Search Results for 'itself'

A strong and loud guttural roar echoed through the mountains, ferocious and hungry.
Fox’s hairs stood on his arms and neck as a wave of panic rolled through his body. He looked at the others his eyes wide open.
Olliver teleported closer to Rukshan whose face seemed pale despite the warmth of the fire, and Lhamom’s jaw dropped open. Their eyes met and they swallowed in unison.
“Is that…” asked Fox. His voice had been so low that he wasn’t sure someone had heard him.
Rukshan nodded.

“It seems you are leaving the mountains sooner than you expected,” said Kumihimo with a jolly smile as she dismounted Ronaldo. 
She plucked her icy lyre from which loud and rich harmonics bounced. The wind carried them along and they echoed back in defiance to the Shadow.

You must remember, seemed to whisper an echo from the cave they had used for shelter for weeks. Fox dismissed it as induced by the imminent danger.


The Shadow hissed and shrieked, clearly pissed off. The dogs howled and Kumihimo engaged in a wild and powerful rhythm on her instrument.

You must remember, said the echo again.

Everobody stood and ran in chaos, except for Fox. He was getting confused, as if under a bad spell.

Someone tried to cover the fire with a blanket of wool. 
“Don’t bother, we’re leaving,” said Rukshan before rushing toward the multicolour sand mandala he had made earlier that day. Accompanied by the witche’s mad arpeggios, he began chanting. The sand glowed faintly.

Lhamom told them to jump on the hellishcopter whose carpet was slowly turning in a clockwise direction. 
“But I want to help,” said Olliver.
“You’ll help best by being ready to leave as soon as the portal opens,” said Lhamom. She didn’t wait to see if the boy followed her order and went to help Rukshan with her old magic spoon.
“Something’s wrong. I’ve already lived that part,” said Fox when the screen protecting the mandala flapped away, missing the fae’s head by a hair.
“What?” asked Olliver.
“It already happened once,” said Fox, “although I have a feeling it was a bit different. But I can’t figure out how or why.”

At that moment a crow popped out of the cave’s mouth in a loud bang. The cave seemed to rebound in and out of itself for a moment, and the dark bird cawed, very pleased. It reminded Fox at once of what had happened the previous time, the pain of discovering all his friends dead and the forest burnt to the ground by the shadow. The blindness, and the despair.
The crow cawed and Fox felt the intense powers at work and the delicate balance they were all in.

The Shadow had grown bigger and threatened to engulf the night. Fox had no idea what to do, but instead he let his instinct guide him.

“Come!” he shouted, pulling Olliver by the arm. He jumped on the hellishcopter and helped the boy climb after him.

“COME NOW!” he shouted louder.
 Rukshan and Lhamom looked at the hellishcopter and at the devouring shadow that had engulfed the night into chaos and madness.
They ran. Jumped on the carpet. Kumihimo threw an ice flute to them and Fox caught it, but this time he didn’t nod. He knew now what he had to do.


“You’ll have one note!” the shaman shouted. “One note to destroy the Shadow when you arrive!”
Kumihimo hit the hellishcopter as if it were a horse, and it bounced forward.
But Fox, aware of what would have come next, kept a tight rein on the hellishcarpet and turned to Olliver.
“Go get her! We need her on the other side.”
Despite the horror of the moment, the boy seemed pleased to be part of the action and he quickly disappeared. 
The shaman looked surprised when the boy popped in on her left and seized her arm only to bring her back on the carpet in the blink of an eye.

“By the God Frey,” she said looking at a red mark on her limb, “the boy almost carved his hand on my skin.”
“Sorry if we’re being rude,” said Fox, “but we need you on the other side. It didn’t work the first time. If you don’t believe me, ask the crow.”
The bird landed on the shaman’s shoulder and cawed. “Oh,” said Kumihimo who liked some change in the scenario. “In that case you’d better hold tight.”

They all clung to each other and she whistled loudly.
The hellishcopter bounced ahead through the portal like a wild horse, promptly followed by Ronaldo and the Shadow.

