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Keymaster

Helix 25 – The Genetic Puzzle

Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)

On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.

She took a sip of her long-cold tea and exhaled sharply.

Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.

The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.

Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.

Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.

But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.

Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.

Except in this case, there was evidence that something had triggered them.

The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.

And more surprisingly… it wasn’t truly random.

Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.

The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…

She rubbed her forehead.

“Impossible.”

And yet—here was the data.

On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.

Earth – The Quiz Night Reveal

The Golden Trowel, Hungary

The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.

Once the postcards shared, everyone was listening as Tala addressed the group.

“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”

Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.

She turned toward Vera, who was already inspecting her own card with keen interest.

“Tower of London, anything exciting to share?”

Vera arched a perfectly sculpted eyebrow, lips curving in amusement.

“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”

She spun the postcard between her fingers before answering.

“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”

“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”

Molly inhaled sharply.

Remnants of the Lady of the Lake ?

Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.

If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…

Her fingers tightened around the postcard.

Unless there was something behind her ravings?

Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”

Finja had spent most of the evening pretending not to exist.

But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.

“Alright,” she muttered. “But just one.”

Molly exhaled in relief.

The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.

Because it wasn’t just Molly who wanted to ask.

Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.

Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.

So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.

Finja closed her eyes.

The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.

The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.

She reached out—

And the voices crashed into her.

Too much. Too many.

Hundreds of voices, drowning her in longing and loss.

“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”

Her head snapped back, breath shattering into gasps.

The crowd held its breath.

A dozen pairs of eyes, wide and unblinking.

Finja clenched her fists. She had to shut it down. She had to—

And then—

Something else.

A presence. Watching.

Synthia.

Her chest seized.

There was no logical way for an AI to interfere with telepathic frequencies.

And yet—

She felt it.

A subtle distortion. A foreign hand pressing against the link, observing.

The ship knew.

Finja jerked back, knocking over her chair.

The bar erupted into chaos.

“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”

Her breath came in short, panicked bursts.

She had never thought about the consequences of calling out across space.

But now…

Now she knew.

They were not the last survivors. Other lived and thrived beyond Earth.

And Synthia wanted to keep it that way.

Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.

They were coming back.

March 1, 2025 at 12:41 pm #7847

In reply to: The Last Cruise of Helix 25

Jib

Participant

Helix 25 – The Lexican Quarters – Anuí’s Chambers

Anuí Naskó had been many things in their life—historian, philosopher, linguist, nuisance. But a father? No. No, that was entirely new.

And yet, here they were, rocking a very tiny, very loud creature wrapped in Lexican ceremonial cloth, embroidered with the full unpronounceable name bestowed upon it just moments ago: Hšyra-Mak-Talún i Ešvar—”He Who Cries the Arrival of the Infinite Spiral.”

The baby did, indeed, cry.

“Why do you scream at me?” Anuí muttered, swaying slightly, more in a daze than any real instinct to soothe. “I did not birth you. I did not know you existed until three hours ago. And yet, you are here, squalling, because your other father and your mother have decided to fulfill the Prophecy of the Spiral Throne.”

The Prophecy. The one that spoke of the moment the world would collapse and the Lexicans would ascend. The one nobody took seriously. Until now.

Zoya Kade, sitting across from them, watched with narrowed, calculating eyes. “And what exactly does that entail? This Lexican Dynasty?”

Anuí sighed, looking down at the writhing child who was trying to suck on their sleeves, still stained with the remnants of the protein paste they had spent the better part of the morning brewing. The Atrium’s walls needed to be prepared, after all—Kio’ath could not write the sigils without the proper medium. And as the cycles dictated, the medium must be crafted, fermented, and blessed by the hand of one who walks between identities. It had been a tedious, smelly process, but Anuí had endured worse in the name of preservation.

“Patterns repeat, cycles fold inward.” “Patterns repeat, cycles fold inward. The old texts speak of it, the words carved into the silent bones of forgotten tongues. This, Zoya, is no mere madness. This is the resurgence of what was foretold. A dynasty cannot exist without succession, and history does not move without inheritors. They believe they are ensuring the inevitability of their rise. And they might not be wrong.”

They adjusted their grip on the child, murmuring a phrase in a language so old it barely survived in the archives. “Tz’uran velth ka’an, the root that binds to the branch, the branch that binds to the sky. Our truths do not stand alone.”

The baby flailed, screaming louder. “Yes, yes, you are the heir,” Anuí murmured, bouncing it with more confidence. “Your lineage has been declared, your burden assigned. Accept it and be silent.” “Well, apparently it requires me to be a single parent while they go forth and multiply, securing ‘heirs to the truth.’ A dynasty is no good without an heir and a spare, you see.”

The baby flailed, screaming even louder. “Yes, yes, you are the heir,” Anuí murmured with a hint of irritation, bouncing the baby awkwardly. “You have been declared. Please, cease wailing now.”

Zoya exhaled through her nose, somewhere between disbelief and mild amusement. “And in the middle of all this divine nonsense, the Lexicans have chosen to back me?”

