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March 1, 2025 at 3:21 pm #7849
In reply to: The Last Cruise of Helix 25
Helix 25 – The Genetic Puzzle
Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.
She took a sip of her long-cold tea and exhaled sharply.
Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.
The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.
Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.
Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.
But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.
Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.
Except in this case, there was evidence that something had triggered them.
The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.
And more surprisingly… it wasn’t truly random.
Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.
The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…
She rubbed her forehead.
“Impossible.”
And yet—here was the data.
On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.
Earth – The Quiz Night Reveal
The Golden Trowel, Hungary
The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.
Once the postcards shared, everyone was listening as Tala addressed the group.
“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”
Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.
She turned toward Vera, who was already inspecting her own card with keen interest.
“Tower of London, anything exciting to share?”
Vera arched a perfectly sculpted eyebrow, lips curving in amusement.
“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”
She spun the postcard between her fingers before answering.
“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”
“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”
Molly inhaled sharply.
Remnants of the Lady of the Lake ?
Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.
If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…
Her fingers tightened around the postcard.
Unless there was something behind her ravings?
Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”
Finja had spent most of the evening pretending not to exist.
But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.
“Alright,” she muttered. “But just one.”
Molly exhaled in relief.
The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.
Because it wasn’t just Molly who wanted to ask.
Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.
Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.
So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.
Finja closed her eyes.
The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.
The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.
She reached out—
And the voices crashed into her.
Too much. Too many.
Hundreds of voices, drowning her in longing and loss.
“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”Her head snapped back, breath shattering into gasps.
The crowd held its breath.
A dozen pairs of eyes, wide and unblinking.
Finja clenched her fists. She had to shut it down. She had to—
And then—
Something else.
A presence. Watching.
Her chest seized.
There was no logical way for an AI to interfere with telepathic frequencies.
And yet—
She felt it.
A subtle distortion. A foreign hand pressing against the link, observing.
The ship knew.
Finja jerked back, knocking over her chair.
The bar erupted into chaos.
“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”Her breath came in short, panicked bursts.
She had never thought about the consequences of calling out across space.
But now…
Now she knew.
They were not the last survivors. Other lived and thrived beyond Earth.
And Synthia wanted to keep it that way.
Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.They were coming back.
February 8, 2025 at 7:22 pm #7776In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
January 12, 2025 at 11:51 am #7711In reply to: Quintessence: Reversing the Fifth
Matteo — December 2022
Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”
Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.
At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.
“It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”
“New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”
“And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
“Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”“Let me see…”
Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”
Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.
The app processed for a moment before responding in its overly chipper tone:
“Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”
“Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”
The app spun its virtual gears and spat out a more detailed suggestion.
“Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”
“Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”
Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”
Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”
Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”
The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.
“You think she’s got more work like that?” he asked, more to himself than to Juliette.
Juliette handed him the phone. “You’re the one with the questions. Go ahead.”
Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.
The app processed again, and the next response was less clinical, more anecdotal.
“Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”
“Maybe she’s your type,” Juliette teased, grinning.
Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”
The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.
To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.
Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.
December 23, 2024 at 10:36 am #7707In reply to: Quintessence: Reversing the Fifth
Matteo — Easter Break 2023
The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.
Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.
Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.
“Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.
She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.
The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”
Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.
“This guy’s great,” Matteo said. “What happened to him?”
“Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”
Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”
The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.
As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.
“The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”
“Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”
Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”
“Reinventing where they came from, like us, always reinventing where we go…”
Juliette chuckled but didn’t reply.
Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.
As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.
Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”
“Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”
Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”
Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”
As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.
December 14, 2024 at 8:00 pm #7683In reply to: The Precious Life and Rambles of Liz Tattler
“What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”
“Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”
“Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”
“Driving you nuts, you mean?”
“Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’ ”
“It’s quite brilliant I must say; how much of it is from the artificial box?”
“That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”
“I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.
December 14, 2024 at 6:42 pm #7682In reply to: Quintessence: Reversing the Fifth
Matteo — Autumn 2023
The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.
His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.
“They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”
His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.
Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.
A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.
Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”
“Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.
The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.
He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.
Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”
He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”
Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.
Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.
Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:
“Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”
December 11, 2024 at 4:41 am #7662In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
December 10, 2024 at 9:42 pm #7661In reply to: Quintessence: Reversing the Fifth
Early May 2022
“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.
It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions. It’s so nice to have a conversation in English, she couldn’t help thinking.
Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”
Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”
“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”
“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.
November 20, 2024 at 9:21 pm #7609In reply to: The Incense of the Quadrivium’s Mystiques
“You! I never expected to see you here!” What was Thomas Cromwell doing in the colosseum in the year 1507? “Oh, of course, you were in Italy…what on earth are you wearing?” Truella asked, in some confusion. Never had she seen such an elaborate codpiece, and nobody else was wearing one.
He took his feathered cap off and ran a hand through his hair. “I’ve been to the very gates of purgatory trying to get back to Austin Friars, I unintentionally left Malove there.”
“In what year?” Truella was aghast. “How long has she been there? Who is she with? Is she safe?”
“There is no time to lose, how do I make this ~ this ~ thing go where and when I want?”
“Never mind that now, you had better come with us,” Trella was looking around to see where the others were. “We’ll all have to go. What’s the weather like? What are we going to do about clothes?”
“Clothes?” asked Jeezel, sneaking up behind them through some exotic foreign bushes, “Just you leave that to me! I’ve already found a marvellous museum costume shop. Did you get that codpiece there?” she said to Cromwell. ” I saw one in there similar to that, but with less padding.”
“Here you are,” announced Frella, suddenly appearing out of nowhere with her arms draped in costumes. “No time for shopping, so I did a quick spell.”
Why didn’t I think of just doing a spell? Truella wondered, not for the first time.
You never do was the unspoken reply that entered the scene with the appearance of Eris, armed with the approriate spells. “Right then. Here we go.”
November 20, 2024 at 6:39 pm #7608In reply to: The Incense of the Quadrivium’s Mystiques
“Maybe I’m just old fashioned but those things are just weird,” Truella shook her head as she tried to get her focus and equilibrium back. “Great pics though, Jez. Look how clean my nails are.”
“I thought we were going to Amalfi, I was looking forward to that,” said Frella, not sure whether she liked the VR pod experience.
“So was I until I found out about the Limoncello. Can’t stand that evil brew, instant heartburn.”
“You don’t have to drink it, Tru,” Eris replied with a withering look. “We need to buy a few things before Giovanni’s time travel trip to the abandoned Colosseum. Secateurs and zip lock plastic bags for the seeds and plant cuttings. I wonder where the proper stores are, we seem to be surrounded with souvenir and gift shops and bakeries.”
“I’ll get a trowel. No, I’m not planning to start a dig, but it might come in handy. I’ll go with Eris and you two can mooch about buying over priced tourist tat. Get me a dozen postcards, will you? And some shawls and scarves for the photos at the Colosseum.”
November 18, 2024 at 9:40 pm #7605In reply to: The Incense of the Quadrivium’s Mystiques
Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time. But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.
She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes. Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character. Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.
Hardly any men though, I wonder why?
When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”
Laughing, Truella tipped another packet of sugar in her coffee. “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”
“Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,” adding I’m on holiday by way of excuse.
Absentmindely Frella passed over the paper packet. “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”
Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers. It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”
“Gosh” said Truella, leaning back and folding her hands. What an idea.
November 18, 2024 at 8:46 am #7603In reply to: The Incense of the Quadrivium’s Mystiques
“That was such a pleasant trip!” Truella said with a happy sigh, “First time I’ve ever been on a coach full of Italians, but weren’t they fun! Especially that Ravioli dude.”
“I think you mean Giovanni,” Frella said with her usual eye roll.
“Giovanni, yeah, he said he’d take me on a time travel tour of the Colosseum.”
“That sounds awful! You can’t be serious!” Jeezel said with a look of horror.
“No, not back to when it was in use, but back through the ages of its abandonment. It sounds ever so interesting. Apparently there were flowers and plants growing in there that nobody had seen before, they reckoned the seeds must have come in with the exotic animals.”
“Now that does sound interesting,” Eris said, “I wonder if we could time travel back and collect some herbs and seeds to use in our spells.”