The wind stopped.
The dogs closed in on the portal and jumped to go through, but they only hit the wall of the powerful sound wave of Kumihimo’s ice lyra.
They howled in pain as the portal closed, denying them their hunt.

Liz was lying on the living room couch in a very roman pose and admiring the shiny glaze of her canines in the pocket mirror she now carried with her at all time. The couch was layered with fabrics and cushions that made it look like a giant rose in which Liz, still wearing her pink satin night gown, was like a fresh baby girl who just saw her first dawn…

ehm, thought Finnley, eyeing Liz’s face, Maybe not her first. But to the famous author of so many unpublished books’s defence, since the unfortunate ageing spell it was hard to tell Liz’s true age.

Finnley looked suspiciously at the fluffy cushions surrounding Liz. Where do they come from. I don’t recall seeing them before. I don’t even recall the couch had that rosy pink cover on it. She snorted. It sure looks like bad taste, she thought. She looked around and details that she hadn’t seen before seemed to pop in to her attention. A small doll with only one button eye. Reupholstered chairs with green pattern fabrics, a tablecloth with white and black stripes, and a table runner in jute linen… Something was off. Not even Godfrey would dare do such an affront to aesthetic, even to make her cringe.

Finnley went into the kitchen, where she rarely set foot in normal circumstance, and found a fowl pattern fabric stapled on one wall, a new set of… No, she thought, I can not in the name of good taste call those tea towels. They look more like… rubbish towels.

“Oh, my!” she almost signed herself when she saw an ugly wine cover. Her mind was unable to find a reference for it.

“Do you like it?” asked Roberto.
Finnley started. She hadn’t heard him come. She looked at him, and back at the wine cover. She found herself at a loss for words, which in itself made her at loss for words.
“It’s a little duckling wine cover,” said Roberto. “I made it myself with my new sewing machine. I found the model on Pintearest.” saying so, he stuck his chest out as if he was the proud duck father of that little ugly ducklin. Finnley suddenly recovered her ability to talk.
“You certainly nailed it,” she said. In an attempt to hold back the cackle that threatens to degenerate in an incontrollable laugh, it came out like a quack. She heard her grandmother’s voice in her head: “You can not hold energy inside forever, my little ducky, it has to be expressed.”

Uncomfortably self conscious, Finnley looked up at Roberto with round eyes.
“I…”
“Oh you cheeky chick,” said the gardener with a broad smile. He pinched her cheek between his warm fingers and for a moment she felt even more like a child. “I didn’t know you are so playful.”

Somewhere in the part of her mind that could still work a voice thought it had to give him points for having rendered her speechless twice.

The biggest shock of all was finding the unposted draft comment under the random rewreights story, but what on earth was it all about?

“Interestingly such bodies alone while the heads cling to — when they felt the desire for movement, that is.

At least, that’s what the Forehead was thinking while shaving — as it did not have enough appendages to be able to meditate while defecating, which was by far, it was told, the best method of enlightenment known to Peasmen and other sensible beings.
Anyway, how odder can it be, it thought again. It may well be time to shift all of this a bit — why would each head need such a renewal of bodies and thus incarnations (or more properly, “embodiments”) without itself changing. Funnily enough, the alien bodies had in fact no need for heads. They actually had more than one: one for each of the sensory tendrils coming out of their shoulders. And according to them, Peasland bodies could very well start their ®evolution just now.
alone were reproducing while the heads had to constantly find out new bodies to cling to — when they felt the desire for movement, that is.

At least, that’s what the Forehead was thinking while shaving — as it did not have enough appendages to be able to meditate while defecating, which was by far, it was told, the best method of enlightenment known to Peasmen and other sensible beings.
Anyway, how odder can it be, it thought again. It may well be time to shift all of this a bit — why would each head need such a renewal of bodies and thus incarnations (or more properly, “embodiments”) without itself changing. Funnily enough, the alien bodies had in fact no need for heads. They actually had more than one: one for each of the sensory tendrils coming out of their shoulders. And according to them, Peasland bodies could very well start their ®evolution just now.”

Liz was baffled, and decided to go and sit in the sun and think about it and see if any of this had helped, before continuing.

