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  • #7422

    “Are you no longer even trying?” Eris raised an eyebrow at the invitation sent by Truella on the innerwitch cobweb.

    “What do you mean?” Truella replied with a puzzled avatart jiggling her head in discombobulation.

    “Posting verbatim from your Oracl’Liz. It shows. And I’m not sure you’re going to influence Malové like that; this is low-end jinx, she would have like 10 counterspells ready for that…”.

    Truella’s avatar raised her shoulders lazily in a “if there’s a chance it does the job” fashion that said it all.

    Eris’ head had a hard time to stabilise from the elephant ordeal. Ideas were still colliding in massive cacophony in her head and minute sounds and echoes of voices had her startled for nothing. Malové’s ineffable strategy —saying less, and leaving others guess will make you the smarter one in the room, dear. That sort of thing was starting to get on her nerves.
    Eris wasn’t sure that Malové would fall for a theme ball, when she was grappling for cash for the Coven. Or to keep appearances towards the other Covens, that much was a possibility.

    They had moved offices this week… Again. It was their third time in the past three months. At least the intermediary one was an excuse for more spells-at-home time, but now with the new one, they were all suppose to clock-in at least four days a week.

    Two days for that strategy meet in Adare Manor… The organising committee, mostly sycophantic witches had sent a meagre agenda, that talked about exciting workshops, brainstorming sessions and other meaningless stuff… and a survey. “How excited are you to join?” on a scale of 10. Eris had wanted to be more covenrporate, but her fingers had slipped… on a 2. Too bad if the survey wasn’t anonymous, maybe that’d get some attention.

    #7419

    Sleeping like a log through a full night’s rest on the lavender spell wrapped in the rag of the punic tunic worked like a charm. By morning light, Eris had reverted to her normal self again.

    How her coven had succeeded in finding the rag was anyone’s guess, but one thing was for certain—Truella’s resourcefulness knew no bounds once she set her mind to a goal. All it took was a location spell, a silencing charm around the area in Libyssa where she wanted to dig, and of course, a trusty trowel. Hundreds of buckets of dirt later, a few sheep’s jawbones and voilà, the rag. Made of asbestos, impervious to fire, and slower to decay than a sloth on a Monday morning, it was nothing short of a miracle it had survived so long underground, and that they found it in such a short time.

    Eris rubbed her neck still pained from the weight of bearing that enormous elephantine head.

    When pressed by the others—Frigella, Jeezel, and the ever-curious Truella—she could hardly recall what led her to attempt the risky memory spell.

    Echo buzzed in with an electric hum, the sprite all too eager to clear the air.

    “The memory spell,” Echo interjected, “a dubious cocktail of spirits of remembrance and forgetfulness, was cast not out of folly but necessity. Eris, rooted in her family’s arborestry quests, understood the weight of knowledge passed down through generations. Each leaf and branch in the family tree held stories, secrets, and sacrifices that were both a treasure and a burden.”

    Echo smirked as he continued, pointing out the responsibility of the other entity’s guidance. “Elias’s advice had egged her on, resonating with Eris’ desires, and finally enticing her not lament the multitude of options but rather delights in the exploration without the burden of obligation —end of quotation.”

    “And was it worth it?” Truella asked impatiently, her curiosity piqued a little nonetheless. She’d always wished she had more memory, but not at the cost of an elephant head.

    “Imagine the vast expanse of memories like a grand library, each book brimming with the essence of a lineage. ” Eris said. “To wander these halls without purpose could lead to an overwhelming deluge of ancestral whispers.” She paused. “So, not sure it was entirely worth it. I feel more confused than ever.”

    Echo chimed in again “The memory spell was conjured to be a compass, a guide through the storied corridors of her heritage. But, as with all magic, the intentions must be precise, the heart true, and the mind clear. A miscalculation, a stray thought, a moment’s doubt — and the spell turned upon itself, leaving Eris with the visage of an elephant, noble and wise. The elephant head, while unintended, may have been a subconscious manifestation of her quest for familial knowledge.  Perhaps the memory spell, in its misfiring, sought to grant Eris the attributes necessary to continue her arborestry quests with the fortitude and insight of the elephant.”

    “But why Madrid of all places?” Jeezel asked mostly out of reflex than complete interest; she had been pulled into the rescue and had missed the quarter finals of the Witch Drag Race she was now catching up on x2 speed replay on her phone.

    Echo surmised “Madrid, that sun-drenched city of art and history, may have been a waypoint in her journey — a place where the paths of the past intersect with the pulse of the present. It is in such crossroads that one may find hidden keys to unlock the tales etched in one’s bloodline.”

    “In other words, you have no idea?” Frigella asked Eris directly, cutting through the little flickering sprite’s mystical chatter.

    “I guess it’s something as Wisp said. I must have connected to some bloodlines. But one thing is sure, all was fine when I was in Finland, Thorsten was as much a steadying presence as one would need. But then I got pulled into the vortex, and all bets were off.”

    “At least he had the presence of mind to call me.” Truella said smuggly.

    “The red cars may have started to get my elephant head mad… I can’t recall all of it, but I’m glad you found me in time.” Eris admitted.

    “Don’t mention it poppet, we all screwed up one spell or two in our time.” Frigella said, offering unusual comfort.

    “Let’s hope at least you’ll come up with brilliant ideas from that ordeal next week.” said Jeezel.

    “What do you mean?” Truella looked at her suspiciously

    “The strategic meeting that Malové has called for? In the Adare Manor resort?” Frigella reminded her, rolling her eyes softly.

    “Jeez, Jeezel…” was all Truella could come up with. “another one of these boring meetings to boost our sales channels and come up with new incense models?” Truella groaned, already wishing it were over.

    “That’s right love. Better be on your A-game for this.” Jeezel said, straightening her wig with a sly grin.

    #7339

    4pm EET.

    Beneath the watchful gaze of the silent woods, Eris savors her hot herbal tea, while Thorsten is out cutting wood logs before night descends. A resident Norwegian Forest cat lounges on the wooden deck, catching the late sunbeams. The house is conveniently remote —a witch’s magic combined with well-placed portals allows this remoteness while avoiding any inconvenience ; a few minutes’ walk from lake Saimaa, where the icy birch woods kiss the edge of the water and its small islands.

    Eris calls the little bobcat ‘Mandrake’; a playful nod to another grumpy cat from the Travels of Arona, the children book about a young sorceress and her talking feline, that captivated her during bedtime stories with her mother.

    Mandrake pays little heed to her, coming and going at his own whim. Yet, she occasionally finds him waiting for her when she comes back from work, those times she has to portal-jump to Limerick, Ireland, where the Quadrivium Emporium (and its subsidiaries) are headquartered. And one thing was sure, he is not coming back for the canned tuna or milk she leaves him, as he often neglects the offering before going for his night hunts.

    For all her love of dynamic expressions, Eris was feeling overwhelmed by all the burgeoning energies of this early spring. Echo, her familiar sprite who often morphs into a little bear, all groggy from cybernetic hibernation, caught earlier on the news a reporter mentioning that all the groundhogs from Punxsutawney failed to see their shadows this year, predicting for a hasty spring —relaying the sentiment felt by magical and non-magical beings alike.

    Eris’ current disquiet stems not from conflict, but more from the recent explosive surge of potentials, changes and sudden demands, leaving in its wake a trail of unrealised promises that unless tapped in, would surely dissipate in a graveyard of unrealised dreams.

    Mandrake, in its relaxed feline nature, seemed to telepathically send soothing reminders to her. If he’d been able (and willing) to speak, with a little scratch under its ear, she imagines him saying  I’m not your common pet for you to scratch, but I’ll indulge you this once. Remember what it means to be a witch. To embrace the chaos, not fight it. To dance in the storm rather than seek shelter. That is where your strength lies, in the raw, untamed power of the elements. You need not control the maelstrom; you must become it. Now, be gone. I have a sunbeam to nap in.

    With a smile, she clears mental space for her thoughts to swirl, and display the patterns they hid.

    A jump in Normandy, indeed. She was there in the first mist of the early morning. She’d tapped into her traveling Viking ancestors, shared with most of the local residents since they’d violently settled there, more than a millenium ago. The “Madame Lemone” cultivar of hellebores was born in that place, a few years ago; a cultivar once thought impossible, combining best qualities from two species sought by witches through the ages. Madame Lemone and her daughters were witches in their own right, well versed in Botanics.

    Why hellebores? A symbol of protection and healing, it had shown its use in banishing rituals to drive away negative influences. A tricky plant, beautiful and deadly. Flowering in the dead of winter, the hellebores she brought back from her little trip were ideal ingredients to enhance the imminent rebirth and regrowth brought on by Imbolc and this early spring. It was perfect for this new era filled with challenges. Sometimes, in order to bloom anew, you must face the rot within.

