than my ropes of drying laundry, if you know what I mean huhuhu.”
Mrs Bell nodded with a look of lost perplexity on her smiling face.
In reply to: The Hosts of Mars
“So what’s around there to do?” Prune asked Maya at the welcome party.
She gauged the woman, who had an air of de facto authority, and seemed open and friendly with everyone. A bit too much to Prune’s tastes to be honest.“Whatever you feel like. It’s the magic of it. It’s all open, all up to us to build the world we want.”
“Sounds like a hell of a lot of work to do.” Prune snickered against her will.
“That’s the thing. It’s only work if your heart isn’t in it. For most of us, it’s our life’s purpose, and we quite enjoy it. Not to say there aren’t some days we’re tired of it…” Maya smiled, “but we make the best of it anyway.”Prune didn’t think of anything clever to retort, and didn’t want to look into all those years of resentment after her family for limiting her. Maybe her family was for nothing in it. The thought of it was terrifying.
Maya broke the uneasy silence with lightly compassion “And what brought you here? I mean, apart from the obvious… The real reason you took this harrowing trip to nowhere?”
Prune shrugged, and almost immediately started to giggle uncontrollably while catching her stomach. Stop it, stop it she whispered to her stomach.Maya smiled. “You should let it out. It’s been a while I haven’t seen one. They’re so cuddly and cute.”
Prune stopped speechless with surprise.
Maya laughed “The hair on your clothes is a bit of a giveaway. Come on, don’t worry, the quarantine is pretty relaxed here.”Prune let the little guinea pig out of her jacket, and it squealed in delight. She let a smile open her face “It’s the last surviving one of my grandmother’s. I just couldn’t leave it…”
Maya rose from her formica chair, and took her arm. “Come, I’ll show you the crops. We have some fantastic kale, I’m sure it’ll love it.”
In reply to: The Chronicles of the Flying Fish Inn
I noticed when Mater left the house early and discreetly. I know all the sounds of the house, and even the light footsteps of my grandmother couldn’t avoid making the floor creak.
I’m mildly curious, as it isn’t every day Mater leaves the house, besides for the Sundays’ mass. She always complained about her cracking joints, and plenty other pains. Must be why she liked to threaten everyone with inflicting some.
She had looked genuinely sad when the furball had died, though. I was too, but my eyes are set on one of the new spaniel pups from a litter that Battista and Gerardo, the funny Italian couple with the pizzeria next door just had.
Battista promised to keep one for me. I lied of course, told her that my aunt had agreed to it. By any rate, Aunt Idle wouldn’t remember giving her approval or disapproval, and would most probably fall gaga for the little puppy. So it would just be a little white lie.
I was about to fall back asleep when I hear the door creak open. My first thought was that it was Mater who’d forgotten her keys, but the loud footsteps weren’t hers.
My heartbeat raised a little while I jump out of bed full of hope.
“Papa Fred!” I almost cried out while flying down the stairs, but then I stopped in mid sentence.
The man in the entrance isn’t father.I would have cried for help, but Aunt Idle and my sisters have a very loud sleep, and I don’t want to look afraid. Father had taught me to stand my ground with wild animals.
“Who are you?” I ask the dust covered man. He had a broad hat, and a thick bushy beard. His coat was covered with cracked mud and dust from the road.
“Apologies for my intrusion young lady. Is that the Flying Fish Inn? Someone told me I could stay there for a while.”
In reply to: Circle of Eights, Stories
How restless that dragon is, thought Arona. Always shifting this or that, always talking in his damn riddles. She thought fondly of Buckberry, and how peaceful and content he seemed by comparison.
She was no longer sure where she was. She had gone over it a few times in her mind, but try as she might she could not make sense of Leormn’s cryptic explanations. Or that Malvina either, although at least she is a bit more pleasant about it.
Anyway, wherever it is, it feels a bit grey, she decided matter-of-factedly. And I am missing the others, even that grumpy Mandrake if the truth be told.
She closed her eyes and began to paint colours over the grey. She was not sure what to paint at first, so she just dabbed bright blobs of colour haphazardly onto her mind’s canvas. The colours began to run into each other and form shapes and it it seemed to her they wanted to take on a life of their own. So she let them, and it was not long before she found herself in a meadow of spring flowers.
That’s much better, she thought, taking a deep breath and lying back in the soft green grass.
As she lay there her mind drifted sleepily, butterfly thoughts every now and then resting on some bright petal in her field of flowers.
Just living is not enough, said the butterfly as it danced by her head, one must have sunshine, freedom and a little flower.
Oh! said Arona excitedly, recognising the words from a far away time, You must be the butterfly of the story! The one my grandmother used to tell me when I was a little girl in the Village.
Perhaps I am! danced the butterfly and it whirled and twirled and swirled in the sky.
Arona rolled her eyes in exasperation. Now you sound a bit like that wriggly dragon. A simple yes or no would suffice.
The butterfly landed on her nose. Now listen here you! Don’t go blaming me. I am YOUR imagination!
Oh good point Butterfly, said Arona graciously. She pondered a moment … Well in that case …
And next moment Mandrake, Vincentius and Yikesy were sitting in the meadow with her.
Oh THERE you are Missy, said Mandrake. Might have known you would be lying around in some spring meadow leaving Vincentius and myself to look after your little sprog. Tsk Tsk, he tutted.
hmmm, thought Arona, that’s not quite what I had in mind ..
I would have said it’s exactly what you had in mind, whispered the butterfly, fluttering by her ear and then off again until it disappeared into the field of colours.