Anuí arched a delicate brow, shifting the baby to one arm with newfound ease. “Of course. The truth-seeker is foretold. The woman who speaks with voices of the past. We have our empire; you are our harbinger.”

Zoya’s lips twitched. “Your empire consists of thirty-eight highly unstable academics and a baby.”

“Thirty-nine. Kio’ath returned from exile yesterday,” Anuí corrected. “They claim the moons have been whispering.”

“Ah. Of course they have.”

Zoya fell silent, fingers tracing the worn etchings of her chair’s armrest. The ship’s hum pressed into her bones, the weight of something stirring in her mind, something old, something waiting.

Anuí’s gaze sharpened, the edges of their thoughts aligning like an ancient lexicon unfurling in front of them. “And now you are hearing it, aren’t you? The echoes of something that was always there. The syllables of the past, reshaped by new tongues, waiting for recognition. The Lexican texts spoke of a fracture in the line, a leader divided, a bridge yet to be found.”

They took a slow breath, fingers tightening over the child’s swaddled form. “The prophecy is not a single moment, Zoya. It is layers upon layers, intersecting at the point where chaos demands order. Where the unseen hand corrects its own forgetting. This is why they back you. Not because you seek the truth, but because you are the conduit through which it must pass.”

Zoya’s breath shallowed. A warmth curled in her chest, not of her own making. Her fingers twitched as if something unseen traced over them, urging her forward. The air around her thickened, charged.

She knew this feeling.

Her head tipped back, and when she spoke, it was not entirely her own voice.

“The past rises in bloodlines and memory,” she intoned, eyes unfocused, gaze burning through Anuí. “The lost sibling walks beneath the ice. The leader sleeps, but he must awaken, for the Spiral Throne cannot stand alone.”

Anuí’s pulse skipped. “Zoya—”

The baby let out a startled hiccup.

But Zoya did not stop.

“The essence calls, older than names, older than the cycle. I am Achaia-Vor, the Echo of Sundered Lineage. The Lost, The Twin, The Nameless Seed. The Spiral cannot turn without its axis. Awaken Victor Holt. He is the lock. You are the key. The path is drawn.

“The cycle bends but does not break. Across the void, the lost ones linger, their voices unheard, their blood unclaimed. The Link must be found. The Speaker walks unknowingly, divided across two worlds. The bridge between past and present, between silence and song. The Marlowe thread is cut, yet the weave remains. To see, you must seek the mirrored souls. To open the path, the twins must speak.”

Achaia-Vor. The name vibrated through the air, curling through the folds of Anuí’s mind like a forgotten melody.

Zoya’s eyes rolled back, body jerking as if caught between two timelines, two truths. She let out a breathless whisper, almost longing.

“Victor, my love. He is waiting for me. I must bring him back.”

Anuí cradled the baby closer, and for the first time, they saw the prophecy not as doctrine but as inevitability. The patterns were aligning—the cut thread of the Marlowes, the mirrored souls, the bridge that must be found.

“It is always the same,” they murmured, almost to themselves. “An axis must be turned, a voice must rise. We have seen this before, written in languages long burned to dust. The same myth, the same cycle, only the names change.”

They met Zoya’s gaze, the air between them thick with the weight of knowing. “And now, we must find the Speaker. Before another voice is silenced.”

“Well,” they muttered, exhaling slowly. “This just got significantly more complicated.”

The baby cooed.

Zoya Kade smiled.

February 15, 2025 at 12:20 pm #7799

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Lower Decks – Secretive Adjustments

Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.

Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.

Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.

The Hold was where she found Luca Stroud.

A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.

Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”

Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”

Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.

Sue’s expression turned sharp. “You know why I can’t.”

Luca said nothing, but his smirk spoke volumes.

There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.

Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”

“Well, forgive me for using my own legs.”

He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”

Sue gave a slow, knowing smile. “And what minor favors will you require this time?”

Luca leaned back, thoughtful. “Information. Since you’re generous with it.”

She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”

He adjusted a component with expert hands. “Tell me about the murder.”

Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”

“They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”

She studied him, his interest piquing her own. “So you think it was a real murder.”

Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”

Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”

Luca glanced up, intrigued. “How far?”

Sue leaned in, voice hushed. “Crusader far.”

He let out a low whistle, shaking his head. “That’s… new.”

She tilted her head. “What does that mean to you?”

Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”

Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”

Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”

Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”

Luca smirked. “You always do.”

As she rose to leave, she paused at the door. “Oh, one last thing, dear.”

Luca glanced at her. “What?”

Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”

The question hung between them.

Luca narrowed his eyes. “Nobody’s ever met the Captain.”

She nodded, satisfied, and left him to his thoughts.

February 15, 2025 at 9:21 am #7789

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Poop Deck – The Jardenery

Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.

Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.

Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”

Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.

A flicker of light.

“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”

Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.

“No, indeed. I’m admiring this.” She turned the screen toward them.

The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.

Evie frowned. “What are we looking at?”