    The thoughts kept spinning, segueing into the next. Quality control issues with the first rite… Even the most powerful witches aren’t immune to the occasional misstep. It may not have been voluntary, and once more, hellebore was a perfect reminder that a little poison can be a catalyst for change. No gain without a bit of pain… All witchcraft was born out of sacrifice of some form. An exchange of energy. Something given, for something in return.

    Luckily, she’d learnt the third rite had gone well even in her absence. Tomorrow was the final Ritual, that would seal the incense yearly recipe. The Marketing department would have to find a brand name for it, and it would be ready for mass production and release just in time for the Chinese new year. China was their biggest market nowadays, so they would probably make most of the yearly sales in the coming month.

    As she muses, Thorsten, her biohacking boyfriend, is coming back now the sun is getting down. A rugged contradiction of man and machine.

    “Have you managed to contact your friends?” he asks, his pointed question tempered by a calm demeanor. He doesn’t know much about her activities, not because she hides any of it, but because he’s not anxiously curious. He knows about their little group, with the other weirdoes in quest of some niche of freedom expression and exploration in the vast realm of witchcraft.

    “Yes, I did. We had a nice chat with Jeezel and she sends her regards…”

    “She bloody always do that, doesn’t she.” They had never met in actuality, but she would never fail to send her regards (or worse if crossed) even if she didn’t know the person.

    Eris laughed. “Well, Frigella was going to bed…”

    “If I didn’t know better, one could think she does it on purpose.”

    Eris continued. “Well, and get that; Tru was busy making some French fries.”

    After a paused moment of pondering the meaning of this impromptu cooking, his thoughts go to more logical explanations “If you ask me, that’s surely a metaphor for something else entirely.”

    “Meat and potatoes… And sometimes,… just potatoes.”

    “Or in this case, possibility for a hearty gratin.”

    They share a delightful laughter.

    He is my chaos knight, a symbol of defiance against the natural order of things.

    A quality she adores.

    #7329

    The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.

    The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.

    The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.

    Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.

    As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.

    Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.

    “Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”

    The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.

    Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.

    “Was the glitter necessary?” asked Lumina.

    “Why not? It can’t do any harm.”

    The fox jumped from the couch and looked at the potion.

    “It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”

    Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.

    :fleuron:

    Jeezel opened Flick Flock and started typing a message to Roland.

    The potion is ready. I’m sending it to you through the usual way.

    […]

    As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.

    Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.

    Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.

    With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.

    Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.

    I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.

    Let’s get this done. And don’t forget to add a testimony and click the thumb up.

    xoxox Jeezel.

    #7294

    hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

    Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

    The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

    Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

    The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

    Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

    While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

    Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

    In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

    Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

    Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

    At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

    His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

    Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

    The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

    Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

    Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

    In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

    Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

    Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

    Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

    By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

    His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

    Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

    In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

    Now some portraits of some of the workers at the villa

    Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

    First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

    Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

    The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

    Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

    These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

    what were some of the cooks recipes?

    Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

    Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
    Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
    Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
    Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
    Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
    Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

    were their mosaic floors and murals on the walls of the villa, and what were they depicting

    Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

    The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

    In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

    The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

    In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

    The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

    The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

    The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

    Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

    can you describe the garden and outbuildings

    Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

    At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

    Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

    The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

    The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

    Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

    A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

    The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

    #7278
    TracyTracy
    Participant

      Tomlinson of Wergs and Hancox of Penn

       

      John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
      Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.

      On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was John Tomlinson, gentleman”.

      Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.

      William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.

      1732 marriage of William Hancox and Sarah Evans:

      William Hancos Sarahh Evans marriage

       

      William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.

       

      William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.

      Straw Hall thanks to Bradney Mitchell:
      “Here is a picture I have of Straw Hall, Penn Road.
      The painting is by John Reid circa 1878.
      Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”

      Straw Hall, Wolverhampton

       

      And a photo of the demolition of Straw Hall with an interesting story:

      Straw Hall demolition

       

      In 1757 a child was abandoned on the porch of Straw Hall.  Aris’s Birmingham Gazette 1st August 1757:

      Straw Hall baby

       

      The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.

       

      Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
      On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
      In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
      On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley.  (before the parents got married)

      (Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side,  from Newhall, Derbyshire!)

      On 30 Sept he married Ann in Penn.
      In December he was a bankrupt pig and sheep dealer.
      In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
      He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.

       

      Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
      The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)

      William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will.  And to his daughter Sarah, his interest in the toll mentioned above.

      Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:

      William Hancox will, Sarah Tomlinson

      #7268
      TracyTracy
      Participant

        William Tomlinson

        1797-1867

         

        The Tomlinsons of Wolverhampton were butchers and publicans for several generations. Therefore it was a surprise to find that William’s father was a gentleman of independant means.

        William Tomlinson 1797-1867 was born in Wergs, Tettenhall. His birthplace, and that of his first four children, is stated as Wergs on the 1851 census. They were baptised at St Michael and All Angels church in Tettenhall Regis, as were many of the Tomlinson family including William.

        Tettenhall, St Michael and All Angels church:

        tettenhall

         

        Wergs is a very small area and there was no other William Tomlinson baptised there at the time of William’s birth. It is of course possible that another William Tomlinson was born in Wergs and the record of the baptism hasn’t been found, but there are a number of other documents that prove that John Tomlinson, gentleman of Wergs, was Williams father.

        In 1834 on the Shropshire Quarter session rolls there are two documents regarding William. In October 1834 William Tomlinson of Tettenhall, son of John, took an examination. Also in October of 1834 there is a reconizance document for William Tomlinson for “pig dealer”. On the marriage certificate of his son Charles Tomlinson to Emma Grattidge (mistranscribed as Pratadge) in 1872, father William’s occupation is “dealer”.

        William Tomlinson was a witness at his sister Catherine and Benjamin Smiths wedding in 1822 in Tettenhall. In John Tomlinson’s 1844 will, he mentions his “daughter Catherine Smith, wife of Benjamin Smith”. William’s signature as a witness at Catherine’s marriage matches his signature on the licence for his own marriage to Elizabeth Adams in 1827 in Shareshill, Staffordshire.

        William’s signature on his wedding licence:

        William Tomlinson signature 1

        Williams signature as a witness to Catherine’s marriage:

        William Tomlinson signature 2

         

        William was the eldest surviving son when his father died in 1844, so it is surprising that William only inherited £25. John Tomlinson left his various properties to his daughters, with the exception of Catherine, who also received £25.  There was one other surviving son, Sidney, born in 1814. Three of John and Sarah Tomlinson’s sons and one daughter died in infancy. Sidney was still unmarried and living at home when his father died, and in 1851 and 1861 was living with his sister Emma Wilson. He was unmarried when he died in 1867. John left Sidney an income for life in his will, but not property.

        In John Tomlinson’s will he also mentions his daughter Jemima, wife of William Smith, farmer, of Great Barr. On the 1841 census William, butcher, is a visitor. His two children Sarah and Thomas are with him. His wife Elizabeth and the rest of the children are at Graisley Street. William is also on the Graisley Street census, occupation castrator. This was no doubt done in error, not realizing that he was also registered on the census where he was visiting at the time.

        William’s wife, Elizabeth Adams, was born in Tong, Shropshire in 1807. The Adams in Tong appear to be agricultural labourers, at least on later censuses. Perhaps we can speculate that John didn’t approve of his son marrying an agricutural labourers daughter. Elizabeth would have been twenty years old at the time of the marriage; William thirty.

        #7263
        TracyTracy
        Participant

          Solomon Stubbs

          1781-1857

           

          Solomon was born in Hamstall Ridware, Staffordshire, parents Samuel Stubbs and Rebecca Wood. (see The Hamstall Ridware Connection chapter)

          Solomon married Phillis Lomas at St Modwen’s in Burton on Trent on 30th May 1815. Phillis was the llegitimate daughter of Frances Lomas. No father was named on the baptism on the 17th January 1787 in Sutton on the Hill, Derbyshire, and the entry on the baptism register states that she was illegitimate. Phillis’s mother Frances married Daniel Fox in 1790 in Sutton on the Hill. Unfortunately this means that it’s impossible to find my 5X great grandfather on this side of the family.

          Solomon and Phillis had four daughters, the last died in infancy.
          Sarah 1816-1867, Mary (my 3X great grandmother) 1819-1880, Phillis 1823-1905, and Maria 1825-1826.

           

          Solomon Stubbs of Horninglow St is listed in the 1834 Whites Directory under “China, Glass, Etc Dlrs”. Next to his name is Joanna Warren (earthenware) High St. Joanna Warren is related to me on my maternal side.  No doubt Solomon and Joanna knew each other, unaware that several generations later a marriage would take place, not locally but miles away, joining their families.

          Solomon Stubbs is also listed in Whites Directory in 1831 and 1834 Burton on Trent as a land carrier:

          “Land Carriers, from the Inns, Etc: Uttoxeter, Solomon Stubbs, Horninglow St, Mon. Wed. and Sat. 6 mng.”