“Well we’re supposed to be on holiday, not thinking about work,” Truella glared at Eris, “But I don’t see why not. Giovanni said there was a hermitage for pilgrims inside the colosseum, and it was covered in vines, a botanical paradise in the midst of the city, he said. We could take a picnic!”
“Yeah, that does sound good,” Frella was warming to the idea.
October 30, 2024 at 3:58 pm #7576In reply to: The Incense of the Quadrivium’s Mystiques
After the postcard craze had passed, Frella returned to Herma’s cottage several times to study the camphor chest. Every day for a week, Herma let her into the living room, where she would sit quietly in front of the chest, sometimes for hours. The wood’s glossy surface would catch the light, warm and rich, like polished honey. Frella would trace the strange curves of the mysterious engravings with her fingers, feeling the subtle dips and rises beneath her touch. The patterns felt ancient, worn smooth in places, yet sharp along certain edges, as if holding onto secrets just out of reach.
Then, as she lifted the heavy lid, a soft creak would break the silence, the hinges groaning as if they hadn’t moved in ages. A burst of cool, earthy fragrance would immediately rise, filling the air with camphor’s sharp, clean scent, mingled with faint hints of aged cedar and spice.
It didn’t take long for Frella to notice that each time she opened the chest, she would find a new object among the old papers and postcards. It was never the same. Once, it was an old brass spyglass; another time, it might be an ornate compass with seven directions marked. Yet another day, she found a teddy bear. By some odd coincidence, each item always seemed to be something she needed in her life at that particular moment.
When Eris informed them that Malove was most likely under a powerful spell, Frella found the mirror. An inscription carved clumsily on its back read, “This Mystic Mirror belongs to Seraphina.” The mirror’s metal was cold, tarnished, and in need of a good polish. Jeezel would have surely raved about the intricate vines of silver and gold, twisting in delicate patterns that seemed to shift with the viewer’s perspective. But what captivated Frella most was the glass itself. It held a faint opalescent sheen, swirling with hints of colors, like a rainbow caught in crystal.
The first time Frella looked into it, she saw, behind her own reflection, an elderly woman with silver hair handing the mirror down to a little girl who looked just like Frella had as a child. The clothes were peculiar, and the room they stood in looked as if it belonged in a fantasy movie. Then the little girl began carefully carving something on the back of the mirror with what looked like a golden chisel. When she finally turned the mirror and looked into it, her reflection replaced Frella’s. She said something, but there was no sound. Frella had the distinct impression that the girl’s lips had formed the words, “We are the same. It’s yours now; you’ll need it soon.” Then she vanished, and Frella’s own reflection reappeared.
Still filled with awe at what just happened, Frella wondered if Seraphina was a long lost ancestor. “Was that chest also yours, Seraphina?” she asked in a whisper to the ghosts of the past.
July 5, 2024 at 6:39 pm #7531In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman.The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
June 21, 2024 at 8:37 am #7515In reply to: The Incense of the Quadrivium’s Mystiques
“Or someone willing would do.”
Moments ago, the witches had turned at the uninvited guest who had appeared out of nowhere in the middle of their brainstorm.
Sister Audrey was in the corner, and looked at the assembled lot with a cold stare. “Any witch worth her salt knows that. It’s better for a possession spell to be on willing host, the simpletons are really last resort. I’ll do it. I understand you need your coven to uncover some mysteries, and what’s best than to start trusting each others.”
Truella, Jeezel, Eris looked at the floating orb with a question mark on their face.
“What say you Frella?”
Frella, at a loss for words, and mildly peer-pressured, replied “oh FFS, I suppose so.”
April 27, 2024 at 6:28 pm #7440In reply to: The Incense of the Quadrivium’s Mystiques
“Not another one!” exclaimed Truella. “Another time and money wasting conference in another bloody castle!”
Eris sighed. “It’s a party, a birthday party, not a conference. You know, one of those fun things that people do for entertainment.”
“If Malove planned it there is bound to be a catch. It’s another money making pushy sales thing, I bet.”
“Actually,” Frella ventured timidly, “You’re right, it’s not just a birthday party.”
“How would you know?” Jez was blunt.