Amara pinched the bridge of her nose. “A genetic anomaly.”

Riven crossed his arms. “You’ll have to be more specific.”

Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”

Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”

Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”

Silence stretched between them.

Finally, Riven scoffed. “That’s impossible.”

TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”

Evie’s mind raced. “Could the database be corrupted?”

Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.

Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”

Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”

TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”

Evie turned toward Amara. “Did Herbert ever come here?”

Before Amara could answer, a voice cut through the foliage.

“Herbert?”

They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.

Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”

Evie stepped closer. “What did he want?”

Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”

Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”

Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”

Evie stiffened. TP let out an appreciative hum.

“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”

Riven scowled. “That’s a bit dramatic.”

Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”

Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.

She turned to Amara. “You wrote this?”

Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”

Evie closed the book. “Looks like someone didn’t agree.”

Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”

TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”

Riven rolled his eyes. “Let’s go.”

As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.

February 9, 2025 at 7:22 am #7777

In reply to: The Last Cruise of Helix 25

F Love

Participant

The Survivors:

“Well, I’ll be damned,” Gregor said, his face cracking into another toothless grin. “Beginning to think we might be the last ones.”

“So did we.” Molly glanced nervously around at the odd assortment of people staring at her and Tundra. “I’m Molly. This is Tundra.”

“Tundra? Like the frozen wasteland?” Yulia asked.

Tundra nodded. “It’s because I’m strong and tough.”

“Would you like to join us?” Tala motioned toward the fire.

“Yes, yes, of course, ” Anya said. “Are you hungry?”

Molly hesitated, glancing toward the edge of the clearing, where their horses stood tethered to a low branch. “We have food,” she said. “We foraged.”

“I’d have foraged if someone didn’t keep going on about food poisoning,” Yulia muttered.

Finja sniffed. “Forgive me for trying to keep you alive.”

Molly watched the exchange with interest. It had been years since she’d seen people bicker over something so trivial. It was oddly comforting.

She lowered herself slowly onto the log next to Vera. “Alright, tell me—who exactly are you lot?”

Petro chuckled. “We’ve escaped from the asylum.”

Molly’s face remained impassive. “Asylum?”

“It’s okay,” Tala said quickly. “We’re mostly sane.”

“Not completely crazy, anyway,” Yulia added cheerfully.

“We were left behind years ago,” Anya said simply. “So we built our own kind of life.”

A pause. Molly gave a slow nod, considering this. Vera leaned towards her eagerly.

“Where are you from? Any noble blood?”

Molly frowned. “Does it matter?”

“Oh, not really,” Vera said dejectedly. “I just like knowing.”

Tundra, warming her hands by the fire, looked at Vera. “We came from Spain.”

Vera perked up. “Spain? Fascinating! And tell me, dear girl, have you ever traced your lineage?”

“Just back to Molly. She’s ninety-three,” Tundra said proudly.

Mikhail, who had been watching quietly, finally spoke. “You travelled all the way from Spain?”

Molly nodded. “A long time ago. There were more of us then… ” Her voice wavered. “We were looking for other survivors.”

“And?”Mikhail asked.

Molly sighed, glancing at Tundra. “We never found any.”

________________________________________

That night, they took turns keeping watch, though Molly tried to reassure them there was no need.

“At first, we did too,” she had said, shaking her head. “But there was no one…”

By dawn, the fire had burned to embers, and the camp stirred reluctantly to life.

They finished off the last of their cooked vegetables from the night before, while Molly and Tundra laid out a handful of foraged berries and mushrooms. It wasn’t much, but it was enough to start the day.

“Right,” Anya said, stretching. “I suppose we should get moving.” She looked at Molly and Tundra. “You’re coming with us, then? To the city?”

Molly nodded. “If you’ll have us.”

“We kept going and going, hoping to find people. Now we have,” Tundra said.

“Then it’s settled,” Anya said. “We head to the city.”

“And what exactly are we looking for?” Molly asked.

Mikhail shrugged. “Anything that keeps us alive.”

________________________________________________

It was late morning when they saw it.

A vehicle—an old, battered truck, crawling slowly toward them.

The sight was so absurd, so impossible, that for a moment, no one spoke.

“That can’t be,” Molly murmured.

The truck bounced over the uneven ground, its engine a dull, sluggish rattle. It wasn’t in good shape, but it was moving.

February 3, 2025 at 10:10 pm #7733

In reply to: The Last Cruise of Helix 25

F Love

Participant

Leaving the Asylum

They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.

“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.

“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”

Vera sniffed. “I prefer genealogist, thank you very much.”

“Petro,” Anya continued, “probably about to grumble.”

Petro scowled. “I was thinking.”

“Jian, our mystery man.”

Jian raised an eyebrow in acknowledgment.

Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”

The twins—Luka and Lev—nodded and grinned at exactly the same time.

“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”

“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”

Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.

“We can’t,” Mikhail said firmly. “And he can look after himself.”

She huffed. “Well, I expect we could if we tried.”