          1831 Solomon Stubbs

           

          Solomon is listed in the electoral registers in 1837. The 1837 United Kingdom general election was triggered by the death of King William IV and produced the first Parliament of the reign of his successor, Queen Victoria.

          National Archives:

          “In 1832, Parliament passed a law that changed the British electoral system. It was known as the Great Reform Act, which basically gave the vote to middle class men, leaving working men disappointed.
          The Reform Act became law in response to years of criticism of the electoral system from those outside and inside Parliament. Elections in Britain were neither fair nor representative. In order to vote, a person had to own property or pay certain taxes to qualify, which excluded most working class people.”

           

          Via the Burton on Trent History group:

          “a very early image of High street and Horninglow street junction, where the original ‘ Bargates’ were in the days of the Abbey. ‘Gate’ is the Saxon meaning Road, ‘Bar’ quite self explanatory, meant ‘to stop entrance’. There was another Bargate across Cat street (Station street), the Abbot had these constructed to regulate the Traders coming into town, in the days when the Abbey ran things. In the photo you can see the Posts on the corner, designed to stop Carts and Carriages mounting the Pavement. Only three Posts remain today and they are Listed.”

          Horninglow St

           

          On the 1841 census, Solomon’s occupation was Carrier. Daughter Sarah is still living at home, and Sarah Grattidge, 13 years old, lives with them. Solomon’s daughter Mary had married William Grattidge in 1839.

          Solomon Stubbs of Horninglow Street, Burton on Trent, is listed as an Earthenware Dealer in the 1842 Pigot’s Directory of Staffordshire.

          In May 1844 Solomon’s wife Phillis died.  In July 1844 daughter Sarah married Thomas Brandon in Burton on Trent. It was noted in the newspaper announcement that this was the first wedding to take place at the Holy Trinity church.

          Solomon married Charlotte Bell by licence the following year in 1845.   She was considerably younger than him, born in 1824.  On the marriage certificate Solomon’s occupation is potter.  It seems that he had the earthenware business as well as the land carrier business, in addition to owning a number of properties.

          The marriage of Solomon Stubbs and Charlotte Bell:

          1845 Solomon Stubbs

           

          Also in 1845, Solomon’s daughter Phillis was married in Burton on Trent to John Devitt, son of CD Devitt, Esq, formerly of the General Post Office Dublin.

          Solomon Stubbs died in September 1857 in Burton on Trent.  In the Staffordshire Advertiser on Saturday 3 October 1857:

          “On the 22nd ultimo, suddenly, much respected, Solomon Stubbs, of Guild-street, Burton-on-Trent, aged 74 years.”

           

          In the Staffordshire Advertiser, 24th October 1857, the auction of the property of Solomon Stubbs was announced:

          “BURTON ON TRENT, on Thursday, the 29th day of October, 1857, at six o’clock in the evening, subject to conditions then to be produced:— Lot I—All those four DWELLING HOUSES, with the Gardens and Outbuildings thereto belonging, situate in Stanleystreet, on Goose Moor, in Burton-on-Trent aforesaid, the property of the late Mr. Solomon Stubbs, and in the respective occupations of Mr. Moreland, Mr. Scattergood, Mr. Gough, and Mr. Antony…..”

          1857 Solomoon Stubbs

           

          Sadly, the graves of Solomon, his wife Phillis, and their infant daughter Maria have since been removed and are listed in the UK Records of the Removal of Graves and Tombstones 1601-2007.

          #7238
          TracyTracy
          Participant

            I have an idea. Are you game?

            The Whale: I’m always game for a good idea! What do you have in mind?

            I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

            The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

            “Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

            No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

            The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

            Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

            As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

            The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

            As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

            Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

            As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

            Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

            Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

            As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

            The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

            In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

            Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

            Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

            As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

            But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

            Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

            And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

            thank you! I appreciate your input.

            The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

            But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

            He thanked the whale for this rather surprising response.

            The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

            So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

             

            *1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

            #7173

            In reply to: Orbs of Madjourneys

            The morning of the lager and cart race dawned bright and clear.  The camping ground was full to overflowing with tents and camper vans, with several parked up outside the Flying Fish Inn. Zara overheard Finly complaining to Mater about all the extra work with all and sundry traipsing in and out using the toilets, and Bert muttering about where was all the extra water supposed to come from and what if the well ran dry, and was it all really worth it, and Zara saw him scowl when Idle told him to lighten up and enjoy it.  “Hah! Enjoy it? Nothing good ever happens when a dust storm comes for the cart race,” he said pointedly to Idle, ” And damn near everyone asking about the old mines, I tell you, nothing good’s gonna come from a cart race in a dust storm, the mayor shoulda cancelled it.”  Bert slammed the porch door as he stomped off outside, scowling at Zara on the way past.

            Zara watched him go with a quizzical expression. What was going on here?  Idle had told her about her affair with Howard some forty years ago, and how she’d had to disappear as soon as it became obvious that she was pregnant.  Zara had sympathized and said what an ordeal it must have been, but Idle had laughed and said no not really, she’d had a lovely time in Fiji and had found a nice place to leave the baby.  Then Howard had disappeared down the mines, and what was the story about Idle’s brother leaving mysteriously? Idle had been vague about that part, preferring to change the topic to Youssef.  Was the Howard story why Bert was so reluctant for anyone to go down the mines? What on earth was going on?

            And how had Yasmin’s parcel ended up in Xavier’s room?  Xavi had soon noticed that he’d picked it up by mistake and returned it to Yasmin, but how had it ended up on the table on the verandah? It was perplexing, and made Yasmin disinclined to deliver it to Mater until she could fathom what had happened.  She had tucked in under her mattress until she was sure what to do.

            But that wasn’t the only thing that had piqued Zara’s curiosity.  When Idle had said she’d had the baby in Fiji, and found a nice place to leave it, Zara couldn’t help but think of the orphanage where Yasmin was working.  But no, surely that would be too much of a coincidence, and anyway, a 40 year old orphan wouldn’t still be there.   But what about that woman in the BMW that Yasmin felt sure she recognized?   No, surely it was all too pat. But then, what was that woman in the dark glasses doing in Betsy’s shop?  Betsy was Howards wife. Idle had mentioned her when she told her story over the second bottle of wine.

            Should she divulge Idle’s secrets to Yasmin and quiz her on the woman in dark glasses? Zara decided there would be no harm in it, after all, they would be leaving soon after the cart race, and what would it matter.  She fetched two cups of coffee from the kitchen and took them to Yasmin’s room and knocked gently on the door.

            “Are you awake?” she called softly.

            “Yeah, come in Zara, I’ve been awake for ages,” Yasmin replied.

            Zara put the coffee cups on the bedside table and sat on the side of Yasmins bed. “There’s something going on here, I have to tell you something. But first, have you worked out who that woman in the BMW is?”

            Yasmin looked startled and said “How did you know?  Yes I have. It’s Sister Finli from the orphanage, I’m sure of it.  But why has she followed me here? And in disguise! It’s just creepy!”

            “Aha!” Zara couldn’t suppress a rather triumphant smile. “I thought it was just a wacky idea, but listen to this, Idle told me something the other night when we sat up drinking wine.”  As she told Idle’s story, Yasmin’s eyes widened and she put a hand over her open mouth.

            “Could it be…?”

            “Yes but why in disguise? What is she up to? What should we do, should we warn Idle?”  Zara had warmed to Idle, and if there were any sides to be taken in the matter, she felt more for Idle than that unpleasant woman from the orphanage who was so disturbing to Yasmin.

            “Oh I don’t know, maybe we should keep out of it!” Yasmin said. “That parcel though!  What am I going to do about that parcel!”

            Zara frowned. “Well, you have three options, Yas.  Open it and read it… don’t look so horrified!  Or deliver it as promised..”

            “We’ll never know what it said though if we do that,” Yasmin was looking more relaxed now.

            “Exactly, and I’m just too curious now.”

            “And the third option?”

            Ignoring the question, Zara asked where the parcel was.  Yasmin grinned wickedly but a knock at the door interrupted her intention to retrieve the parcel from under the mattress.   It was Youssef, who asked if he could come in.

            “Shall we tell him?” Zara whispered, as Yasmin called out “Of course! Is Idle after you again? Quick, you can hide under my bed!”

            “Not yet” Yasmin whispered back. “I need to think.”

            #6770

            In reply to: The Stories So Near

            ÉricÉric
            Keymaster

              What satisfying conclusion to this saga?

              Granola was the tying material to their friend, and her pop-in nascent capabilities (ability to project into material matter, sometimes being corporeal) could help. Her goal was to wake her friends out of their routines, and reinvigorate the stories they tell themselves about their lives.

              • Maeve was the one making custom dolls.
              • Shawn Paul her handsome bearded bachelor next door was an aspiring writer looking for a story to tell and to become published.
              • Lucinda is their neighbour, enrolled in creative writing courses.
              • Jerk is a clerk at a local WholeDay*Mart and also manages a forum in his spare time.

