Search Results for 'hope'

“Will you stop flirting with that poor boy, Tru! You can’t help yourself can you?” Frella’s  word were softened by the huge smile on her face. “Isn’t this place just grand?”

“Frella! Don’t be sneaking up on a person like that!” Truella gave her friend a hug. “Anyway, you won’t believe it but Malove is going to be here! I mean, talk about unexpected plot twists. And you know she’s not going to be thrilled when she finds out I’ve nabbed her corner pod!” She giggled, albeit a little nervously.

Frella grimaced. “Tru, you’d better be careful. Malove’s not one to take things lightly, especially when it comes to her personal space.”

“Oh don’t worry. It will be fine. Anyway, what about your fancy man? Will he be here doing his important MAMA spy work? I do hope so.  Dear Cedric always brings a certain je ne sais quoi to the scene.” Truella rolled her eyes and smirked.

“Oh you mean tart! And he’s NOT my fancy man but yeah, he is going to be here. You should be glad we’ve got someone on the inside. Those MAMA agents can be pesky devils and they’re bound to be sneaking around a gig like this.”

“Why has Frella gone so soon?” asked Truella, when the beastly morality prayers were finished. “She was supposed to accompany us down the cellars tonight.  I tell you what,” Truella rubbed her eyes and pushed her hair back, “This has been the longest day I’ve ever known. And it’s not over yet. Maybe we should leave the exploration of the cellars until tomorrow night.”

“Suits me,” said Zeezel, “I didn’t want to go down there anyway.  The thought of going down there would ruin my evening, and I’ve got a gorgeous little cocktail dress picked out for tonight.”

“Jeezel, ” Eris said warningly, “We’re here on business.”

“Oh, lighten up, Eris! None of us even knows what we’re really here for! One minute it’s a boring merger or even a takeover, the next minute it’s all cloak and dagger mystery, then it’s a morality play, what’s it gonna be next?”

“A Barbara Cartland novel? Or 50 shades of undertakers?” Eris said with scowl.

“You don’t want to go down the cellar either, do you, Eris?” Truella asked, knowing the answer.  “Never mind. You go and say some more prayers with Audrey. Jez, enjoy your evening to the hilt,” Truella wiggled her eyebrows.  “I’ll go on my own.”

The others looked at her open mouthed. “You can’t be serious!”

“She isn’t going on her own,” Eric said darkly.

“I don’t know what you mean,” Truella pretended innocence.  Of course she wasn’t going on her own. Rufus would go with her, and she even had an idea to invite Sassafras and Sandra.  “Oh, alright then, I won’t go,” she lied. ”  I’ll wait for you and we’ll go tomorrow night.  But only if Frella comes back so she can come with us.”

Eris wasn’t stupid, she knew exactly what Truella was planning. She had to rein Truella in, but how? Suddenly, inspiration struck.

“We’d better go and get ready for dinner,” Eris said, “See you all later in the dining hall.” And with that she stalked out of the room.

As soon as she was out of the door, Eris sprinted up the hallway. She had to get to him before Truella got there.  Crashing into Brother Bartolo as she careered round a corner, she apologised hurriedly and asked if he knew where Rufus was.  Bartolo informed her that he’d seen Rufus by the fountain. Eris resisted the temptation to remark snidely about him needing to cool down.

He was still there when Eris reached the courtyard, sitting on the side of the water feature, trailing his hand in the water and looking gloweringly pensive.  Eris took a deep breath.

“Mind if I join you?” she asked pleasantly, sitting down beside him. “We’re so grateful to you guys for coming to help us out, it’s all quite a lot for us to take in, you know?” Eris smiled disarmingly. “We’d feel so much better if Frella was here with us. We did manage to get her here, but something went wrong and she didn’t stay as long as we hoped she would.  She’s on a mission in Ireland, and couldn’t come over, but Sister Audrey kindly offered to let Frella posess her for 24 hours, and then I don’t know what happened but Frella was called back abruptly to her own body.”  Eris knew she was garbling semi incoherently, which was most unlike her normally, but she thought this approach would appeal.  Rufus seemed to be the type to be a sucker for a damsel in distress.  “If only someone else would offer to let Frella possess his body for 24 hours so that she can come and join us…”

Eris’s little spell must have worked a treat, as Rufus promptly agreed. “I can help you with this. I offer my body for Frella to possess, if you think it will assist you.”

Eris beamed at him. “What a charming gentleman you are!” she gushed, surprisingly both of them as she leaned forward and impulsively kissed his cheek.  “I must go,” she said. Horrified, her face crimson, she fled back inside the cloisters.

