— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

— There you are! said the man to the dark figure who had just landed on the wrought iron railed balcony I believe your trip was good!
— Absolutely, Sir. Everything went as you said.
— Good, very good.

The Baron was a tall man with an impressive build and a broad chest due to his lifelong passion for boxing. With his grey waxed moustache on his round rubicund face, he was giving the impression of a perfectly refined gentleman, but his disarrayed hair and his blue twinkling eyes behind his monocle were contrasting sharply and suggesting either a genius or a madman.

While Carla was getting rid of the cumbersome fly-like apparatus, the Baron was taking deep puffs on his pipe, releasing pink-coloured clouds smelling of vanilla.
The interior of the manor was of grisly aspect, but for all matter and purposes, the Baron seemed completely oblivious, as he was savouring his smoking on the stained worn bottle-green velvet sofa.
In actuality, the manor looked like a total ruin, and that, combined with the habit of speaking his mind which had gained him a reputation of heinous callous grizzly in society, had slowly severed him from all exterior contact.
The Crazy Baron, as the people of the nearby village had called him, was indeed very glad of this state of fact, which allowed him a complete privacy. As he liked to say to a few trusted people, being mad was the surest way of being left alone. Providing him what money, threats and coercion wouldn’t surely have given as surely. It was not completely safe either of incursion, but these, mainly due to a few young and curious daredevils from the village, could be easily thwarted thanks to the motion-sensors that were dispersed along the property and an appropriate anonymous call to the police. Because, unknown of but a few, underneath the old structure, was a room that, despite lacking a view, was not lacking of anything high-tech…

— Do you want to know the details? asked Carla, interrupting the Baron in his thoughts.
— Not really. I suppose you gave that old crone of a Viscountess the fright of her life, but well, I suppose she deserved it… Many would agree of course, though never in private. Ahah!
— Well, now you make me think of it, I reckon she forgot herself a bit in the process…
— Ahahah! If only it could have taught her something… The manic laughter of the Baron was as chilling as it was infectious.

Suddenly regaining his poised demeanour, the Baron resumed:
— Now, tell me, was it a genuine one?

Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

The Jorid has spotted what will be the destination for our first joined adventure.
It’s a dimension which seems unexplored yet, and rather fascinating. Georges, as he is, would already have jumped right in, but I preferred to get a little more background information before moving into it. It’s still a little awkward to move into these realms where the laws of physics as we’ve known them are different, sometimes dramatically so. These would not be too much of a difficulty as the adaptation of the physical body usually goes quite fast, as Georges has shown me when we trained in more familiar dimensions, but the most delicate part is when we barely know the relationships at play.
Georges will laugh because he’s more confident that everything is perfect, but somehow, I tend to believe that things can be a little more perfect when we know how to avoid making faux-pas.
So we’ve spent a few days gathering some basic informations on this dimension we call Alienor. The most part of the activity seems to revolve around a cluster of planetoids. At this moment, it’s forming a system of three planets revolving on the same orbit around their sun. We call them Duane, Murtuane, and Phrëal.
They seem to form a complex web of relationships, and cover such a wide range of aspects that we have decided on a mutual agreement to split our exploration to cover more ground for a beginning.
Georges is exploring the Duane, and I took the Murtuane, both planetoids seeming to come from the same core of matter, in a manner of speaking. The feeling around the Phrëal is more ambivalent, as though it is undergoing some deep change, not unlike to the Shift that will be (or has been) occurring on our Earth. So, we’ve decided not to interfere with it right now. It may take a dozen of years (as we understand them) for them to undergo that process, but it’s not like we care of time issues in any case.

Here are my first observations concerning the Murtuane. Obviously, it ties into the Duane, but I am not completely aware of all of these ties yet.
The first connection I had to the Murtuane was with some ancient beings living here. I saw myself riding one of these sentient beings, gliding through the sky in a mountainous land. The colours are vivid, even if the atmosphere seems very light, and filtering the sun’s ray in a spectrum slightly more indigo than our sky on Earth. These beings, whose name I can’t yet translate accurately (it’s something close to Nirgual) are powerful winged focuses of essence, though I suspect this to be a mere convenient form that they use. They somewhat remind me of the Rokhs (or Rocs) that the sultan’s wifes were telling us about in their legends. Apparently, they are respected, perhaps feared by the people inhabiting the lands, though I can feel they are for the most part benevolent.
These people, those that I could spot, seem to have a slightly green skin, but overall humanoid form (within my translation of them).

I will probably have more to connections once we gather our impressions with Georges.

— A marmoset then… Georges said Salome grinning widely.
— Yes. Did you get a name for him?
— Leo.
— That’s cute… With his little white mane around his face, Malvina will love him.

Leo had jumped on Salome’s shoulder, as it was a bit exhausting for the little creature to follow them.

— You know they are disappearing on this island of Tikfijikoo where I was just before. I think they found the invasion of their habitat by humans no longer funny. Lots of them have already popped into another reality for their kind… It takes some adjustment to refocus and reconfigure the energy, but it seems to go smoothly, as Leo being here is proof.
— Yes, as lots of old species on Earth ware doing. The relocation process is a bit energetically crowded, in a manner of speaking…
Georges was finding usage of words in that dimension a bit uneasy. That ware was such an example of how language needed rearrangement when they talked about simultaneous events in both past and present. At least, he knew Salome was understanding beyond the words.

Salome smiled and envisioned Georges and herself bathed into a field of fluid mulberry jelly colour, and around them some of the particles floating haphazardly around started to gather orbiting in rippling circles around them.
Salome was remembering an undulating shape too that she could use as a tuning fork, and she added it inside the central circle.

— Oh, you’re right…

« the translation device ! » they both said simultaneously, bursting into laughter.

— I always tend to forget about that funny toy Malvina once explained to me. And you know how much I love to play with it… when I remember it, of course…

Malvina had told Georges that the particles which were in his field were assisting him in translation, and had a grounding and focusing effect.

Leo started to applaud frantically at the new light quality of the energy.

Asaris — The blue men’s world — by Írtak

The race of the blue men was originating from a far off star system they called Asaris in a dimension quite different from the ones of Quintin and of Malvina.
Their connection with us is quite interesting in that they have managed to project aspects of themselves in other dimensions and give them shapes. One blue man, in a manner of speaking, may be the “result” of a common projection by several inhabitants of Asaris, merged aspects and common intent. They can be associated with pop-ins in a way, or with energy exchange, but the action is different.

While projecting, they are aware of their own focus in Asaris and of the other focuses they are projecting in other dimensions. Some of them can do that in many dimensions… I’ve not yet been able to really understand the process and how they can maintain the focuses… but that is filtered through my current understanding of the process. While different focuses of essences are “independent”, the projections of the blue men are quite connected to their originating point in Asaris.

Andrimiñ is one of them. One of the participating essence is connected to Blöhmul who also have focuses in the other dimensions. In him I feel also the essence Tomkin.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…

Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.

She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.

Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.

This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.

That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.

Thus has begun the trail of rumours saying that the cave was haunted.

All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.

Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.

He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…

After all, it was not necessary, though dragons could draw a lot from such a partnership.

Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.

In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.

When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.