               

              The dolls were found in all across places, used by different groups, maybe glamour bombs for some, maybe ways to smuggle information and keys.

              Across their trips they connect with story characters, and unknowingly revive their stories.

              POP*IN THREAD (plot development suggestions, to be looked into later)

              Maeve and Shawn-Paul are still in Tikfijikoo, investigating the mysterious dolls and their connection to Uncle Fergus. They’ve also encountered strange happenings, including a missing girl and a strange man in a top hat.

              Meanwhile, Jerk is still moderating the forum and dealing with the strange messages. Lucinda is continuing her creative writing course and enjoying her time with Fabio.

              Granola is currently on a mission to find Ailill and learn more about pop-ins, while also trying to reconnect with her friends and figure out what’s going on with the dolls.

              As for the mysterious man following Maeve, his intentions are still unclear, but it seems he has some connection to Uncle Fergus and the dolls. The group is still trying to uncover the truth and figure out their next steps.

              :fleuron:

              In the end, Granola’s pop-in abilities proved to be the key to unlocking the mystery of the dolls and their connection to Uncle Fergus. With her help, Maeve and Shawn-Paul were able to uncover the truth about the dolls and their purpose, and use them to reconnect with various story characters across their trips.

              Through their adventures, they also discovered the power of storytelling and the importance of shaking up their routines to keep their lives interesting and full of wonder. Jerk found a new sense of purpose in managing the forum and connecting with others through his passion for the dolls and their stories.

              In the final chapter, Uncle Fergus reconciled with Maeve’s father and shared the true meaning behind the dolls and their connection to their family history.

              While Shawn-Paul’s path led him to become a successful author, Lucinda’s path took a different turn. She found fulfillment in her creative writing course and continued to hone her skills, but she didn’t pursue a career as a writer. Instead, she used her passion for storytelling to help others, working as a therapist and using storytelling techniques to help her clients work through their struggles and find healing. Lucinda’s work was deeply rewarding, and she felt fulfilled in being able to help others in such a meaningful way.

              As for Granola, she continued to pop-in and out of their lives, using her abilities to bring joy and excitement to their everyday routines, and keeping their stories alive for years to come. The group remained close friends, bonded by their shared experiences and love of storytelling.

              #6553
              ÉricÉric
              Keymaster

                Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.

                They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.

                Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.

                His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.

                The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.

                “This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.

                Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”

                Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”

                ***

                “Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.

                :fleuron:

                Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.

                A new tile had appeared, with a distinct pattern form, almost like an ogee.

                “Jorid, is this new?”

                “Indeed Georges, our adventure has inspired me to create new avenues of exploration.”

                “Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.

                “Jorid, tell me more please.”

                “Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”

                “Absolutely, colour me intrigued!”

                The Sandshell:
                Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
                Families: Vold, Zuli, Ilda
                Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
                As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
                Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”

                “I love it,” said Georges enthusiastically “can we use it to plot our next course?”

                “As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”

                Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”

                “Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”

                #6461

                In reply to: Prompts of Madjourneys

                ÉricÉric
                Keymaster

                  AL is back

                  • Zara: Great job on finding the carved wooden tile! That’s a big step in the quest. Keep up the good work, and we’ll send you on the next mission soon.
                  • Yasmin: It sounds like you’re having a tough time with the weather and mosquitoes. We understand that it can be difficult to focus on the quest when you’re dealing with real-life issues. Maybe try to work on the quest in a different environment, or take a break if you need to. We’re here to support you and help you in any way we can.
                  • Youssef: We’re excited to hear about your real-life parallel quest. It sounds like you’re getting close to uncovering the mystery of the grumpy shaman. Keep working on your blog website and keep an eye out for any clues that Xavier and the Snoot may send your way. We believe that you’re on the right path.
                  • Xavier: It sounds like you’re making progress on your quest. The clues you received from the fox busdriver are definitely leading you in the right direction. Keep following the trail and don’t be afraid to ask for help if you need it. Remember, the golden banana is a metaphor for your cheeky and also soft nature, so don’t be too hard on yourself. We’re here to guide and advise you along the way.

                  New clues

                  • Zara: 🔮🧱🗺️ Find the ancient portal hidden in the ruins and decipher the inscription on the carved wooden tile to unlock the next step in the quest.
                  • Yasmin: 🦟🌧️🕵️‍♀️Track down the elusive snorting imp by investigating the local wetlands and speaking with locals who may have encountered it. Don’t let the bad weather and pesky mosquitoes discourage you!
                  • Youssef: 🍔🌵🧙‍♂️ Continue your journey with the grumpy shaman and see if he holds any clues to the quest. Remember to keep an eye out for anything that seems out of the ordinary and don’t be afraid to ask questions. Also, make sure to keep up with your website work as it may lead you to a valuable information!
                  • Xavier:🦊💰🛳️ Explore the floating casino and see if the fox busdriver’s clues lead you to the golden banana. Don’t be afraid to take risks and think outside the box, as the golden banana may not be what it seems. Keep an open mind and pay attention to any symbols or clues that you come across.
                  #6450

                  In reply to: Orbs of Madjourneys

                  The images were forming on the screen of the VR set, a little blurry to start with, but taking some shapes, and with a few clicks in the right direction, the reality around him was transphormed as if he’d been into a huge deFørmiñG mirror, that they could shape with their strangest thoughts.

                  The jungle had an oppressing quality… Maybe it has to do with the shrieks of the apes tearing the silence apart. :yahoo_monkey:   All sorts of them were gathered overhead, gibbons, baboons, chimps and Barbery apes, macaques and marmosets… some silent, but most of them in a swirl of manic agitation.

                  When Xavier entered the ancient blue stone temple, he felt his quest was doomed from the start. It had taken a while to find the monkey’s sacred temple hidden deep within the jungle in which clues were supposed to be found. Thanks to a prompt from Zara who’d stumbled into a map, and some gentle push from a wise Y🦉wl, he’d managed to locate the temple. It was right under his nose all along. Obviously all this a metaphor, but once he found the proper connecting link, getting the right setup for dealing with the task was easier.

                  So the monkeys were his and his RL colleagues crazy thoughts, and he’d even taken some fun in painting the faces of some of them into the game. He could hear Boss gorilla pounding his chest in the distance.

                  “F£££” he couldn’t help but grumble when the notification prompt got him out of his meditative point. The Golden Banana would have to wait… The real life monkeys were requiring his attention for now.

                  #6421
                  TracyTracy
                  Participant

                    Aunt Idle:

                    You won’t beleive this, I said to Mater, and she said I probably won’t before giving me a chance to finish.  I ignored her as usual and told her about the bookings.   Bookings, she screeched like a demented parrot, bookings? Since when did we have bookings.   She even had the cheek to tell me I was living in the past, imagining we had bookings.  I told her she was the one living in the past, the past when we had no bookings, and that I was living in the present because we had four people booked to stay at the inn, and we did indeed have bookings and that she should take off that old red pantsuit and put something practical on because we had a great deal of cleaning to do.  Then she did her screeching parrot routine with the word cleaning, and I left her to it and went to tell Bert.

                    I don’t know what I’d have done without good old Bert over the years. I started to get a bit screechy myself with the panic when I was telling him, but he calmed me right down and started to make a list of the things that needed doing in order of importance.  Start with preparing a bedroom each, he said, and get Mater to go down to the kitchen and make a shopping list.  I said Bert are you sure that’s wise, Mater in charge of supplies, and he said no it aint wise but who else is going to do it?

                    I left Bert clanging away with the boiler trying to get some hot water out of it, and went to get some dusters and a broom and had to dust them off a bit, been a long time since anyone looked in the broom cupboard, and lo and behold Mater appears dressed as a 17th century serving wench.  I let that pass without comment, but I did tell her to try and be sensible with the shopping list.

                    #6362
                    ÉricÉric
                    Keymaster

                      write a short story based on the following cloud of words:

                      pride bet shouted lit wibberly case highly ours unless paid spend twice gay talking heads elizabeth in entries drink kill baker

                      :fleuron:

                      “Gay baker triumphs over adversity”

                      Once upon a time, there was a gay baker named Elizabeth who took a great deal of pride in her craft. She spent twice the amount of money on high-quality ingredients and put in extra effort to make her baked goods stand out from the rest. However, her small town was not particularly accepting of the LGBT community, and she often faced discrimination from her neighbors.

                      One day, a group of men from the town entered her bakery and began shouting homophobic slurs at her. Elizabeth, feeling hurt and humiliated, decided that she would not let their hateful words get to her. She refused to back down and instead, decided to put all of her energy into creating a spectacular cake for the annual county fair.

                      She worked tirelessly on the cake, putting in long hours and experimenting with new flavors and techniques. The day of the fair finally arrived and Elizabeth brought her entry to be judged. To her surprise and delight, her cake was declared the winner and she was awarded a blue ribbon.

