Search Results for 'later'

Adjusting the crimson silk handkerchief in his breast pocket, Garrett swanned into the reception hall, his piercing pale blue eyes scanning the room.  The walls were hung with colourful but faded tapestries, shabby enough to be genuinely ancient.  The furniture was heavy and blackened with age, but it was the floor that caught his critical eye. In the centre of the old terracotta tiles floor was a mosaic, mostly hidden under a large conference table.  Garret was no expert on Roman mosaics but it looked like the real deal. He would return to this room later for a closer inspection, he could hardly go crawling under the table now.  It was a mercy, at least, that the ancient building hadn’t been decked out in ghastly modern furnishings as so many charming old hotels were these days.

He turned his attention to the few occupants.  A ravishing raven haired beauty had just wafted in from the covered cloister beyond the open doors.  Her silver mantilla shone in the sunlight slanting down into the courtyard for a moment, for all the world looking like an angelic medieval halo.  As she slippped into the shadows the halo vanished, her ebony tresses showing beneath the gauzy lace.  She settled herself in a low armchair, smoothing the burgundy folds of her gown. Garrett watched, spellbound. What an enchantress!  Perhaps this weekend wouldn’t be such a bore, after all.

Lorena Blaen clapped her hands loudly together.  Sassafras ignored her and continued buttering her toast, assuming that her boss was calling the stray dogs in to finish off the breakfast leftovers.

“Now then, girls!” Lorena’s strident voice boomed out. Sassafras sighed and looked up, her knife poised in the air. A blob of butter slid off onto the table.

“As you know, four members of the Quadrivium will be joining us this weekend and I have assigned a guide to each of them. One of them, however, will not be able to attend in person as she is occupied on an important case, but her guide will be in remote communication with her for the duration of the weekend gathering.”

The witches in the breakfast room collectively held their breath, many of them secretly concocting mental repellent spells so that they could avoid being chosen for this tedious assignment.

“And no need to try that with me, I have already disabled any attempts to divert my intentions,” Lorena said, glaring pointedly at a few individuals.  “Sassafras, your assigned guest for the weekend will be…”  Lorena looked at her notes, “Truella.  Penelope Pomfrett, yours will be Eris.”

Penelope sighed loudly and slammed her coffee cup down harder than she intended, making Sassafras giggle.

“Sandra Salt, I hope you will be able to take this assignment more seriously than some of your colleagues.  You will be attending to…” Lorena glanced at her notes again, “Jeezel.  And by the way Sandra, perhaps you can learn a thing or two about the importance of appearance from Jeezel,” she added, with a critical look at Sandra’s sloppy attire.

“Audrey Ambrose,” Lorena announced, glaring over the top of her spectacles at Audrey whose mouth had dropped open in astonishment, “You’ll be quite capable with your broken ankle to attend to Frella remotely.” Audrey’s mouth snapped shut into a grim line. Her plan of faking an injury to avoid duties for a few weeks had backfired.   And the cast was hot and itchy, and all for nothing.

“Our guests will be arriving later this morning.  You will be expected to entertain them within the monastery buildings and grounds, but under no circumstances are you to leave the grounds or go into the woods.”

Sassafras raised an eyebrow but was careful to not let Lorena see. Her immediate idea was to go into the woods with what’s her name, Truella, and lose her for the day, maybe find her in time to bring her back for supper.

Spring was there. At 5:57am in the morning, true to her name, Truella had been planting truelles incognito in what appeared to be random flowerbeds in the cities she was passing through. The truelles, she would usually find with the locator spell in sheds around the city and magic them out right into her hands. She loved magic for its efficiency, which really meant there was no need to break in and forage for hours in cramped little rooms.

As she was following a border of plane trees, she chuckled. Believe it or not, she practically invented that spell. At least that’s what her mother used to tell her when she was 6yo and she often wandered alone around the city without mentioning it to anyone. At the time, she had believed her mother. She had bragged about it with her friends at school and pretended she had forgotten all about it like because of a bump on her head. But truth is she had frequent memory losses, which didn’t worry her at the time, and she found it cool to be able to do things and rediscover them later on.