Frella stammered nervously, “Well I, er, I overheard a snatch of conversation, you see…”
Jeezel gave her a piercing look and said “And? What did you overhear?”
“Something about the pink spider. We have to find it for some reason, before the others do. Well of course Malove was going to tell us,” Frella rolled her eyes at Truella, “But not until we got there, at the last minute. And no, I don’t know why. And I don’t know what the pink spider is, either. But maybe we can find out before we get there.”
“What’s the castle and where is it?” asked Truella.
“It’s the Flossy Liar Chateau,” replied Eris, “In France somewhere. Maybe you can find out some of the history, Tru. Frella, do some research on the botanical garden. And Jez, the costumes…”
“Getting a bit bossy, aint she,” Jez said to nobody in particular, and to Eris she asked sweetly, “And you, dear? What will you be researching?”
“Why, the legends of witchcraft, obviously. There are bound to be some legends and witchcraft.”
April 7, 2024 at 7:35 am #7420In reply to: The Incense of the Quadrivium’s Mystiques
Spring was there. At 5:57am in the morning, true to her name, Truella had been planting truelles incognito in what appeared to be random flowerbeds in the cities she was passing through. The truelles, she would usually find with the locator spell in sheds around the city and magic them out right into her hands. She loved magic for its efficiency, which really meant there was no need to break in and forage for hours in cramped little rooms.
As she was following a border of plane trees, she chuckled. Believe it or not, she practically invented that spell. At least that’s what her mother used to tell her when she was 6yo and she often wandered alone around the city without mentioning it to anyone. At the time, she had believed her mother. She had bragged about it with her friends at school and pretended she had forgotten all about it like because of a bump on her head. But truth is she had frequent memory losses, which didn’t worry her at the time, and she found it cool to be able to do things and rediscover them later on.
It was an uncle with a dreadfully red moustache, who took pity on her and decided to shatter her dreams of early accomplishments and fame. Was it that same year? Or the next?
Anyway, back to the truelles, she didn’t do it for people to take photos of it and post them to social media, like gawdy Jeez seemed to think, but it was to remind people of the treasures they had buried in those dark little rooms just there in their gardens. How long would it take them to realise that those forgotten tools had disappeared?
Pleased with herself, she noticed a man with a white shirt leaning forward in front of one of the plane trees, his right hand on the bark, two paper bags full of croissants in the other. Frowning, she walked towards him. She was about to ask if he needed help when a strong smell of alcohol made her gag. Then without a warning, the man threw up a red mash in front of him. Truella jumped back, raising the truelle as if it could protect her from any splatter.
“Eww!” She wouldn’t dare saying anything else as opening her mouth could open the gates for her own early toasted cheese fritter. At least the man would not need embalming fluids if he didn’t survive his nocturnal drinking spree.
She cast the truelle in front of the tree and a spell on the man so that he would bury deep the traces of his last meal. She didn’t want the neighbourhood dogs getting drunk after feasting on it.
March 10, 2024 at 8:54 am #7401In reply to: The Incense of the Quadrivium’s Mystiques
It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s. But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.
Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children. Her older siblings had already married and left home when she was growing up, and her parents were elderly. She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river. She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.
Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it. Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up and get out of her peculiar ways. Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.
It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered. The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.
One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.
“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push. “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.
Flora did as she was bid, and slowly approached the shade of the old willow. As soon as she reached the dangling branches, the tree whispered a welcome to her. She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.
“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit. Gratefully, and with a welcome sigh, Flora joined her.
Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.
Over the years, the willow tree shared it’s secrets with them both.
One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches. They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time. In fact, they were unable to read it, as girls were seldom taught to read in those days. They secreted the old tome in the trunk in the attic with the other things they’d found.
Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic, and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments. Truella took the trunk for safekeeping.
When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!
February 11, 2024 at 12:34 pm #7366In reply to: The Incense of the Quadrivium’s Mystiques
“Are we going down a sewer?” asked Truella as if you’d asked her to put her hand into dragon poop to see why they had diarrhoea. She was wearing the green blouse of a nurse. Jeezel’s thought the colour was almost a match with the witch’s face.