“And finally, old Gregor, who I gather would rather be taking a nap.”

Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”

Anya frowned, scanning the group again. “Wait. We’re missing Finja.”

A small scraping sound came from behind them.

Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”

Anya sighed. “Finja, leave the gate alone.”

Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”

Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”

They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.

The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.

The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.

“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”

“That’s enough of the old business,” puffed Vera, pulling her shoulders back.

Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.

The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.

After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”

Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.

“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”

“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”

Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”

Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”

Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.

Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”

“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”

“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”

“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.

Jian shrugged. “The world doesn’t erase itself overnight.”

Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”

They sat in silence, watching the fire burn low. The evening stretched long and uneasy.

January 12, 2025 at 11:51 am #7711

In reply to: Quintessence: Reversing the Fifth

Keymaster

The Fifth Note

Matteo — December 2022

Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

“It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

“New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

“And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
“Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

“Let me see…”

Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

The app processed for a moment before responding in its overly chipper tone:
“Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

“Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

The app spun its virtual gears and spat out a more detailed suggestion.
“Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

“Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

“You think she’s got more work like that?” he asked, more to himself than to Juliette.

Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

The app processed again, and the next response was less clinical, more anecdotal.
“Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

“Maybe she’s your type,” Juliette teased, grinning.

Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

June 26, 2024 at 7:09 am #7526

In reply to: The Incense of the Quadrivium’s Mystiques

The Incense of the Quadrivium’s Mystiques

Participant

Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do. Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia.

Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive.

In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices. The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

June 25, 2024 at 9:06 pm #7524

In reply to: The Incense of the Quadrivium’s Mystiques

The Incense of the Quadrivium’s Mystiques

Participant

The obvious place to start with investigations into the history of the Morticians Guild was to question Rufus. But first she needed to think. Truella made her way to her room, and locked the door. At least now that Eris was back so soon, Truella was free to let Eris get on with whatever she was doing. After lowering the blinds at the windows, she lay back on the bed and closed her eyes. As she started to drift off to sleep, an imaginary conversation ran through her head.

Rufus: “The Morticians’ Guild, originally known as the ‘Necro-Keepers,’ trace their lineage back to ancient Egypt. They were the guardians of rites that ensured the safe passage of souls to the afterlife. Over millennia, they adapted and evolved, absorbing arcane knowledge from various cultures—the Greeks with their Eleusinian Mysteries, the Romans with their burial rites, even the Celtic traditions of Samhain.”

Truella: “That’s fascinating. So, this ancient craft has been handed down through generations?”

Rufus: “Precisely. While Hildegarde von Bingen brought enlightenment and medicinal wisdom to her nuns in the 12th century, the Morticians’ practices were already etched in the annals of history. They operated in silence, often in the shadows, perfecting the skills of embalming, necromancy, and spirit communication.”

Truella: “And what about their presence here, in this coven merger?”

Rufus: “We’ve been called upon at times of great need, when balance must be maintained between the living and the dead. Our presence here isn’t coincidental. The dragons and ancient spirits awaken, and we, the keepers, ensure that not all realms collide irreversibly.”

Truella: “So, would you say the Guild has played a role in significant historical events?”

Rufus: “Indeed. We’ve been the unsung heroes, the silent watchers. From plagues to wars, ensuring the dead find peace and don’t linger to disrupt the world of the living. Our methods may have modernized, but our core purpose remains unchanged. The knowledge, the rituals—they are our legacy.”

Truella: “Thank you, Rufus. That’s more fascinating than a year’s worth of ancient spellbooks.”

Rufus: “You’re welcome, Truella. Just remember, history isn’t merely dates and names; it’s living through us, weaving its magic continuously.”

April 6, 2024 at 11:14 pm #7419

In reply to: The Incense of the Quadrivium’s Mystiques

The Incense of the Quadrivium’s Mystiques

Keymaster

Sleeping like a log through a full night’s rest on the lavender spell wrapped in the rag of the punic tunic worked like a charm. By morning light, Eris had reverted to her normal self again.

How her coven had succeeded in finding the rag was anyone’s guess, but one thing was for certain—Truella’s resourcefulness knew no bounds once she set her mind to a goal. All it took was a location spell, a silencing charm around the area in Libyssa where she wanted to dig, and of course, a trusty trowel. Hundreds of buckets of dirt later, a few sheep’s jawbones and voilà, the rag. Made of asbestos, impervious to fire, and slower to decay than a sloth on a Monday morning, it was nothing short of a miracle it had survived so long underground, and that they found it in such a short time.

Eris rubbed her neck still pained from the weight of bearing that enormous elephantine head.

When pressed by the others—Frigella, Jeezel, and the ever-curious Truella—she could hardly recall what led her to attempt the risky memory spell.

Echo buzzed in with an electric hum, the sprite all too eager to clear the air.

“The memory spell,” Echo interjected, “a dubious cocktail of spirits of remembrance and forgetfulness, was cast not out of folly but necessity. Eris, rooted in her family’s arborestry quests, understood the weight of knowledge passed down through generations. Each leaf and branch in the family tree held stories, secrets, and sacrifices that were both a treasure and a burden.”