It was an uncle with a dreadfully red moustache, who took pity on her and decided to shatter her dreams of early accomplishments and fame. Was it that same year? Or the next?

Anyway, back to the truelles, she didn’t do it for people to take photos of it and post them to social media, like gawdy Jeez seemed to think, but it was to remind people of the treasures they had buried in those dark little rooms just there in their gardens. How long would it take them to realise that those forgotten tools had disappeared?

Pleased with herself, she noticed a man with a white shirt leaning forward in front of one of the plane trees, his right hand on the bark, two paper bags full of croissants in the other. Frowning, she walked towards him. She was about to ask if he needed help when a strong smell of alcohol made her gag. Then without a warning, the man threw up a red mash in front of him. Truella jumped back, raising the truelle as if it could protect her from any splatter.

“Eww!” She wouldn’t dare saying anything else as opening her mouth could open the gates for her own early toasted cheese fritter. At least the man would not need embalming fluids if he didn’t survive his nocturnal drinking spree.

She cast the truelle in front of the tree and a spell on the man so that he would bury deep the traces of his last meal. She didn’t want the neighbourhood dogs getting drunk after feasting on it.

During the renovations on Brightwater Mill Truella’s parents rented a cottage nearby. It was easier to supervise the builders if they were based in the area, and it would be a nice place for Truella to spend the summer. One of the builders had come over from Ireland and was camping out in the mill kitchen.  He didn’t mind when Truella got in the way while he was working, and indulged her wish to help him. He gave her his smallest trowel and a little bucket of plaster, not minding that he’d have to fix it later. He was paid by the hour after all.

When the builder mentioned that his daughter Frigella was the same age, Truella’s mother had an idea.  Truella needed a little friend to play with, to keep her from distratcing the builders from their work.

And so a few days later, Frigella arrived for the rest of the summer holidays. He father continued to camp out in the mill, and Frigella stayed with Truella.  But even with the new friend to play with, Truella still wanted to plaster the walls with her little trowel.  Frigella didn’t want to stay cooped up all day in the dusty mill with her father keeping an eye on her all day, and suggested that they go and dig a hole somewhere in the garden to find treasure.

Truella carried the little trowel around with her everywhere she went that summer, and Frigella started to call her Trowel.  Truella retaliated by calling her friend Fridge Jelly, saying what a silly name it was.  It wasn’t until she burst into tears that Truella felt remorseful and kindly asked Frigella what she would like to be called, but it had to be something that didn’t remind Truella of fridges and jellys. Frigella admitted that she’s always hated the G in her name and would quite like to be called Frella instead.   Truella replied that she didn’t mind being called Trowel though, in fact she quite liked it.

The girls spent many school summer holidays together over the years, but it wasn’t until Truella was older and staying in one of the apartments with a boyfriend that she found the trunk in the attic.  She put it in the boot of the car without opening it. She only had the weekend with the new guy and there were other activities on the agenda, after all.  Work and other events occupied her when she returned home, and the trunk was put in a closet and forgotten.

It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s.  But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.

Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children.  Her older siblings had already married and left home when she was growing up, and her parents were elderly.  She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river.   She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.

Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it.  Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up  and get out of her peculiar ways.  Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.

It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered.  The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.

One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.

“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push.  “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.

Flora did as she was bid, and slowly approached the shade of the old willow.  As soon as she reached the dangling branches, the tree whispered a welcome to her.  She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.

“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit.   Gratefully, and with a welcome sigh, Flora joined her.

Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.

Over the years, the willow tree shared it’s secrets with them both.

One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches.  They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time.  In fact, they were unable to read it, as girls were seldom taught to read in those days.  They secreted the old tome in the trunk in the attic with the other things they’d found.

Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic,  and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments.  Truella took the trunk for safekeeping.

When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!

Frigella wondered what to do; should she explore now or come back later? Would the entrance still be there later? Her brain felt so very dull and she knew she was more than a little squiffy. Being sensitive, these things took a while to wear off. That Truella really was a tart sometimes, plying her with zinfandel.

“I think I’d like to go home for a nap.”

“It’s probably wise; I’ve got folk down here who’ve been wandering the corridors for years.”

