Search Results for 'leave'

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  • #258
    F LoveF Love
    Participant

      India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

      Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

      India Louise looked up from her drawing.

      What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

      It is beautiful India Louise.

      What did the letter say Grandpa. Why is it making you so sad?

      It is just an old letter, India Louise.

      Yes it looks very old. Was it bad news?

      Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

      The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

      He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

      Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

      Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

      He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

      The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

      As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

      Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

      #254
      TracyTracy
      Participant

        Bill, the itinerant artist commissioned to paint portraits of the Wrick family, was uneasy. While he’d been staying in the castle with the eccentric family, he’d lost all track of linear time. It had been altogether too confusing, and his head was spinning. Manon the cook had sent a tray up to his room, with a pot of Earl grey tea, and a plate of Yorkshire parkin for his supper, when he’d claimed to be developing a mysterious ailment and begged leave to retire to his room.

        Bill splashed some malt whiskey into his cup of tea. A good long sleep was what he needed, and with a sigh he drained his cup and climbed into bed, pulling the heavy eiderdown up over his chin. He lay there for awhile staring into space, not really aware of his thoughts. An owl hooted from the oak tree outside his window. Twit whoohooo twit whoo hooooooo…

        Bill blinked and then frowned. On the top of the Queen Anne highboy facing the end of his bed was a large carved stone face. How odd, he thought, I don’t recall seeing that there before.

        #246

        Huÿgens was not much of a cat person.

        He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

        Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

        That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

        When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat

        Huÿgens had already lost some, especially during the shearing season.

        And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

        Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

        So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

        But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

        The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

        As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

        When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

        And off she was… free and unfettered as a gripshawk

        ***

        When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

        How quaint said Illi for herself.
        — Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
        — I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
        — Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
        — What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
        — Oh, you are so sluggishly gloomy! That was just to help you…
        — Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
        — Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

        They were interrupted by some munching sounds and ruffling heavy breath.

        — What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
        — Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
        — A WHAT? I HATE DRAGONS!
        — Ahahah, relax, I was just pulling your leg.
        — That’s not funny.
        — Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
        — That’s REALLY NOT FUNNY!
        — Why so? You can’t see it anyway…
        — And what if he sees me? Dragons are vicious creatures.
        — He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
        — A chance! A vegetarian dragon!
        — OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
        — Oh, by the eyeballs of the Mighty Shrimp, you tell me…
        — No, you choose.
        — No, you.
        — You…
        — Ooooh, bugger off…

        #188

        This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

        Quintin: Your story was great!

        Fiona: Thank you :) So was yours.

        Have you written any more since I last looked at the story?

        Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

        Fiona: no, wrap it up if you feel.

        I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

        Quintin: Ahahaha! Don’t restrict yourself ;)

        Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

        Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

        Fiona: The endearing dragons…

        Quintin: Yeah…

        But I had strictly no idea about the rest. It was just a bet, on luck…

        That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

        Fiona: And did she have any impression of what form that could take? Like books, or games or what…

        Quintin: No, it was much more “real” in fact…

        Fiona: you know like the card-captor game which I suppose is interactive, so real

        Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

        Fiona: So a little bit like I have done with the story, to resolve something

        Quintin: yeah, exactly, or with your paintings

        Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

        Quintin: Yeah, people can unleash their imagination.

        And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

        Fiona: such as? eggsamples?

        Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

        Fiona: Yeah, I told you I did, but you just said some riddle!

        Quintin: Did I? That’s not like me ;)

        Fiona: Ahahhaha! It is you to the core

        Quintin: LOL, damn me!

        Fiona: Well, that is a bit strong, but …

        Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

        Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

        Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

        Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

        Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

        Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

        Quintin: Ahahaha, the story has a willing of its own too…

        Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

        Quintin: And actually, I don’t think everyone will be interested in dragons…

        Fiona: How does a dragon help one learn magic powers?

        Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

        Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

        Fiona: And how having a baby dragon could help unleash our magic powers then?

        Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

        Fiona: I am not sure if i have dark corners ;)

        Quintin: it was a metaphor :D

        Fiona: ahahahhahahahahahah

        Fiona: I know, so was mine :D

        Quintin: ahahahahah

        Fiona: I was thinking I feel really accepting of myself

        Quintin: Yeah, that’s the point in the little adventure before you meet it.

        You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

        Fiona: Well I think it sounds scarey now, what if no dragon picked me…

        Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

        Fiona: True.

        Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

        Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

        Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

        Fiona: Ahahahaha yes

        Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

        Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

        Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

        Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

        Quintin: Of course, you know :)

        Fiona: That I related most to the figure of blue hat… and big feet

        Quintin: Ahahaha, stomping on the poor key-fish

        Fiona: Nearly…

        Quintin: Have to go now, thank you for this enjoyable conversation

        Fiona: See you! :)

        #186
        F LoveF Love
        Participant

          Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

          She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

          She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

          Use your magic, she had said.

          When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

          Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

          :fleuron: :fleuron: :fleuron:

          The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

          Thank you for having me room, she said as she left.

          No, thank YOU, replied the sleepy glukenitch.

          :fleuron: :fleuron: :fleuron:

          The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

          Why sad?

          I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

          You always know, just feel it

          So Arona closed her eyes tightly and allowed herself to feel the answer.

          Because you know who you are, and it made me realise I have no idea who I am.

          Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

          Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

          The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
          The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

          Arona, who had felt immediately connected with the young child frowned.

          Doesn’t the little girl feel left out?

          Go in, said the woman, Go inside the picture and feel the answer.

          Oh, and you might want to leave your cloak behind.

          So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
          I remember feeling like that, thought Arona, before the magic went.
          She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
          As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

          :fleuron: :fleuron: :fleuron:

          Arona returned to the cave.

          You look troubled

          Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

          On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

          Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

          Arona shuddered a little. I might not jump into that one .

          The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

          Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

          Well I gave her the same advice, years ago.

          More damn riddles, Arona thought to herself, and the woman laughed.

          One final painting of yours I would like to show you. It is beautiful is it not?

          Arona stared mesmerised for a moment, and then leapt right in.

          She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

          Dance Arona, she heard the woman’s voice

          I can’t dance like that, I’m not good enough.

          It doesn’t matter

          And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

          :fleuron: :fleuron: :fleuron:

          Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

          Things are shifting she said

          Oh lordy, are they said Arona, What should I do now?

          Feel the answer

          Arona felt. I am very hungry, eggceptionally so.

          #181

          As the voice was becoming louder, Írtak felt also the presence of Leörmn. He was feeling this liquid vibration that was his signal for the shapeshifting of the tunnels. He knew that Leörmn was aware of his presence and wouldn’t change the tunnel he was in, but he could possibly forget to leave him an exit.

          He felt the presence of Malvina reassuring, she was also supervising the progression of the girl. He knew it was not for him to intervene and help the girl, she was to find her own way. And if her choice was to find him she would, otherwise he had still to find that missing egg.

          Since he’d found Malvina and Leörmn he’d unraveled many of his own abilities. They were quite different from those of Malvina, nonetheless she told him that they were perfectly fitting his own exploration. He could feel the eggs and the only difficulty was to follow a path that would lead him to any lost egg before it was too cold.

          And for now, the egg was in another direction than the one from which the voice was coming. He just added his own encouragement and trust to the girl, and he continued his little quest.

          #156
          TracyTracy
          Participant

            Sanso stood at the entrance to the cave, looking out over the valley. He loved the rich orange-red rocky cliffs and towering stone pillars, and recognized them at once. He remembered this place! A vague nostalgia swept over him, he’d loved it here, hadn’t wanted to leave…… A song started playing in his head …… ‘we wept when we remembered Zion’… mmm mmm mmm mmmmmmmmmmmmmmm……… when we remembered Zion….

            What an extraordinary cave it was, Sanso thought, when he’d wiped his eyes and his nose on his indigo blue shawl. Every time I see a light at the end of one of the tunnels and follow it to the cave entrance, it leads me to another time and place.

            The rain started to fall, gently at first, and then the valley was filled with the strange pale green light of an approaching thunderstorm. Reluctantly, Sanso made his way back into the cave.

            #146

            Arona was quiet for a long time. The thing was she was not thinking about the riddle.

            You know Dragon, she said eventually, I may not look very bright but I am not so stupid I can’t answer your foolish riddle. The truth is though that I don’t want to listen to the music if I am so unwelcome that I have to answer silly questions.

            I have been wandering for quite a long time now, since I left the village I was born. I heard the music and I had a feeling of home I had long since forgotten. I thought there may be friendly folk here who would be pleased to welcome me. And I would have been pleased to get to know you too.

            Anyway I bid you farewell and wish you all the best.

            and Arona turned to leave.

            The dragon was kind hearted really, and was sorry to see the girl go, and to see the tear which fell on her cheek.

            Wait! Leormn called to her if you are sure you know the answer I will take your word for it. After all it was rather an easy riddle, so you see I did want to welcome you really. Come inside, you will be welcome, for I see your heart is true

            #131

            Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.

            One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.

            Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.

            Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.

            The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.

            Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.

            That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.

            She felt the music beckoning her.

            :fleuron:

            Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.

            Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.

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