Search Results for 'in'

“So, what are we even doing here?” asked Carob. She tilted her head to look down at Amy. “You said we had to protect the coffee…?”

“From the rain,” said Amy. She folded her arms and stood up as tall as she could — which, to be fair, wasn’t very tall.

“Could be the least of our worries,” muttered Thiram, who had been checking his messages. “AI’s having an emotional meltdown and the plantation irrigation system’s gone haywire.”

He frowned at his screen. “And if that’s not enough, a group of rogue Lucid Dreamers have started sleep-parachuting onto the plantation and creating havoc.”

“Wow,” said Carob. She pulled up the hood of her coat, then tugged it forward until it nearly covered her eyes. “That’s a lot.”

To Whom It May Concern

I am the new character called Amy, and my physical characteristics, which once bestowed are largely irreversible, are in the hands of impetuous maniacs. In the unseemly headlong rush, dangers abound. 

Let it be known that I the character called Amy, given the opportunity to choose, hereby select a height considerably less imposing than Carob.

“Nice dog,” said Chico casting an appreciative eye over the beige and white coloured Breton Spaniel.

“His name’s Cappuccino,” a mans voice murmured, but Chico barely glanced at him.

Amy excused herself and went off to find a lavatory.  She didn’t actually need to go, after all she had only just popped into existence and hadn’t been offered a drink yet. But she did want to find a mirror to see what basic character characteristics she had had bestowed upon her when the story character gods had been assigning new players. She had to act fast too, before some other new story character might see her and describe her to the readers before she had even seen her self herself.

Amy was quite glad to not have to learn new pronouns at this juncture.

“A Mexicano, por favor, ” said the man who had just entered the café.

“Right away,” said Godric with his Swedish accent. “Your face looks familiar.”

“Name’s Chico,” said the man with teeth dyed with betel leaves chewing. “Never been here before. I just popped into existence, called by voices of people I never heard of before. Maybe I just had a rough night. I don’t know.”

Chico spat on the floor Godric had just cleaned. What did they say about customers already?

“Sorry I’m late,” said Carob as she crouched down to fuss over Fanella. “I have excuses, but they’re not interesting. I’m feeling a little underdeveloped as a character, so I’m not sure what to say yet.”

“That’s okay,” said Amy. “Just remember … if you don’t tell us who you are early on…” She squinted and glanced around suspiciously. “Others will create you.”

“I’d rather just slowly percolate.” Carob screwed up her face. “Get it? Percolate?”

She stood up and slapped a hand to her head as Amy rolled her eyes. “Sorry … ” She patted her head curiously. “Oh wait—do I have curls?”

“I’d say more like frizzes than curls,” answered Amy.

Thiram nodded. “Totally frizzled.”

“Cool … must be the damp weather,” said Carob. She brushed a twig from her coat. The coat was blue-green and only reached her thighs. Many things were too small when you were six foot two.

“Oh—and I’ve been lucid dreaming in reverse,” she added. “Last night I watched myself un-make and un-drink a cup of coffee.” She gave a quick snort-laugh. “Weirdo”.

“Was it raining in the dream?” asked Thiram.

Carob frowned. “Probably… You know how in scary movies they always leave the curtains open, like they want the bad guys to see in? It felt like that.” She shuddered and then smiled brightly. “Anyway, just a dream. Also, I bumped into your father, Amy. He said to tell you: Remember what happened last time.”

She regarded Amy intently. “What did happen last time?”

“He worries too much,” said Amy, waving a hand dismissively. “Also, I didn’t even write that in, so how should I know?” She looked out toward the trees. “Where’s Chico?”

To Whom It May Concern

I know you’re writing stories and making things up about me, and I intend to set the record straight before my character goes horribly awry. I am a character appeared from nowhere, from a reckless and inebriated momentary random insistence on a new plaything, and new toy, and new story.  But let me tell you this: I am born and I exist and this is who I am.

I find my name is Amy; it will do.  I neither find an affinity to it, nor an objection. It sounds English, and thus, familiar. I feel English, and so I am. I am a character, not a writer, but I exist; I am Amy.

“Juan, was it wise to speak to that man?” Dolores asked her husband.  “The cat’s out of the bag now, when Chico tells his friends…”

“Trust me, Dolores,” Juan Valdez implored, “What else can we do? We need their help.”

“But you’ve been fictional for so long, Juan. Nobody knew you were real. Until now.”

“You worry too much! It’s hardly going to make headlines on Focks News, is it, and even if it did, nobody believes anything anymore.  We can just spread a rumour that it was made up by one of those artifical story things.”