Frella opened her eyes. She felt rather woozy and very peculiar and it took her a moment to work out that she was sitting on the camphor chest in Herma’s shed with Herma and that awful Cedric Spellbind looming over her, their faces close and large. Too close. She looked from one anxious expression to the other.

“And what the devil is he doing here?” She nodded towards Cedric.

Cedric straightened himself. “I am here on official business,” he said stiffly. “Investigating this AirBnB for potential Witch Violations. And lucky I turned up when I did because you gave Mrs McCarthy here quite a turn with the way you were carrying on.”

Herma shook her head crossly.” Violations my foot. I told you lot last time your people came sniffing around, there’s none of that carry on here.”

“Why have I got salt all over me?” asked Frella.

Cedric rolled his eyes. “Now THIS, THIS is what I am talking about. SHE,” he pointed at Herma, “threw salt all over you to break the evil spell she said.”

“What nonsense!” said Herma, her face colouring. “But you had gone all odd, sort of not-here like and I couldn’t get any sense out of you.” She considered her hands for a few moments and then raised her head and beamed at Frella. “Why don’t I go and make you a nice cup of tea?” With that, she scurried off.

“Well, you’ve done what you came for. You can go now,” said Frella glaring at Cedric. She stood up and turned pointedly away from him, wondered how much he had seen and hoping she didn’t fall over. She silently cursed the other witches for their crazy shenanigans and desperately hoped that Herma would not get in trouble with the Authorities.

Cedric’s thoughts had taken quite another turn, mostly something about how beautiful the Witch was when she was angry. “Frigella,” he said.

She swung around. “It’s FRELLA,” she hissed.

“Frella …. “ Now it was Cedric’s turn to colour and he looked at the ground, so many thoughts jumbling through his head and he couldn’t make sense of any of it.

“Damn it Man! Spit it out, will you!”

“I just want to say that I know what you are.”

“And what am I exactly?”

Cedric met her gaze. “I know you’re a Witch and I’m not going to turn you in.” He shrugged. “I can’t.”

“And why can’t you, then? Something wrong with you, is there?”

Cedric’s hand reached under his shirt. “Look,” he said. He was holding a small round device. “It’s a listening device. We are supposed to wear them whenever we have a suspected Witch Violation or Interaction.” He threw the device to the ground where it bounced a couple of times. Then—rather dramatically in Frella’s opinion—he stomped on it.

Frella giggled. She couldn’t help herself

“If you ask me,” said Trella, although nobody had, “If anyone wants the merger to fail, it’ll be someone from the Cloisters.”

“Seems like none of us want it, why single them out?” asked Frella. “Well,” she added, glancing at Eris, “Not all of us maybe but for most of us it’s just a hassle.  Just more work, and no real benefits for the likes of us, anyway.”

“Think about it, Frell.  Sure, it’s just a nuisance for the witches and the nuns, but not enough of a bother to play with fire meddling with far grander schemes.  That’d be way out of the depth of most of us, I’m sure.   But there’s more going on at the Cloisters than meets the eye. There are other, er, things here, things that don’t want change.”

“Like what?” asked Eris in a doubtful tone.

“I don’t know but I can feel it. Can’t you? Eris, you’re so busy looking at spread sheets and finances you are losing your second sight! The undercurrents are bubbling up so much we’ll drown before long!  We’re all looking at each other with suspicion, and meanwhile….”

“You mean we can trust the Morticians?” asked Jeezel hopefully.  Eris glared at her.

“Maybe,”  Trella said.  “Maybe.  We don’t know anything for sure yet.  But I suggest we stop looking at the nuns, I mean the ordinary rank and file nuns,  and the morticians with suspicion and focus on the place itself.  There’s a long dark history to this place.  And if you ask me, Brother Bartolo knows something.”

“Surely he’s not behind the whole thing!”

“Not behind the whole thing, no, but he knows something.  And the gardener, Brother Babbit. Sassafras told me there’s nothing Brother Babbit doesn’t know about the history of this place, but that he only wants to talk about the plants, you know, the local wildlife and such. And,”  Truella paused dramatically, “Sandra dropped something out while we were smoking weed in the orchard after the reception.  She said Brother Bartolo said he’d seen the Sisters of the Sacred Sepulchre roaming around in the cellar, waiting for orders!”

“The sisters of the friggen what?”  Jeezel  sighed. Not more characters to convolute everything even more! “Roaming around in the cellars? Oh come on!”

“And that’s not all,” Truella lowered her voice to a whisper. “Sassafras said something about them being reanimated.”

Finally, Eris started taking Truella seriously. “Reanimation? I don’t like the sound of that. We’d better find out as much as we can about the sisters of the cellars, who are they, I mean who were they, have they been reanimated before, and what were the circumstances.”