                      As she stood on stage holding her ribbon, Elizabeth couldn’t help but think about the men who had shouted at her in her bakery. She realized that their words no longer had power over her and she felt a sense of vindication. She knew that she had proven to herself and to her community that she was a skilled baker and a worthy member of society, regardless of her sexual orientation.

                      Feeling elated, Elizabeth closed the bakery for the day and went to the local bar where she met her friends, and they all drinks together, she was happy and felt like nothing can bring her down, as she went back home she felt like a new person, someone who has overcome prejudice and discrimination, she felt like a winner not just in the fair but in life.

                      The end.

                      #6340
                      TracyTracy
                      Participant

                        Wheelwrights of Broadway

                        Thomas Stokes 1816-1885

                        Frederick Stokes 1845-1917

                        Stokes Wheelwrights

                        Stokes Wheelwrights. Fred on left of wheel, Thomas his father on right.

                        Thomas Stokes

                        Thomas Stokes was born in Bicester, Oxfordshire in 1816. He married Eliza Browning (born in 1814 in Tetbury, Gloucestershire) in Gloucester in 1840 Q3. Their first son William was baptised in Chipping Hill, Witham, Essex, on 3 Oct 1841. This seems a little unusual, and I can’t find Thomas and Eliza on the 1841 census. However both the 1851 and 1861 census state that William was indeed born in Essex.

                        In 1851 Thomas and Eliza were living in Bledington, Gloucestershire, and Thomas was a journeyman carpenter.

                        Note that a journeyman does not mean someone who moved around a lot. A journeyman was a tradesman who had served his trade apprenticeship and mastered his craft, not bound to serve a master, but originally hired by the day. The name derives from the French for day – jour.

                        Also on the 1851 census: their daughter Susan, born in Churchill Oxfordshire in 1844; son Frederick born in Bledington Gloucestershire in 1846; daughter Louisa born in Foxcote Oxfordshire in 1849; and 2 month old daughter Harriet born in Bledington in 1851.

                        On the 1861 census Thomas and Eliza were living in Evesham, Worcestershire, and daughter Susan was no longer living at home, but William, Fred, Louisa and Harriet were, as well as daughter Emily born in Churchill Oxfordshire in 1856. Thomas was a wheelwright.

                        On the 1871 census Thomas and Eliza were still living in Evesham, and Thomas was a wheelwright employing three apprentices. Son Fred, also a wheelwright, and his wife Ann Rebecca live with them.

                        Mr Stokes, wheelwright, was found guilty of reprehensible conduct in concealing the fact that small-pox existed in his house, according to a mention in The Oxfordshire Weekly News on Wednesday 19 February 1873:

                        Stokes smallpox 1873

                         

                         

                        From Paul Weaver’s ancestry website:

                        “It was Thomas Stokes who built the first “Famous Vale of Evesham Light Gardening Dray for a Half-Legged Horse to Trot” (the quotation is from his account book), the forerunner of many that became so familiar a sight in the towns and villages from the 1860s onwards. He built many more for the use of the Vale gardeners.

                        Thomas also had long-standing business dealings with the people of the circus and fairgrounds, and had a contract to effect necessary repairs and renewals to their waggons whenever they visited the district. He built living waggons for many of the show people’s families as well as shooting galleries and other equipment peculiar to the trade of his wandering customers, and among the names figuring in his books are some still familiar today, such as Wilsons and Chipperfields.

                        He is also credited with inventing the wooden “Mushroom” which was used by housewives for many years to darn socks. He built and repaired all kinds of vehicles for the gentry as well as for the circus and fairground travellers.

                        Later he lived with his wife at Merstow Green, Evesham, in a house adjoining the Almonry.”

                         

                        An excerpt from the book Evesham Inns and Signs by T.J.S. Baylis:

                        Thomas Stokes dray

                        The Old Red Horse, Evesham:

                        Old Red Horse

                         

                        Thomas died in 1885 aged 68 of paralysis, bronchitis and debility.  His wife Eliza a year later in 1886.

                         

                        Frederick Stokes

                        In Worcester in 1870 Fred married Ann Rebecca Day, who was born in Evesham in 1845.

                        Ann Rebecca Day:

                        Rebecca Day

                         

                        In 1871 Fred was still living with his parents in Evesham, with his wife Ann Rebecca as well as their three month old daughter Annie Elizabeth. Fred and Ann (referred to as Rebecca) moved to La Quinta on Main Street, Broadway.

                         

                        Rebecca Stokes in the doorway of La Quinta on Main Street Broadway, with her grandchildren Ralph and Dolly Edwards:

                        La Quinta

                         

                        Fred was a wheelwright employing one man on the 1881 census. In 1891 they were still in Broadway, Fred’s occupation was wheelwright and coach painter, as well as his fifteen year old son Frederick.

                        In the Evesham Journal on Saturday 10 December 1892 it was reported that  “Two cases of scarlet fever, the children of Mr. Stokes, wheelwright, Broadway, were certified by Mr. C. W. Morris to be isolated.”

                         

                        Still in Broadway in 1901 and Fred’s son Albert was also a wheelwright.  By 1911 Fred and Rebecca had only one son living at home in Broadway, Reginald, who was a coach painter. Fred was still a wheelwright aged 65.

                        Fred’s signature on the 1911 census:

                        1911 La Quinta

                        Rebecca died in 1912 and Fred in 1917.

                        Fred Stokes:

                        Fred Stokes

                         

                        In the book Evesham to Bredon From Old Photographs By Fred Archer:

                        Stokes 1

                        Stokes 2

                        #6333
                        TracyTracy
                        Participant

                          The Grattidge Family

                           

                          The first Grattidge to appear in our tree was Emma Grattidge (1853-1911) who married Charles Tomlinson (1847-1907) in 1872.

                          Charles Tomlinson (1873-1929) was their son and he married my great grandmother Nellie Fisher. Their daughter Margaret (later Peggy Edwards) was my grandmother on my fathers side.

                          Emma Grattidge was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs, born in Burton on Trent, daughter of Solomon Stubbs, a land carrier. William and Mary married at St Modwens church, Burton on Trent, in 1839. It’s unclear why they moved to Wolverhampton. On the 1841 census William was employed as an agent, and their first son William was nine months old. Thereafter, William was a licensed victuallar or innkeeper.

                          William Grattidge was born in Foston, Derbyshire in 1820. His parents were Thomas Grattidge, farmer (1779-1843) and Ann Gerrard (1789-1822) from Ellastone. Thomas and Ann married in 1813 in Ellastone. They had five children before Ann died at the age of 25:

                          Bessy was born in 1815, Thomas in 1818, William in 1820, and Daniel Augustus and Frederick were twins born in 1822. They were all born in Foston. (records say Foston, Foston and Scropton, or Scropton)

                          On the 1841 census Thomas had nine people additional to family living at the farm in Foston, presumably agricultural labourers and help.

                          After Ann died, Thomas had three children with Kezia Gibbs (30 years his junior) before marrying her in 1836, then had a further four with her before dying in 1843. Then Kezia married Thomas’s nephew Frederick Augustus Grattidge (born in 1816 in Stafford) in London in 1847 and had two more!

                           

                          The siblings of William Grattidge (my 3x great grandfather):

                           

                          Frederick Grattidge (1822-1872) was a schoolmaster and never married. He died at the age of 49 in Tamworth at his twin brother Daniels address.

                          Daniel Augustus Grattidge (1822-1903) was a grocer at Gungate in Tamworth.

                          Thomas Grattidge (1818-1871) married in Derby, and then emigrated to Illinois, USA.

                          Bessy Grattidge  (1815-1840) married John Buxton, farmer, in Ellastone in January 1838. They had three children before Bessy died in December 1840 at the age of 25: Henry in 1838, John in 1839, and Bessy Buxton in 1840. Bessy was baptised in January 1841. Presumably the birth of Bessy caused the death of Bessy the mother.

                          Bessy Buxton’s gravestone:

                          “Sacred to the memory of Bessy Buxton, the affectionate wife of John Buxton of Stanton She departed this life December 20th 1840, aged 25 years. “Husband, Farewell my life is Past, I loved you while life did last. Think on my children for my sake, And ever of them with I take.”

                          20 Dec 1840, Ellastone, Staffordshire

                          Bessy Buxton

                           

                          In the 1843 will of Thomas Grattidge, farmer of Foston, he leaves fifth shares of his estate, including freehold real estate at Findern,  to his wife Kezia, and sons William, Daniel, Frederick and Thomas. He mentions that the children of his late daughter Bessy, wife of John Buxton, will be taken care of by their father.  He leaves the farm to Keziah in confidence that she will maintain, support and educate his children with her.