Echo smirked as he continued, pointing out the responsibility of the other entity’s guidance. “Elias’s advice had egged her on, resonating with Eris’ desires, and finally enticing her not lament the multitude of options but rather delights in the exploration without the burden of obligation —end of quotation.”

“And was it worth it?” Truella asked impatiently, her curiosity piqued a little nonetheless. She’d always wished she had more memory, but not at the cost of an elephant head.

“Imagine the vast expanse of memories like a grand library, each book brimming with the essence of a lineage. ” Eris said. “To wander these halls without purpose could lead to an overwhelming deluge of ancestral whispers.” She paused. “So, not sure it was entirely worth it. I feel more confused than ever.”

Echo chimed in again “The memory spell was conjured to be a compass, a guide through the storied corridors of her heritage. But, as with all magic, the intentions must be precise, the heart true, and the mind clear. A miscalculation, a stray thought, a moment’s doubt — and the spell turned upon itself, leaving Eris with the visage of an elephant, noble and wise. The elephant head, while unintended, may have been a subconscious manifestation of her quest for familial knowledge. Perhaps the memory spell, in its misfiring, sought to grant Eris the attributes necessary to continue her arborestry quests with the fortitude and insight of the elephant.”

“But why Madrid of all places?” Jeezel asked mostly out of reflex than complete interest; she had been pulled into the rescue and had missed the quarter finals of the Witch Drag Race she was now catching up on x2 speed replay on her phone.

Echo surmised “Madrid, that sun-drenched city of art and history, may have been a waypoint in her journey — a place where the paths of the past intersect with the pulse of the present. It is in such crossroads that one may find hidden keys to unlock the tales etched in one’s bloodline.”

“In other words, you have no idea?” Frigella asked Eris directly, cutting through the little flickering sprite’s mystical chatter.

“I guess it’s something as Wisp said. I must have connected to some bloodlines. But one thing is sure, all was fine when I was in Finland, Thorsten was as much a steadying presence as one would need. But then I got pulled into the vortex, and all bets were off.”

“At least he had the presence of mind to call me.” Truella said smuggly.

“The red cars may have started to get my elephant head mad… I can’t recall all of it, but I’m glad you found me in time.” Eris admitted.

“Don’t mention it poppet, we all screwed up one spell or two in our time.” Frigella said, offering unusual comfort.

“Let’s hope at least you’ll come up with brilliant ideas from that ordeal next week.” said Jeezel.

“What do you mean?” Truella looked at her suspiciously

“The strategic meeting that Malové has called for? In the Adare Manor resort?” Frigella reminded her, rolling her eyes softly.

“Jeez, Jeezel…” was all Truella could come up with. “another one of these boring meetings to boost our sales channels and come up with new incense models?” Truella groaned, already wishing it were over.

“That’s right love. Better be on your A-game for this.” Jeezel said, straightening her wig with a sly grin.

January 16, 2024 at 9:30 pm #7294

In reply to: The Whale’s Diaries Collection

A Whale's Collection of Diaries

Participant

hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

December 13, 2021 at 10:39 am #6220

In reply to: The Elusive Samuel Housley and Other Family Stories

Participant

Helper Belper: “Let’s start at the beginning.”

When I found a huge free genealogy tree website with lots of our family already on it, I couldn’t believe my luck. Quite soon after a perusal, I found I had a number of questions. Was it really possible that our Warren family tree had been traced back to 500AD? I asked on a genealogy forum: only if you can latch onto an aristocratic line somewhere, in which case that lineage will be already documented, as normally parish records only go back to the 1600s, if you are lucky. It is very hard to prove and the validity of it met with some not inconsiderable skepticism among the long term hard core genealogists. This is not to say that it isn’t possible, but is more likely a response to the obvious desire of many to be able to trace their lineage back to some kind of royalty, regardless of the documentation and proof.

Another question I had on this particular website was about the entries attached to Catherine Housley that made no sense. The immense public family tree there that anyone can add to had Catherine Housley’s mother as Catherine Marriot. But Catherine Marriot had another daughter called Catherine, two years before our Catherine was born, who didn’t die beforehand. It wasn’t unusual to name another child the same name if an earlier one had died in infancy, but this wasn’t the case.

I asked this question on a British Genealogy forum, and learned that other people’s family trees are never to be trusted. One should always start with oneself, and trace back with documentation every step of the way. Fortified with all kinds of helpful information, I still couldn’t find out who Catherine Housley’s mother was, so I posted her portrait on the forum and asked for help to find her. Among the many helpful replies, one of the members asked if she could send me a private message. She had never had the urge to help someone find a person before, but felt a compulsion to find Catherine Housley’s mother. Eight months later and counting at time of writing, and she is still my most amazing Helper. The first thing she said in the message was “Right. Let’s start at the beginning. What do you know for sure.” I said Mary Ann Gilman Purdy, my great grandmother, and we started from there.