Arona turned her attention to Vincentius and Yikesy, sitting a short distance away in the meadow. She noticed how smooth and golden Vincentius’ skin looked in the morning sunlight, and how deep and melodic his voice was as he told Yikesy one of his seemingly endless repertoire of stories. Imagining a gentle hug and a kiss on his sweet, but it had to be said incredibly ugly face, she sent Yikesy into a peaceful sleep.
Oh great idea, smiled Vincentius with a wink. What I had in mind all along really. Perhaps you could also imagine Mandrake chasing a field mouse or something?
In reply to: Circle of Eights, Stories
So then, said Franiel sitting down beside a small mound of earth, what now?
The top of the mound of earth was smoothed flat, and with a twig Franiel began to form small spiral patterns abstractedly in the earth. He felt no desire to go back to the monastery and face Aum Geog with the news of the loss.
He held the twig high, and then released it to fall to the ground. It fell without sound, landed unharmed on the mound of earth. He closed his eyes and in the dark at the back of his mind, he heard the voice of his grandmother whisper; Spirals make more sense than crosses Franiel my boy, joys more than sorrows.
Spirals make more sense than crosses….
None of it made much sense to Franiel. The feeling of freedom he felt momentarily slipped away. He was left looking at the space where it had been, feeling empty. The task given him by Aum Geog had given him a feeling of purpose, for a short time had allowed him to forget how lost he felt. Yet now the task had been taken from him, and he was in no hurry to retrieve it, he saw it for the illusion it had been.
What would it feel like to want to go somewhere? Or to want to be something, to want to be a monk, to want to be a teacher, to want to be the father of a family? To be able to arrange oneself neatly in a box and say I belong here?
Spirals make more sense than crosses …. day becomes night becomes day, lives come into being, and go out of being … there is always new life coming into being …… around and around
He began to walk along the path, away from where he had already been …. towards something new? He caught sight of a dead blackbird lying in the long grass to the side of the track and knelt down to look at it.
It is quiet and still.
He dug a hole, scraping in the dirt with his fingers and then using a stone to lever the lifeless body into the hole. The bird’s brown eyes are still open. Franiel covered it with dirt, looking deep into it’s eyes, until there is no sign of it, just a mound of earth.
He traced a spiral in the dirt.
Joys more than sorrows…
He sat back on his heels, and keeping his mind empty, he sang to the dead bird.
In reply to: Circle of Eights, Stories
Zhana was so happy that she started to sing .
That’s beautiful! exclaimed Sanso, Sing another one!
Whoa! said Sanso. Weirdo singing!
Oh! Zhana looked crestfallen. Don’t you like it?
Hahaha, Oh yes, I love it! Please, sing some more.
Well…….oh, alright. And Zhana sang for Sanso…..and sang some more……
Where did you learn to sing like that? asked Sanso politely.
Oh, haha, Zhana laughed and blushed. Granny used to sing like that. Zhana sighed wistfully, remembering her grandmother. If only they hadn’t had to kill her when she got too old to be useful.
Sanso closed his eyes, feeling a song coming to his own lips from somewhere deep inside him.
Sanso suddenly felt sleepy after all the strange singing, and lay down on the mushroom speckled forrest floor and drifted into a strange dream of mice and birds and a topsy turvy world.
Zhana wasn’t really tired, after all, she had only just woken from her sleep when she met Sanso, but she lay down beside him and after awhile she drifted off. She had some strange dreams too.
In reply to: Synchronicity
maybe a small synch with jibs comment the other day when i saw the pink roses fabric, i thought of my grandmother in relation to the story, and had a funny thought wondering if she was connected ……. her name was Langley .. Lang lei?… am i pushing it? Well at least I get another comment in.
In reply to: Synchronicity
I woke up this morning with impression of pink fabric with roses on it. I was in my mind trying to place it without success, other than I thought about my grandmother wondering if she had a pink roses duvet.
In reply to: Circle of Eights, Stories
The Story Vincentius told to Arona
I was seven when my father died. He leapt into a swollen river to help a neighbor who was drowning. He saved the neighbor but could not save himself. Everyone called him a hero but my mother called him a stupid fool. She was filled with sadness for her loss, and anger that he would leave her in such a way. I remember she got a pair of big scissors from the sewing box and cut off her long hair. For weeks after that I would see her move her hand to brush her long hair away and suddenly realise it was no longer there and I would see her go still. Then her body would slump and she would stand there looking lost and not knowing what to do. One day her heart just stopped beating. They said she died of grief but I think it was that life had become an empty hole that just got deeper and darker. I don’t think that is the same as grief, but maybe it is. My three older sisters and I cried and cried when my father died, but I never once saw her cry.
When my mother died we had to cry in secret, because my Grandmother Naja moved in to take care of us. She didn’t believe in crying. There were many things she didn’t believe in. Grandmother Naja ate like a bird, looked like a piece of old leather and moved like a skittery rabbit.
Vincentius she would say to me, peering at me shortsightedly, you need to get bigger. Your parents are dead and you are now the man of the house. Every day she would poke me in the ribs and say “Vincentius, you need to get bigger”. Every time she poked me I remembered all over again that I was not good enough and that my parents were dead.
One day she sent Taffy, the second oldest sister out to the garden to get a cabbage. But there were no cabbages left the garden. Well! said Grandmother Naja, I can’t cook cabbage broth without any cabbage. So she gave Taffy a coin and sent my sisters into the Village to buy a cabbage from the market.
I begged to go too.
You are too small and you are too slow! said my sisters
Eventually though they gave in to my pleading.
I have often wondered if I knew the events that day would bring, if I would have begged so hard to go, mused Vincentius
to be continued …
