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  • #1997

    In reply to: Scrying the Word Cloud

    ÉricÉric
    Keymaster

      A cloud-assisted demented rewrite, just for fun…

      PERPLEXED BY THAT PARTICULAR case, THE sheriff HAD HIS glassES floatING BEFORE HIS eyeS.

      SOME mean rather weird beings… THE brotherHOOD OF magic NEEDED TO SEND Elikozoe INTO A space Craft TO CARE FOR THE boy WHO felt six motherSHIPS COMING IN HIS dreams.

      DURING THESE moments easily FORGOTTEN, SOME others young legends WERE sent Aside TO answer AND bounce WITH alone aspects THAT wondered HOW TO keep focused.

      THE trees WERE laughing “yeah!” THEY SAID, AS Anita FELT cold AMONG THE roseS randomLY SCATTERED.
      SOME told HER ABOUT love, AS SHE asked WHETHER dragons REALLY seemed LIKE nothing ELSE SHE HAD SEEN BEFORE.

      Chris turned wondering ABOUT nature THESE days WHEN everyone, Elizabeth INCLUDED, KEPT thinking WHAT THEIR hair looked LIKE FROM behind.

      DEEP inside, SOME help began slightly TO COME TO THE lady AS SOON AS THE dark cloud HAD taken HER TO sleep. THE truth IN particular WAS LIKE A friend WITH purple COLOURS AND A skull IN HIS HAND, WHO sat WAITING FOR HER.
      “let HOPE COME, despite whatever FATE bringS TO THE door! YOU must wait SOMETIMES, AS factS follow!”

      Nice Tina WAS caught floating ON THE STREAM, AND moving ALONG IN A green jogGING GEAR WAS Joe, BOTH full OF IDEAS THAT gave THEIR friends AN experience NEWLY created. BUT THEY needed magpieS AND tried FOR THESE creatureS INSERTION TO work.

      FOR Arona, ALL WAS happening ON Earth LIKE SOME important dream. IT WAS LIKE dancing IN A real play, WITH THE sea NEARBY.
      A series OF dog-EARED BOOKS WERE NEARLY outside, AND deep INSIDE, SHE KNEW THE novelS WERE close TO surface OUR dimension, WITH HER head looking BEYOND, AS perhaps Yurick WOULD AGREE.
      HIS heart often sounds interesting, BUT OF ALL THE ones SHE liked, IT SHOULD BE herself.
      THE Duane SHALL BE rememberED, SHE thought, IN DUE times…

      WITH THE goat, Anna suddenly giveS THE blue busy spiders SOME NEW reality, AND Kay IS getting hot. SHE HAD forgotten THAT handS COULD BE making names, AND SHOUTING HER CreEd, THE voice OF THE girl SAID IT matterED THAT THE story became shouted IN THE sky.
      Eric WAS ENduring Sanso WHO loved THE sandY BEACHES.

      STAYING clear THIS NEW year DEMANDS SOME self AWARENESS, ESPECIALLY ON THE yellow CHAKRA points, TO ALLEVIATE UNNECESSARY physical pain.

      CLAD IN teal, SHE WAS waiting FOR HIS parents’ words TO HAVE moved AND TO BE connected. Franiel HAD FELT within HIMSELF four OLD fatherS’ ADVICES, AND HAD AGREED TO TALK TO Salome’S face AND ANSWER HER call THAT HAD APPEARED quickly UPON THE wall AND HAD BEEN wandering OVER HIS bed.
      HE careD FOR THE past, AND THAT VISION WAS telling. IN THE morning, HE SAW IT AS A gift, SHINING IN SOME DISTANT island, LIKE A moviNG presence.