Fran found all the documentation and proof, a perfect and necessary compliment to my own haphazard meanderings. She taught me how to find the proof, how to spot inconsistencies, and what to look for and where. I still continue my own haphazard wanderings as well, which also bear fruit.

It was decided to order the birth certificate, a paper copy that could be stuck onto the back of the portrait, so my mother in Wales ordered it as she has the portrait. When it arrived, she read the names of Catherine’s parents to me over the phone. We were expecting it to be John Housley and Sarah Baggaley. But it wasn’t! It was his brother Samuel Housley and Elizabeth Brookes! I had been looking at the photograph of the portrait thinking it was Catherine Marriot, then looking at it thinking her name was Sarah Baggaley, and now the woman in the portrait was Elizabeth Brookes. And she was from Wolverhampton. My helper, unknown to me, had ordered a digital copy, which arrived the same day.

Months later, Fran, visiting friends in Derby, made a special trip to Smalley, a tiny village not far from Derby, to look for Housley gravestones in the two churchyards. There are numerous Housley burials registered in the Smalley parish records, but she could only find one Housley grave, that of Sarah Baggaley. Unfortunately the documentation had already proved that Sarah was not the woman in the portrait, Catherine Housley’s mother, but Catherine’s aunt.

Sarah Housley nee Baggaley’s grave stone in Smalley:

Sarah Housley Grave

December 13, 2021 at 10:09 am #6219

Topic: The Elusive Samuel Housley and Other Family Stories

in forum TP’s Family Books

Participant

The following stories started with a single question.

Who was Catherine Housley’s mother?

But one question leads to another, and another, and so this book will never be finished. This is the first in a collection of stories of a family history research project, not a complete family history. There will always be more questions and more searches, and each new find presents more questions.

A list of names and dates is only moderately interesting, and doesn’t mean much unless you get to know the characters along the way. For example, a cousin on my fathers side has already done a great deal of thorough and accurate family research. I copied one branch of the family onto my tree, going back to the 1500’s, but lost interest in it after about an hour or so, because I didn’t feel I knew any of the individuals.

Parish registers, the census every ten years, birth, death and marriage certificates can tell you so much, but they can’t tell you why. They don’t tell you why parents chose the names they did for their children, or why they moved, or why they married in another town. They don’t tell you why a person lived in another household, or for how long. The census every ten years doesn’t tell you what people were doing in the intervening years, and in the case of the UK and the hundred year privacy rule, we can’t even use those for the past century. The first census was in 1831 in England, prior to that all we have are parish registers. An astonishing amount of them have survived and have been transcribed and are one way or another available to see, both transcriptions and microfiche images. Not all of them survived, however. Sometimes the writing has faded to white, sometimes pages are missing, and in some case the entire register is lost or damaged.

Sometimes if you are lucky, you may find mention of an ancestor in an obscure little local history book or a journal or diary. Wills, court cases, and newspaper archives often provide interesting information. Town memories and history groups on social media are another excellent source of information, from old photographs of the area, old maps, local history, and of course, distantly related relatives still living in the area. Local history societies can be useful, and some if not all are very helpful.

If you’re very lucky indeed, you might find a distant relative in another country whose grandparents saved and transcribed bundles of old letters found in the attic, from the family in England to the brother who emigrated, written in the 1800s. More on this later, as it merits its own chapter as the most exciting find so far.

The social history of the time and place is important and provides many clues as to why people moved and why the family professions and occupations changed over generations. The Enclosures Act and the Industrial Revolution in England created difficulties for rural farmers, factories replaced cottage industries, and the sons of land owning farmers became shop keepers and miners in the local towns. For the most part (at least in my own research) people didn’t move around much unless there was a reason. There are no reasons mentioned in the various registers, records and documents, but with a little reading of social history you can sometimes make a good guess. Samuel Housley, for example, a plumber, probably moved from rural Derbyshire to urban Wolverhampton, when there was a big project to install indoor plumbing to areas of the city in the early 1800s. Derbyshire nailmakers were offered a job and a house if they moved to Wolverhampton a generation earlier.

Occasionally a couple would marry in another parish, although usually they married in their own. Again, there was often a reason. William Housley and Ellen Carrington married in Ashbourne, not in Smalley. In this case, William’s first wife was Mary Carrington, Ellen’s sister. It was not uncommon for a man to marry a deceased wife’s sister, but it wasn’t strictly speaking legal. This caused some problems later when William died, as the children of the first wife contested the will, on the grounds of the second marriage being illegal.

Needless to say, there are always questions remaining, and often a fresh pair of eyes can help find a vital piece of information that has escaped you. In one case, I’d been looking for the death of a widow, Mary Anne Gilman, and had failed to notice that she remarried at a late age. Her death was easy to find, once I searched for it with her second husbands name.