“Right ho, I’ll just boogle it, shall I?” Jeezel said sarcastically.

Eris rolled her eyes. “No need for the snark. The clues will be here, right here at the Cloisters. We need to check the library, look in every room for clues, check out all the tapestries and paintings, speak to Brother Bartolo and Brother Babbit, but without making them suspicious, mind!  Just pretend an interest in history, no mention of the merger! Keep it light!  And keep it light with the morticians, but keep it superficial, until we know more. And then…,” Eris looked at each of them. “we need to go down to the cellars.  I suggest we do that together.”

“We need Frella to come for that,” Truella stated the obvious. The others murmured their agreement.

Silas led Jeezel into a secluded lounge, a hidden gem within the ancient cloister that seemed to be frozen in time. The atmosphere was thick with the scent of sandalwood and myrrh, mingling with a musty, earthy fragrance with undertones of aged woods.

Jeezel stopped a moment, in awe at the grand tapestries adorning the walls. They depicted scenes of epic battles between dragons and saints, the vibrant threads weaving tales of heroism and divine intervention. The dragons, captured in mid-roar with scales that seemed to shimmer with a life of their own, contrasted starkly agains the faces of the saints, their halo glowing softly in the dim light. Always the sensitive nose, Jeezel detected hints of incense and aged spices absorbed over centuries by the fabric, with a faint trace of mildew lingering on old stones and the faint sweetness of preserved herbs. She shivered.

Silas invited her to seat on one of the high-backed chairs upholstered in deep burgundy velvet that surrounded a massive oak table, carved with runes and symbols of protection. Jeezel frowned at the oddity to find pagan magic in a convent. As she sat the fabric of her gown brushed agains the plush velvet with a delicate sliding sound, like a faint sigh. The flickering flames of candelabras cast dancing shadows across the room, around which an array of curious relics and artifacts were scattered–an astrolabe here, a crystal ball there, and various objects of mystical significance.

Despite being an aficionado of pageants and grand performances, Jeezel couldn’t say she wasn’t impressed. Silas, ever the pillar of calm and wisdom, took a seat at the table, his fingers tracing the runes carved into the wood.

“Jeezel,” he began, his voice a soothing balm against the room’s charged energy, “I know I can trust you. Before we delve into the heart of these rituals, I must tell you something.”

Man! Here we are, she thought. She tensed on her chair.

“There are some people who would rather see the merger fail. They are doing anything in their power to foster such an outcome. We cannot let them win.”

Jeezel’s face tightened and she struggled to maintain her composure. She tapped with her fingers on the table to distract the head mortician’s attention and help her regain a stoic demeanor. Her mind raced weighing the implications. Malové had said that the Crimson Opus wasn’t just any artifact, it was key to immense power and knowledge, something that could tip the scales in their favour. How she regretted at that moment she had not paid enough attention at the merger meeting. Now, Malové was gone, somewhere, and Jeezel wasn’t even sure the postcard she had sent the coven was real. All she knew was that Malové counted on her to find that relic. And for that, she had to step in what appears to be a nest of vipers. She reminded herself she had survived worse competition in the past and still won her trophies with pride.

“Silas,” she said, her voice measured but with an edge of tension, “this complicates things more than I anticipated. We have enough on our hands ensuring the rituals go smoothly without sabotage.” She paused, taking a deep breath to steady herself. “But we cannot allow these factions to succeed. The merger is crucial for our mutual survival advancement. We’ll need to be vigilant, Silas. Every step we take, every ritual we perform, must be meticulously guarded. And we must identify who these adversaries are, and what they are planning.” She wished Malové would see her in that instant. She craved support from anyone. She looked at Silas, her eyes full of hope he could help. “I have a task from Malové that is of paramount importance,” she started and almost jumped from the chair when her hedgehog amulet almost tased her. A warning. Her mind suddenly found a new clarity. She realized she has been about to tell him about the Crimson Opus. Jeezel noticed the man’s finger was still caressing the runes on the table. Had he been casting a spell on her? She shook her head.

“Those six rituals cannot be compromised. I’ll need your help to ensure that we succeed. We must be prepared to act swiftly and decisively.”

Silas’ hand froze. He nodded. She wasn’t sure there wasn’t some irritation in his voice when he said: “You have my full support, Jeezel. We’ll strengthen our defenses and keep a close watch on any suspicious activities. The stakes are too high for failure.”

Did he mean that he would keep a close eye on her next moves? She’d have to be careful in her search of the Crimson Opus. She realized she needed some help. Malové, you entrusted me with that mission. Then, you’d have to trust me with whom I choose to trust.