“But he took a photo of you!”

“Dolores,” Juan said with exaggerated patience, “Nobody believes photos any more either. I’m telling you, they make fakes these days and nobody can tell.  Trust me,” he repeated, giving her shoulder a reassuring squeeze.

“So we’ll still be fictional, Juan?” Dolores asked in an uncertain tone. “Because I’m not ready to be a real character yet, it seems so….so time consuming, to be real every day, all day… doing all those things every day that real people do…”

“No, no, not at all!  You only have to play the part when someone’s looking!”

“I hope you’re right. Too many things changing all at once, if you ask me.” And with that Dolores vanished, as nobody was looking at her.

“It’s the rain,” explained Amy when she’d caught her breath. “Too much of it. They’re very particular about how much rain they like, not too little, and not too much. And there’s been too much. The Padre says unless we can come up with a plan to keep the rain off them, the whole crop is doomed.”

Thiram frowned. “We could buy thousands of golf umbrellas from China, do a deal with El Salvador, and use deportees to hold umbrellas over the coffee plants?”

Amy gave him a playful punch in the arm. “How about we wait and see if Carob and Chico have any better ideas.  We don’t have time to wait for the umbrellas and deportees to get here.”  Amy smiled, picturing the scene, and then sighed as the rain started again.

Godric, a Swede barista channeler, poured a Coco Valkyrie cocktail to his customer, he saw a goat horned helmet pass in the shadows of a table.

What the frack! he thought. Nothing good comes with the Draugaskald (Ghost-singers).

“I would like to introduce a new character,” announced Finnley. “Miss Mossy Trotter, the secret plotter. The messy missy Mossy Trotter, the blotter spotter. The miss take, the moss stake, the mass flake, the mess cake, the hotter jotter and mixed plate potter knotter.”

“By all means, Finnley,” replied Liz in her usual congenial fashion, “Have at it.”

“There once was a missy called Mossy,

And everyone said she was bossy,

She wrote stories in dust,

With a passionate thrust,

And published in covers so glossy.”

“Nice arse,” said Idle non too quietly, admiring Roberto as he stacked firewood beside the hearth. The gardener glanced round and gave her a cheeky wink.  He’d noticed her leaning out of an upstairs window watching him weeding the herbacious border.

“Now, now, Idle, no molesting the staff. I’ll write some men into the story for you later,” Liz said, “But first let’s talk about my new book.  I’m wondering what to name the six spinsters. Some kind of a theme. Cerise, Fuschia, Scarlett, Coral, Rose and Magenta?”

“What about Cobalt, Lapis, Cerulean, Indigo, Sapphire and Capri?” offered Idle, topping up their wine glasses. “Chartreuse, Emerald, Jade, Fern, Pistachio and Malachite?  Marigold, Saffron, Citron, Amber, Maize and Apricot?”

“How about Bratwurst, Chorizo, Salami, Knackwurst, Bologna and Frankfurter?” suggested Godfrey who was still miffed about all the spare parts being disposed of.  “Lasagne, Macaroni, Canneloni, Farfali, Linguini and Ravioli?”

Roberto lit the fire and stood up. “I have an idea, you can call them Trowel, Rake, Hoe, Wheelbarrow, Spade and Secateur.”

“Marvelous Roberto, I love it!” gushed Aunt Idle.

“You’re all mad as a box of frogs, madder than Almad,”  Finnley said. “How about Duster, Mop, Bleach, Broom, Dustpan and Cloth?”

“I think this incessant rain is driving us all mad,” Liz said, glancing out of the French windows with a sigh.

Moments later, Finnley returned.  “There’s a woman at the door. With suitcases. Says you invited her to stay. Nobody told me you were expecting guests.”

“Did you ask who it was?”

“Don’t you know who you invited? She’s a thin woman with awful dreadlocks, too old for dreads if you ask me, speaks with an Australian accent.”

“Ah yes, one of my favourite story characters! She’s come to help me with my new novel.”

“But what about the bedding? Nobody told me to get a bedroom ready for guests,” Finnley replied.

Just then a pretty young French maid appeared through the French windows. “I ‘ave come to ‘elp wiz ze bedding!”

“Fanella, right on cue! Come in dear, and go and help Finnley ~ Finnley, have you shown Aunt Idle in? Take her to the drawing room and I’ll be in directly, then go and help Fanella. And if you’re not careful, I may give Fanella your job, at least she’s willing and doesn’t complain all the time. And take that silly orange mask off, you look a fright.”

Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

“Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

“Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

“Sounds gripping,” muttered Finnley.

“And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”