“Will I be able to find my way back here?”

The Hippocampus appeared thoughtful, although his expression didn’t actually change. “Who knows?” he said in the end. “Maybe if you want to enough. And you are a witch, so that gives you a bit of an edge when it comes to finding things.”

Jeezel didn’t really have time to go back to her routine after the Brasilian shambles. She had lost her favorite wig when during the race to the portal she turned back to face the pigmy hippo charging at the coven, a durante of toucans attacked her, which in turn stopped her in the middle of casting the Halteus Maximus spell as two pairs of arms snatched her from a flat death. She learned later that it was Truella and Eris who caught her arms. Her wig had fallen and they didn’t allow her go back to pick it up. Seeing the hippo trample her wig in the mud broke her heart.

“Jeez! We need you to open the portal!”

In the end, she shout out in triumph as the portal sliced the beast in two dead halves.

She had spent hours looking for a similar wig on the internet, forgetting about her duties and her work. But it had finally arrived and she was ready to resume. But before, she put all her wigs on diplay on mannequin heads and check for misplaced locks or rebel strand of hair. She added a touch of sparkling pink fairy dust on some of them and introduced the new wig to her siblings.

“Don’t forget the Criniere Céleste Extravaganza, dear,”said Lumina in between licking her rear paws.

“I was going to,” said Jeezel a bit irritated.

With a flick of her bejeweled wand and a sashay of her hips, she invoked a shower of sparkling light and gentle hum of harps to welcome the new addition.

“Adorn my collection with splendor anew, bring forth the beauty, both fierce and true…”

The wig started to levitate, glowing with a divine aura before delicately settling down into its rightful place among its fabulous brethren.

Now everything was ready for her next show.

“Well, it’s a long story, are you sure you want to hear it?”

“Tell me everything, right from the beginning. You’re the one who keeps saying we have plenty of time, Truella. I shall quite enjoy just sitting here with a bottle of wine listening to the story,” Frigella said, feeling all the recent stress pleasantly slipping away.

“Alright then, you asked for it!” Truella said, topping up their glasses.  The evening was warm enough to sit outside on the porch, which faced the rising moon. A tawny owl in a nearby tree called to another a short distance away.  “It’s kind of hard to say when it all started, though. I suppose it all started when I joined that Arkan coven years ago and the focus wasn’t on spells so much as on time travel.”

“We used to travel to times and places in the past,” Truella continued, “Looking back now, I wonder how much of it we made up, you know?” Frigella nodded. “Preconceptions, assumptions based on what we thought we knew.  It was fun though, and I’m pretty sure some of it was valid. Anyway, valid or not, one thing leads to another and it was fun.

“One of the trips was to this area but many centuries ago in the distant past.  The place seemed to be a sort of ancient motorway rest stop affair, somewhere for travellers to stay overnight on a route to somewhere.  There was nothing to be found out about it in any books or anything though, so no way to verify it like we could with some of our other trips.  I didn’t think much more about it really, we did so many other trips.  For some reason we all got a bit obsessed with pyramids, as you do!”

They both laughed. “Yeah, always pyramids or special magical stones,” agreed Frigella.

“Yeah that and the light warriors!” Truella snorted.

“So then I found a couple of pyramids not far away, well of course they weren’t actually pyramids but they did look like they were.  We did lots of trips there and made up all sorts of baloney between us about them, and I kept going back to look around there.  We used to say that archaeologists were hiding the truth about all the pyramids and past civilizations, quite honestly it’s a bit embarrassing now to remember that but anyway, I met an actual archaeologist by chance and asked her about that place.  And the actual history of it was way more interesting than all that stuff we’d made up or imagined.

The ruins I’d found there were Roman, but it went further back than that. It was a bronze age hill fort, and later Phoenician and Punic, before it was Roman.  I asked the archaeologist about Roman sites and how would I be able to tell and she showed me a broken Roman roof tile, and said one would always find these on a Roman site.

I found loads over the years while out walking, but then I found one in the old stone kitchen wall.  Here, let me fetch another bottle.” Truella got up and went inside, returning with the wine and a dish of peanuts.