The sack got heavier with each step, as the old abandoned characters grew in anticipation, sending long tendrils through the loose weave of the hessian. The extra weight didn’t slow Roberto down, in fact he felt invigorated and inspired with something more interesting to do than pander to the others in that madhouse of Elizabeth.

One particularly persistent shoot near the top of the sack kept winding itself around Roberto’s neck, and when he unwound it repeatedly, it would jiggle as he walked and poke him in the eye, before curling itself back around his neck.

I wonder which character you will turn out to be when we get you planted, he admonished the tendril goodnaturedly, for it was a gentle twining around his neck, and playful.

As the gardener walked, appreciating the puffy white clouds scudding across the baby blue sky and the bird twittering and swooping, he felt a sense of purpose and depth that had been missing from his life in recent years. It had been entertaining at the madhouse, but only superficially. He had felt destined for more than raking leaves and pruning roses. Now he had a mission, and felt lighter at the same time as feeling very much more substantial.

The twining tendril round his neck suddenly thrust our several more pale green leaves, obscuring Roberto’s vision entirely. He was chuckling affectionately as he fell into the sink hole, and as he fell, the sack burst open, scattering the characters willy nilly into the vast underground cavern that he found himself in.

Kumihimo was rummaging through the content of a wooden chest at the back of the cave. According to the smell it had spent too much time in the dark and humid environment. She might have to do some spring cleaning one day. But the chest was now too heavy for her to carry. I need an apprentice for this, she thought not knowing if if was a wish or a regret.

In that chest, she had her many tools of the thread. Some were made of bones and she had carved them herself under the direction of her spirit guides. Each one had a specific purpose, either to catch, to extract, to guide, or to dissipate, and many more usages that even she had forgotten after so many years spent in that place.

She had accumulated so many things in that chest. Fortunately she liked miniature, and most of her creations were seldom bigger than her little finger. However that made it difficult to keep things in order and finding something was often a real challenge. So she sang lullabies to lure the object she was looking for out of their sanctuary.

Victory! she exulted in the ancient tongue, which would translate also as ‘I have done all that is necessary to harvest the benefits of the next crop’. Kumihimo liked simple things and she liked when one word could signify a very complex meaning. Under an old donkey skin that she often used to camouflage herself when she was going down in the valley, she had found the loom she had been looking for.

The loom was made from the right shoulder blade of a bear. It was one of the first objects she had carved when she arrived in the vicinity. It had a yellowish patina and felt very smooth in her hands. Its shape was octagonal and each side had seven notches under which were three rows of symbols, some of the ink was gone after so many years, but she could still feel the groove where she had carved them. She smiled at the fond memories and at the dear friend who allowed her to take his bone when he died of old age.
In the centre of the loom was a heart with a circular hole in it. It was where the braid would emerge.

Holding the precious object, Kumihimo could feel all the braids she had already made and all the potential braids that waited to come into existence. She felt warmth bloom in her heart at the task at hand.

Each notch corresponded at the same time to a time of the year, to a direction on earth and in the sky, and some rather obscure references to many other phenomenon and concepts. The weaving depended on very complex rules that she had discovered from experience. Actually the meaning weaved itself into the braid through a subtle interaction between her and Spirit. That way she didn’t have to bother about what to do or what notch to use as it would all unfold during the weaving.

She stood up and walked outside. The day was still young and she had a lot to do. The weaving ceremony was an act of spontaneity, but it required some preparation. She put the loom on a round rock to dry in the Sun and went to examine the hanging threads. She had to choose carefully.

The fire in the wood stove had gone out when Eleri awoke but she didn’t rekindle it. The dream of the girl with the dragon face filled her thoughts, and the mundane actions of the morning were not a primary interest yet. The face was perfect to replicate into stone, with an interesting texture that would lend itself perfectly to her paint effects, but no extreme protuberances to cause potential problems during the process. The inch long horns would not present too much of a problem, provided they didn’t grow too much. (and what was that in centimeters anyway, she wondered, and why was she dreaming in imperial measures? Perhaps it was a clue to the location of the owner of the dragon face.) But how was she to find that face? And if she found it, would she be able to take a mold of it? There must be a way, she pondered, to take a rubber mold of a dream character somehow.