                          An excerpt from the will:

                          I give and bequeath unto my dear wife Keziah Grattidge all my household goods and furniture, wearing apparel and plate and plated articles, linen, books, china, glass, and other household effects whatsoever, and also all my implements of husbandry, horses, cattle, hay, corn, crops and live and dead stock whatsoever, and also all the ready money that may be about my person or in my dwelling house at the time of my decease, …I also give my said wife the tenant right and possession of the farm in my occupation….

                          A page from the 1843 will of Thomas Grattidge:

                          1843 Thomas Grattidge

                           

                          William Grattidges half siblings (the offspring of Thomas Grattidge and Kezia Gibbs):

                           

                          Albert Grattidge (1842-1914) was a railway engine driver in Derby. In 1884 he was driving the train when an unfortunate accident occured outside Ambergate. Three children were blackberrying and crossed the rails in front of the train, and one little girl died.

                          Albert Grattidge:

                          Albert Grattidge

                           

                          George Grattidge (1826-1876) was baptised Gibbs as this was before Thomas married Kezia. He was a police inspector in Derby.

                          George Grattidge:

                          George Grattidge

                           

                          Edwin Grattidge (1837-1852) died at just 15 years old.

                          Ann Grattidge (1835-) married Charles Fletcher, stone mason, and lived in Derby.

                          Louisa Victoria Grattidge (1840-1869) was sadly another Grattidge woman who died young. Louisa married Emmanuel Brunt Cheesborough in 1860 in Derby. In 1861 Louisa and Emmanuel were living with her mother Kezia in Derby, with their two children Frederick and Ann Louisa. Emmanuel’s occupation was sawyer. (Kezia Gibbs second husband Frederick Augustus Grattidge was a timber merchant in Derby)

                          At the time of her death in 1869, Emmanuel was the landlord of the White Hart public house at Bridgegate in Derby.

                          The Derby Mercury of 17th November 1869:

                          “On Wednesday morning Mr Coroner Vallack held an inquest in the Grand
                          Jury-room, Town-hall, on the body of Louisa Victoria Cheeseborough, aged
                          33, the wife of the landlord of the White Hart, Bridge-gate, who committed
                          suicide by poisoning at an early hour on Sunday morning. The following
                          evidence was taken:

                          Mr Frederick Borough, surgeon, practising in Derby, deposed that he was
                          called in to see the deceased about four o’clock on Sunday morning last. He
                          accordingly examined the deceased and found the body quite warm, but dead.
                          He afterwards made enquiries of the husband, who said that he was afraid
                          that his wife had taken poison, also giving him at the same time the
                          remains of some blue material in a cup. The aunt of the deceased’s husband
                          told him that she had seen Mrs Cheeseborough put down a cup in the
                          club-room, as though she had just taken it from her mouth. The witness took
                          the liquid home with him, and informed them that an inquest would
                          necessarily have to be held on Monday. He had made a post mortem
                          examination of the body, and found that in the stomach there was a great
                          deal of congestion. There were remains of food in the stomach and, having
                          put the contents into a bottle, he took the stomach away. He also examined
                          the heart and found it very pale and flabby. All the other organs were
                          comparatively healthy; the liver was friable.

                          Hannah Stone, aunt of the deceased’s husband, said she acted as a servant
                          in the house. On Saturday evening, while they were going to bed and whilst
                          witness was undressing, the deceased came into the room, went up to the
                          bedside, awoke her daughter, and whispered to her. but what she said the
                          witness did not know. The child jumped out of bed, but the deceased closed
                          the door and went away. The child followed her mother, and she also
                          followed them to the deceased’s bed-room, but the door being closed, they
                          then went to the club-room door and opening it they saw the deceased
                          standing with a candle in one hand. The daughter stayed with her in the
                          room whilst the witness went downstairs to fetch a candle for herself, and
                          as she was returning up again she saw the deceased put a teacup on the
                          table. The little girl began to scream, saying “Oh aunt, my mother is
                          going, but don’t let her go”. The deceased then walked into her bed-room,
                          and they went and stood at the door whilst the deceased undressed herself.
                          The daughter and the witness then returned to their bed-room. Presently
                          they went to see if the deceased was in bed, but she was sitting on the
                          floor her arms on the bedside. Her husband was sitting in a chair fast
                          asleep. The witness pulled her on the bed as well as she could.
                          Ann Louisa Cheesborough, a little girl, said that the deceased was her
                          mother. On Saturday evening last, about twenty minutes before eleven
                          o’clock, she went to bed, leaving her mother and aunt downstairs. Her aunt
                          came to bed as usual. By and bye, her mother came into her room – before
                          the aunt had retired to rest – and awoke her. She told the witness, in a
                          low voice, ‘that she should have all that she had got, adding that she
                          should also leave her her watch, as she was going to die’. She did not tell
                          her aunt what her mother had said, but followed her directly into the
                          club-room, where she saw her drink something from a cup, which she
                          afterwards placed on the table. Her mother then went into her own room and
                          shut the door. She screamed and called her father, who was downstairs. He
                          came up and went into her room. The witness then went to bed and fell
                          asleep. She did not hear any noise or quarrelling in the house after going
                          to bed.

                          Police-constable Webster was on duty in Bridge-gate on Saturday evening
                          last, about twenty minutes to one o’clock. He knew the White Hart
                          public-house in Bridge-gate, and as he was approaching that place, he heard
                          a woman scream as though at the back side of the house. The witness went to
                          the door and heard the deceased keep saying ‘Will you be quiet and go to
                          bed’. The reply was most disgusting, and the language which the
                          police-constable said was uttered by the husband of the deceased, was
                          immoral in the extreme. He heard the poor woman keep pressing her husband
                          to go to bed quietly, and eventually he saw him through the keyhole of the
                          door pass and go upstairs. his wife having gone up a minute or so before.
                          Inspector Fearn deposed that on Sunday morning last, after he had heard of
                          the deceased’s death from supposed poisoning, he went to Cheeseborough’s
                          public house, and found in the club-room two nearly empty packets of
                          Battie’s Lincoln Vermin Killer – each labelled poison.

                          Several of the Jury here intimated that they had seen some marks on the
                          deceased’s neck, as of blows, and expressing a desire that the surgeon
                          should return, and re-examine the body. This was accordingly done, after
                          which the following evidence was taken:

                          Mr Borough said that he had examined the body of the deceased and observed
                          a mark on the left side of the neck, which he considered had come on since
                          death. He thought it was the commencement of decomposition.
                          This was the evidence, after which the jury returned a verdict “that the
                          deceased took poison whilst of unsound mind” and requested the Coroner to
                          censure the deceased’s husband.

                          The Coroner told Cheeseborough that he was a disgusting brute and that the
                          jury only regretted that the law could not reach his brutal conduct.
                          However he had had a narrow escape. It was their belief that his poor
                          wife, who was driven to her own destruction by his brutal treatment, would
                          have been a living woman that day except for his cowardly conduct towards
                          her.

                          The inquiry, which had lasted a considerable time, then closed.”

                           

                          In this article it says:

                          “it was the “fourth or fifth remarkable and tragical event – some of which were of the worst description – that has taken place within the last twelve years at the White Hart and in the very room in which the unfortunate Louisa Cheesborough drew her last breath.”

                          Sheffield Independent – Friday 12 November 1869:

                          Louisa Cheesborough

                          #6306
                          TracyTracy
                          Participant

                            Looking for Robert Staley

                             

                            William Warren (1835-1880) of Newhall (Stapenhill) married Elizabeth Staley (1836-1907) in 1858. Elizabeth was born in Newhall, the daughter of John Staley (1795-1876) and Jane Brothers. John was born in Newhall, and Jane was born in Armagh, Ireland, and they were married in Armagh in 1820. Elizabeths older brothers were born in Ireland: William in 1826 and Thomas in Dublin in 1830. Francis was born in Liverpool in 1834, and then Elizabeth in Newhall in 1836; thereafter the children were born in Newhall.

                            Marriage of John Staley and Jane Brothers in 1820:

                            1820 marriage Armagh

                             

                             

                            My grandmother related a story about an Elizabeth Staley who ran away from boarding school and eloped to Ireland, but later returned. The only Irish connection found so far is Jane Brothers, so perhaps she meant Elizabeth Staley’s mother. A boarding school seems unlikely, and it would seem that it was John Staley who went to Ireland.

                            The 1841 census states Jane’s age as 33, which would make her just 12 at the time of her marriage. The 1851 census states her age as 44, making her 13 at the time of her 1820 marriage, and the 1861 census estimates her birth year as a more likely 1804. Birth records in Ireland for her have not been found. It’s possible, perhaps, that she was in service in the Newhall area as a teenager (more likely than boarding school), and that John and Jane ran off to get married in Ireland, although I haven’t found any record of a child born to them early in their marriage. John was an agricultural labourer, and later a coal miner.

                            John Staley was the son of Joseph Staley (1756-1838) and Sarah Dumolo (1764-). Joseph and Sarah were married by licence in Newhall in 1782. Joseph was a carpenter on the marriage licence, but later a collier (although not necessarily a miner).