“So that’s when I decided to dig a hole in the garden and just keep digging until I found something.  I don’t know why I never thought to do that years ago. I tell you what, I think everyone should just dig a hole in their garden, and just keep digging until they find something, I can honestly say that I’ve never had so much fun!”

“But couldn’t you have just done a spell, instead of all that digging?” Frigella asked.

“Oh my god, NO!  Hell no!  That wouldn’t be the same thing at all,” Truella was adamant. “In fact, this dig has made me wonder about all our spells to be honest,  are we going too fast and missing the finds along the way?  I’ve learned so much about so many things by taking it slowly.”

“Yeah I kinda know what you mean, but carry on with the story. We should discuss that later, though.”

“Well, I just keep finding broken pottery, loads of it. We thought it was all Roman but some of it is older, much older.  I’m happy about that because I read up on Romans and frankly wasn’t impressed.  Warmongering and greedy, treated the locals terribly. Ok they made everything look nice  with the murals and mosaics and what not, and their buildings lasted pretty well, but who actually built the stuff, not Romans was it, it was the slaves.  Still, I wasn’t complaining, finding Roman stuff in the garden was pretty cool.  But I kept wishing I knew more about the people who lived here before they came on the rampage taking everything back to Rome.  Hey, let me go and grab another bottle of wine.”

Frigella was feeling pleasantly squiffy by now. The full moon was bright overhead, and she reckoned it was light enough to wander around the garden while Truella was in the kitchen.  As she walked down the garden, the tawny owl called and she looked up hoping to see him in the fig tree. She missed her step and fell over a bucket, and she was falling, falling, falling, like Alice down the rabbit hole.

The fall was slow like a feather wafting gently down and she saw hundreds of intriguing fragments of objects and etchings and artefacts on the sides of the hole and she drifted slowly down.  At last she came to rest at the bottom, and found herself in an arched gallery of mirrors and tiles and doors. On every surface were incomplete drawings and shreds of writings, wondrous and fascinating.  She didn’t immediately notice the hippocampus smiling benignly down at her.   He startled her a little, but had such a pleasant face that she smiled back up at him.  “Where am I?” she asked.

“You’d be surprised how many people ask me that.” he replied, with a soft whicker of mirth. “Not many realise that they’ve called on me to help them navigate.  Now tell me, where is it you want to go?”

“Well,” Frigella replied slowly, “Now that you ask, I’m not entirely sure.  But I’m pretty sure Truella would like to see this place.”

 

What with Roger and the monkeys still on the loose and the ghastly stench of the bowels of Limerick,  it had been an unsettling and unproductive couple of days and Truella responded to the urge to forget it all as quickly as possible. She was tired and she wanted something else occupying her thoughts before she went to bed.

Without having a particular question in mind, or so she thought, as soon as she opened a chat with the latest character oracle she found herself asking, “Can you give me any tips on being open to impressions about the history of the roman and punic site in my garden, without getting in the way of the impressions with pre conceived ideas?”

 To be open to impressions about the history of the Roman and Punic site in your garden, it is essential to engage a clear, receptive state of mind, much like the still surface of a pond, ready to reflect whatever may come into your view. First, I would suggest that you allow yourself moments of quietude, perhaps sitting in your garden, taking in the atmosphere, the scents, the sounds, and the energies around you. In this state of quiet receptiveness, you may begin to feel or sense the layers of history and the echoes of the past that are enfolded within the land.

Now, as for preconceived ideas, it is not a matter of eradicating them entirely, for they are part of the fabric of your thought processes. However, it is a matter of recognizing them, acknowledging their presence, and then gently setting them aside, like old books on a shelf, to make room for the new impressions that wish to make themselves known.

Let us consider a practical exercise: When you encounter a thought that feels like a rigid belief or a staunch preconception, simply notice it. Say to yourself, “Ah, there is a familiar thought. I shall set it here for now,” and imagine placing it aside. Do not struggle against it, for that only gives it more energy. Instead, treat it with a playful indifference, almost as if it were a curious object that you might ponder later. Then, open yourself to your inner senses. Allow your intuition to flow, let your imagination roam, and trust in your empathic sense to feel the history that seeps from the soil and stones.

