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Huÿgens was not much of a cat person.

He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat…

Huÿgens had already lost some, especially during the shearing season.

And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

And off she was… free and unfettered as a gripshawk…

When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

— How quaint said Illi for herself.
— Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
— I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
— Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
— What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
— Oh, you are so sluggishly gloomy! That was just to help you…
— Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
— Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

They were interrupted by some munching sounds and ruffling heavy breath.

— What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
— Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
— A WHAT? I HATE DRAGONS!
— Ahahah, relax, I was just pulling your leg.
— That’s not funny.
— Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
— That’s REALLY NOT FUNNY!
— Why so? You can’t see it anyway…
— And what if he sees me? Dragons are vicious creatures.
— He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
— A chance! A vegetarian dragon!
— OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
— Oh, by the eyeballs of the Mighty Shrimp, you tell me…
— No, you choose.
— No, you.
— You…
— Ooooh, bugger off…

A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

A silence was on the scene.

At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

Somewhere in Malvina’s cave.

Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

She asked Leörmn to come.

Quintin’s bedroom.

[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

Leörmn came almost instantly, appearing in a puff of teal smoke.

Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina…

Leörmn had now finished assembling the magical artifact.

— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see…

— sabulmantium !

Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say.

Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

Jibberacky is…

• Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

_

• an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

_

• Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.

• Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures^² born from the Marshes were roaming the Southern parts of Lan’ork.

That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

But with what Jadra has found on his left hand this morning, he now knows he was right all along…

—

[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

Bådul was pondering at the bow of his boat.

His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!”

Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…

When Dorothy Mc Leane, the imperviously impetuous and buoyant archaeologist, temporarily reduced to dust shawls in a small antique boutique of the coast of Madagascar, had been finally coming to her mind, she had felt so out of place.

She had been in many places at once, and these have hardly been vacations at all. Well, all she had wanted at first was to follow that funny lemur winking on a placard, which was hinting at a funny expedition in a cave.

But that may just have been phoney gooey advertisement, as she was now stranded in that shoppe with a stupid parrot. No-name parrot…

That’d make Fiona laugh for sure… she thought; she would say that she wasn’t doing things in halves. Can’t even think if I can find a postcard big enough to tell her everything, she had laughed.

— Well, you don’t have a name by chance? she suddenly asked the bright bird.

— Archibaaaaald howled the parrot joyfully.

Bugger this, I knew that… Dory couldn’t help but thinking.

— Aaaaaarchibaaaaald

Oh!, she had started to feel exasperated. Archibald would take care of the key anyway, no need to stay here any much longer.

And right after the parrot had flown through the window, as she was leaving the shoppe and heading to the mini-van where the distraught guide had been obviously looking for her since hours, she couldn’t help but wonder at the number of noisy Italian tourists who had just seemed to pop in, crowding the tiny shawl shoppe…

Wow… She could have bet they could have been as many as fifty seven…

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!

The transmugrification was about to start.

Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

And a new egg was laid somewhere in the cave, glowing of an emerald tint.

This “one” was a bit different though…

Malvina looked for a moment at the movements of the strings of her enchanted harp before beginning to play herself. The strings were moved very beautifully, and reproduced her own graceful movements, when she played that lovely tune from her homeland .

The sounds were carried down through the many tunnels, and resounded in all the cave, in soothing drops of music. When she observed the creatures through her mind connection with her dragon companion Leörmn, she knew they were loving the sound of it.

And all very naturally, she began to wrap her alabaster hands around the instrument, and as if she was consoling it, inclined her head towards it, and started to move her fingers along the strings, beginning to enhance the previous melody, blending her new sounds into it, until the strings felt so at ease that they let themselves vibrate with the sound, without need to stir more than what Malvina’s fingers was gently asking.

The sound enveloped the cave, and the delightful music even drew some glukenitches closer, even though she was in the plain light falling from the hole at the top of the cave hall, down to the wooden platform where she was seated.

In the silgreen tree which was blooming sparkling flowers of emerald and silver once every moon, that she had planted here when she had first come to the cave, she saw a couple of flying sparflies settle down. These were usually very discreet birds, and their song was one of the treasures of the Worlds. And their accompanying her music was for Malvina a joy beyond compare.

Lots of things were moving around, Quintin felt. It was nothing he could have explained in words of the physical world, but he was aware of some deep movement, something like a new beginning.

Lots of others had been moving too, in their own ways, sometimes not quite comfortably, but it was calmer now, like after a tempest, clear limpid sky, and splinters of wooden ships floating gently on the oily surface of the sea.

Dory had been very sick in Madagascar she’d told him, perhaps after having eaten some food, she could not have told why. But now was better… It had seemed a good night of sleep was good enough a medicine for her.

He had dreamed of Fiona too, some shared past lives in the 1860s in a small town in the US, it had been very vivid, and he had felt a great lovingness between them… Somehow they could find each other again, anytime, he knew that.

As for Yann, after that week-end they had spent together, all was clear too between them, they could create the fun they wanted without needing to make it difficult for them, it was only a matter of being accepting of their own choices and impulses, which was at times easier said than done.

It had been an interesting exchange between them all, and it was still continuing. Perhaps it was a gift from Malika, her gentle presence, which was very much like Malvina’s in her cave…