Lorena Blaen clapped her hands loudly together.  Sassafras ignored her and continued buttering her toast, assuming that her boss was calling the stray dogs in to finish off the breakfast leftovers.

“Now then, girls!” Lorena’s strident voice boomed out. Sassafras sighed and looked up, her knife poised in the air. A blob of butter slid off onto the table.

“As you know, four members of the Quadrivium will be joining us this weekend and I have assigned a guide to each of them. One of them, however, will not be able to attend in person as she is occupied on an important case, but her guide will be in remote communication with her for the duration of the weekend gathering.”

The witches in the breakfast room collectively held their breath, many of them secretly concocting mental repellent spells so that they could avoid being chosen for this tedious assignment.

“And no need to try that with me, I have already disabled any attempts to divert my intentions,” Lorena said, glaring pointedly at a few individuals.  “Sassafras, your assigned guest for the weekend will be…”  Lorena looked at her notes, “Truella.  Penelope Pomfrett, yours will be Eris.”

Penelope sighed loudly and slammed her coffee cup down harder than she intended, making Sassafras giggle.

“Sandra Salt, I hope you will be able to take this assignment more seriously than some of your colleagues.  You will be attending to…” Lorena glanced at her notes again, “Jeezel.  And by the way Sandra, perhaps you can learn a thing or two about the importance of appearance from Jeezel,” she added, with a critical look at Sandra’s sloppy attire.

“Audrey Ambrose,” Lorena announced, glaring over the top of her spectacles at Audrey whose mouth had dropped open in astonishment, “You’ll be quite capable with your broken ankle to attend to Frella remotely.” Audrey’s mouth snapped shut into a grim line. Her plan of faking an injury to avoid duties for a few weeks had backfired.   And the cast was hot and itchy, and all for nothing.

“Our guests will be arriving later this morning.  You will be expected to entertain them within the monastery buildings and grounds, but under no circumstances are you to leave the grounds or go into the woods.”

Sassafras raised an eyebrow but was careful to not let Lorena see. Her immediate idea was to go into the woods with what’s her name, Truella, and lose her for the day, maybe find her in time to bring her back for supper.

Truella sighed.  She was making good progress with the dig, the weather was favorable and not too hot yet.  It was only a matter of weeks before she would have to start at first light before the sun became too intense, and reverse her current habit of  a slow morning and a busy afternoon.  Perhaps she should wait before filling in Frella’s diary entry.  Was she going to write it herself this time?  If only Truella knew for sure.  At least Jeezel was feeling a bit better, which was a relief to them all, and it seemed that Eris was lightening up a bit now too.  Thank Flove for that!  Better not let Malove know too soon though, or she’d have them all off on another of those tedious conferences.  Wouldn’t it be nice if Malove let them all have a long summer recess, Truella thought, without much hope. She sighed again, wondering if Frella had progressed any further with the mystery of the camphor chest.

Truella had heard of camphor, of course, but associated it with moth balls, not chests. Camphor chests were a Chinese thing, and none of her studies or interests had ever taken her that far east.  It struck her that a camphor chest would be a good place to store the fragments of Hannibal’s tunic safely, until such time as they required another antidote to an ancient Punic spell. And it could happen.  Truella wondered if she could order a small one off Oboy.  One could order anything one could imagine these days, from anywhere in the world, but a guaranteed delivery to Truella’s village was another matter.

The pale blue sandals had arrived yesterday though, much to her delighted surprise.  It had helped when she recognised the postman as a Roman basket seller in a previous life. At that moment, Truella’s postal delivery experiences changed.  It was as if the unwinnable battle with giant delivery companies morphed into a cooperation of village tradesmen.  Glancing admiringly at her pristine new sandals, Truella smiled with satisfaction.  Things could change for the better. Indeed, they could.

An unexpected result (or was it an intentional one?) of the octobus ride was a profound appreciation for the arrival at the destination.  Not one of the witches had been truly looking forward to the event, but when they entered the building they were deeply grateful for the smooth hard floors and walls and sharp minimalism, if that is what the sparse clean decor was called.

“This place is sorely in need of some steampunk hats,” remarked Truella.  “And some Victorian clothes.”

“Beats the hell out of that gross octobus, though,” Jezeel said, who was swanning grandly around the large entrance foyer, her boots making a neat thud rather than a revolting sucking sound.

“I rather like it,” said Frella, “Steampunk hats wouldn’t fit in here at all. Are you sure that party is being held here?”  For a moment, she felt a ray of hope.  She was feeling that it might be possible to remain unnoticed and unbothered in the vast clean space if she sat somewhere looking serenely vacant and unapproachable.