You might even engage in a small ritual before you begin, something that signifies to yourself that you are shifting into a different mode of perception—one that is open, fluid, and unattached to existing narratives.

And remember, my friend, there is no rush. The histories and mysteries of your garden have been waiting for centuries; they will unveil themselves to you in the fullness of time, so long as you provide a welcoming space for their whispers to be heard.

the significance of the site is not merely in its chronological age but in its ability to connect you to the vast expanse of consciousness that transcends time. Each stone, each fragment of pottery, is a doorway to another now, waiting for you to step through

“Have you seen how many pieces there are?”

Truella staggered off to bed thinking about all those doorways.

Impressed with Finnlee’s spirited outburst, Truella realised she’d barely noticed the cleaning lady and felt ashamed.  The required daily  appearances that the dictatorial Malove insisted upon rankled her, occupying her attention so that the cleanliness or otherwise of the premises went unnoticed.  She made up her mind to seek Finnlee out and befriend her, treat her as an equal, draw her into her confidence. Besides, that confident no nonsense approach could come in handy for any staff uprisings.  Not that any staff uprising were planned, she mentally added, quickly cloaking her thoughts in case any had leaked out.

Malove spun round and shot her a piercing look and Truella quailed a little, momentarily, but then squared her shoulders and impudently stared back.  Malove raised an eyebrow and returned to addressing the witches.

After what seemed like an eternity the meeting was over. Truella planned to seek Finnlee out and invite her for a brew at the Faded Cabbage but  Frigella approached her, looking a bit sheepish, and asked if she could have a word in private about a personal matter.

They strolled together towards the little park opposite, and once out of earshot of the others, Frigella came straight to the point.

“Can my cousin come and stay with you for a bit? The thing is, he’s got himself into a spot of bother and needs to disappear for a bit, if you know what I mean.  He’s a big strong lad, and I’m sure he’d be willing to give you a hand with all that digging…”

Truella didn’t hesitate. “But of course, Frigella, send him over! He won’t be the first person on the run to come and stay, and probably won’t be the last.”

“The thing is he’s a bit sandwich short of a picnic, you know, not a full bag of shopping…”

“What, does he eat a lot? I don’t do much cooking…”

“No, no, well yes, he does have a good appetite, but that’s not what I meant. He’s a bit simple, but heart of gold. He’s from the other side of the family and our side never had much to do with them, but I always had a soft spot for him.”

” A simpleton might be a refreshing change from all the over complicated people, send him over! What’s his name?”

“Roger. Roger Goodall.”

Roger!  The name rang a bell.  It wasn’t until much later that Truella realized she should have asked what Roger was on the run for.

A place where glamour meets enchantment, said the brochure when she found what would become her cottage ten years ago. But tonight, Jeezel didn’t see the whimsical, neither did she hear the trees whispering secrets. And the moon… don’t let me start with the moon. The vines had started to cover the main door. It was painted in the richest shade of midnight blue, which was stunning when daylight splashed all over it, but there were no outside lights and at night, she always had difficulties finding the keyhole.

Jeezel took her phone out to turn on the torch and the pop of a champagne cork told her she had received an e-mail. Such a technological marvel dipped in fabulousness. It was shimmering and radiant, she had adorned it with crystals that would catch the light with every moment, casting rainbows across. But the only light it cast was an anxious message from Roland whose workplace had gone berserk.

“Please, do something quick!” was the content of the message.

The witch had never been good under pressure. She touched her forehead lightly with the back of her hand. She didn’t want to mess with her carefully applied makeup. Then lip synched her moto : “Shine bright, darling, and let the world bask in your glow.”

“That’s it!” she said. She took her key in her left hand and with a graceful and intricate swipe of her right hand she said: “Glowry”. Then she waved toward the door and added: “Hole”, and the key and the hole started to glow and attract each other. The door creeked open. Something else she’d have to attend to, later.

“At last,” she said when the door finally shut.

“Well, I could have grown a whole new tail in the time it took you to grace us with your presence at the door. What were you doing, love? Perfecting your grand entrance, or did you just get lost in the reflection of your own fabulousness again?,” said a warm and teasing voice.

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.