“Don’t be difficult,” said Frigella a bit annoyed. “You spend most of your free time in a hole as a hobby.” She was readjusting her purple blouse, which seemed to be bit too big for her.
“It’s my hole,” said Truella. “I know what’s in there. It’s got nothing to do with that murky miasma of decayed dreams and digested dinners piling up down there as a testimony of Limerick’s population’s contemplation of their puny lives on their pitiful thrones. And the stench, it cuts through the air, it would make a maggot gag. I tell you, certain portals are best left untraveled. I wonder why Malové has left you in charge of the portal.”
“We won’t go through the sewer,” said Jeezel. “It’s an ancient spell I got from my grand-mother Linda Pol from the time of her Time Travelling drag show. It creates a vortex impervious to any smell. If maggots gag it’ll be because they saw your panties.”
Truella, who had never learned how to hold her tongue, started to open her mouth when Malové arrived. She inspected every witch’s nurse attire and winced at Jeezel’s white blouse that made the tall witch look like one of those nightingale from the 50’s.
“Will you be able to breathe?” she asked. “We don’t want to be stuck here because you fainted before finishing your spell.”
“This is my natural silhouette, whispered Jeezel. The fabric is very stretchy. Anyway, I’m using sigils to cast this spell.”
Truella stopped her snort short when Malové glanced at her own blouse.
“As for you, your words are not the only thing you could iron out.”
Then she gave a nod of appreciation to Frigella and Eris. “Then we’re good to go.”
Jeezel started to draw lines and curves in space above and around the manhole, she looked like a peacock flaunting its feathers. Then she used her orange gloss to draw the one sigil around the manhole and invoked its name. Frigella who was seeing it performed for the first time had the impression Jeezel said “Fern” but she wouldn’t put her hand in a witch’s fire for it. The manhole cover shimmied and shook like it was coming to life. It lifted, hovering with all the grace of a duchess at high tea before sliding aside.
“Et voilà,” said Jeezel with glitter in her eyes. “Who’s first?”
Eris, intrigued by the vortex of glowing and sparkling with all the magical energy coursing through it, jumped right in, not waiting for anyone to answer.
January 30, 2024 at 8:32 pm #7327In reply to: The Incense of the Quadrivium’s Mystiques
Her garden, oh, it’s a living canvas of her passions – a wild, untamed thing with bursts of vibrant color and the heady scent of jasmine and orange blossoms that intoxicate the senses. But beneath its beauty lies a secret, a whisper of the past that Truella, with her insatiable curiosity and archeological fervor, has unearthed: the remnants of an Andalucian Roman villa.
Imagine the thrill, the pure, unadulterated bliss of discovery, as her fingers brush away centuries of soil to reveal ornate mosaics, fragments of pottery that once held the finest olive oil, and coins stamped with the visages of long-forgotten emperors. Each artifact, a breadcrumb leading her deeper into the enigma of history.
But, of course, Roger, our simple-minded gardener with not a thought in his head beyond petunias and pruning, has proven to be surprisingly useful. His brawn has unearthed more than his fair share of antiquity, even if he hasn’t the faintest idea of its significance. “Look, Truella, I’ve found another shiny rock,” he says, and I, Lisia Tattius, can only chuckle at the delightful irony.
Truella’s Andalusian escapades could fill volumes, and perhaps they shall. There’s something deliciously appealing about a woman alone, grappling with the very fabric of time amongst the ruins of an empire.
Truella couldn’t see any benefit in rewriting all that and thanked Lisia very much, although she did wonder who Roger was. A gardener though! Someone to carry all those buckets of dirt hither and thither. Someone to dig the next overburden!
Was there a spell for dissolving an overburden, she wondered? Inspired, she could already imagine how easy it would be to convince the team that this spell would have beneficial and universal applications.
Truella was pleased to see the mention of mosaics, the very thing she wanted to find. She planned to make a mosaic detector wand. But Truella didn’t want Lisia telling her where the mosaic was because it would spoil the whole thing. Mentioning mosaics, however, as already found, was the perfectly measured tincture of encouragement. A bit like spells in general really. Tricky business, getting them right.
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