      Yann VowED TO FIND HIS WAY IN THE soup OF linkS, AND FIND THE OLD godS’ energy THAT kept THE planetS MOVING.
      HE heard SOMETHING, A FUGACIOUS moment following HIS ADMIRING OF THE beautiful weather, UNDER THE Glistening sun. A SINGLE dragon’S hands COULD nurse POTENT writing abIlITIeS, AND soon WOULD open GREAT awareNESS OF joy AND moveMENTS AND music WHICH WOULD MAKE HIM laugh OF ALL THAT HE WAS creating WITHIN THIS focus.

      Tracy FEELS away OF THE action. IT seems QUITE human… NOTHING IS white DURING twilight, SHE noticed, AND FELT given TO understand.
      AS MRS Bellamy, SHE WOULD HAVE stopPED LONG ago, HAD NOT come THAT powerful mummy.
      WITH Georges startING TO APPEAR, worry BECOMES quietNESS FOR Jib, AND crystal-CLEARNESS FOR Sam.
      MANY years AHEAD IN A GALAXY far-AWAY, ANOTHER Dory IS named AND readS ABOUT DR Bronklehampton’s WORKS.
      HAVING TAKING leaveS, AND BEING gone FOR ALL, OLD Hrih DELVES INTO THE skulls AND HIS eyes SEE A next hope IN A book.
      MovementS HAPPEN FOR Claudio already… THE world woke UP IN surprise.
      A known sense OF TIMESPACE-travel APPEARS IN THE commentS, AS seen THROUGH light.

      Akita’S body AND mind started TO ACT LIKE A saint AND FEEL strange under THE change.
      “TO danGER, bugger!” WAS HIS decision NO longer… HE FELT warm… Towards THE worlds treeS, askING HIMSELF IF IT WAS A game, HE SAW TWO male children PLAYING against EACH OTHER.
      THEY managed TO show HIM THAT THE Murtuane WAS familiar.
      THE whole air WAS speaking. IT sort OF opened ITSELF SO THAT HE knew later OF THAT SPECIAL room OF TIME AND SPACE, AND HAD THE WIND AGAIN BRUSH HIS skin similar TO WHEN HE WAS seeing home IN HIS HEAD.

      Felicity IN THE BEDlam SAW half-formS, COUNTING three OF THEM, INCLUDING Gustav IN THE saloon, AND Becky WHO WAS THINKING SHE WAS AGAIN IN THE wrong PLACE: A monastery!
      SHE’D RATHER HAVE yourself BE A star, AND HERSELF BE HERE TO MAKE THE FUN postS AND playing lost.

      Eight powers smiled: true saying!
      THE sisters focuses IN THEIR caveS HAD SOME fine land TO PLAY WITH.
      Apparently sound WAS key once, BUT THE VOICES IN THE night speak UNCEASINGLY, AND TO write SOME great stories, SPEAK strongLY. THEY seem TO BE feeling yesterday SOME perfect movements…

      THE marmoset HAD FOUND A family, AND funny wordS TO process. IT laughed short GIGGLES
      AS FOR myself, SAID THE cat TO Floyd, I’D create A party-LIKE life, WHERE I DO AS I please, AND LET paper WORK AND feelINGS AND desireS AND tryING AND tellING TO monkey.
      THAT shapeD SOME fun, AND syncHRONICITIES AGAIN happened SHORTLY.

      IN THE FLOWING water, “aum” SOUNDS RIPPLED IN A huge dear dance beginning TO REFLECT himself IN images. HE sighed AS HIS attention GOT INVOLVED IN THE trip AND HE remembered…
      ON THE beach, obviously AWARE OF THE synchRONICITIES, THE creatures wanted TO CLAP THUNDEROUS applauseS.
      LIVING THE dead GUYS’ ideaS…

      #465
      ÉricÉric
      Keymaster

        Al was discussing with Sam on the phone.
        He was reminded of the good advices Tina had told him to try before Hari Amgic: a treatment based on organic sulfur for his hair loss…
        All he could get at the time was frizzy blond hair that would fall like red leaves in autumn…

        But now all was for the best for his hair, he had maintained his hair at a manageable and sustainable growth rate, but somehow this seemed to have been sent back on his nails which were now growing alarmingly fast…

        At least he had a perfect excuse since no shoe would be stretchable enough, to wander barefoot as he liked to do, though Tina was finding that a bit yucky.

