Search Results for 'liz'

The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.

She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—

A flicker of light.

“Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”

Evie rolled her eyes. “Less theatrics, more analysis, TP.”

Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.

“Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.

Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.

TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”

Evie looked up. “Go on.”

TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”

Evie frowned. That wasn’t how safety protocols worked. Unless—

She tapped rapidly through the logs. Her stomach dropped.

The system hadn’t flagged a human inside at all.

Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.

Evie’s pulse quickened. This wasn’t just murder.

It was premeditated.

Matteo — December 2022

Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

“It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

“New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

“And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
“Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

“Let me see…”

Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

The app processed for a moment before responding in its overly chipper tone:
“Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

“Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

The app spun its virtual gears and spat out a more detailed suggestion.
“Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

“Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

“You think she’s got more work like that?” he asked, more to himself than to Juliette.

Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

The app processed again, and the next response was less clinical, more anecdotal.
“Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

“Maybe she’s your type,” Juliette teased, grinning.

Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

“Shades of PUNK, Liz’, I meant, shades of punk, of course.” Godfrey vociferated in exaggeration.

With all the agitation that Liz’ had to endure with the botapocalypse she was worried about, Godfrey couldn’t have her more distracted about acquired tastes of colours. Liz might have not liked pink, but pink liked Liz with a passion.

While she was out of earshot, he still couldn’t help but wink and whispered to her shadow conspiratorially “and don’t worry, your secret is safe with me.”

He jumped when Finnley smirked in his back.

“What have you been doing, lurking in the shadows?”

“I don’t do lurking, that’s called discretion. Hardly what I would call all that hot pink froufrou that I found in the wardrobes and took for a needed dry-clean. Don’t thank me. Well, nobody does, anyway.”

Seeing the surprised face of Godfrey, a million thoughts raced through her mind; She shrugged “I’m not sure I want to know about all these secrets. Now let me do my cleaning and scurry away.”

“What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”

“Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”

“Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”

“Driving you nuts, you mean?”

“Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’ ”

“It’s quite brilliant I must say; how much of it is from the artificial box?”

“That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”

“I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.

Matteo — Autumn 2023

The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

“They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

“Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

“Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

Darius: The Call Home

South of France: Early 2023

Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

“Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

“I’ve got some things in the works,” he’d say, avoiding their eyes.

But the truth was, he didn’t.

It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

 

When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

“Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

Arrival in Guadeloupe

The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

“You look thin,” she said, her tone clipped. “Let’s get you fed.”

The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

“You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

He nodded, too tired to argue.

The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

“Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

A Turning Point

One morning, as the sun rose over the fields, his aunt handed him a machete.

“Today, you clear,” she said.

He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

“You’re starting to see it, aren’t you?” she said.

“See what?”

“That life isn’t just what you chase. It’s what you build.”

Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

The Bell

It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

Darius nodded, unable to speak.

“Good,” she said. “It means you know the way back.”

By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

 

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

 

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

 

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

 

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

 

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

At the Café

The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.

Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.

The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.

“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.

“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.

Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”

“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”

She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.

The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.

“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.

“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.

Lucien snorted. “Still paying for strangers’ stories, I see.”

“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.

The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.

“You’re late,” Darius said, but his voice carried no accusation.

“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”

Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”

“Not all of us live in Paris,” Elara said, with a glance at Lucien.

“Only some of us make better life choices,” Lucien replied dryly.

The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.