This brings me to the topic of maternal family lines. One tends to think of their lineage with the focus on paternal surnames, but very quickly the number of surnames increases, and all of the maternal lines are directly related as much as the paternal name. This is of course obvious, if you start from the beginning with yourself and work back. In other words, there is not much point in simply looking for your fathers name hundreds of years ago because there are hundreds of other names that are equally your own family ancestors. And in my case, although not intentionally, I’ve investigated far more maternal lines than paternal.

This book, which I hope will be the first of several, will concentrate on my mothers family: The story so far that started with the portrait of Catherine Housley’s mother.

Elizabeth Brookes

This painting, now in my mothers house, used to hang over the piano in the home of her grandparents. It says on the back “Catherine Housley’s mother, Smalley”.

The portrait of Catherine Housley’s mother can be seen above the piano. Back row Ronald Marshall, my grandfathers brother, William Marshall, my great grandfather, Mary Ann Gilman Purdy Marshall in the middle, my great grandmother, with her daughters Dorothy on the left and Phyllis on the right, at the Marshall’s house on Love Lane in Stourbridge.

Marshalls

The Search for Samuel Housley

As soon as the search for Catherine Housley’s mother was resolved, achieved by ordering a paper copy of her birth certificate, the search for Catherine Housley’s father commenced. We know he was born in Smalley in 1816, son of William Housley and Ellen Carrington, and that he married Elizabeth Brookes in Wolverhampton in 1844. He was a plumber and glazier. His three daughters born between 1845 and 1849 were born in Smalley. Elizabeth died in 1849 of consumption, but Samuel didn’t register her death. A 20 year old neighbour called Aaron Wadkinson did.

Elizabeth death

Where was Samuel?

On the 1851 census, two of Samuel’s daughters were listed as inmates in the Belper Workhouse, and the third, 2 year old Catherine, was listed as living with John Benniston and his family in nearby Heanor. Benniston was a framework knitter.

Where was Samuel?

A long search through the microfiche workhouse registers provided an answer. The reason for Elizabeth and Mary Anne’s admission in June 1850 was given as “father in prison”. In May 1850, Samuel Housley was sentenced to one month hard labour at Derby Gaol for failing to maintain his three children. What happened to those little girls in the year after their mothers death, before their father was sentenced, and they entered the workhouse? Where did Catherine go, a six week old baby? We have yet to find out.

Samuel Housley 1850

And where was Samuel Housley in 1851? He hasn’t appeared on any census.

According to the Belper workhouse registers, Mary Anne was discharged on trial as a servant February 1860. She was readmitted a month later in March 1860, the reason given: unwell.

Belper Workhouse:

Belper Workhouse

Eventually, Mary Anne and Elizabeth were discharged, in April 1860, with an aunt and uncle. The workhouse register doesn’t name the aunt and uncle. One can only wonder why it took them so long.
On the 1861 census, Elizabeth, 16 years old, is a servant in St Peters, Derby, and Mary Anne, 15 years old, is a servant in St Werburghs, Derby.

But where was Samuel?

After some considerable searching, we found him, despite a mistranscription of his name, on the 1861 census, living as a lodger and plumber in Darlaston, Walsall.
Eventually we found him on a 1871 census living as a lodger at the George and Dragon in Henley in Arden. The age is not exactly right, but close enough, he is listed as an unmarried painter, also close enough, and his birth is listed as Kidsley, Derbyshire. He was born at Kidsley Grange Farm. We can assume that he was probably alive in 1872, the year his mother died, and the following year, 1873, during the Kerry vs Housley court case.

Samuel Housley 1871

I found some living Housley descendants in USA. Samuel Housley’s brother George emigrated there in 1851. The Housley’s in USA found letters in the attic, from the family in Smalley ~ written between 1851 and 1870s. They sent me a “Narrative on the Letters” with many letter excerpts.

The Housley family were embroiled in a complicated will and court case in the early 1870s. In December 15, 1872, Joseph (Samuel’s brother) wrote to George:

“I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Birmingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”

No record of Samuel Housley’s death can be found for the Birmingham Union in 1869 or thereabouts.

But if he was alive in 1871 in Henley In Arden…..
Did Samuel tell his wife’s brother to tell them he was dead? Or did the brothers say he was dead so they could have his share?

We still haven’t found a death for Samuel Housley.

July 8, 2019 at 7:50 pm #4632

In reply to: Seven Twines and the Dragon Heartwoods

Dragonheartswood Fellowship

Keymaster

Sometimes, you have to go underground to uncover the truth.

Rukshan thought it meant taking the new underground carts once only.

Frankly, he’d preferred to travel through the familiar Shadow Maps, the ones Dark Faes like him could draw, that would give them access to a secret parallel world of mist and phantoms, shadows and secrets. It was the true world the Faes originated from, long ago, in a time before history.

It wasn’t used much nowadays, most Centenial Faes having lost the capacity, or the interest in the place, leaving only bitter unsavoury people creeping there, spying on secrets, and trading in for favours, while being too afraid to leave the known parallel world, too afraid that if they left it, they’d lose the way back.
For Rukshan and a few in the Queen’s lineage, the place was still more or less of a familiar dwelling, a winter residence of sorts, for when solace and retreat was required.