Spotting the shiny black grand piano in the corner, Jezeel glided majestically over to it and hopped onto the back of it, striking a glamourous pose.  Naturally everyone took flattering photos of her as was expected.

Eris had rushed off to find a lavatory, and eventually emerged holding a strange awkward bundle.

“What on earth is that and where did you find it?” Frella noticed the look of alarm on Eris’s face.  Truella was still taking photos of Jez from various angles, much to Jezreel’s delight.

“What does it bloody look like!” Eris said in an exasperated tone, “It’s a baby, someone left it in the loo!  Go and ask at the desk, find out who lost a baby. I think it’s nappy needs changing.”

Frella went off to ask, returning shortly with surprising news.  “There is nobody checked in here with a baby, Eris. Nobody knows whose it is.  Here, give it to me, the poor thing.”

Eris handed over the smelly bundle gratefully.

I can stay in my room with this baby, Frella thought, It will be the perfect excuse not to go to the party.

It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

“Look what it says on the bit of paper that came with it:

Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

We need to backtrack a bit with Roger. Look what it says here:

What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

See what I mean?”

Truella squinted at Frella. “What?”

Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

 

The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

“Exactly!”

Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.

Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.

She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.

“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”

“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”

And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.

She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”

A broom and a bucket of black soap were floating on her right.

Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.

So engrossed was Truella in her project at home, she had failed to notice that there had been no word for days from Eris about her new ritual.  Not only did Eris not turn up for the obligatory daily meetings, she hadn’t even kept the rest of the witches informed of developments. The last anyone had heard about it was that there was a quality control issue, whatever that meant.

So there we have it, my dear,  interjected Lisia. Eris’s new ritual spell is a work in progress, a symphony of the arcane and the algorithmic, and we are but eager spectators to its unfolding. One can only hope for a harmonious outcome, or at the very least, a tale worth the telling.

One can only hope, muttered Truella.  We can hardly be expected to read her mind if she doesn’t keep us abreast of developments!

Eris, a sorceress of the digital age, has been blending the ancient art of incantation with the pulsing rhythms of technology….

So tell me something I didn’t know, Lisia, the question is, where is she up to now with it?  Or perhaps she’s told the others, and not told me?  I wonder if Frigella and Jezeel know anything?

It’s a spell of both preservation and progress, a paradoxical potion that encapsulates the dichotomy of our current condition…..

Our current position, Truella sighed, Is that we don’t know what’s going on. If only Eris would come to the next meeting and spill the beans.  How can I possibly try to incorporate my own spells into it if I don’t know what the current situation is?

Maybe she’s been to Normandy collecting ingredients. I’ve heard the hellebore there are quite the best, Imp butted in, making Lisia wince.  He was so on point and not nearly wordy enough.

The bone people had replied to Truella’s urgent message while she was at the meeting, much to her relief.  The last thing she wanted was the authorities snooping around, just as she was delving into the rich new layer.  The odd things she’d been finding recently had piqued her curiousity and she had to keep reminding herself to merely find, observe and document, without attempting to make assumptions. She couldn’t help wondering though if these disparate items, things she hadn’t expected to find, were the ingredients for an ancient spell. The little bone amulet, the pigs teeth, and all the other little bits of bone with curious smooth sides.  Fragments of mother of pearl, gleaming like new silver in the dirt, uncorroded and pristine despite the passage of time and the weight of the earth.  Little clumps of charcoal, but scattered, not all in the same place. Not like there’d been a fire, more like little things had burned, here and there, at various times.

 

All the broken dishes and amphora were to be expected, but why so many? And why didn’t whoever lived here take their dishes with them when they went? Maybe they left in a hurry, smashing everything on the way out of the door so there was nothing left for the invaders? Or did the dishes simply fall and break when the abandoned wooden shelves rotted away over the centuries?  A layer of abandonment was a curious and intriguing thing to contemplate.

Now that she had the experts opinion on the teeth ~ pig, not human ~ haste was needed to quell the growing rumours in the village that she had found human remains.   That was the last thing she needed, the neighbours giving her suspicious looks or the authorities roping off her dig with striped plastic tape and putting a police tent over it, messing with the hole she had dug trowel by trowel, rubbing every handful of soil between her fingers. The very thought of it was unbearable.   For this reason she rather hoped NOT to find a hoard of valuable ancient coins, contrary to what most people would hope to find.  Still, she couldn’t help wonder while she was digging if the next trowel of soil would reveal one.

She must make it absolutely clear to Roger than he was only required to carry buckets of soil, and was not to do any actual digging.

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.