Rousing herself, she decided to ask Yorath about it. He was always full of surprises, and knew so much more than one ever imagined about multitudes of diverse topics. Eleri started to become excited at the thought of what this could mean to the development of her project. With the addition of the anti gravity animating ingredient, she could bring dream characters to life in a way never seen before in the physical world.

And Yorath had returned as promised, and just at the right time. Despite doubting her abilities to use the elerium when he first introduced her to it, she had developed a simple enough technique to incorporate it into the statues.

It was good to see him again, although she was disappointed to see he was not wearing that red silk jacket this time. But he had the goods, and that was the important thing. And he might have an idea about the dream casting. She would treat him to a breakfast of fresh picked mushrooms and then ask him.

“Oh. how ridiculous!” exclaimed Elizabeth, throwing a transcript at Godfrey.

Deftly catching the paper being tossed in the whirlwind of a forceful exhalation of Liz’s cigarette smoke, he raised an eyebrow but remained silent.

“She had a dream, you see,” continued Liz. “A dream about a writer and her maid. She mentioned it to me because she had one of those funny feelings it was about me, and when she told me, well the first thing I thought about was, well, you know….”

But Godfrey wasn’t listening, he was winking at Finnley who was reading over his shoulder. The maid stifled a giggle.

“So then I said to her,” Elizabeth explained, “‘I wonder what she’s been up to, left to her own devices?” and then she asked him all about it, and that’s what he said. Thrown me for a loop, I must say.”

E: (chuckling) Left to her own devices, she generates considerable intensity in extremes.

A: is this a character that has become a focus?

E: Reverse.

A: So it’s a focus that has become a character…. is there any information on the focus itself that I could offer her to play with that?

E: The focus is a past focus, but a recent past focus…a past focus in the timeframework of the 1940s…

A: in the Americas?

E: This focus travels, but I would express is based in Britain.

A: That makes sense.

E: And in actuality is involved with early computers…with large cables. LARGE cables…

A: [babble babble ohh ahh blah blah] …and she is female?

E: Yes.

itself direction
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human picked

It’s the Wall of Watches, where the last remaining heart beats of the condemned live on, refusing to be forgotten. The wall itself is high, with chains crisscrossing it’s face to keep a patchwork of boards in place. Threaded into the chains, however, were the watches of those who died at the wall.

The watches hung from each other. There would be one watch attached to the chains and then more watches would be strung on it’s bands. It was a practical solution to diminishing real estate on the wall, but it was metaphorical as well, representing the interconnection of hearts and souls.

Most watches were mechanical, but wound by the movement of handling. On the day of their death, or if they expected it, they’d run to the wall and fit their watch to the chains. Well-wishers would visit the memorial and handle the watches to both keep them going and to remember their loved-one once more. As long as the ticking continued, it was said that their heart remained beating in this world.

The guards would walk the condemned men past the wall to remind them of the people who came before. Dissenters.

As a line of men shuffled past the wall, an inmate leapt out of line and furiously fumbled with his watch, trying all he could to attach it. There was always one. One guy would become so overwhelmed by the empathy of the symbolism, would connect so strongly with the wall, that he’d leap out of line and attach his watch…an act which would be paid for by immediate death.

A guard watched with a certain pity. The orders were to shoot on sight, but he would let them have their last act. Right as the band slipped through the buckle, a shot was fired and the inmate fell in a lump.

All of this seemed so familiar to Aaron…or was it? Is this where he was supposed to be? He had a sudden moment of clarity while standing in that line, watching his fellow inmate fall. What was he doing here?! It was one of those moments that hits you. What in the world is all this bullshit?!

He loosened the belt on his watch as he drew closer to the wall, not wanting to seem suspicious. He would attach his watch, willingly and premeditated. Their expectations of him would not hold him ransom…rather, he’d use their own expectations against them. They would not kill him. He was in control. This was his time. This was his life. He was taking it back.

And, right as he slid the belt through, he got one last look at the black face of the watch…