Only the Shadow Maps weren’t safe any longer, something had crept along the lay lines and was lurking at every corner, keeping guard at most of the known entrances and reporting to some unknown power.

Few moons back, Rukshan was still meditating in the Shadow world, not very far from the work at the cottage, which he could hear at times through the thin dimensional walls, when he came across Konrad. Konrad, another Fae from the Old Houses, one with a heavy secret. “I’ve hidden her from him” he told him in short broken sentences. “His daughter, Nesingwarys, she is hidden for now, but He’ll be looking for her, once He recovers, and she won’t be safe. He can’t find her, I have to protect her, she holds power to bring his reign of terror back.”

Truly, it didn’t make a lot of sense, but it had picked his curiosity. Rukshan left the other Fae to his apparent madness, but wondered about the coincidence. That Garl, the name Konrad gave to the dark fallen monarch, according to what he could piece together, seemed to have been vanquished or disappeared about the same time they’d all managed to repel the Shadow in the Forest.

He would usually have left it at that, but then, a few days later, started to realize something was wrong in the Shadow world, and that this very something was growing.

“And now, I’m stuck in an underground cart crammed full of people to go to the city. And they call that progress…”

A bearded guy smelling of piss and wine, was doing acrobatics with his crutches and what was left of his left leg. He was looking at people with a half-toothed grin and a blissful face while muttering things Rukshan couldn’t figure. His face reminded him of a thespian he’d known. Rukshan couldn’t shake the feeling there was message in that. When the underground cart dinged to announce the Grand Belfrey Station, Rukshan was relieved to finally be out for fresh air. Magnificent craftsmanship he would say to the gnomes in charge of the tunnels, but really, underground cart wasn’t his thing.

June 10, 2019 at 4:29 pm #4600

In reply to: Eight Turns of the Wheel

Jib

Participant

The Doline

(…)

The pigeons dove from the thirtieth floor’s balcony in an attempt to mimic the planes it had seen above, or maybe in an attempt to mimic the ultrabright advertisement that its mother’s mother had seen long ago. It had left an unalterable trace in that lineage’s DNA.

The pigeon that had seen at least one plane had been a pigeon, but when the pigeons dove and created a ripple, they didn’t leave a trace like the pigeons that had witnessed only the distant planes.

In the air, they were flying against the wind, while on ground they were falling along a riverbank.

“I guess they didn’t hear a loud noise because when they stopped for some distance they stopped and looked up, and what they saw looked as if they had died.”

In the future, those pigeons, who could remember the names of the buildings they had seen during the war, could join together and explore another world and its inhabitants were not like them.

On one of the banks of the river, a lone pigeon watched them from afar, and she looked at them with the calm of a mother on her child while saying,

“Please tell me something. If they are so brave, then tell me anything.”

She didn’t say any of the usual questions from a child, but she knew the answers in her

January 14, 2013 at 4:02 pm #2979

In reply to: The Surge Team’s Coils

Surge Team FocusGroupFocus

Keymaster

“Oh no, not Korea yet, it’s minus 18 degrees there!” Yann was busy throwing darts on the world map patafixed to the blank wall after a fashion.
He’d spend the last hour trying to find a suitable and close enough destination to fly so as to activate his last one-month coupon-visa due to expire at the end of the month. But most of the attempts seemed to follow an unknown logic he wasn’t ready to go along with.
“It’s starting to snow again in Paris, and it’s too far. Taipei or Kyoto don’t look much better than here…”
He marked a pause, and breathing slowly, emptied his mind, following the tradition of the Güt lineage of Libetan alpacas. Then the solution to his predicament appeared to him as clear as broad daylight.
“Alright then, Long Poon it is again the safest choice. And I could be back the 23rd, isn’t it great? Let’s just hope the booking will go easier than last time !”

January 3, 2013 at 3:43 am #2896

In reply to: The Surge Team’s Coils

Keymaster

Surge Team

While her Western colleagues were busy chasing illegal time travellers in Spain, Katarina was busy overseeing the light flux changes at an Ukrainian old pyramid site.
She’d read about the snow on the Gizeh site, and was quick to make the link between this pyramid and hers. In fact, the land had been under a spell of high temperatures and draught, unusual for winter. Intense continuous aurora activity was even spotted further north, sometimes lasting during the pale daylight.
She wondered if this was localized or could have affected other parts of the pyramid network.
She’d tried without success to contact Elza, her Middle East colleague, but she seemed to have disappeared without a trace… Not only was she unreachable on her com devices, but worse, her location chip was deactivated.
Never mind those stupid techs, Katarina had the resources of a long lineage of shamanic priests running in her blood — finding a missing person shouldn’t be more difficult than doing some soul bits retrieval. Unless… Elza was deliberately hiding from the Team…

November 22, 2009 at 1:51 pm #2646

In reply to: Strings of Nines