        This had been seen in the past apparently, as Al was searching in the World’s Archives…

        #443
        ÉricÉric
        Keymaster

          When Arona woke up, still groggy, she found herself inside a cave, near a crackling fire of dry wood smelling of pine sap with blends of rosewood and sage leaves.
          Vincentius was tending the fire and boiling some marshmallow scented tea when she opened her eyes.
          Apparently the baby was nearby and sleeping too, except that it was no longer a baby, but Arona would have recognized the endearugly face whatever its age. Was Yikesy really an Ugling baby with shape-shifting powers? Or had she simply slept for years?

          Arona was doubting, was all of this even real, for Ghört’s sake? Or another plot of the wicked witch she had met moments (moments?) ago?

          Vincentius smiled at her.
          Was he even Vincentius?

          How are you Arona?
          Bit weirdo she snapped, wanting to test the acceptance of Vincentius who would certainly soon reveal his true nature if he wasn’t truly Vincentius.
          Weirdo is perfect smiled Vincentius, You are really tough, I thought it would take you longer to wake up

          #1313

          In reply to: Yuki’s Livrary

          ÉricÉric
          Keymaster

            November 9 th

            For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
            The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
            A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

            It has prompted Yurick to remember something, which had lots of meaning to him.
            Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
            And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
            So he took it back home, where it was planted and still continues to grow at a rapid rate.

            Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

            Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

            Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

            #424

            — The legend of Mævel — (Part VII)

            Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
            In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
            Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

            — I think I know where we can find some Forgotten One in need.
            — Where? asked Mævel

            The fox paused, then answered her question:
            — Near your human parents’ home.

            Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

            — Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
            — Free us? I thought you were the one Cursed?…
            — Yes I am, and…
            — How do you know my parent’s home? How much do you know about me?
            — I know you since you are a baby actually. And even before…
            — Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
            — You’re right, there are links, links that are important, and that I cannot reveal.
            — Why can’t you reveal them?
            — Let’s go to your human parent’s home…
            — Why do you always say my human parents?

            The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

            Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

            — Is that the Forgotten One we will help?
            — Yes.
            — Why do you need me? You could help her, couldn’t you?
            — She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
            — Hang on a minute… Why do you think she will see me?

            Mævel looked into the eyes of the fox, and she knew.

            — We are linked.

            It was more an affirmation than a question.
            Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
            Mævel’s voice was broken:
            — My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
            — No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

            So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
            Mævel felt the pain of the Forgotten One as she approached her.

            — Who are you? she suddenly asked Mævel, raising her head at her approach.
            — I am Mævel.
            Mævel… It means marvel of Maÿ… I was born in Maÿ…
            — What are you doing here?
            — This is my parents’ home.
            — How is that possible?
            — Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
            — Blohmrik?!
            — Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
            — How do you know all that?

            — I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
            — That’s the reason of your curse, is it?
            — Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
            — So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
            — Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

            — Who are you talking to? the shadowy figure asked, bemused.
            — Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
            — Yes there is, answered the blue fox, and you can undo what has been done with it.

            Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

            — You can manifest it again Mæ, said the fox. It is with you. You are its lock.

            And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

            Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

            « Araoni »

            That was her. She was remembering, and everything started to change.

            :fleuron2:

            The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

            Even Lejüs had been invited, even though he would have preferred to be Forgotten…

            :fleuron:

            And so my story ends… said Captain Bone to Tomkin.

            — And was the shadow remembered by her true parents? had asked Tomkin.
            — Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
            — You didn’t tell me the name of the true daughter, did you?
            — No, I didn’t, said Captain Bone with a wink.