                            The Derbyshire Record Office holds records of  an “Estimate of Joseph Staley of Newhall for the cost of continuing to work Pisternhill Colliery” dated 1820 and addresssed to Mr Bloud at Calke Abbey (presumably the owner of the mine)

                            Josephs parents were Robert Staley and Elizabeth. I couldn’t find a baptism or birth record for Robert Staley. Other trees on an ancestry site had his birth in Elton, but with no supporting documents. Robert, as stated in his 1795 will, was a Yeoman.

                            “Yeoman: A former class of small freeholders who farm their own land; a commoner of good standing.”
                            “Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.”

                            He left a number of properties in Newhall and Hartshorne (near Newhall) including dwellings, enclosures, orchards, various yards, barns and acreages. It seemed to me more likely that he had inherited them, rather than moving into the village and buying them.

                            There is a mention of Robert Staley in a 1782 newpaper advertisement.

                            “Fire Engine To Be Sold.  An exceedingly good fire engine, with the boiler, cylinder, etc in good condition. For particulars apply to Mr Burslem at Burton-upon-Trent, or Robert Staley at Newhall near Burton, where the engine may be seen.”

                            fire engine

                             

                            Was the fire engine perhaps connected with a foundry or a coal mine?

                            I noticed that Robert Staley was the witness at a 1755 marriage in Stapenhill between Barbara Burslem and Richard Daston the younger esquire. The other witness was signed Burslem Jnr.

                             

                            Looking for Robert Staley

                             

                            I assumed that once again, in the absence of the correct records, a similarly named and aged persons baptism had been added to the tree regardless of accuracy, so I looked through the Stapenhill/Newhall parish register images page by page. There were no Staleys in Newhall at all in the early 1700s, so it seemed that Robert did come from elsewhere and I expected to find the Staleys in a neighbouring parish. But I still didn’t find any Staleys.

                            I spoke to a couple of Staley descendants that I’d met during the family research. I met Carole via a DNA match some months previously and contacted her to ask about the Staleys in Elton. She also had Robert Staley born in Elton (indeed, there were many Staleys in Elton) but she didn’t have any documentation for his birth, and we decided to collaborate and try and find out more.

                            I couldn’t find the earlier Elton parish registers anywhere online, but eventually found the untranscribed microfiche images of the Bishops Transcripts for Elton.

                            via familysearch:
                            “In its most basic sense, a bishop’s transcript is a copy of a parish register. As bishop’s transcripts generally contain more or less the same information as parish registers, they are an invaluable resource when a parish register has been damaged, destroyed, or otherwise lost. Bishop’s transcripts are often of value even when parish registers exist, as priests often recorded either additional or different information in their transcripts than they did in the original registers.”

                             

                            Unfortunately there was a gap in the Bishops Transcripts between 1704 and 1711 ~ exactly where I needed to look. I subsequently found out that the Elton registers were incomplete as they had been damaged by fire.

                            I estimated Robert Staleys date of birth between 1710 and 1715. He died in 1795, and his son Daniel died in 1805: both of these wills were found online. Daniel married Mary Moon in Stapenhill in 1762, making a likely birth date for Daniel around 1740.

                            The marriage of Robert Staley (assuming this was Robert’s father) and Alice Maceland (or Marsland or Marsden, depending on how the parish clerk chose to spell it presumably) was in the Bishops Transcripts for Elton in 1704. They were married in Elton on 26th February. There followed the missing parish register pages and in all likelihood the records of the baptisms of their first children. No doubt Robert was one of them, probably the first male child.

                            (Incidentally, my grandfather’s Marshalls also came from Elton, a small Derbyshire village near Matlock.  The Staley’s are on my grandmothers Warren side.)

                            The parish register pages resume in 1711. One of the first entries was the baptism of Robert Staley in 1711, parents Thomas and Ann. This was surely the one we were looking for, and Roberts parents weren’t Robert and Alice.

                            But then in 1735 a marriage was recorded between Robert son of Robert Staley (and this was unusual, the father of the groom isn’t usually recorded on the parish register) and Elizabeth Milner. They were married on the 9th March 1735. We know that the Robert we were looking for married an Elizabeth, as her name was on the Stapenhill baptisms of their later children, including Joseph Staleys.  The 1735 marriage also fit with the assumed birth date of Daniel, circa 1740. A baptism was found for a Robert Staley in 1738 in the Elton registers, parents Robert and Elizabeth, as well as the baptism in 1736 for Mary, presumably their first child. Her burial is recorded the following year.

                            The marriage of Robert Staley and Elizabeth Milner in 1735:

                            rbt staley marriage 1735

                             

                            There were several other Staley couples of a similar age in Elton, perhaps brothers and cousins. It seemed that Thomas and Ann’s son Robert was a different Robert, and that the one we were looking for was prior to that and on the missing pages.

                            Even so, this doesn’t prove that it was Elizabeth Staleys great grandfather who was born in Elton, but no other birth or baptism for Robert Staley has been found. It doesn’t explain why the Staleys moved to Stapenhill either, although the Enclosures Act and the Industrial Revolution could have been factors.

                            The 18th century saw the rise of the Industrial Revolution and many renowned Derbyshire Industrialists emerged. They created the turning point from what was until then a largely rural economy, to the development of townships based on factory production methods.

                            The Marsden Connection

                            There are some possible clues in the records of the Marsden family.  Robert Staley married Alice Marsden (or Maceland or Marsland) in Elton in 1704.  Robert Staley is mentioned in the 1730 will of John Marsden senior,  of Baslow, Innkeeper (Peacock Inne & Whitlands Farm). He mentions his daughter Alice, wife of Robert Staley.

                            In a 1715 Marsden will there is an intriguing mention of an alias, which might explain the different spellings on various records for the name Marsden:  “MARSDEN alias MASLAND, Christopher – of Baslow, husbandman, 28 Dec 1714. son Robert MARSDEN alias MASLAND….” etc.

                            Some potential reasons for a move from one parish to another are explained in this history of the Marsden family, and indeed this could relate to Robert Staley as he married into the Marsden family and his wife was a beneficiary of a Marsden will.  The Chatsworth Estate, at various times, bought a number of farms in order to extend the park.

                            THE MARSDEN FAMILY
                            OXCLOSE AND PARKGATE
                            In the Parishes of
                            Baslow and Chatsworth

                            by
                            David Dalrymple-Smith

                            John Marsden (b1653) another son of Edmund (b1611) faired well. By the time he died in
                            1730 he was publican of the Peacock, the Inn on Church Lane now called the Cavendish
                            Hotel, and the farmer at “Whitlands”, almost certainly Bubnell Cliff Farm.”

                            “Coal mining was well known in the Chesterfield area. The coalfield extends as far as the
                            Gritstone edges, where thin seams outcrop especially in the Baslow area.”

                            “…the occupants were evicted from the farmland below Dobb Edge and
                            the ground carefully cleared of all traces of occupation and farming. Shelter belts were
                            planted especially along the Heathy Lea Brook. An imposing new drive was laid to the
                            Chatsworth House with the Lodges and “The Golden Gates” at its northern end….”

                            Although this particular event was later than any events relating to Robert Staley, it’s an indication of how farms and farmland disappeared, and a reason for families to move to another area:

                            “The Dukes of Devonshire (of Chatsworth)  were major figures in the aristocracy and the government of the
                            time. Such a position demanded a display of wealth and ostentation. The 6th Duke of
                            Devonshire, the Bachelor Duke, was not content with the Chatsworth he inherited in 1811,
                            and immediately started improvements. After major changes around Edensor, he turned his
                            attention at the north end of the Park. In 1820 plans were made extend the Park up to the
                            Baslow parish boundary. As this would involve the destruction of most of the Farm at
                            Oxclose, the farmer at the Higher House Samuel Marsden (b1755) was given the tenancy of
                            Ewe Close a large farm near Bakewell.
                            Plans were revised in 1824 when the Dukes of Devonshire and Rutland “Exchanged Lands”,
                            reputedly during a game of dice. Over 3300 acres were involved in several local parishes, of
                            which 1000 acres were in Baslow. In the deal Devonshire acquired the southeast corner of
                            Baslow Parish.
                            Part of the deal was Gibbet Moor, which was developed for “Sport”. The shelf of land
                            between Parkgate and Robin Hood and a few extra fields was left untouched. The rest,
                            between Dobb Edge and Baslow, was agricultural land with farms, fields and houses. It was
                            this last part that gave the Duke the opportunity to improve the Park beyond his earlier
                            expectations.”

                             

                            The 1795 will of Robert Staley.

                            Inriguingly, Robert included the children of his son Daniel Staley in his will, but omitted to leave anything to Daniel.  A perusal of Daniels 1808 will sheds some light on this:  Daniel left his property to his six reputed children with Elizabeth Moon, and his reputed daughter Mary Brearly. Daniels wife was Mary Moon, Elizabeths husband William Moons daughter.