            #414

            Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

            It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

            Captain Bone had laughed.

            — Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
            — So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
            — Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

            Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
            But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
            There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
            Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

            Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
            Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
            But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

            Tomkin laid down on the warm sand, looking at the clear starry night.

            ***

            — The legend of Mævel — (Part VI)

            Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

            ***

            Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
            He could chose any of them… But, would that make the story the same?
            Then he recalled that it was his own story… So why make it difficult then…

            The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
            Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

            Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

            ***

            — Oh, really? Mævel was saying
            — Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
            — I want to help you.
            — Fine. You know about Shaint Lejüs Festival?
            — Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
            — and of the Accursed Ones.
            — Oh…
            — That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
            — Every year? Why then aren’t all of them Remembered?
            — Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
            — Yes, I remember now…
            — There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
            — And Accursed Ones?
            — For them to be Graced, they need to do one pure act of altruism.
            — A simple act?
            — Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
            — How so? You probably saved her life?
            — Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
            — I understand. And how can I help?
            — One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
            Shaint Lejüs Festival is tomorrow…
            — Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

            #1308

            In reply to: Yuki’s Livrary

            ÉricÉric
            Keymaster

              September 24 th

              Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

              Relevant extracts:

              At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
              […] HE KNEW HIS WAY INSIDE !
              When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
              focus opening/doors ; time/space…
              The central cavernous part is some kind of key center, where anyone can meet…

              This has inspired Quintin to write some notes too.
              He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

              September 26 th

              The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

              Here would be what we will say to him, if he wants to listen:

              « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
              Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
              These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
              And you begin to really experience it, and really pay attention.

              « As was expressed many times, “essence” is no thing. It is an action.
              The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
              In that, your purpose, you see, is only to experience, nothing more, nothing less.
              And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
              Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
              Just as your dreams at night overlap and blend into each other.
              Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

              « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

              « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
              In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

              « Let us explain this in other terms.
              When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
              In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
              You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
              Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

              « We will let you ponder this, and we will continue our own story, writing about you… »

              September 28 th

              This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
              Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

              Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
              It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
              And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
              It is almost limitless in your understanding.
              As is your magic.

              This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
              The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
              The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

              As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
              In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

              With that said, let us see how much more will appear from that sandbox…

              September 30 th

              The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

              The Secret Life of Margaret Wrick , a newspaper cut from 2033.

              October 7 th

              The dragon Naasir’s dream
              A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

              And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

              #186
              F LoveF Love
              Participant

                Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                Use your magic, she had said.

                When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                :fleuron: :fleuron: :fleuron:

                The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                Thank you for having me room, she said as she left.

                No, thank YOU, replied the sleepy glukenitch.

                :fleuron: :fleuron: :fleuron:

                The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                Why sad?

                I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                You always know, just feel it

                So Arona closed her eyes tightly and allowed herself to feel the answer.

                Because you know who you are, and it made me realise I have no idea who I am.

                Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                Arona, who had felt immediately connected with the young child frowned.

                Doesn’t the little girl feel left out?

                Go in, said the woman, Go inside the picture and feel the answer.

                Oh, and you might want to leave your cloak behind.

                So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                I remember feeling like that, thought Arona, before the magic went.
                She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                :fleuron: :fleuron: :fleuron:

                Arona returned to the cave.

                You look troubled

                Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                Arona shuddered a little. I might not jump into that one .

                The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                Well I gave her the same advice, years ago.

                More damn riddles, Arona thought to herself, and the woman laughed.

                One final painting of yours I would like to show you. It is beautiful is it not?

                Arona stared mesmerised for a moment, and then leapt right in.

                She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                Dance Arona, she heard the woman’s voice

                I can’t dance like that, I’m not good enough.

                It doesn’t matter

                And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                :fleuron: :fleuron: :fleuron:

                Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                Things are shifting she said

                Oh lordy, are they said Arona, What should I do now?

                Feel the answer

                Arona felt. I am very hungry, eggceptionally so.

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