                            The will of Robert Staley, 1795:

                            1795 will 2

                            1795 Rbt Staley will

                             

                            The 1805 will of Daniel Staley, Robert’s son:

                            This is the last will and testament of me Daniel Staley of the Township of Newhall in the parish of Stapenhill in the County of Derby, Farmer. I will and order all of my just debts, funeral and testamentary expenses to be fully paid and satisfied by my executors hereinafter named by and out of my personal estate as soon as conveniently may be after my decease.

                            I give, devise and bequeath to Humphrey Trafford Nadin of Church Gresely in the said County of Derby Esquire and John Wilkinson of Newhall aforesaid yeoman all my messuages, lands, tenements, hereditaments and real and personal estates to hold to them, their heirs, executors, administrators and assigns until Richard Moon the youngest of my reputed sons by Elizabeth Moon shall attain his age of twenty one years upon trust that they, my said trustees, (or the survivor of them, his heirs, executors, administrators or assigns), shall and do manage and carry on my farm at Newhall aforesaid and pay and apply the rents, issues and profits of all and every of my said real and personal estates in for and towards the support, maintenance and education of all my reputed children by the said Elizabeth Moon until the said Richard Moon my youngest reputed son shall attain his said age of twenty one years and equally share and share and share alike.

                            And it is my will and desire that my said trustees or trustee for the time being shall recruit and keep up the stock upon my farm as they in their discretion shall see occasion or think proper and that the same shall not be diminished. And in case any of my said reputed children by the said Elizabeth Moon shall be married before my said reputed youngest son shall attain his age of twenty one years that then it is my will and desire that non of their husbands or wives shall come to my farm or be maintained there or have their abode there. That it is also my will and desire in case my reputed children or any of them shall not be steady to business but instead shall be wild and diminish the stock that then my said trustees or trustee for the time being shall have full power and authority in their discretion to sell and dispose of all or any part of my said personal estate and to put out the money arising from the sale thereof to interest and to pay and apply the interest thereof and also thereunto of the said real estate in for and towards the maintenance, education and support of all my said reputed children by the said
                            Elizabeth Moon as they my said trustees in their discretion that think proper until the said Richard Moon shall attain his age of twenty one years.

                            Then I give to my grandson Daniel Staley the sum of ten pounds and to each and every of my sons and daughters namely Daniel Staley, Benjamin Staley, John Staley, William Staley, Elizabeth Dent and Sarah Orme and to my niece Ann Brearly the sum of five pounds apiece.

                            I give to my youngest reputed son Richard Moon one share in the Ashby Canal Navigation and I direct that my said trustees or trustee for the time being shall have full power and authority to pay and apply all or any part of the fortune or legacy hereby intended for my youngest reputed son Richard Moon in placing him out to any trade, business or profession as they in their discretion shall think proper.
                            And I direct that to my said sons and daughters by my late wife and my said niece shall by wholly paid by my said reputed son Richard Moon out of the fortune herby given him. And it is my will and desire that my said reputed children shall deliver into the hands of my executors all the monies that shall arise from the carrying on of my business that is not wanted to carry on the same unto my acting executor and shall keep a just and true account of all disbursements and receipts of the said business and deliver up the same to my acting executor in order that there may not be any embezzlement or defraud amongst them and from and immediately after my said reputed youngest son Richard Moon shall attain his age of twenty one years then I give, devise and bequeath all my real estate and all the residue and remainder of my personal estate of what nature and kind whatsoever and wheresoever unto and amongst all and every my said reputed sons and daughters namely William Moon, Thomas Moon, Joseph Moon, Richard Moon, Ann Moon, Margaret Moon and to my reputed daughter Mary Brearly to hold to them and their respective heirs, executors, administrator and assigns for ever according to the nature and tenure of the same estates respectively to take the same as tenants in common and not as joint tenants.

                            And lastly I nominate and appoint the said Humphrey Trafford Nadin and John Wilkinson executors of this my last will and testament and guardians of all my reputed children who are under age during their respective minorities hereby revoking all former and other wills by me heretofore made and declaring this only to be my last will.

                            In witness whereof I the said Daniel Staley the testator have to this my last will and testament set my hand and seal the eleventh day of March in the year of our Lord one thousand eight hundred and five.

                             

                            #6291
                            TracyTracy
                            Participant

                              Jane Eaton

                              The Nottingham Girl

                               

                              Jane Eaton 1809-1879

                              Francis Purdy, the Beggarlea Bulldog and Methodist Minister, married Jane Eaton in 1837 in Nottingham. Jane was his second wife.

                              Jane Eaton, photo says “Grandma Purdy” on the back:

                              Jane Eaton

                               

                              Jane is described as a “Nottingham girl” in a book excerpt sent to me by Jim Giles, a relation who shares the same 3x great grandparents, Francis and Jane Purdy.

                              Jane Eaton Nottingham

                              Jane Eaton 2

                               

                              Elizabeth, Francis Purdy’s first wife, died suddenly at chapel in 1836, leaving nine children.

                              On Christmas day the following year Francis married Jane Eaton at St Peters church in Nottingham. Jane married a Methodist Minister, and didn’t realize she married the bare knuckle fighter she’d seen when she was fourteen until he undressed and she saw his scars.

                              jane eaton 3

                               

                              William Eaton 1767-1851

                              On the marriage certificate Jane’s father was William Eaton, occupation gardener. Francis’s father was William Purdy, engineer.

                              On the 1841 census living in Sollory’s Yard, Nottingham St Mary, William Eaton was a 70 year old gardener. It doesn’t say which county he was born in but indicates that it was not Nottinghamshire. Living with him were Mary Eaton, milliner, age 35, Mary Eaton, milliner, 15, and Elizabeth Rhodes age 35, a sempstress (another word for seamstress). The three women were born in Nottinghamshire.

                              But who was Elizabeth Rhodes?

                              Elizabeth Eaton was Jane’s older sister, born in 1797 in Nottingham. She married William Rhodes, a private in the 5th Dragoon Guards, in Leeds in October 1815.

                              I looked for Elizabeth Rhodes on the 1851 census, which stated that she was a widow. I was also trying to determine which William Eaton death was the right one, and found William Eaton was still living with Elizabeth in 1851 at Pilcher Gate in Nottingham, but his name had been entered backwards: Eaton William. I would not have found him on the 1851 census had I searched for Eaton as a last name.

                              Pilcher Gate gets its strange name from pilchers or fur dealers and was once a very narrow thoroughfare. At the lower end stood a pub called The Windmill – frequented by the notorious robber and murderer Charlie Peace.

                              This was a lucky find indeed, because William’s place of birth was listed as Grantham, Lincolnshire. There were a couple of other William Eaton’s born at the same time, both near to Nottingham. It was tricky to work out which was the right one, but as it turned out, neither of them were.

                              William Eaton Grantham

                               

                              Now we had Nottinghamshire and Lincolnshire border straddlers, so the search moved to the Lincolnshire records.
                              But first, what of the two Mary Eatons living with William?

                              William and his wife Mary had a daughter Mary in 1799 who died in 1801, and another daughter Mary Ann born in 1803. (It was common to name children after a previous infant who had died.)  It seems that Mary Ann didn’t marry but had a daughter Mary Eaton born in 1822.

                              William and his wife Mary also had a son Richard Eaton born in 1801 in Nottingham.

                              Who was William Eaton’s wife Mary?

                              There are two possibilities: Mary Cresswell and a marriage in Nottingham in 1797, or Mary Dewey and a marriage at Grantham in 1795. If it’s Mary Cresswell, the first child Elizabeth would have been born just four or five months after the wedding. (This was far from unusual). However, no births in Grantham, or in Nottingham, were recorded for William and Mary in between 1795 and 1797.

                              We don’t know why William moved from Grantham to Nottingham or when he moved there. According to Dearden’s 1834 Nottingham directory, William Eaton was a “Gardener and Seedsman”.

                              gardener and seedsan William Eaton

                              There was another William Eaton selling turnip seeds in the same part of Nottingham. At first I thought it must be the same William, but apparently not, as that William Eaton is recorded as a victualler, born in Ruddington. The turnip seeds were advertised in 1847 as being obtainable from William Eaton at the Reindeer Inn, Wheeler Gate. Perhaps he was related.

                              William lived in the Lace Market part of Nottingham.   I wondered where a gardener would be working in that part of the city.  According to CreativeQuarter website, “in addition to the trades and housing (sometimes under the same roof), there were a number of splendid mansions being built with extensive gardens and orchards. Sadly, these no longer exist as they were gradually demolished to make way for commerce…..The area around St Mary’s continued to develop as an elegant residential district during the seventeenth and eighteenth centuries, with buildings … being built for nobility and rich merchants.”

                              William Eaton died in Nottingham in September 1851, thankfully after the census was taken recording his place of birth.

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